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  • I wont review the film here as it has all been said before. I did want to praise Val Kilmer's portrayal of "Doc" Holiday. Throughout the entire film, his acting and character embellishments are so nuanced and well done that by movies end, we feel his loss in a very personal way. Credit must also go out the the costumers and make-up artists for their contribution to the overall effect of his role. All the way through the film, he looks sickly, pale and world-weary. His mannerisms and intensity of gaze profoundly establish this character as a focal point in this production. But as for what I started this off with, I consider this role as probably the very best for Val Kilmer. It required subtlety and careful restraint and made the viewer believe that we weren't watching an actor merely regurgitating lines and hitting their foot-marks. I, for one, was entranced by the carefully studied body language and facial expressions...the sweaty desperation of a man who sensed his own mortality but strove to enact his own justice for justices sake. This was just very well done!
  • Warning: Spoilers
    It's funny, but I notice most of the prior comments are from guys, but speaking as a woman, this is by no means just a guy's flick. It's been one of my favorite films since the day it came out. It's got everything- drama, romance, action, and an honest to goodness story. There are even interesting themes, like the moral dilemma that Wyatt finds himself in-- Is he compelled to help fight the Cowboys even though he's "retired" and just wants to live out his life in peace? Is there a moral equivalence between killing for justice and killing for retribution? How far can a man go to sacrifice his own integrity and better judgment? Even though the Earps are the "good guys", the movie doesn't glamorize violence. Doc Holliday and some of the Earps' other sidekicks ("Creek Johnson" and "Texas Jack") are obviously pretty shady characters, but at the end of the day, are forced to choose between right and wrong, and they choose correctly. It doesn't get much better than Val Kilmer's performance as Doc Holliday, and I can't for the life of me understand why he didn't get nominated for it. I also appreciate the fact that the love story between Wyatt and Josephine didn't dominate the film and take away from the real plot, ala "Titanic". The love story simply served its purpose in helping viewers to better understand the character of Wyatt. Also the friendship between Wyatt and Doc was portrayed tenderly but not wussily. And okay, as a woman, let me just say that there is no one sexier than Sam Elliot. Man alive, if there ever was a person born to portray a cowboy, that guy is IT. If you've never seen a Western, or are not a fan, try this movie. It will make a believer out of you.
  • Tombstone, Arizona is a boom town from silver and is hounded by an organized gang called the Cowboys. It is led by Curly Bill Brocius (Powers Boothe). Johnny Ringo (Michael Biehn) is a cold-hearted killer. After success in Dodge City, Wyatt Earp (Kurt Russell) moves to Tombstone to find riches and a more simple life. He is joined by his brothers Virgil (Sam Elliott), Morgan (Bill Paxton), and close friend Doc Holliday (Val Kilmer). Despite having his wife Mattie there, he becomes infatuated with actress Josephine Marcus (Dana Delany). The Earps get into confrontations with the Cowboys which eventually leads to the shoot-out at the OK Corral.

    There are a lot of good actors as both good guys and bad guys. Kurt Russell may not be the most impressive of the lot but he does a solid job. Val Kilmer is really hamming it up. He steals the movie with his memorable performance. Other than him, this is a straight western without much comedy. It's not camp. If there is any problem, it's that the movie is too ambitious. There are a lot of characters. It tries to be grand. It's quite a western. It's slightly better than the even longer Lawrence Kasdan's Wyatt Earp which came out 6 months later.
  • Warning: Spoilers
    Probably the best Western I have ever seen, if mostly due to Kilmer's outstanding portrayal as Doc Holliday. He lacks, in my opinion, much of the gruffness of John Wayne which, although good, gets boring after so many films. The look on Ringo's face when he realises his opponent is Holliday, not Earp, is priceless, and shows you just how great a reputation Doc has that a man praised as "The deadliest pistoleer since Wild Bill" is now making excuses not to go up against him. Russel's performance is also commendable, showing a man who has seen too much blood in his life and wishes simply to settle down, but Kilmer simply cannot be ignored as the drunken but suave gambler.
  • TOMBSTONE, one of two epic westerns about Wyatt Earp released within a few months of each other (1993-94) lacks the lyrical, 'warts-and-all' quality of Kevin Costner's WYATT EARP, but is a more successful film, with tighter pacing, more clearly drawn characters, and a reverence to the genre that has made it the most popular Western of the last twenty years.

    From the opening scene, narrated by the legendary Robert Mitchum, a nod to the great Hollywood Westerns of the past is evident; a gang of outlaws calling themselves 'The Cowboys' break up a Mexican wedding in a small town, ruthlessly killing nearly all the men, including village priest Pedro Armendáriz Jr. (son of the legendary Western actor), in a scene reminiscent of ONCE UPON A TIME IN THE WEST, and THE MAGNIFICENT SEVEN. Led by two of Hollywood's flashiest character actors, swaggering Powers Boothe, and coldly psychotic Michael Biehn (playing Johnny Ringo), the presence of such pure evil sets the stage for the Earps' arrival in Tombstone.

    A powerful cast is essential for a great Western, and you couldn't find a better group of actors as the Earp brothers; Kurt Russell, chiseled, squinty-eyed, and razor-thin, is an ideal Wyatt; Sam Elliott, one of Hollywood's best Western actors, plays Virgil with a growl but a twinkle in his eye; and Bill Paxton, soon to achieve stardom in APOLLO 13 and TWISTER, makes a terrific Morgan. Then there is Val Kilmer, as Doc Holliday...While Dennis Quaid, in WYATT EARP, gave the most realistic portrayal of the dying dentist-turned-gambler/gunfighter ever recorded on film (he was superb), Kilmer, relying on bloodshot eyes, an ambiguous sexuality, and a Brando-esque line delivery, literally steals TOMBSTONE, and has become the 'Doc' everyone remembers. He is so charismatic that you nearly forget that the Earps are the focus of the story! Watch for his early scene confronting a shotgun-wielding (and chubby!) Billy Bob Thornton (three years before SLING BLADE), out to kill Wyatt, and you'll see my point.

    The events leading up to the famous Gunfight at the O.K. Corral are clearly and decisively presented, from Wyatt's first meeting with future wife Josie (Dana Delany), to the murder of Tombstone's Marshal (Harry Carey, Jr., son of another legendary Western star, and a staple of many John Ford films), which leads to Virgil taking the badge and making his brothers (in Wyatt's case, reluctantly) deputies, to the friction with Ike Clanton (GODS AND GENERALS' Stephen Lang) that explodes into the short but bloody shootout that became legendary.

    Where TOMBSTONE and WYATT EARP both excel is in presenting the aftermath of the gunfight. Unlike MY DARLING CLEMENTINE or GUNFIGHT AT THE O.K. CORRAL, the true story doesn't tie up neatly with a happy ending at the Corral, but becomes darker and bloodier. The Earps are placed under house arrest, and after they are acquitted in court, friends of Clanton (in TOMBSTONE, Ringo and other Cowboys), cold-bloodedly murder Morgan and cripple Virgil. Wyatt explodes, and grimly sets about, with Holiday and a small band of gunmen, to execute every possible Clanton ally he can find ("You tell him I'm coming! And hell's coming with me!"). Becoming a wanted fugitive himself, he only stops his mission of vengeance long enough to take the ailing Holiday to a friend's cabin (Charlton Heston has a brief but memorable cameo as the rancher), but the gambler returns in time for the gunblazing climax of the film.

    TOMBSTONE is the kind of Western that critics love to say aren't made anymore, a throwback to the golden days of Ford and Hawks, when Good and Evil were clearly defined. Director George P. Cosmatos grew up on those films, as well as those of Sergio Leone, and he said, of TOMBSTONE, that it was made to honor the Westerns he loved so much.

    It is his love of the Western that makes TOMBSTONE a truly superior film!
  • One of the finest westerns ever filmed. Excellent action. A very good script. The cast was amazing. Val Kilmer should have received an Oscar for his role as Doc Holiday. The movie was probably about 90% accurate historically, but was one of the best retellings of what had occured.
  • Warning: Spoilers
    The dialogue is weird at times but the charisma of the main cast make the film engaging and worth watching, especially if you're a Wild West fan.

    The action scenes are fun but sometimes scenes, especially action scenes are so awkwardly edited. Like the last big action scene is straight up edited to look like some fever dream compilation, making it impossible to follow along with what's happening in real time.

    I understand how it could be a guilty pleasure movie for some but overall I think this may be a little too highly rated and sought after my film buffs. I would recommend a later cowboy film of Kurt's bone tomahawk.
  • JEve2644702 January 2005
    Warning: Spoilers
    Tombstone has to be one of the most truly touching and brilliant films I have ever seen. The action sequences are great and the acting is brilliant, in particular Val Kilmer as Doc Holliday in what is probably the best supporting actor role I have ever seen. How he missed out on an Oscar I do not know.

    Kurt Russell was very good as Wyatt Earp and played the role very well. All the acting was superb. The 'Cowboys' who are the baddies of the film had presence and style and gave the heroes some proper competition.

    But this was Val Kilmers film. As Doc, he had style, charisma and looked cool even when his character was terminally ill. His sayings were also legendary and Val Kilmer should go down in film legend for this role alone.

    Tombstone is the best non - John Wayne western that I have seen.
  • Warning: Spoilers
    I rewatched Tombstone for maybe the fourth time last night, while this is certainly not a bad film it is not what other people make it out to be. The majority of reviews on here comment on Val Kilmer's performance and I can't decry him of that, it really is superb (and I think was the inspiration for Leonardo DiCaprio's performance in Django: Unchained) furthermore Sam Elliot's portrayal of Virgil Earp is by far the most interesting of the Earp brothers and solidifies his position as one of the greatest western actors in history. This film is also one of the most accurate portrayals of western life in the 1880s and any history buff will be thrilled with this depiction.

    However, I find the love sub plot tedious and somewhat unnecessary but I understand why they put it in the movie, it makes it accessible to a wider audience and admittedly it does make the Wyatt's failing marriage subplot slightly more interesting. Overall I find this film deeply unsatisfying, the shootouts feel over-choreographed, bloodless and a little boring and everyone is able to fire 500 shots before reloading (I know this is common in movies, but in westerns its never been so overt).

    My least favourite aspect of this film though is its ability to make me cringe. Starting with the mirroring of the 3 couples in the glass moving on to the awful 'latin scene' and theatre show and ending with I think we can all agree is one of the worst slow motion "no"s in history.

    To conclude, this film is worth a watch but mainly for Kilmer and Elliot the rest of the cast is fairly boring with the exception of powers booth, the story is average at best given that they had one of the most interesting sources of history to work with and the shootouts are underwhelming.
  • MrsFuzzy16 May 2004
    Warning: Spoilers
    I decided to watch 'Tombstone' as there was nothing else on, and I am so glad I did.

    Conforming as I do to the stereotypical 'female who does not like Westerns' it was mainly Kurt Russell and Val Kilmer that drew me in.

    Not knowing much about the 'OK Corral' I envisioned a long drawn out gunfight scene somewhere out in the desert. To discover it happened in the middle of town was only one of the educational experiences.

    Kurt Russell as Wyatt Earp gives a strong portrayal of a man who didn't want to get involved until circumstances gave him no option.

    However, the movie does 'belong' to Val Kilmer. He gave a real sense of fatalism as 'Doc' Holliday, wanting to die in a blaze of gunfire rather than fading away from tuberculosis.

    A great view of the Wild West.
  • I was expecting more from this one, which unaccountably has acquired the reputation of a modern classic. Russell is good, Kilmer steals the show, and Delany is miscast in a role that required a more fiery, vivacious persona; her scenes with Russell generate zero heat, and their romance, such as it is, goes nowhere.

    The earlier parts of the film have their moments (notably the Bird Cage scene, which probably captures the reality of Wild West entertainments pretty well), but in the third act everything unravels in confused montages of Peckinpahesque ultraviolence. Apparently the film was conceived as a much lengthier epic before being whittled down to its present dimensions; in the process, the story was condensed, rushed, and jumbled.

    For a true modern classic in the Western genre, see Unforgiven.
  • Proof that westerns can be fun, Tombstone delivers an action-adventure popcorn movie that doesn't have to be campy and one-dimensional to be enjoyable. Here, Wyatt Earp biography is told like a fable. Sure, the facts are often recalculated in this film. But this is not looking to give a straight-on accurate view of Wyatt Earp's life. This is trying to take a man's life as a basis and then add to it to make a cinematic joyride. As opposed to the overlong and plodding "Wyatt Earp," this film decides to have a good time with the story and not get too bogged down in the misery. Kurt Russell is powerful as awful, and no man can deny that Val Kilmer, in his finest performance to date, was fully due for an Oscar nomination, if not an Oscar win. And Michael Biehn also gives a first rate performance as the sadistic Johnny Ringo. This is a thrill ride for anyone who loves westerns, or a good film to try to get others to start watching westerns.
  • Xstal18 September 2020
    Delivered to the big screen at a time when the Western was as fashionable as flared jeans, this semi-factual presentation still uses the oft used effect of yore; to load the bad guys guns with blanks to demonstrate the super human capabilities of the heroes. It's still done today but with laser guns and any number of exotic weapons replacing them - and we still forgive it regardless. Notable, primarily for an unforgettable rendition of Doc Holliday or, Val Kilmer not playing Val Kilmer for a change, this ultimately represents another closing down sale for the Supercowboys franchise as the encroaching Superheroes drive them out of town. It has all the ingredients that made the genre great in its day but, remove the sentimental value from the mixing bowl and the reason for its decline is as plain as plain flour for all to see.
  • The film starts out promisingly enough but then shoots itself in both feet by robbing its villains of any kind of threat and wrapping an affected romantic plot around its already emaciated waist. The romantic subplot is silly and carried off in a lighthearted manner reminiscent of corny '80s TV serials, but the worst thing is the villains. Though Earp does deliver some wrath upon their heads by the movie's end, we've already seen them act in too casual a manner, to the point where any threat they may have had is gone. Now it's just a bunch of guys shooting each other with no emotional kick for the viewer to really make him put his fist in the air and say, "You get that son of a B!" Mainstream types will gush all over this, which is what it was made for. But if you like your Westerns down and dirty, with real stakes at hand and real villains about to get theirs, stay away from this popcorn crap.
  • Now Tombstone is a film that I would call the last great western of its genre so far. It has every sub plot you could want in you're average film and especially in a western. They have a great cast on board also to establish this gang of ragger muffins. Kurt Russell as Wyatt Earp is just as good as Costner and Lancaster were. Val Kilmer is probably the main reason why every fan of it's genre talk about it so much as he is not just a fine actor in this but you believe that Doc Holiday and him were somehow related as he takes on the exact same sense of humour which I have read in books and his likeness is there also from what I have seen in pictures.

    Val Kilmer has been in a lot of films but only half of them were good and this goes into one of his best along with Oliver Stone's The Doors and Willow without doubt has to get a mention. There is a superb cast here which makes up of Bill Paxton, Sam Elliot, Michael Biehn, Powers Boothe, Stephen Lang, Billy Zane and of course Charlton Heston. I could go on for even longer mentioning some of the great actors that star in this but the sheer action of vengeance of it make it one of the best action westerns. There are your two type of westerns like High Noon and The Searchers which are very calm but intense films. Then you have The Wild Bunch and Tombstone which are just blood thirsty with plenty of action to cater for all tastes of films.

    I am not to familiar with the director but he is surely missed as far as making a western like this is concerned.
  • Warning: Spoilers
    The legendary O.K. Corral incident in Tombstone, Arizona has been told previously in Edward L. Cahn's Law and Order (1932), Lewis Seiler's Frontier Marshal (1934), Allan Dwan's Frontier Marshal (1939), William C. McGann's Tombstone: The Town Too Tough to Die (1942), John Sturges' Gunfight at O.K. Corral (1957), John Sturges' Hour of the Gun (1967), and Frank Perry's Doc (1971). It was also filmed by Lawrence Kasdan in Wyatt Earp (1994), a year after George P. Cosmatos' "Tombstone."

    Cosmatos visualizes "Tombstone" in a new different way… He introduces Wyatt Earp (Kurt Russell) leaving Dodge City for the silver mining town of Tombstone to seek peaceful and profitable life… There, he is joined by his brothers Virgil (Sam Elliot), and Morgan (Bill Paxton), and their wives… Once arrived, they catch up with Wyatt's highly cultured friend, the flashy gambler and gunman, John Henry 'Doc' Holliday (Val Kilmer), accompanied by his voluptuous Hungarian consort Kate Horony (Joanna Pacula).

    In Tombstone the Earps found that the wild town is controlled by an elite body of gunmen (the vile Clantons as well as their ally) known by the red silk sashes they wore around their waists…They call themselves the "Cowboys."

    All the elements of entertaining cinema are here—the upstanding hero figure and his unyielding nature (Earp); the eccentric, tragic sidekick (Doc Holliday); the lawless gang of villains led by the roughneck Curly Bill (Powers Boothe) and the testy Johnny Ringo (Michael Biehn); and the terrific action, which is, by its very nature, the classic elements of the Western... We also have good romance, funny lines and gun fighting skills…

    Cosmatos chooses to focus the attention on Wyatt's bloodiest days in Tombstone… With Russell and Kilmer, he creates two characters that are both human and heroic… The shootout at the O.K. Corral sparks with real excitement… As the Earps with Doc Holliday step into the street and head down for their ultimate approach, they unexpectedly do look like their myth… Four tall figures in long black coats advancing in a line, stern and unstoppable, a transient moment in time congealed eternally in our minds
  • A late entry in the western genre when already not too many were being made, this is one of those re-watchable mini-epics, with strong entertainment value. It begins with a bang, an intense shoot-out after some supposedly historical footage narrated by actor Mitchum. We are introduced to The Cowboys, this era's version of the Mafia, led by the charismatic Curly Bill (Boothe). These first few minutes manage to unnerve and surprise the audience right away: we are also introduced to the psychotic gunslinger, Ringo (Biehn), but he's revealed as the most dangerous of the bunch only after the shoot-out, a sleight of hand by the filmmakers - they made him look sympathetic in those early moments while everyone is blasting away and he just stands there looking dazed and bothered. Only afterward do we realize he's a lethal lunatic of the damned - it's a powerful beginning.

    It's amazing how well this film turned out considering all the rumors of a troubled history. Credit must be given to director Cosmatos and the actors. It's a fairly huge cast, with numerous speaking roles, and everyone seems to have at least one good moment during the story. Then there's Kilmer as Doc, who is good or great in every scene he's in - this is easily Kilmer's best role. Doc is already sick as the movie begins but he manages to stay in the game to the very end, more dangerous than any 2 cowboys, using supernatural willpower & sardonic wit to distract everyone and himself from the fact he's nearly a walking ghost. Russell is just super-solid as Wyatt; he conveys a strength, tapped from unknown sources (whereas Doc draws from within), standing tall when other tough guys quake in the knees. These two make a terrific team; it's not the usual buddy stuff of most pictures. All the supporting cast is fine, including Elliott and Paxton as Wyatt's brothers, though there are some overly obvious moments. Earp's on - off relationship with the actress (Delany) has its ups & downs, there's not much room for subtlety as Earp's wife looks on quite upset as Delany strikes another of her bemused expressions. Also, due to the large number of characters, some of their stories have a heavily truncated feel (Priestley's, for example). The Vista director's cut special edition DVD has some restored footage to improve this problem. The better scenes are the confrontations between the men, the threats swung high & low, and the sheer thrill of watching Russell slap an overweight Billy Bob Thornton silly.

    And we have the villains, ah yes, the villains. I've already mentioned a couple of them - another one is Lang as Ike Clanton in a deliciously cheesy, hammy yet mesmerizing performance. By the last 3rd of the movie, I was so wishing he would get his - please, someone - Earp, Holliday, anyone ! - blow this bastard away! Ike is one of the great unsung villains of movie history, a tribute to Lang's abilities. The conflict in this true-life story stemmed from the notion that there were no real villains. It was a matter of which faction had the rights, based on gun power and political ambition. In other words, the Earps were just making a political power play in the view of some and there was little difference between them and The Cowboys. But this film wastes no time in establishing Wyatt and his brothers as the decent side of the coin and when you have characters like Ike, there's no mistaking which side are the bad guys. For a different take on this piece of history, check out the original Star Trek episode "Spectre of the Gun" from '68. Oh yeah, there are also other films like the Lancaster - Douglas opus from 1957. But the Gunfight at the OK Corral in "Tombstone" was just one set piece out of many.
  • Warning: Spoilers
    Great performances and gunfights make "Tombstone" a western to enjoy. Well at least for me anyway, personally I have never been a big fan of westerns. So I may be to harsh or too lenient in my review, as I am vastly unfamiliar with what makes or breaks a western. So I will try to do my best to address all aspects of the film.

    The film "Tombstone" concerns three brothers; Wyatt Earp (Kurt Russell), Virgil Earp (Sam Elliot) and Morgan Earp (Bill Paxton) venturing to a town called Tombstone (a developing mining town) and settling in. Here Wyatt meets a close friend Doc Holiday (Val Kilmer). Together they attempt to rake in the bucks gambling at a local saloon. Unfortunately several misfits and murders land them in trouble with the cowboys, a ruthless gang of maniacs, who appear to be in control of the town more than the police, or the town Marshall. After a murder of the town sheriff the trouble really begins. This trouble leads Wyatt and his brothers fearing for there lives, and as a result they join the police force. Although Wyatt initially was reluctant (as he was once a law man) he decides to help his brothers. Violence and mayhem persists and a war breaks out between authorities and cowboys, with moral and physical losses on both sides.

    Now what everyone man or women seems in my opinion to like about westerns is three things; number one- cowboys, number two- shootouts and number three the presence of the classic saloon. "Tombstone" dishes this out in healthy doses. Some of the memorable shootouts include the; Gunfight at the O.K. Corral (a real shootout) among others. Now these shootouts are quick paced and feature casualties on both sides, and include a great variation in weaponry used. This is mixed in with moderate amounts of blood that don't move interest away from, neither the brilliant sets nor the costumes, but succeed in adding realism and occasionally shock value. Now the sets and costumes are something to really wonder over. The costumes appear authentic and the sets just as authentic. The sets also have a distinct warn down feel; which assists in placing viewers in a corrupt and dusty western environment.

    Now aside from feeling like a western movie, the acting and the dialogue is quite authentic and enables you to really soak up the atmosphere of the picture, without being distracted by poor dialogue or bad acting. Now the best acting is given by Kilmer, who portrays Doc Holiday in such a way; you really will believe he existed. Kilmer doesn't overact at all and portrays him as a calm, but an in control man. Dialogue associated with good acting include; "All right, Clanton... you called down the thunder, well now you've got it! You see that?" said by Wyatt and "The Cowboys are finished, you understand? I see a red sash, I kill the man wearin' it!", also said by Wyatt. Now what makes this dialogue authentic is it doesn't seem forced and seems to be dialogue in which someone would come p with on the spot in an actual situation.

    What also mesmerised me about the film is the substantial character development that occurs. At first Wyatt and his brothers are to varying degrees attempting to avoid fighting the cowboys, but after a while they literally launch a personal vendetta against them, which historical became known as the "vendetta ride". Not only are changes and conflict intriguing to watch, it also makes successful drama which makes "Tombstone" seem very sophisticated. Now I didn't enjoy everything about "Tombstone", one thing that really bugged me about the film, was the lack of time and detail spent on developing the cowboys. Now this effected my viewing of the film quite substantially. I began to feel as if the movie lacked in presenting villains that has emotions, had motives and had lives. They just seemed to pop up and disappear. The only cowboy who is talked about in some detail is Ringo (Michael Biehn), the motive for his villainous actions are; he is simply a sick, sadistic man. Now this is probably one of the biggest flaws, and won't concern most viewers aside from the very picky viewers (like me).

    Summing up, "Tombstone" is an enjoyable western flick that presents believable characters and sets, combined with compelling gunfights and realism that sets it apart from other "action flicks". Overall I give "Tombstone" a well earned 7.3 out of 10. Not the best western I have seen, but pretty damn good for a modern one. Now I mentioned the film does have some blood in it. But the blood is rather quick and occurs infrequently throughout the film and is not very disturbing, so anyone 11 and older should be all right watching this film. Although many of them may find it too slow moving.
  • God bless George P Cosmatos. To anyone who is a fan of the old west genre, holy smokes!! This little piece of western history hit with a thunderous explosion. Tombstone, was in theaters around the time that Eastwood's-- "Unforgiven" was just heading out. That (Clint's western saga) won a lot of awards, but to my dismay, it seems as though ' they ' missed this one. To me this is what Oscars are made of . Steely-performances that bring the viewer to a place of awe. Simple. This film of the old west, that some will quibble about the fact that they didn't go into further detail on the lives and events that were part of each character here. Or that some of the facts were traded or missed all together in Tombstone. The director had set this western up and many others on their heels. Everybody mentions Val Kilmer in this as the incomparable 'Doc' Holiday. No doubt that he was indeed just that.

    But add to it the way that Russell and Elliot with Paxton were the brothers that fell right into cinematic place. They were picture- perfect in their places. Then you bring in Dana Delaney, who is made for this part of the love opposite Wyatt, feisty, smart, educated and beautiful. and Stephen Lang another 'Pro' in about anything he takes on. I think he has multiple acting-personalities, his range is as broad as lake Superior. From a confident Jewish Lawyer David Abrams in 'Crime Story' (1986-88) to a quivering voice scumbag criminal outlaw in this, he has all the talent and a few other actor's talents too! Along with him, Michael Biehn, who was prime as Ringo, oh yeah! Charlton Heston as ' Henry Hooker' the solid standing rancher, who aides 'Doc' in a time of trouble, to Powers Booth, as the smart-Aleck's, oddly likable but equally slimy instigator 'Curly Bill' . The guy you love to hate. There was many moments that were the blocks that built the story, the one in particular that seemed strangely authentic, was when Wyatt and Virgil (Russell and Elliot) walked with Allie and Mattie, from the train after meeting up, and stopped at that storefront window and stood there, as if posing for a portrait. Wyatt sort of directed them to take a moment and take a picture of it to remember in their mind. That was a pause for reality in this for me. This had both tragedy and hard fought victory. The Arizona sky and scenery was dreamy in some sequences and the camera crew and sound was top-notch. I still can't really say there is another 'West' picture that stimulates my senses better than Wyatt and the whole gang, with 'Doc' the wild huckleberry, at your service....

    The crew that played together in this film, helped make it a smash hit!! There are the other actors that took part as well, too many to list with the 'word' limit on IMDb, but, it was so good, you could feel it even after the movie was over! I highly and gladly recommend to western lovers and action movie seekers.

    Tombstone...Justice is coming.(*****)
  • Warning: Spoilers
    Okay, I'm a "natural fan" of the western genre, enjoying the likes of Silverado, the Spaghetti westerns, Pale Rider, The Magnificent Seven, and Unforgiven. After seeing all of these, I finally got a chance to sit down and watch "Tombstone".

    The Story: It was a decent, typical tale of an ordinary man, Wyatt Earp (Kurt Russel) and his family including his opium addicted wife, and two brothers Virgil (Sam Elliot) and Morgan (Bill Paxton) decide to live a leisure and peaceful life in the west. But when a band of thieves and ruthless murderers called "the cowboys" lurk in the town and go about their business "scott free" of the law, the three brothers and their friend Doc Holliday (Val Kilmer) decide to bring "law and order".

    Now, it sounds all good, but the way the film delivered it was at most the pace of a snail. There was plenty of character development, and intermittent brief tales of each individual, but the entire first hour is made up of this, with only one gun battle in the start, occasional fist fights and one or two, here-and-there murders. The film did not even feel like a western, more like a soap opera as the "good guys" and "bad guys" deal with their delusions of obsessive gambling and alcohol intakes, and their lust for using their testosterone. When the first hour ends, the REAL story kicks in with the famous "shootout at the OK Carrol".

    Henceforth comes the gun battles and merciless killing. The action though did not have the exciting camera angles that Sergio Leone had in "The Good, Bad, and the Ugly", nor did it have an uplifting score as "The Magnificent Seven". The action sequences were very stiff and bland, lacking creativity and thrills. Even the "Ok Corral" sequence was a bit dull and long lasting, in which only three guys were killed in, when it looked like a dozen or so were shot. The violence in this film was brutal and cold-blooded like Spielberg's Schindler's List. Perhaps the director wanted to make a more realistic look at the film (since it was based on a true story), but even by that time, I was numb from sleepiness. Unforgiven did not have as much action, but it flew by! What's up with that?

    The acting: It was very good. Val Kilmer gave quite a performance as Doc Holliday, with his one-liner clichés, deep philosophy of life, and armed with his two pistols. Kurt Russel was also very decent as the hero who is drawn between what to do right, and what to do for himself. He performed a very ambivalent character. The other actors were great too, even the villains who were both laughable and insane.

    Overall: The film had good characters and a decent story, but it lacked the pace. With this movie, do not expect much action till the second half of the film. Critics call this the "last great western", but that's one fat lie. When I mean it lacked the "western soul" I mean it lacked the the thrilling action, the music, and the adventurous pace and story. Because of this, it did not feel like a western, at least to me. This is possible, since I'm old-fashioned when it comes to a western film (good vs. bad, saving the damsel in distress stuff). Basically, it does not follow "the traditional western." It is an okay film, but it lacks the speed and proper soul of a western. I had to give it some credit since it was based off of true events. 3/5
  • Warning: Spoilers
    The *Pulp Fiction* of westerns, with its vivid dialog and firestorm set pieces.

    Also, Kurt Russell and Val Kilmer together in one film – and that's a big YUM for the ladies. Russell's and Kilmer's opening scenes establish them as powerhouse masculines, something which this film veritably bleeds with, yet these two tower over every other dusty gunslinger and scenery-chomping henchman.

    Russell is Wyatt Earp. We meet him alighting a train and whipping a wrangler across the face with his own whip for beating Earp's horse, growling in a rasp that would make The Clint proud, "Hurts, don't it?"

    Kilmer is Doc Holliday. Drawing his guns like proverbial greased lightning in a card game gone sour, then knifing his antagonist and exiting stage right with a fistful of cash and a hard, sexy woman, Kilmer has only begun to amaze us… as he takes his character a mighty step further, endowing his Holliday with a pseudo-continental accent of his own nefarious design and an educated panache that we doubt anyone on the frontier could have seriously exhibited WITHOUT being a lightning gun (i.e. he'd be killed in a hot second for being such a dandy). To this day he has never commanded a role so deliciously elitist.

    Yes, *Tombstone* is yet another Gunfight at the O.K. Corral – but related in such a way that this fact is peripheral to the characters at the heart of the tale.

    Directed by George P. Cosmatos, written by Kevin Jarre, *Tombstone* presents a vision of the frontier as half brutal reality, half snakeskin Hollywood, all guilty pleasure. Ten times more entertaining than that OTHER *Wyatt Earp* - poor Kevin Costner's epic, drawn-out, tedious June 1994 release, coming in a weary second to this film in release date and pure animal fun.

    The Earp brothers, Wyatt (Russell), Virgil (Sam Elliott) and Morgan (Bill Paxton), with their three blond wives in tow, arrive in Tombstone, eager to settle in and seek their fortune. Wyatt especially wants to leave behind his bloody rep as a "Kansas lawdog." The frontier has other ideas, crawling as it is with The Cowboys – rowdy, red-sashed troublemaking gunhands who "rule" the vicinity like mobsters; led by Curly Bill (Powers Boothe) and his sidekick, Johnny Ringo (Michael Biehn), the "deadliest pistolier since Wild Bill."

    As the trailer said, "Justice… is coming to Tombstone."

    Setting themselves up, unwillingly at first, as keepers of the peace, the Earp brothers' fate inexorably leads to the gunfight at the you-know-where, due to The Cowboys refusing to disarm while within town limits, the Earps sensing anarchy in the air and attempting to simply disarm them where they had congregated behind the O.K. Corral.

    Because this movie piles on so many entertaining vignettes, the O.K. is the least of our climaxes… from Wyatt driving out the Faro dealer (Billy Bob Thornton): "Go ahead, skin it! Skin that smoke wagon and see what happens!"

    …to the tasty, intelligent, Latin exchange between Holliday and Ringo (you can see the full translation in the 'memorable quotes' link): "Eventus stultorum magister." "In pace requiescat";

    … this movie roars like a stallion on steel hooves, in a hail of Peacemaker gunfire and very real handlebar moustachios.
  • When you think of the 'Wild, Wild West', saloons, sheriffs, shoot-outs, and cowboys are some of the things you might think of as essential to painting a portrait of the old west. Well, this movie shows just that, but not in a cheesy, run of the mill sort of way. This is the story of Tombstone.

    Tombstone stars Kurt Russell as the legendary Wyatt Earp, the U.S. Marshall known for 'keeping the peace'. He and his two brothers Virgil (Sam Elliott) and Morgan (Bill Paxton) decide to head out to the town of Tombstone. It's a place where you can make it rich and quick, too. Wyatt decides to grab a share of the local saloon/casino called The Oriental. Making all of this money and having a good time is all they want to think about. They just want to leave they're past behind them. Doc Holiday (Val Kilmer) wants to do the same thing. With his lung condition worsening, he is trying to live life to the fullest...that is gambling, drinking, smoking, and doing his "marital duties" with his wife Kate. A traveling group of actors and performers roll into town put on a show for Tombstone. Josephine Marcus (Dana Delaney) and Mr. Fabian (Billy Zane) sweep the town off of their feet with their charm and talents. Josephine is attracted to Wyatt's ruggedness and mystery. Wyatt tries not to be tempted even though his drug addicted girl friend doesn't help his cause much. With all of this going on in Tombstone it seems like it will be easy sailing for Wyatt and his crew...until they have a run in with the Cowboys.

    Led by Curly Bill Brocious (Powers Boothe), this gang has been terrorizing the west for a number of years. They are the law in the town of Tombstone. They influence everything from the sheriff to the saloons. When the local marshal is shot by Curly Bill, Wyatt locks him up this is when the cowboys start to make trouble. Virgil and Morgan soon sign up as the new Sheriff's in town and Wyatt doesn't want any part of it. Doc has become enemies with one of the quickest and skilled guns in the west named Johnny Ringo (Michael Biehn). When Wyatt is forced into help keep the peace, there is the showdown at the O.K. Carral that would just become more of the legend of Wyatt Earp and his band of law men.

    Tombstone is a great film with a lot of action, drama, and even some comedic moments. The screenplay is fantastic with Wyatt Doc having some great conversations. Russell, Kilmer, Elliott, and Paxton all give good performances. Kilmer especially shows his range as an actor with his charm and charisma not scene in this way before. The ailing Doc Holiday is an interesting character to portray and Kilmer nails it. Along with Doc, Wyatt couldn't be just another law enforcer. He had to have a soft side and a mean streak as well. Russell give Wyatt a feeling of accomplishment, like he has done what he has set out to do. But when things go wrong, he is the first one you want on your side.

    Fans of westerns, have no fear because Tombstone is hear! This magnificent film is worth more than one viewing and I'm sure you'll agree.
  • djrmc2410 December 2023
    Tombstone is one of my favorite westerns of all time! The movie features big time stars and big time shootouts. Kurt Russell casted as Wyatt Earp was pure genius. Sam Elliott, Val Kimer, and Bill Paxton were all terrific as well. Trust me you will recognize a lot of big time stars in this one. Even Billy Bob Thorton shows up as a side character who probably has less then 5 minutes of screen time. I absolutely love the story here and the drama/action throughout makes this movie go by at lightning speed. I miss westerns like this and hope movie studios start to release more like them in the near future. Tombstone might not be perfect in critics eyes but it is a picture perfect film in mine. Tombstone gets a perfect 10 stars out of 10 from me.
  • I just watched this movie on television recently and was not very impressed. Sure, I was interested but the movie was more like a photo montage than anything else. There was almost no character depth and little character development. It was if the director was trying to cram as much action in as possible. I felt as if I were watching one big commercial for over two hours. While I am a fan of many of the actors in the film, they weren't given much to work with by the director so their performances were less than stellar (but they did a valiant job). I did like Val Kilmer's acting a lot though. So, the acting was good but mainly the character depth was terrible.

    6/10
  • "Tombstone" is one of those stylized movies that has a lot of good qualities--some fine players, nice camerawork and a couple of tense scenes. But, overall, it's a mess. Nothing hangs together. It's really just a series of scenes strung together and called a movie. Kurt Russell, no stranger to action hero roles, is Wyatt Earp but you never get inside this guy. We start off with a sense of family with Wyatt and his brothers but nothing develops. We just have scenes. Hugh O'Brian may have provided a clearer characterization on the old TV show. But Val Kilmer is good, playing the sharp-witted, weak-lunged Bat Masterson. The whole thing starts off like a documentary with Robert Mitchum intoning something about the old west while some silent picture is shown. It might as well have been the one of "Beef--it's what's for dinner" spots. I don't know who this director is but he was obviously trying unsuccessfully to recreate the spaghetti westerns of the 1960's. The violence is layered in like a cake. I think there must be a UCLA film course out there that might talk about the need for subtlety when trying to establish a sinister characterization. Otherwise, it's just another shooting gallery. If there isn't there should be. This film is good for a couple of clips but it needs to be buried on Boot Hill otherwise.
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