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  • Bwana-223 December 2000
    I just finished watching this film (on TNT) for the countless time. What a fine seasonal offering. It's so much better than a lot of the pulp and smarmy c*** that passes for Christmas classics.

    Bill Murray exclaims at the end of the movie, "I get it now!" Apparently, some folks watched this flick and didn't get it. The movie is essentially a star turn for Murray, who's in almost every frame - and that's fine with me because he can carry a film. Trivial quibbles over the movie's name and reference to the original work, the lack of faithfulness to the book and other complaints miss the point of the project. While staging a production of 'A Christmas Carol,' a TV executive experiences the very same circumstances as one of the characters in the novel. That alone makes it work. A few reviews question the overall harsh tone of the movie, or more specifically, Murray's role. Frankly, I would not have minded had it been even a little darker. There's a lot of water to carry in that bucket of trying to measure the callous and thoughtless manner in which some folks act on all but the most treasured of holidays. Murray's demeanour boils it down into one strong mean spirit and evaporates it with a truly positive and well-wishing finale.

    Scrooged is, along with Groundhog Day, among his best work.
  • This is a perfect vehicle for Bill Murray, his brand of sarcastic and caustic delivery is nailed on perfect for Frank Cross, the modern day scrooge in this tale. I have often found him to be an acquired taste, I mean don't get me wrong here, I'm a big fan and can repeatedly watch his best offerings, but it's not hard to understand why his style is not universally loved. Scrooged is pure and simply the modern spin of the story we all have grown up with, that isn't to say that the film loses anything as regards Christmas spirit, because it doesn't, the message is still the same, and in this ever changing world of ours the core essence of the story is one the world should heed.

    This version is a blast, it's loud, it's brash, but boy is it damn funny, and I personally watch it every Christmas without fail. And yes, I watch it alongside the glorious Alistair Sim version, for although they are poles apart in class, they both entertain for very different reasons.

    Joining Murray in this festive romp is the delightful Karen Allen, while luminaries such as former New York Dolls front man David Johansen and Mr. Laconic himself, Robert Mitchum, add some weight to the cast list. It all works really rather well with the exception of Carol Kane's Ghost Of Christmas Present, where to me she comes off as being more annoying than funny, but that of course is a personal opinion and I know as fact that many others adore her energetic performance. With quips aplenty and of course with a simple heartfelt message at the core, Scrooged is truly a sharp and enjoyable film to be enjoyed at the festive period.

    Thanks boys, get the nurse! 8/10
  • acedj21 November 2019
    This is a modern take on the classic Christmas story about Ebeneezer Scrooge from the story A Christmas Carol, by Charles Dickens. To say that there was a lot of creative license taken here would be an understatement, but that does not detract from the fact that this is a great social comment on how commercialized Christmas has become. Bill Murray plays Frank Cross, a television network head that is trying to put on a live version of A Christmas Carol. He is driving his people like slaves and even tells someone to staple antlers to a mouse because they would not stay. He fires a member of his team on Christmas Eve for disagreeing with something he said. He has led a life of greed and cut off anyone that stood in his way, including his brother. That night he is payed a visit from fours ghosts, the first being his mentor, followed by the ghost of Christmas past, present and future. I am sure you are all familiar with the telling of this story. David Johnson and Carol Kane as the ghost of past and present respectively, steal the show. This is a great movie and should be enjoyed by all, every year.
  • Well, Christmas is almost upon us again. So I'm going to comment on a view Festive films. Starting with Scrooged:

    I personally enjoyed this film, but after reading other user's comments on here for the movie, I guess you either Love it or Hate it.

    Why do people get so serious about a movie ? Its just a comedy that pokes a little fun at the Dickens classic.

    They mention that Murray's character of Frank Cross was hateful, spiteful, nasty, horrible etc. etc. ... That was the whole idea!! (You wouldn't have had a movie if he wasn't those things). Scrooge in the novel was horrible, spiteful, nasty, etc. etc.

    Scrooged is funny, but it does hit on a few serious notes also. Especially when Frank is visited by Carol Kane's Ghost of Christmas Present.

    Scrooged is the type of movie that no-one will ever agree on. They have their opinions, and I have mine.

    I love it. The bit at the end where Bill Murray finally realizes what Christmas is really all about, is quite moving as he talks directly to the viewers about it. Then when the cast break into song, Murray urges the Cinema audience to join in with them. The cinema we went to, did! It was a great atmosphere with the cinema singing along with the cast. And it was near Christmas too, which made it all that little bit more special :o)
  • Scrooged must be watched every Christmas. Bill Murray is in top form in this movie. He makes a great Scrooge in his selfish TV exec Frank Cross. This movie manages to never be boring and instead keeps you laughing throughout. The classic story of A Christmas Carol is well updated for these modern times and turned into a well thought out comedy. The supporting cast makes for a memorable and funny cast of characters, especially the ghosts of Christmas past, present, and future. Murray is the jewel of this film and he never fails to turn in a great performance. Bottom Line: You need to watch this at least every Christmas. It's a nice family comedy.
  • Warning: Spoilers
    Richard Donner's "Scrooged" is feel good Christmas fable. A re-imagining of the Dickens classic, set in the caring and sharing 80s. The plot is simple - a hard hearted TV exec is shown the folly of his ways by a series ghosts. There are no twists or surprises - the outcome is obvious from the first five minutes, but that doesn't make it any less enjoyable.

    The film is carried by a wonderful performance from Bill Murray - it's hard to imagine it working with anyone else in the lead role. There is a bit of bite to the comedy early one - particularly with the over the top trailer for "the night the reindeer died" - but this fades over the course of the film.

    This is not a film for the cynical - it can be overly sentimental at times - but fans of 80s comedies and Murray should find a lot to enjoy here.
  • SCROOGED (1988) ****

    Starring: Bill Murray, Karen Allen, John Glover, John Forsythe, Bobcat Goldthwait, Carol Kane, David Johansen, and Alfre Woodard Director: Richard Donner Running time: 101 minutes Rated PG-13 (for violence, language, and sexual references)

    By Blake French:

    "Scrooged" is one of the top ten holiday comedies ever produced on the big screen. It enables a viewer to experience the true meaning of cinema: to jump out of our lives and experience another. Once in a long, long while we get a movie with as much magically irrelevant context as Richard Donnar's 1988 adaptation of Charles Dickens classic fable. "Scrooged" holds a place on my list of the top 100 American movies ever made.

    The film takes place a few days before Christmas. Bill Murray stars as the heartless Frank Cross, a corporate tightwad in charge of a highly profitable television company. This man seldom gives raises, airs stomach churning TV ads, and fires desperate employees at the drop of a hat, regardless of what time of year it is. Currently, Frank's company is producing the first live Christmas program on network television, on Christmas eve. It is a Charles Dickens fable. Frank is at the prime of his life, living a wealthy, glamorous, but unhappy life.

    His greed soon catches up with him, however, when one night his old boss visits him, who has now been dead for years. Frank is at first astonished; he thinks he is hallucinating. The talking corpse tells him that very soon he will be introduced to three ghosts involuntarily. Franks then calls his old girlfriend, and continues on with his deprived life.

    Bill Murray plays his role straight, with intensity and imagination--just like everyone else in the cast. He acts like he is yelling at his workers, and they act like they are being yelled at. This is what generates the film all of its laughs. It takes the characters seriously, and the comical situations in which they are placed are what makes the film funny.

    Each of the three ghosts visit Frank. They include The Ghost of Christmas past, a rough cigar smoking taxi driver, an angelic but brutal pink fairy, the Ghost of Christmas Present, and the most feared ghost, Christmas Future, the death-resembling, dark capped figure. They each contribute a heartfelt, terrifying message to Frank, explaining to him how that he either needs to clean up his act and become a giving, generous man, or dastardly things will happen to him.

    The three ghosts are some of the most memorable characters ever seen in the movies. The human characters are also very interesting and entertaining. The filmmakers write each with distributive characteristics, provoking empathy and captivation. They are wonderfully portrayed as well.

    The interlocking stories each related to each other in Richard Donnar's comedy classic as well. Each scene relates to the next with a strong, supportive narrative through line through Frank Cross.

    ''Scrooged'' definitely fits into the comedy genre, and offers copious amounts of laugh out loud material. There's even dialogue and sight gags that provoke laughter. On the other hand, the film doesn't lose track of its message by being all over the wall slapstick silliness. It leaves room for the emotions and feelings present. For this type of comedy to work, the humor needs to be played accurately. Some scenes involving the past of Frank are quite emotional, and the filmmakers use this to their advantage to develop the Frank character even further. ''Scrooged'' may be a spoof, but if still holds true to the classic story it is based on.

    I also enjoyed the illustrious style this film uses: a mesmerizing blend of perfect set direction and colorful atmosphere. The sound track is very effective as well, with memorable tunes and voiceless medleys. The closing scene of ''Scrooged'' may feel a bit contrived and fake, but it also allows us to leave the theater with joyful happiness inside. If this film doesn't put you in the Christmas spirit, nothing will.

    Brought to you by Paramount Pictures.
  • Warning: Spoilers
    Over the years, there has been many different variations & renditions on English author, Charles Dicken's 1843's novel; 'A Christmas Carol' story, through film. Yet, there hasn't been many adapted movies that sway too far for the source material. That was, until 1988's 'Scrooged'. Not only did it modernization, the settling of the Christmas Carol-like scenario with a different set of time, characters & locations, but it also, in universe, make fun of premise of loosely adapting the novel, by having a cynical, selfish TV executive, Frank Cross (Bill Murray) go through the ghostly visits, while also planning a live adaptation of the book for his network. Because of that, I can say, this black comedy directed by Richard Donner is unique enough to stand on its own; as much of the humor here is focuses on the shallowness, greed, and sensation of commercial television, when it comes to the holidays. However, the strange, mood-swingy blend of mistletoe jokes with that, satirical trash television doesn't really mesh that well, together. Much of that, come from the fact that actor, Bill Murray and director Richard Donner reportedly did not enjoy working together, creating a lot of tension on set. It shows in their work. Murray still depress over the failure of 1984's 'The Razor's Edge' gave a stagnant somewhat rusty detached performance as penny-pinching TV producer, Frank Cross (Bill Murray), as he never really wanted to return to comedy after four years away from the business. Because of that, along with Murray penchant for unwanted improvisation, taking real physical abuse by actress, Carol Kane, including injuries & oddly time, mood swings, which Donner wasn't keen on, a lot of footage ended up on the cutting room floor; making the film look very sloppy & uneven in certain parts. All this detached anger & mean-spirited by both men, never truly make it seem like Cross change into a decent person, by the end of the film. Instead, the climax come across as a little too unpleasant/cynical and not enough joyful. Most of the themes of the film doesn't even seem focus on moral redemption, at Christmas, at all. I felt that the film written by Mitch Glazer and Michael O'Donoghue was a little too unfocused, spending too much time on a competitor subplot with Bryce Cummings (John Glover) & a murderous ex-employee, Eliot Loudermilk (Bobcat Goldthwait) that rarely affects the main plot. Another thing, the writing was a little heavy-hand on, showing the subliminal political/humanitarian reference to Apartheid controversy. It wasn't really needed. Another, preachy choice was showing the hypocritical when it comes to regulate violence & sexual content, with slapstick humor, & cartoony action. Because the focus was spent on that, it left little to the redemption parts. It really did seem those sequences got the short stick. Because of that, songs like 'Put a Little Love in Your Heart' perform by Annie Lennox & Al Green and written by Jackie DeShannon, Randy Myers & Jimmy Holiday seem to come, out of nowhere & seems oddly used. Nevertheless, the rest of the music choices, were alright for the most part. However, composer, Danny Elfman's score, does come across as jarring, because the fact, that he recycled parts of the tune for later films such as 1992's 'Batman Returns' & 1993's 'Nightmare Before Christmas'. As for visual & special effects, most of the effects, really does hold on, over the years. Even the makeup & puppet work for this film is still impressive. However, they did go, a little overboard at parts like Lew Hayward (John Forsythe) trying to kill Frank, by tossing him, off a building, rather than warning him about the three spirits. Nevertheless, regardless, the way, the movie was shot with the help from cinematographer, Michael Chapman was well-handle. There were parts of the film, where the spirits really did look like they were, about to jump out of the screen. As for the supporting cast that played those spirits; I also believe that they were good in their limited roles. Both, Carol Kane & David Johansen as the Ghost of Christmas Past & Present were wonderful. Even some of the acting in the non-supernatural roles, were fine, such as Karen Allen as Frank's love interest, Claire Phillips & Alfre Woodard as Grace Coolney, an employee for Frank. Even the cameos from Bill Murray's brothers, John, Joel and Brian were fine for the most part. As for the celebs cameos, such as Mary Lou Retton, Lee Majors, Paul Shaffer and others. They were also, nice to see. In the end, they all did their parts. Overall: I can't say, that this film is worth being a stocking stuffer. Don't get me wrong, it's watchable, but I seem better, holiday movies from Bill Murray, such as 1993's 'Groundhog Day'. In the end, like a blizzard on Christmas. It's a little too cold to play. Check other films, out.
  • I'm amazed by all the negative and mean-spirited comments for this movie. "Scrooged" is a cinematic gem, one of the most outstanding films of the '80s or any time for that matter. Bill Murray is at his comedic best, and he is entirely convincing as a bitter network exec who has lost sight of the important things in his life, like family and friends. You know the Dickens story, but Richard Donner's film version breathes life into the story and gives it extra meaning for modern audiences. Supporting actors all do wonders with their roles, from Robert Mitchum to Carol Kane to Michael J. Pollard. This film will make you laugh, and will certainly bring a little warmth into your Christmas season.

    For those who sight this film as mean-spirited or dark, they surely must be missing something. This film is funny, charming, and sweet. Frightening and warm at the same time, "Scrooged" is a modern masterpiece that has been unjustly overlooked and unappreciated. While there are other enjoyable Christmas films of the '80s ("A Christmas Story" and "Christmas Vacation" seem to get more than enough praise), none can hold a light towards "Scrooged", an excellent Christmas movie for modern audiences.
  • The reviews by the critics for this film were terrible. However the general viewer feedback is good. The film has some sappy, overblown moments ie.- the ending. But its all done in good spirits. If your a Bill Murray fan you'll love it. As the morally redundant TV exec Frank Cross, Murray gets far and away the most screen time and his straight faced, dry humour is just perfect for this type of character.

    The film is a modern update of 'A Christmas Carol' for anyone who doesn't already know with the aforementioned Murray character Frank Cross replacing the role of Ebeneezer Scrooge. After being initially visited by his now deceased ex-boss(represented rather shockingly as an old decaying, mouse infested corpse still wearing the golf uniform he suffered his life ending heart attack in on the fairway) and on whom he had based his own career (though Frank has gone on to become even more selfish and concerned with the bottom line than even he was) Cross simply dismisses the episode as the result of high level executive pressure. In particular Frank is stressing out about his network's live Christmas eve broadcast which is surprise, surprise a big budget live version of 'A Christmas Carol'. However he is in turn visited by 3 very different versions of the ghosts of Christmas Past, Present and Future to the one's represented in the Dicken's tale , with the possible exception of the final ghost who is much more traditional in representation than the others. The role of Tiny Tim and Bob Cratchet are represented by Cross's long suffering secretary and her young son who is a mute as a result of the trauma of seeing his father murdered several years before. There is a couple of interesting side stories involving Murray rekindling the only real relationship he has ever had with his first love Clare who he decides to recontact amongst all of the madness as well as a confident young new executive who has been brought on board and tries to act as Frank's friend but is clearly planning to usurp him. This attempt is aided by everyone's perception that Frank appears to be suffering some kind of breakdown as he tries to deal with the bizarre impingement on his life by the aforementioned ghosts. Possibly the most entertaining of the story lines not relating directly to the main one involves a naive young board member played by the usually larger than life, but here toned down, Bobcat Goldthwaite who has been fired as a result of innocently questioning a violent promo for the live show which Cross has commissioned. As Frank is dealing with his ghost's Bobcat's character descends into a rather pathetic depression and desperate alcoholism , in the space of a few days, as he tries to come to terms with his unemployment.

    I really enjoyed John Glover as the slimy Californian exec who is obviously after Cross's job. It kind of underlines the point that though Cross is nasty at least what you see is what you get. Glover's character is completely 2-faced. The character obviously made an impact on the makers of Gremlins 2 because they cast Glover in an almost identical role in that movie a mere two years later.

    Karen Allen as Carol is convincingly sweet and warm as possibly the only person who can truly help redeem Frank but both her and Robert Mitchum as Frank's boss are somewhat underused and in the case of a legendary talent like Mitchum's you almost wonder why he is in it.

    Anyway in summation if you like Murray you'll love this. If you don't your enjoyment may suffer but there are still laughs to be had at the send ups of Christmas Network programming ie-. 'Bob Goulet's Cajun Christmas' , 'The Night the Reindeer Died' with Lee Majors and 'Dad Loves Chasing Beaver.' The soundtrack, special effects and make-up are also first rate. However be warned, it is very dark and at times a little sad, particularly in one scene in which Frank re-encounters one of the homeless people he had met earlier at Claire's shelter in a disused boiler room on a typically freezing New York winters night. So if your looking for an uplifting, fun seasonal movie instead of just a good laugh then avoid this. At least up until the end anyway where they all live happily ever after. I would also not be to keen on showing it to very young kids. Its not exactly a horror film but there are enough moments to scare some children and the humour is for the best part more on the adult side.
  • Every year, I make it a point to watch one new (to me, at least) holiday-themed film. This year, it was "Scrooged". After years of seeing it played over and over on cable, I finally sat down to watch it all the way through. What I discovered was perhaps the worst "take" on A Christmas Carol that I have ever seen.

    For a very basic overview, "Scrooged" follows Frank Cross (Bill Murray), a high-power TV executive who cares little for anything or anybody not helping his beloved ratings. While in the midst of staging a "Scrooge Live" sort of production, Frank himself is thrust into the shoes of the titular character, being shown the past, present, & future of his life should he continue on his jerk-ish path.

    There was almost nothing here that worked for me from beginning to end. The entire film is over-the-top, garish, sometimes outright silly/stupid, and about the furthest tone from the source material as possible. Murray--truly a star when this film was made--is not everyone's cup of tea, and that will bear out in "Scrooged". The movie will not make you like him if you didn't, or not like him if you did. He also plays a character so unlikeable in a real-world sense that his "redemption" is almost patently ridiculous.

    Truth be told, the biggest kick I got from "Scrooged" had nothing to do with the plot or characters but rather the star-studded cast. The likes of Karen Allen, John Forsythe, John Glover, Bobcat Goldthwait, Robert Mitchum, Carol Kane, Alfre Woodard, & Michael J. Pollard together under one roof is quite an ensemble.

    Overall, though, I was bored (and sometimes outright disgusted or confused) by "Scrooged" from the opening credits through the closing ones. This is a holiday adaptation I will never be returning to.
  • Scrooged is a fresh, dark and original take on the classic Christmas Carol story. The ghosts are humorous and horrifying and Bill Murray does an excellent job of creating a modern-day Ebeneezer Scrooge. The ending is quite cheesy, but, then again, isn't that what Christmas movies are all about?
  • Richard Donner's Scrooged, although fairly odd in places, is a visual opus of glassy New York nightscapes and a prancing Bill Murray sporting a grinchy attitude and a hairdo that would make Sonic the Hedgehog jealous. Murray plays ad TV mogul Frank Cross with a bitter resentment that's just this side of mean, but that's always been his charm, blurring the lines between comedy and drama, seriousness and farce until we're not quite sure what kind of performance we're getting from him. Thrill follows the standard Dickens play by play, showing us a regressed, antisocial prick who gradually opens up over the course of one magical Christmas Eve, after being visited by three ghosts. The standout here is David Johansen as the Ghost Of Christmas Past, here manifested as a howling lunatic of a cab driver, a decrepit old ghouls that keeps Frank on his feet via manic energy for his segment of the film. Carol Kane will puzzle as the swooning, creepy Ghost Of Christmas Present, a doped out Tinkerbell in her twilight years. There's wicked fun from other actors including John Forsythe, John Glover, Karen Allen as Frank's old flame, and a nice Yuletide vibe that's only hampered by an extremely out of place third act monologue from Murray that feels forced, demented and uncomfortable, otherwise, solid holiday fun:)
  • Warning: Spoilers
    After Bill Murray struck gold with Ghostbusters in 1984, he dropped off the radar a little. His personal project The Razor's Edge flopped with audiences and critics, and I think that must have been a blow to him. Besides making a cameo in the amusing Little Shop of Horrors, he stayed away from the Hollywood circuit for four years.

    But then in 1988 he resurfaced with Scrooged, an update on the classic Charles Dickens tale. Obviously trying to repeat the success of Ghostbusters, Scrooged was a modest hit with audiences, who considered it Murray's comeback role.

    When I was younger, I loved Scrooged. I thought it was funny and delivered on so many levels. But as I've gotten older, Scrooged has gone down considerably in my estimation. Instead of feeling funny, it now feels laboured, and forced. And I never thought I would say this, but the main reason Scrooged doesn't work is because of Bill Murray.

    Bill Murray is one of my favourite comedians. In fact I think he's one of the funniest men alive. His dry, laconic outlook on life is nearly always hilarious. Just look at some of the gems he's turned out. Ghostbusters. Groundhog Day. Lost in Translation and the sadly overlooked Broken Flowers.

    But then there's Scrooged. A film that should have been a perfect vehicle for Murray's talents, but it never even gets out of the gate. And I blame that on Murray, sadly. He did the theme of a miser seeing the error of his ways to much greater effect in the absolutely wonderful Groundhog Day, which is my personal favourite comedy of the 90s.

    In Scrooged, Murray is the borderline power-mad TV exec Frank Cross. A man so consumed by greed and hate he thinks nothing of firing employees if they even look at him the wrong way. Frank is on a dangerous path, and will lose everything if he doesn't change his ways. And so step in the Ghosts of Christmas Past, Present and Future to show Frank what he's missed out on in life.

    There is some invention during the scenes of ghostly visitations. The Ghost of Christmas Past is a grizzled New York cab driver. The meter is actually a calender that shows the year Murray is in. The Ghost of Christmas Present (a horribly screechy performance by Carol Kane) is like an insane Sugar Plum Fairy with a nasty habit of punching Frank repeatedly. The Ghost of Christmas Future is just as Dickens left it. Except it has a TV for a face.

    Usually I like Christmas tales with dark centres, like the excellent Nightmare Before Christmas and the hilarious Gremlins. Two brilliant films that succeed on every level. But sadly, Scrooged doesn't deliver. Whenever Bill Murray is in a film, he's usually the best thing about it. Here he's the worst. He's clearly not having a good time. He approaches each scene with indifference. When he's hands on with material, he can deliver superb performances. But he's strictly hands off with this film. And as a result, it makes his supposed redemption in the final scenes that all the more false.

    There are occasions where his trademark sarcasm shines. I liked the scene where he collects an award for Humanitarian of the Year. Its funny because Murray is notorious for shunning the award ceremonies, and his clear distaste for the Oscars is mirrored in that scene. His acceptance speech is a marvellous send-up of the countless celebrities who stand up to the mike and drone on and on about their achievements.

    But elsewhere Scrooged falls flat. There is no evidence that Frank is slowly thawing. And because Murray overacts badly in this film (strange considering that he prefers minimalist acting), I couldn't believe for a second what I was seeing. Murray spends a lot of his time shouting his way through the film to the point that it becomes tedious.

    In the supporting cast, we do get some occasional rays of sunshine. John Glover is hilarious as the exec brought in to lighten the burden on Frank's shoulders, when really he's after his job. John Forsythe sports an astonishing makeup job as Frank's old boss, who appears as a decaying corpse, the film's version of Marley's Ghost. And the underrated Karen Allen shines as the woman Frank gave up for the sake of his career.

    But its in the final scenes where Scrooged comes crashing down. Frank has seen the error of his ways. And to prove it, he barges on to the set of a live retelling of A Christmas Carol the TV studio is putting on. Frank goes on and on (and on) about the true meaning of Christmas. And its a horrible thing to see. Murray doesn't sound like he believes a word of what he's saying. It seems to go on forever. And I felt really embarrassed for him.

    What a pity! Scrooged could have been a hip, witty deconstruction of A Christmas Carol. And nobody does nasty and sarcastic better than Bill Murray. Where did it all go wrong then? How did it so completely miss the mark? Shame considering it came from Richard Donner, the man behind classics like Superman and The Omen. And such a waste of Robert Mitchum and John Houseman.

    Very poor, and ultimately very depressing too.
  • This is my favorite "adaptation" of A Christmas Carol. It's also my favorite Christmas movie. A lot of people say that Bill Murray's character of Frank Cross is unlikeable. Would you prefer a warm and fuzzy Scrooge for the first half? Then there are those who say that the end is sappy. The ending is what I like the most. And Murray's acting is much better than other Scrooges, who usually overact. Murray manages to be over-the-top with his cruelty while still making his acting believable. Cross is truly Scrooge-like, reveling in the death of an old woman caused by his commercial because it's free publicity. Another common comment is that Carol Kane steals the scene as the Ghost of Christmas Present. Not true. The chemistry between Murray and Kane ensures that they share the screen perfectly. This is a wonderful movie. I can't understand why anyone would say otherwise. Bobcat Goldthwait puts in a great performance as a disgruntled employee fired on Christmas Eve. The best part is the end. This movie has what has to be the happiest ending in the history of movies. He understands the meaning of Christmas, gets a new lease on life, gets the girl, the little boy talks, and everybody sings a song. Danny Elfman provides the score, doing a brilliant job as always. A beautiful movie all around. A+
  • Back in my youth I used to love this film, it had such great comic moments for me and I loved watching it every chance I got. It has now been quite a number of years since I last saw it and it seems I've changed my view somewhat. I'm not sure if it's because I've got older (& wiser), or it's because it has become dated, but I certainly didn't enjoy it as much as I used to. But more of that later, here's a brief summary first (summary haters please find a humane way of fitting those tiny antlers to that mouse… thank you).

    Frank Cross is a young and ambitious TV executive. He has risen through the ranks to the position of President of the Network at the expense of his relationships with his family and his girl, Claire Phillips. They are to put on a live production of Dickens' 'A Christmas Carol', but they call it 'Scrooge' for some reason. This means everyone has to work on Christmas Eve... Not popular as you might guess. When Frank is visited by the ghost of his former boss, he is told he must change his ways. To this end he will be visited by three ghosts. These ghosts, The Ghosts of Christmas Past, Present and Future show Frank the error of his ways… But it's up to him to change.

    Although it's a pretty well produced film I did find it a little dated by today's standards. Yes, Bill Murray really pulled them in back in the day, but today I find him a little bit irritating. Having said that, he played the part of Frank Cross with great professionalism. It was the actors in the smaller parts I found more interesting; Carol Kane really gave her all as the Ghost of Christmas Present, Bobcat Goldthwait was great (as ever) as the unfortunate Eliot Loudermilk and it as nice to see Robert Mitchum as Studio owner, Preston Rhinelander. Oh, and I should also give an honourable mention to Karen Allen as Claire Phillips.

    I think part of the problem I have with this film is the Frank Cross character is so obnoxious that I find it really hard to have any empathy for him when he finally has his revelation. Maybe they took it a bit too far (for me), but having said that, there is still something about this film… or am I reliving my youth again? Still, it's a bit of Christmas fun, if a little dated, so, recommended… but only if you're in the mood.

    My score: 6.2/10
  • Frank Cross (Bill Murray) is the arrogant cynical president running IBC TV network. He aims to bastardize the Christmas classics. He overworks his assistant Grace Cooley (Alfre Woodard) and fires Eliot Loudermilk (Bobcat Goldthwait) who questions his methods. Preston Rhinelander (Robert Mitchum) is his boss and Brice Cummings (John Glover) is after his job. He ignores his only brother James (John Murray) and rather be alone. He is reunited with his true love Claire Phillips (Karen Allen) after 15 years apart. He is visited by Ghost of Christmas Past (David Johansen), Ghost of Christmas Present (Carol Kane) and finally Ghost of Christmas Future.

    Bill Murray is a modern Ebenezer Scrooge in this black comedy. It is dark and he is meaner than Ebenezer. It's not really a laugh fest unless you have a demented sense of humor. Murray is sarcastic and angry, and perfect for the role. Carol Kane is a great loud violent foil to him. She has some of the funniest scenes. It's a touching tale of redemption every bit as much as the classic.
  • Scrooged was a starring vehicle for Bill Murray who teamed up with director Richard Donner for this re-working of Dicken's A Christmas Carol.

    The movie is essentially a 'concept vehicle' a term in vogue at the time. A starring role for Murray, make him a high powered television executive and team him up with an action director who had success a year earlier with Lethal Weapon.

    Bill Murray is climbing the corporate media ladder as the ruthless, cynical, mean and heartless Frank Cross. In his office he has a sign which defines Cross. 'Something you nail people to!'

    For Christmas Murray has devised a multi location live television broadcast which has to be the show to watch with a strong promotional clip to publicise it which makes his fellow executives sick. However he has to contend with a rival, John Glover, there to help out but actually eyeing up his job.

    One night before Christmas his old television boss (John Forsythe) who has been dead for years visits him and tells him to mend his ways and informs him that he will be visited by three ghosts.

    They include the Ghost of Christmas past, a cigar smoking cab driver, the Ghost of Christmas Present, an angelic fairy who likes a bit of the rough stuff and certainly dishes it out, finally the Ghost of Christmas Future, a terrifying dark hooded figure who would certainly scare the kids.

    Each ghostly spectre takes Murray to a time and place. Such as when he was young and dorky working his way up in television and in love with Karen Allen. As time goes by he becomes obsessed with work and frustrated by Allen's do-gooder attitude.

    Murray actually calls on Allen when he his spooked out and finds out that she is helping out with the homeless but she stirs something in Murray who his still a Grinch.

    There is no Cratchit in this movie that part in effect goes to Alfre Woodard who plays Murray's secretary. Bobcat Goldthwait plays an executive whose life heads towards a downward spiral when he is dismissed by Murray.

    I remember the film was largely dismissed by critics when the film was released but it is rather an enjoyable reworking of Dickens's story. Murray despite not getting on with the director pitches it just right, almost remaining lovable even though he is mean spirited. I rather enjoyed his Richard Burton impression. The film has lots of star cameos from John Houseman, Lee Majors, Jamie Farr, Anne Ramsey and Robert Mitchum as Murray's cat obsessed boss.

    Director Richard Donner adds plenty of social commentary with references to apartheid South Africa for example.

    The ending might be regarded as tad sentimental which follows the book, but once they start singing the final song even you would want to 'Put a Little Love in Your Heart.'
  • Yes, this particular story has been pretty much done to death being right up there with such fare as Hamlet and Romeo and Juliet as far as having way to many movies made with the same storyline. There is even another one coming out done in the same way as that "Polar Express" movie with Jim Carrey lending his voice and likeness as Scrooge. This one though surpasses all those other versions as I do not really care much for the story as it is. Why do I like this one then? It is funnier than all the others to me and Bill Murray does an excellent job in the lead role. A guy who is going to make people work on the holiday and suggests stapling little antlers on live mice. The story progresses a lot like all the others with the ghosts of Christmas past, present and future paying our guy a visit. Still, a lot different and there are some touching moments as well. There are also some parts of the movie that are overdone and let us face it, if you do not like Christmas that really is your business. I do not really care for how all these movies make it out to be a crime to not like Christmas. Still, for the most part the movie does not get all that heavy handed and there are a lot of laughs to be had as well. Not a super classic by an means, but it is a good Bill Murray movie.
  • This is a Christmas movie that also is very enjoyable to watch outside of the holiday's.

    Another name for the movie could be "The Bill Murray Show", he simply makes this movie and I can't even imaging how the movie would have been without him in it. He's amazingly funny and on top of that he also is a wonderful actor. You can see that in some of the scene's he improvised a lot and he did that brilliantly! All the other actors and characters are merely sidekicks.

    The story is basically a modern version of the classic Dickens novel "A Christmas Carol" and it's done wonderfully. It's great to see how the the classic story is translated into the 20th century. Everything works very well: The settings, the characters and the events, everything.

    From the hilarious opening involving Santa Claus and Lee Mayors (I say no more) till the wonderful ending the movie delivers non stop fun and pure entertainment with a nice love story, brilliant dialog and a great and important message in it. Only thing is that I feel that the movie could have done without the whole Loudermilk thing, but oh well...

    Very recommendable and close of being perfect.

    9/10

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  • A selfish, cynical TV executive (Bill Murray) is haunted by three spirits bearing lessons on Christmas Eve.

    Does anyone know how many times "A Christmas Carol" has been turned into a film? Surely it would not be an exaggeration to say one hundred. But of those, very, very few go on to become classics (because, honestly, who needs to watch the same story over and over). This, after almost twenty years, seems destined to be a classic. Already it gets a solid holiday rotation.

    What makes it different is the updating (most seem to focus on the Dickens era) and the injection of humor. And even among those that have humor, how many have Bill Murray? Probably no other. Surround him with a great cast (including his own brothers) and you have a solid film.
  • Warning: Spoilers
    There is one single scene in the film I found to be genuinely moving and that is when Frank Cross (Bill Murray) is transported via taxi cab driven by Jake Johansson to when he was a boy. Watching him with his mother at that age is the only heartfelt moment in this otherwise ugly and very mean spirited Christmas movie. I've seen various adaptations of A Christmas Carole and even at his worst Scrooge is never as cruel.and sadistic as Frank Cross. Perhaps it is due in part of my dislike of Bill Murray who seems to have found a niche place with these sort man-child characters who need to go on some sort of quest to redeem himself. But in most of those previous adaptations of the Dickens story the redemption was earned and we get the impression that Scrooge was made bitter by various events in his life. I have never felt that way about Frank Cross. He comes across as a spoiled and entitled SOB who feels more like a sitcom caricature that an actual character. As much as I like Carol Kane her scene with Murray has to be the most unpleasant to watch as she smashes him with a toaster, pokes him in the eye, and just beats him up. It should be slightly enjoyable to watch but it isn't by any stretch of the imagination. But even the supporting characters are straight of a sitcom and the ending is nothing but schmaltz. It could have been a good retelling of the story but it is as subtle as a ballpean hammer to the chestnuts. If it wanted to go dark then stay dark and not go for the warm fuzzy ending. But as mentioned above, that scene with his mom, especially when she calls him Frankie Angel. Niagara Falls.
  • Warning: Spoilers
    Scrooged (1988): Dir: Richard Donner / Cast: Bill Murray, Karen Allen, Bob Goldthwait, John Forsythe, Carol Kane: A parody of the Charles Dickens classic with a modern take on the tale. Bill Murray plays Frank Cross, a cynical program executive who is the modern day Scrooge. He objects to his secretary taking time off to deal with his son's inability to speak. He fires someone on Christmas eve. Plus he is making everybody's life miserable on the set of the Charles Dickens play that he is producing. Bill Murray is hysterical as Cross who believes that he is going crazy during a long night of interruptions by three ghosts that showcases scenes from his life from past, present and future. Cross is humbled in humorous fashion until a third act where everything goes way over the top. Karen Allen plays a former girlfriend who lends her services to a homeless shelter. Through flashbacks Cross is reintroduced to their first encounter through their budding relationship until pride divides them. Bob Goldthwait plays a fired employee whose drunken spree goes into overdrive of singing carols and brandishing a shotgun. John Forsythe plays Cross's ghostly boss who returns to give him a warning. Carol Kane is delightful as the ghost of Christmas present who cheerfully smacks sense in Cross. While its humour is too crass for younger viewers, its satire view of the classic tale is a well produced holiday laugh fest. Score: 8 / 10
  • SCROOGED is a cynical '80s retelling of the famous Dickens story, transplanted to modern society and featuring a crass TV producer who must learn the error of his ways when confronted by the ghosts of Christmas past, present and future. It's fast-paced, refreshingly mean-spirited, and quite simply good fun.

    The main reason for this film's success is, of course, Bill Murray, delivering a delightfully deadpan turn as an absolutely villainous character. His Frank Cross is the epitome of '80s-era greed and commercialism, and Murray nails it from the outset. It helps that he's given great support (the underrated Karen Allen and Bobcat Goldthwait in particular), but this is the Murray show through and through.

    Okay, so watched today, some of the special effects look a little rubbery, and some of the schmaltzy stuff feels a little twee, but it doesn't matter. SCROOGED has a great script, lots of successful gags that come thick and fast, and another good turn from the reliable Murray. What's not to love?

    NB. I rewatched this film once more to see how it holds up in high definition. It looks a treat, and the '80s-style special effects are fine and pleasingly macabre. However, I think Murray's shouty performance is a bit too much. It's not the actor's fault, but rather director Richard Donner's, who insisted on everything being dialled up to 11. I think if the film had been a little more subtle and nuanced it would have been an all-time classic; as it stands it's merely a fun and snappy '80s variant on the famous storyline.
  • Of all the versions of A Christmas Carol I have seen this is by far the most mean spirited one. I am not a great admirer of Bill Murray as he seems to play a variation of the same character in film after film, namely the man-child who must go through some quest to find redemption and to win over the central love interest of the story. Once in a while the formula works despite Murray always coming across as an annoying presence no matter what he does. In Scrooged he is at his most obnoxious. There is one sequence that I find genuinely moving and involves him being taken back in time to see himself as a young boy and his very sweet relationship with his mother. "Merry Christmas, Frankie angel, " says his mother. The adult Frank Cross tears up....and so do I. It is a scene that earns its emotions naturally, unlike the conclusion where you are beaten over the head in a desperate attempt to solicit emotions. The sequence where Frank is being beat up by one of the ghosts (played by Carol Kane) is among the most unpleasant. I'm willing to bet that a few of those punches landed, whether intentionally or accidentally is a matter of speculation. Karen Allen is the only genuinely likeable character in the film and it seems to be the most implausible aspect of the story that such a kind-hearted person would be interested in such a deeply cynical person as Frank Cross. I'll believe in Jacob Marley before that relationship. I've watched this once or twice and that's enough. There are far better Christmas films.
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