Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.
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Slowly, almost in spite of myself, began to appreciate working with the video camera. With the Eyemo I always felt like an intruder. She made too much of an impression. The video camera impressed and disturbed no one. She was just there.
English, Japanese, French
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