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  • Warning: Spoilers
    This is by far one of the darkest movies I've ever watched. Within the first 10 minutes of the movie witness the delusions of Stockholm Syndrome. Not long after, comes the complete meltdown of a war vet alienated by PTSD. "IT'S MY FUNCTION," as he puts it.

    Continue watching for allusions toward the superficial and lonely stage of a Hollywood star (or should I say, flower), organ trade (pawnshop), and my favorite part of the movie where a junkyard, featuring the song, "Worthless" serves metaphor to retirement homes.

    Retirement homes are presented as a junkyard in this movie. Think long and hard about that before calling this a children's movie.

    The antagonist is a child, "Master" of a group of home appliances each suffering from unique mental illnesses including but not limited narcissism, anxiety/panic attacks, depression, dissociative identity disorder, and co-dependency.

    It's a disturbing tale brilliantly disguised as a children's movie.
  • Warning: Spoilers
    This movie directed by Jerry Rees probably traumatized a lot 1980's & 1990's kids. For me, the eerie story produced by Hyperion Pictures, distributed by Disney, and based on the 1980's children's novel by Thomas M. Disch: The Brave Little Toaster: A Fairy-Tale For Appliances was a fun watch. It tells the story about five household appliances: Toaster (Voiced by Deanna Oliver), Radio (Voiced by Jon Lovitz), Blanket (Voiced by Timothy E. Day), Lamp (Voice by Tim Stack) and Kirby the Vacuum (Voiced by Thurl Ravenscroft) on a dangerous long quest to find their owner, referred to as the Master. Disney had bought the movie rights to the novel before it was even able to get published! I noticed about the novella, was that it was generally much lighter in tone than the film. The film really is very unsettling for a kid's movie. As much, as I like it, I don't believe, really younger audience members should see it. There are disturbing things that cannot be unseen, like the firefighter clown or the poor blender getting his motor, rip out, like a person getting his organs harvest in the black market. The worst had to be, the withering death of a love-sick flower or car death camp scene. Those scenes still make me sad. The movie really tries hard to contributing a feel-good nature to the already depressing premise. Sadly, it doesn't match up that well. A good example of this is the meadow segment, with a burlesque comedy of beavers, turtles and squirrels, culminating in a grand 1930s style musical water ballet of frogs and an operatic fish. It felt out of place. For a film that has a really dumb premise, it's surprising very smarten delivered. There are tons of fan theories about this movie. You really can go into the movie hidden themes, like how the movie acts like a social commentary and critic to 1980s over-consumerism and throwaway society. The appliances could represented, the older generations like the Baby Boomers & the Greatest & Silence generation trying to find a reason to live in a Generation X, type world, where they don't matter as much. Older people can relate to those appliances, because they saw themselves, being replace in the job field, family life and others. A good example of this, is the scene with the pickup car that formerly belonged to a Hopi reservation. His driver told him to his face that he was worthless and junked him, despite his being in near perfect condition. It could represent how even the Native American became a bit too materialism in the world. Another theory is that movie is secretly really about the Holocaust and how they 'the masters' AKA Nazis dealt with the mentally challenge. People say that the appliances represent mentally ill people that had been abandoned, because people see no use with them. The toaster has extreme Claustrophobia. Lamp has aggression issues. Vacuum has OCD. Blanket has stalking issues/extreme co dependence and Radio is bi polar. I can see, where people might get this idea. After all, characters like the Radio talks as if he's living in the 1940s and the car junkyard could represented the Nazis death camps. Other people think it's about Uncle Toms slave during the days of American slavery. Once again, I can see why people think that way. The biggest fan theory that I heard is that the movie represented how God sees suicide. Just think about it: five appliances wait patiently for their Master to return AKA God/Jesus. They are almost tricked into thinking that he has abandoned them, but they overcome this and set off to find him and the City of Light AKA Heaven, only to believe, they been replace. Their many adventures are metaphorical for the trials and tribulations of life, when they gave up on him, they went sent to the junkyard, representing hell and Satan. Then, we meet sad stories of car, telling stories about their owners giving up on them or themselves like the Texan, the Indy 500 car, and the woody wagon. It's really heavy to take. This movie is 2010's Toy Story 3 if it went to the extreme. It's a lot more mature than a lot of kid's film, even today. A lot of dark imagery, but at least, the movie ends with a happy note. The animation seems a bit dated and grainy, but it somehow acts to reinforce the notion that the appliances are out of pace with their city competitors. It's not the best. The voice acting are pretty good for the most part. The movie has a lot of great music. "It's A B-Movie Show", "City of Light.", 'Worthless' and 'Tutti Frutti' are fun to listen to. The comedy is at a minimum, but somewhat funny. Most of the humor comes from the smartly written dialogue for the Radio. Mostly a hit, with a few misses. It should be noted that some of the people behind this film such as John Lasseter and Joe Ranft went on to work for Pixar. In fact, Lamp may be based on the same lamp used for the design of Pixar's first CGI short - which became the studio's logo. The original film was followed by two sequels. The first sequel was 1997's The Brave Little Toaster & 1998'sThe Brave Little Toaster Goes To Mars. Those sequels are not worth checking out. Can't recommended that. Overall: You can never be too old for this classic, but you could be too young for this film. Not a little kid's movie. More like a PG-13 film in today standards. So, grab a plateful of buttered toast, and your cozy electric blanket for this good, but gloomy film! It's worth watching.
  • Oggz14 February 2005
    This is excellent stuff, thank god for Channel 4 in the UK for showing it from time to time. I caught it one early morning, straight after a night of serious zonked-out clubbing - probably in the "right" frame of mind for it, you could say - and ten minutes into it I was hooked. Funny, witty, crisp and unusually dark for a cartoon kiddies story, it does work throughout, bar a couple of plodding moments. But the points the film makes and the motives it revolves around, although not new or original, are well placed and executed - companionship, callousness, bonding, slip shoddiness, arrogance, transience and loyalty are all treated in a way which justifies even the occasional lapses into exaggerated sentimentality.

    What's even more interesting is to see how the film works in the setting of it's own initial premise - that is, an "older" apparatus, with cruder animation, compared to the marvels of CG graphics which nowadays we take as set standards. And even there it's an overall winner, it shows that one doesn't need a high flying budget, the latest technology or big name voice characterisations to make a point and come up with a thoroughly enjoyable and heartwarming cartoon flick.

    Whether this will become a true children's animated classic is yet to be seen, but it's on the right path, and it's ageing really well. Recommended for pre-teens and their parents everywhere, plus just about anyone who gives it a chance. True, there are a few moments of horror which very young children might find upsetting (I myself never really got over my first viewing of "Bambi" all those years ago -even my mum was in tears) - but that's the deal.

    Watch it, highly recommended.
  • Warning: Spoilers
    When I was a little kid, my imagination was a dynamo of activity. My young nieces are just starting to grow out of that stage, which is sort of sad to me. Because never again will their minds be able to dwell within and without the fantasy world. This film captures that sort of mindset wonderfully. Of *course* the appliances get up and walk around as soon as we turn our backs. That's why we can never find anything!

    Seems like a lot of people who have posted here have made one of two mistakes:

    1) They have forgotten that children's minds have not yet been clobbered into creative submission like adults', or

    2) The adults didn't watch the movie before plunking their kids down in front of the TV and going back to regrouting the tub.

    While this is a fantasy about appliances, it is also a film about loyalty, companionship, and even fear. There are several disturbing scenes but I think many kids will find it intriguing more than scary. And if they do find it frightening, then it's a good way to discuss the things that scare them.

    This film is mostly for kids, but I think it has plenty of stuff to keep the adults awake, especially "Rabbit Ears", the black & white TV guy (look closely at some of the pictures he pulls out of the file cabinet). This film is infinitely better than other Disney films like "The Little Mermaid" and that sort of claptrap.
  • On the whole, it's a nice idea to make some domestic appliances the leading characters in a movie for kids. There are some good jokes connected with this idea because a new world is created that exists inside human being's world who of course have no idea that their toasters and hoovers are able to speak.

    Unfortunately, the quality of the pictures is rather poor, the movie is directed with some confusion, and also in the plot there are some holes, some developments which are insinuated but not unfolded then, e. g. the toaster kinda „falling in love` with the cuddly blanket. It's a pity that producers of such cartoons often think that kids are naïve enough anyway.

    The German version is a complete disaster concerning voices and dialogue becuause I think they changed a lot (I cannot prove it) and they were barbaric enough to dub the songs again. Hopeless.
  • Iama5yrold8 November 2005
    Warning: Spoilers
    What happened to amazing movies like The Brave Little Toaster? And I am not being sarcastic at all. This movie came out the year I was born and I've still not seen a better children's movie. And when I speak of good children's movies I don't mean things like Teletubbies which can mesmerize a two-year old; I mean movies that I can still watch today and adore. For example, I loved Finding Nemo, as well as Shrek (not Shrek 2) and a few others. But not since Toy Story have I really loved a kid's movie as much as BLT. Yes, I'm stealing the sandwich's abbreviation and giving it to the movie.

    The thing about BLT that amazes me the most is just how adult it is. I mean, sure, it's not very adult to have a toaster, a vacuum, a lamp, a blanket, and a radio (JON LOVITZ!!) going on an adventure to find their old "Master," and it may even be considered a little childish to be caught up on your old things-- but forget about the overtones! What about that nightmare? I won't spoil anything but see this movie and remember that question: WHAT ABOUT THAT NIGHTMARE?! It is...intense.

    Listen to the words of the songs (other than their little "going on an adventure" theme). The song all the cars sing is devastating; the broken appliances are creepy as hell and the modern ones are so mean! And that little fat guy! Oh man, you just have to see this movie for yourself. There is nothing quite as wonderful as the cuteness of Blanky, the hypocrisy of Toaster, the courage of Lampy, the pride of Kirby, and of course, the wit of the Radio, all rolled into one film-- plus songs, squirrels and frogs etc, a giant angry magnet, an awesome TV personality, and enough colors and fun to warrant a sugar high.

    See this movie if there is any love inside of you.
  • I can't actually say if this movie is appropriate for kids or not but what I can say is that all of its characters remain very vivid to me now still, 1 month after I watched it - and I'm in my twenties, so I can imagine what an impact this movie could have for a 5-year-old. Be that as it may, and although it's full of cliches, this movie is enjoyable mostly because of the originality of the whole concept. I think it will remain fresh no matter how many years will pass, entertaining people of all ages.
  • When I was a kid, I absolutely loved this movie. I watched it essentially every week. Now, of course, I watch it a lot less, but it's still a great movie. With some awesome voices (Phil Hartman, Jon Lovitz etc.) and some good humor for adults, it's excellent family fun. A movie that kids love, and then adults can stand to watch with little pain. If you have kids, then I really suggest this movie.
  • What exactly was novelist Thomas M. Disch imaging of when he created this story? I mean, this can be asked of for any novelist but I guess the fact that the idea seems so out in left field, just makes it so much more significant to ask. Did Mr. Disch have a connection between himself and the appliances he had at his house? It is definitely a creative idea but what inspired him to come up with it? In some ways it presents itself as a premature movie that inspired Toy Story (1995) (considering John Lasseter was on the animation team originally), and in other ways in dives into territories some viewers may not expect.

    The story follows the travels of five appliance items who long to hear from their master, or the kid who consistently used them from their childhood. Come to find out, their master has moved on permanently. Refusing to be left alone or to be taken over by another person, the group of appliances set out to find their owner. To do this, they test the fates by stepping outside the house and venture out to accomplish their mission. Along their journey they will also learn some very startling truths that the real world has in store (no pun intended).

    The screenplay written by Jerry Rees and now deceased Disney veteran Joe Ranft is praiseworthy for its creativeness and heartfelt characters. The voice casts behind the characters are great. Jon Lovitz as the radio is probably the most comical of the bunch for his quick remarks and energetic attitude. That's not to say the others aren't memorable either. Deanna Oliver as the toaster is by far the most memorable for her soft voice and caring heart. Every viewer will find his or her own character to latch onto. However, with good characters come some flaws that need to be addressed in the story. One of them is continuity - if the group needs an outlet so they can move; the story cannot all of a sudden drop the need for one.

    The other flaw that needs to be addressed is the element of death. A family picture has every right to portray a death in a story. The world is not always happy-go-lucky and that's something people learn to understand as they grow up. So the idea that this exists in the movie isn't the flaw - the flaw is how some scenes portray the death. A dramatic death is the best type to be used in a kid's film. But ones that involve torture or mutilation? That may be diving a little too deep for young viewers. Of course it's OK because guts and blood are replaced with nuts, bolts and battery acid, but that's just as graphic as portraying it to a kid as is blood and guts to an adult. I mean props for taking on adult material but why is it handled with such care as if it were for a horror film? Take it easy guys.

    Other than that the rest of the film provides solid entertainment. Along with likable characters, are unique songs (although they may not stick), colorful animation and appropriate film music. David Newman, who produced the score didn't create a theme for these characters but it does match the scenes effectively and do convey the correct emotion. If a family film is what you're looking for, this is definitely one that can be on your list. Hopefully for young one's now a days it shouldn't be too scary.

    Its story does suffer from minor continuity errors and portrays death fairly harsh for young viewers, but that doesn't stop the characters from being any memorable than they already are today. It may seem kiddy when in fact it is more adult like than some may know.
  • I saw this for the first time when I was four or five, and I've loved every second since. It's more than a kids' movie; it's actually incredibly funny and insightful. (My mom started cracking up when she heard the 'They couldn't. I lied' part when I was watching it last week.) Great work from the entire cast, great animation, great script, great, well, great everything.
  • If I could choose just one word to describe this entire movie, it would have to be "weird". "The Brave Little Toaster" is probably not the best recommendation for viewers of any age. Once you've watched it for the first time and you are at a very mature stage, you will be ready for years of therapy! It's not all bad, though. The only weird part about it is just seeing appliances come to life and have personalities of their own. The story mainly focuses on six specific appliances left behind at a country house (who all happen to be guys; not one female). They decide to go on a journey to find their owners. One of them, an air conditioner, didn't go with them since he was attached to a wall. The team consisted of a bright (yet easily annoyed) lamp, a comical and annoying radio, a short-tempered vacuum cleaner who's oblivious to reality, a cuddly blanket (probably the best representation of a youngster), and their leader, a courageous toaster. The strong points and weak points of these characters are both equal in a lot of ways. Now for the things I liked about this movie. Now that I look back at it, a lot of great actors worked on this movie. Many could probably easily recognize the voices of Jon Lovitz, Phil Hartman, and of course, Thurl Ravenscoft. I also enjoyed the songs on this movie. You gotta admit, the songs on this movie are really cool songs; well, this movie came out in the 80's, so one would very likely expect it to have songs with very high-tech styles. It kinda sucks that I'm not able to find those songs anywhere. Despite the cast and the songs, the movie is still overall weird; then again, the movie did come out in the 80's, and I guess a lot of people were drunk around that time. Yeah, that may have something to do with it. My suggestion, if you ever get an urge to watch this movie, watch it for the songs; those are really the best part of the movie. That's pretty much all I gotta say about it.
  • I have not watched this movie in over ten years but I still remember almost every scene with great accuracy. This movie entertained me till no end. It's hard to find one person who did not watch this movie as a child and even harder to find one that disliked it.

    This is a wonderful movie.

    I still get the song "Tooty Fruity" stuck in my head and think of the little toaster sliding down the rail. I hope to find my old copy and watch it again. Its movies like this one that make my childhood seem so fun and innocent.

    This movie gets a ten out of ten for originality and for its obvious impact. If I were to name my favorite movie from my childhood this would be it.
  • Warning: Spoilers
    When I was a kid, this used to be one of my favourite musical cartoons from Walt Disney Pictures, although it was probably made for TV. Basically the house appliances are the main stars. They get bored and notice the house they live in is for sale. Toaster decides to lead them all to go out and find their master. The other appliances include a hoover, Kirby; The Radio (Jon Lovitz); a blanket and Lampy. They go through quite a lot to find their master, e.g. some sort of park with animals, a dark forest and storm, a river and a scary repairs man, but they do eventually find him, or rather he finds them in a junk yard, after going to his house. Also starring Phil Hartman as the Air Conditioner, and the Hanging Lamp. It was nominated an Emmy for Outstanding Animated Program, and a Sundance Film Festival Grand Jury Prize (Dramatic). At the time, and after seeing it again, a good cartoon!
  • Cannot believe Disney produced this video for young children. Purchased it for my 3 year old granddaughter and she had nightmares for weeks. Imagine watching your friend being chased by a giant magnet that wants to drop him into a giant compacting machine. Doesn't sound like happy family fare to me.
  • I watched this film about a thousand times when I was a kid and upon a nostalgia induced viewing of it on the Disney Channel, it has joined my list as one of the most oddly pleasurable films ever made. First of all, you have to give it credit for its premise alone. Take a standard road trip buddy picture and cast it with talking household appliances. Acid induced? Maybe. But they take this ridiculous premise and roll with it, turning it into something that is honestly funny, sometimes sweet and strangely enough, kind of thought provoking in it's own way. The dialog is almost Toy Story sharp at times, referencing everything from Joan Rivers to Teddy Roosevelt, and just like it's computer animated descendant, throws around some heavy ideas. We watch as cars reminisce about their glory days before being crushed into cubes, look on in horror as appliances are gutted barbarically at a used parts store and root our quaint heroes on as they are confronted with the techno marvels of the modern age. The characters just struggle to get home but the movie is about the struggle to stay relevant when you're constantly being replaced by a faster model. An interesting idea when you think about it, and a fun, cool little movie worth seeing no matter what your age.
  • Warning: Spoilers
    Who needed horror movies when you can watch The Brave Little Toaster.

    I remember this movie had some of the most traumatizing moments in any motion picture. You watch the movie and question rather or not this was really a kid's movie with the level of gruesome moments that you can never unseen no matter how many times you try.

    But don't get me wrong this isn't a bad movie But it is hard for me even as a Adult to watch this movie because of how traumatized I was as a kid.

    There is strong character development in the movie as the movie plays out. They keep the characters motivations clear and easy for everyone to understand.

    The voice acting is very good you can feel the emotions of the cast as they perform each of the characters.

    The music is a strong point of the movie with original songs "Worthless" and "It's a B movie show" both songs are pretty dark for this Disney movie.

    I knew I had to review this movie sooner or later so I decided to review this movie after watching it again.

    While I admit It's hard for me to watch this movie today it is not a bad movie just really messes with your mind

    I give The Brave Little Toaster an 7 out of 10.
  • It's funny to watch The Brave Little Toaster over the years and see how your tastes change. As a young boy I loved this movie. As a teenager I thought BLT was stupid and nonsensical. Now I'm in my twenties and have a different opinion about this movie. BLT has a strong subtext of time passing and becoming obsolete by the new generation. Then being abandoned and forgotten about. This movie is full of hidden meanings which I did not realize when I was young.

    The first thing I noticed when I watched BLT was how simple the animation looked. You get kinda desensitized after watching the graphics on Toy Story & Finding Nemo that it takes a little getting used to the animation in BLT. Some scenes look now better than a flash movie you'd play on Quicktime. The animation is like a mixture of The Lion King and The Simpsons. The characters expressions, on the other hand, are as good as it gets. From the Radio pointing his antenna to Lampy using his cord like hand gestures is brilliant!

    Story:9/10 Acting:9/10 Animation:7/10 Characters Expressions:10/10!
  • I'm not sure which is more surprising: that this movie still holds up, or that it wasn't really a Disney production (while still being a proto-PIXAR movie). And just like everybody else, I'm surprised by just how dark things get in this story.

    It's a story that doesn't patronize its audience, and I loved that aspect. It's what made this a joy to watch with my own kid. The movie strikes just the right affective tone, the performances feel genuine, and even the songs are still catchy. You find yourself getting attached to these characters while still wincing at some of the imagery. Seriously, this is a strange film, yet somehow still endearing.

    7/10
  • Warning: Spoilers
    This post may contain information which may spoil the film if you have not seen it.

    The Brave Little Toaster was one of my favourite childhood films. Although the same concept had been done before (ie, Lassie Come Home, The Wizard of Oz and similar stories), it had not been done with appliances, and The Brave Little Toaster excels at telling a story, introducing lovable (and odd) characters, and teaching about friendship. It is a strong film with an emotional message - although a little frightening. This film has plenty going for it, no matter if you're looking for comedy, action, responsibility, and moral lessons. It's an all-around enjoyable film.

    The basic storyline of The Brave Little Toaster follows five different appliances on a trek across the country (and city) to find their 'master' in the city. Along the way, they meet unusual characters and have to get out of a lot of scrapes, but they all help each other and come closer together - for which they all need to get to their final destination. None of them can manage to do this all on their own, and each of them have to learn to 'grow up' and become more responsible (and get along) in order to accomplish their goal. They each of different 'talents' and flaws.

    The toaster is probably the most mature of the bunch, and he/she is the natural leader of the group, though he/she suffers from what people may think or what may happen. However, at the end, the toaster makes the largest sacrifice to sacrifice himself/herself to save the life of the master. The blanket is the more immature or childlike of the bunch, and it is his photo of the master that helps them to get saved. The radio is the motor-mouth and comical element (along with the lamp), and he is able to pick up radio signals to find their way to the city. The lamp is a little bit dim and gives in to peer pressure and hasty arguments (mainly with the radio), but it is his light and bravery that leads his fellow appliances to their final destination. The vaccuum is the grumpiest of the bunch, and he learns how to be more appreciative while using himself as the vehicle to transport the others.

    This film teaches children an important concept - to look at the situation from another point of view. When the lamp and toaster are talking at night about the master and how it feels to be around the master, the toaster compares the feeling to a warm loaf of bread. The lamp does not understand this because a loaf of bread is meaningless to him, so the toaster compares the feeling to a warm glow, and the lamp knows exactly what the toaster means. Dialogue like this is done extremely well and directly aimed at children, though done without talking down at them.

    In conclusion, The Brave Little Toaster is a heart-warming story with a lot of lessons, comedy, music, and adventure that children will appreciate and have already appreciated. Although it is a classic story rewritten throughout history, it's like a warm loaf of bread.

    The Brave Little Toaster is a must-watch, but don't bother with The Brave Little Toaster Goes to Mars. The latter was a disappointment and has nothing to offer that the original has. This time, the characters have to go to Mars to save the master's baby. There are too many characters, and some of the original and lovable characters from the original are over-looked, and there doesn't seem to be a coherent plot or lesson learned. It's a dull watch, and I personally don't know why they bothered. (Do note that I only saw this film sometime in my late teens or early twenties. I have seen the original in the past year, and it's still an adorable film.) However, see The Brave Little Toaster. Now.
  • One of my partner's favourite films and a wildly inconsistent thing - lurching this way and that with some mad dark sequences and completely insane tangents along its linear way. It has a certain batty charm as well as proving somewhat of a flawed touchstone for the formative years of Pixar so it should get some plaudits for that as well at least.
  • Well I'm glad this review allows for some level of anonymity, because what comes next could get me cast in one of those unmanly beer commercials. As the Dad of two, I've probably been forced to watch ~100 animated films. The BLT is without question in my top 5… and the same goes for my kids, who wanted to watch it over and over again. Yes, the title and premise are silly enough, but what's really wimpy is how emotionally attached you become with the characters. In the classic mold of "The Wizard of Oz" and "The Incredible Journey", this band of vulnerable underdogs is determined to reach their destination, and have to overcome all kinds of obstacles. I think it's an especially great move for little ones, with just the right amount of drama and suspense… though some parts might be a little scary for the overly sensitive. The music is really catchy also, and unfortunately, have found myself singing it in business meetings, lunches and while hanging out with friends in the man cave; NOT GOOD!
  • Brave Little Toaster is a solid animated film that isn't really for the whole family. It's kind of creepy.
  • Warning: Spoilers
    To my memory, this was one of the first animated movies I grew up with as a child. And it's still as moving, powerful and entertaining now, as it was when I was young.

    TBLT is one of the most underrated movies that I've ever seen,and it's such a shame that it doesn't get the recognition it deserves, especially with a mediocre rating on Rotten Tomatos. The movie may seem to be a typical animated movie; with cutesy scenes and diverse characters for the kids, and that humor that it seemed only our parents would get. But that's not true at all. Just like how this may have been my first animated movie, it was also my first adult movie. This is one of the first and probably one of the few or only animated movie I've seen that was very complex and had a lot of depth to it. For "kids" standards, this was a very dark movie.

    Two scenes that seems to stick with a lot of people is the "death" of Air Conditioner, who overheats after being ridiculed by the other characters because their master never played with him and when one of the main characters, Lampy sacrifices himself to recharge their dead car battery during a lightning storm.

    But for me, one of the most memorable and most touching, moving and saddest scene is the infamous flower scene; where Toaster is in behind a shrub and sees a lonely flower under a bright light. The flower mistakes Toaster's reflection for another flower and falls in love with it. After Toaster tells the flower that its only a reflection, the flower dies before Toaster's eyes.

    All of these scenes (Especially the flower scene) are made even more touching and moving thanks to the beautiful music by David Newman. When we aren't being taken away by beautiful score; we're being entertained by fun and crazed songs such as "More", a song that screams the 1980s about how technology becoming obsolete. "Worthless", a song highlighting the accomplishments and failures of junkyard cars before their deaths and "City of Light", which plays as Toaster and the others are making their way to the city to find their master,Rob.

    Thomas Disch, the author of the book passed away 2008; but his work and legacy lives on. Thank you Mr.Disch for shaping my childhood.
  • I had no expectations for this film other than the title, and they were pretty low expectations. I was pleasantly surprised to find that it was an early prototype of the famous Pixar style and quality (the A113 reference is what clued me in). The premise feels like a dry run for the Toy Story franchise - electrical appliances are secretly alive and they must find their master after years of abandonment. Their journey is exciting, tense and fraught with peril. The characters are full of personality and energy and they bounce realistic dialogue back and forth. The plot beats are eerily prescient - we have someone to dismantle the characters (Sid from Toy Story; Al from Toy Story 2), newer models casting out the old ones (backstories in Toy Story 3 and Toy Story 4) and a dreadful garbage compactor (incinerator from Toy Story 3). Plus, a lot of sentimental value and reminiscing on the past! However, neither The Brave Little Toaster nor Toy Story are truly derivative of each other, as the characters are very distinct and memorable.
  • Next to Joe vs. the Volcano, this was the worst movie I have ever seen. I can't believe people have voted this 7.0 out of 10. Cinematography, soundtrack, animation quality, plot, let see, what else sucked? I can't believe this was a Disney movie. I can't believe I sat through the whole thing. I was mezmerized, like watching an accident scene. Horrible Horrible. I guess I was hoping something would turn around. It never happened. The worst part was the soundtrack. The songs were horrible, tasteless, non-melodical and completely forgettable. Never have I seen a worse abuse of a movie reel. Shame on Disney for letting this get out of their doors. I can't believe there was a sequel. Was the plot original? Maybe, but it was still predictable and horribly written. How can children relate to a college age male? I like Jon Lovitz and Tom Hanks, but I must say, they both made some stinkers. What a waste of talent in this movie. A waste of my time. I would have rather remove my finger nails and taken a wire brush to the underlying flesh. Ughh. Icky Icky Icky Icky. You know that feeling when you've touched a bug or rodent or something? Get this movie off me!
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