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  • I saw "Milk Money" when I was eleven; much of what happens in the movie is the sort of stuff that would make any eleven-year-old boy think "Whoa...cool!" Looking back on it, I still think that it was pretty funny, but was it the most mature movie? No, and it doesn't pretend to be. I read somewhere that this movie was sexist; I wouldn't know one way or the other. All that I interpreted was that the movie was a nice, horny excuse to have fun. Richard Benjamin has proved himself to be quite capable as a director, and this adds to that.

    I know, the prostitute-with-a-heart-of-gold context is a cliché, but this is a comedy, so it passes. And believe you me, this V (Melanie Griffith) is definitely a V for vendetta! Also starring Ed Harris, Malcolm McDowell, Casey Siemaszko, and a very young Anne Heche. Really entertaining, especially the report on the female reproductive system.
  • In some cases I'd say this is better then Pretty Woman. I say "some" with weight because Pretty Woman is a classic. But Milk Money fills that "hole" you had watching pretty woman. Ed Harris's character is sincere and attentive which matches Melanie's softness (which at the best of times can spoil her on screen performances) perfectly. It's a classic boy meets girl movie with that dash of "damsel in distress but is now hardened and tough due to life being so rough and who now finally meets a man who breaks through it all and understands and loves her for who she is" - as far as romantic comedies go- it was better then I thought it would be and even gets the heart strings welling when Ed Harris tells her "this could hurt"...The story itself can be at times almost childish, but in the end that's part of it's charm.
  • In the Ohio suburb of Middleton three boys gather their 'milk money' so they go to the nearby city, Cincinnati, and see a prostitute naked. One of the boys, Frank (Michael Patrick Carter), befriends the woman (Melanie Griffith) and wants her to meet his single dad (Ed Harris), a teacher who's trying to save the nearby wetlands. Malcolm McDowell is on hand as a heavy while Anne Heche appears as a kept woman in the city.

    "Milk Money" (1994) is a modern day fairy tale that's part pubescent coming-of-age dramedy and part romantic-comedy. Critics reviled it, obviously because the subject matter made it an easy target but it has a lot of heart once you look beyond the prostitution component. For instance, Frank really just wants a caring mother, as well as a wife for his lonely, workaholic father who needs a good woman to rock his mundane world. The question is, can a call girl possibly be a 'good woman'? In other words, is there redemption for a soiled sex worker and what is the key to that redemption? Not only is love the answer it's also the element necessary for bringing out submerged love in the one being redeemed.

    There's also a lesson about objectifying a woman. The boys only see the prostitute as an object to appease their curiosity and blossoming lust, but soon discover she's a human being with feelings and value beyond her body. Even more, the woman clearly wants OUT of the empty, repugnant lifestyle she fell into since she was 14; she craves love, wholesomeness and respect. Say what you will, but these are some heavy morals for a farce about some boys wanting to become men, a nice father concerned about the condemned wetlands and a pretty sex worker.

    The film runs 1 hour, 47 minutes, and was shot in Cincinnati, Ohio, including the Wheeler house and the school, while the ice cream parlor & town scenes were done in Lebanon, about a 20 minute drive northeast of the city. Some shots were also done in Pittsburgh.

    GRADE: B-
  • Very conservative people might not like the plot of this film (kid tries to get his widowed dad and an ex-hooker to fall in love with each other), but actually everything is quite harmless and fun.

    The story gets sometimes a bit silly (especially when the boy takes Melanie Griffith to school as part of his "science project"), but the acting and the comedy is good. There was always a smile on my lips as I watched the misunderstandings between Harris and Griffith, when the dad believes that she is a math tutor and the hooker believes he knows her true job.

    Ed Harris does a good job as the shy father, and Melanie Griffith is believable as the golden hearted hooker. But it's the kid (Michael Patrick Carter) the one who steals the show, with his winning smile and his mixture of innocence and curiosity.
  • Please forgive me but I fell in love with this movie even if it's not exactly the kind of movie that is hip.... Three young boys have no clue how a naked woman looks like so they save money to go to town and ask a hooker (Melanie Griffith) to show them her delicious body. One thing leads to another and V the hooker ends up staying by one of the kids (Michael Patrick Carter) who tells his dad (Ed Harris) that she's a mathteacher. And then in pure Pretty Woman-style the kid wants the hooker as his mum and tries to unite dad and the whore...and does it work? You know the answer but just a pimp (Malcolm McDowell) wants his moneygoat back... Well well, you laugh and I guess you are right as this history could have end up in something terrible but there is a freshness à la "Stand By Me" that makes "Milk Money" great and of course the performances from both Ed Harris and Melanie Griffith...just as usual Malcolm McDowell suffers from terrible overacting.
  • MILK MONEY is a lovely and sentimental romantic comedy about a precocious pre-teen who decides to set up his widowed father with a warm-hearted prostitute, who is on the run from some bad people. This film is a warm slice of contemporary Americana, beautifully conveying small town sensibilities and their positive and negative effects on the fictional hamlet of Middleton. The story is simple (though it does take Dad a little too long to figure out what this girl does for a living)and the environmental subplot is underdeveloped, but the movie is filled with believable characters and funny scenes, including one very funny scene where the boy uses the hooker as a visual aide for a school project on the female anatomy. Melanie Griffith shines in a tailor-made role as V,the proverbial hooker-with-a-heart-of-gold, in her most appealing performance since WORKING GIRL and Ed Harris is charming and sexy as the dad. Michael Patrick Carter is utterly charming as the boy and Malcolm McDowell and Anne Heche offer funny supporting turns as a gangster and his ditzy moll, V's best friend. An entertaining romantic comedy that's beauty lies in its simplicity.
  • Warning: Spoilers
    Young Frank Wheeler (Michael Patrick Carter) and his two friends have the brilliant idea to pool their milk money and head to the closest city to flag down a woman to show them her boobs. This brilliant notion allows them to cross paths with V, a prostitute played by Melanie Griffith, who ends up following them back to their small town on the run from her pimp. There Frank's mild-mannered single dad Ed Harris falls for V, not realizing her background.

    I am really hard-pressed to figure out who the audience for this film is. It is entirely too smutty for a family film and no where near smutty enough for the adults that may find this theme appealing. Director (and former actor) Richard Benjamin continues to be a director of limited merit. It is absurd that in this day and age kids like Frank and his friends could not see bare boobs by sneaking into a movie theater or looking in art books or Playboy, but would resort to traveling to the Big City and being slapped by offended women who they approach in their naive and guileless way with their sordid offer. And am I the only one tired of the Big City being depicted as a morass of immorality while the Small Town gets idealized into some romantic bubble of innocence? How innocent can it be with kids like Frank running loose (not to mention the one kid's dad who knows V from past experience)? Harris is adequate as Frank's clueless dad, but how disheartening that in a few years time Melanie Griffith went from her Oscar-nominated peak in Working Girl to this dismal development. Griffith looks tired and blowsy as V. She is also reduced to playing one nonsense scene (which truly makes no sense at all) wherein she shows up at Frank's school in a tight outfit so he can give an anatomy demonstration in class. The scene comes out of no where narratively, is not funny at all, and since the film has no nudity it serves no titillation purposes. One is just incredibly embarrassed for all involved.

    Naturally, all of this ends with a madcap, badly done car chase with the kids frantically driving V to safety from associated villains, because what cheesy film does not have a car chase for no good reason. Similarly, to say the "happy" ending is beyond a stretch would be pointless.
  • Melanie Griffith,(V) played a woman of the streets who meets up with three boys who want to see what a girl looks like in the nude. Of course, if they really wanted to do it the correct way, they could ask their dad's and possibly their mothers. However, this is a Hollywood film and it made the entire story quite funny, especially when they have a sex education class and decided to use a rather non-kosher way of presenting the facts. Ed Harris,(Tom Wheeler) plays the father to Michael Patrick Carter,(Frank Wheeler) who gets to be good friends with Melanie Griffith and introduces her to his father. This is a very entertaining film and you can find fault with this film whether you are on the left or right side in life, but comedy and laughs are good for everyone and I recommend this film for great viewing.
  • I am always interested to see what actors can and will do in their work. I got such a strong Klute vibe from Ms. Griffith in the beginning of this movie. And it was nice to see Ed Harris just be Dad. The story itself is one of those adult fantasies that utilizes the kid mystique. Of course the-Hooker-and-the-Dad plays out an adult fantasy of its own. It turned out not to be a movie i would share with kids, in spite of its rating. It's a "yeah, sure" movie, white bread with way too much jam. BUT, i'm still glad i saw the work of the six pros who make it a viable (okay enjoyable--i enjoyed it)i'm-too-tired-tonight-to-move home entertainment. Yes, Virginia, there is a Hollywood.
  • Michael Patrick Carter plays Frank, a pre-teen living with his widowed father (Ed Harris). Frank and his little buddies save up their milk money and allowances to see what a naked lady looks like. They decide to go into the city and rent a hooker.

    The trip for the boys turns into a mess. A sympathetic call girl, played by Melanie Griffith, ends up escaping to the suburbs and hiding in Frank's tree house. She is trying to break away from her boss and the business. Frank's lonely father is given the impression the call girl is one of his son's school teachers. Being a thoughtful son, Frank tries to hook up the hooker with his dad.

    Harris doesn't get a good chance to expand in this role. On the other hand, Griffith seemed to be at her best. Also in this pleasant movie are Malcolm McDowell and Anne Heche. Situational humor.
  • toddbridges10 April 2002
    I can't believe someone wrote that this was a good movie for kids!!?? I'm sure having an ex-hooker for a mom would be ideal for any young boy. I can see it now...he and and his friends are sitting around playing Nintendo and drinking Kool-Aid and one of his chums says

    "Hey, you remember the time your new Mom showed us her breasts for money?That was great!"

    "Yep! That's my Mom she really enjoys exposing herself to preteens for money....anyone want some Cheetos?

    As if he didn't have problems enough with dealing with a dead mother?? Now a hooker stepmother??

    Alternate ending: Ed Harris was eventually fired for having a wife that exposes herself to schoolkids and had to pimp out Griffith to make the rent.
  • I've loved this movie ever since I was a kid, and after about a dozen viewings (damn, I've been having too much time) there's one question that still bothers me: who's this movie aimed at? On the surface it definitely looks like a family movie. You have your Disney-like music under almost every scene, you have your tired, clichéd story about kids wanting to make sugary sweet adults fall in love, you have your character that gets his heart cut out wait what? You have your hapless but likable kids who pull all kinds of school shenanigans, you have...Malcolm McDowall as a crazed pimp who pulls out his gun at a school dance? This movie just bounces all over the place, but it's fascinating rather than bothersome. Furthermore, even after so many times this is still a pretty effective little tearjerker. You know this stuff is probably going to end well (with someone getting his heart cut out?), but getting there is quite touching. You know she'll stay in the end, but still, don't leave. Ed Harris and Melanie Griffith also have near-perfect chemistry, it always helps if the protagonists of your romantic comedy look like they actually want to be there. "Milk Money" has its shortcomings because it's essentially an off-brand "Pretty Woman", but it's a childhood memory that I kinda cherish to this day.
  • I'm sure this film is no longer considered politically correct since it involves a scene where a prostitute shows pre-teen boys her breasts, but it has a lot of cute moments and Melanie Griffith and Ed Harris have great chemistry. It made me smile more than I'd like to admit and I suppose that counts for something.
  • Okay so it is a story about a young kid trying to set his father up with someone because daddy has been lonely. Mommy is gone. So where does this boy and his band of innocents turn? Where else, a hooker! Horribly unbalanced, unentertaining, and downright unwatchable. Featuring Melanie Griffith at her whiniest and most annoying yet. Ed Harris' performance was, to put it kindly, forgettable. Avoid this one.
  • Milk Money (1994)

    ** 1/2 (out of 4)

    A group of young boys save up their "milk" money so that they can buy a father (Ed Harris) a hooker known as V (Melanie Griffith).

    There's a bit more to the plot of MILK MONEY but that's the basic set-up. After the success of WHEN HARRY MET SALLY... these types of romantic comedies were in high demand so we got all sorts of strange stories and this here is certainly one of the strangest.

    Once you get over the idea of young kids buying a hooker for dad, the film itself really isn't all that bad and in many ways it's pretty charming for what it is. You've basically got two fine actors turning in fun performances and that's what makes the film worth watching. Harris is especially good as the father who is still grieving over his wife. Griffith easily steals the film as the hooker with a heart of gold as well as a great body that is constantly in tight clothes.

    The film's screenplay has a pretty basic set-up and it pretty much plays out as you would expect it to. There's certainly nothing ground-breaking here and it's not one of the best films that the genre has to offer but if you're a fan of the cast then it's worth watching.
  • Through the time the prostitutes were unappealable stigmatized by the society as a whole, nevertheless had served them quite often concealed, this picture tries a demystification of most ancient profession, three boys want to see a naked woman alive, then gathered around 100 bucks to see one of them, they find V (Melanie Griffith) who accepts the offer, aftermaths she sees these little boys shelter from the rain, she borrow his Boss's car and takes a ride to them, the youngster Frank (Michael Patrick Carter) has a golden heart and charisma, the car break down in front his house, he introduces her to his widower and alone father Tom (Ed Harris) then he invites her to stay over at his tree's house for a while, hoping that V and Tom comes closer, with a terrific performance of the boy Michael Patrick Carter who is the heart and soul of the movie, allow foster an unasked sexual appealing over the couple, yet over the edge of the unknowns, Tom doesn't know who she really are, due Frank just suggest her a mathematics teacher, V is sure that Frank told to his father his past, no yet, a moving picture that bestow us a new look in this neuralgic point, will be possible a mundane woman becomes in a fair house wife? Yes I believe in a sudden change if had enough strengths to do it, actually I saw it at my tender age in a city which I lived for years!!!

    Resume:

    First watch: 1997 / How many: 2 / Source: TV-DVD / Rating: 7
  • goya-412 October 2000
    Melanie Griffith stars in this time waster as a hooker with a "heart of gold" Hmmm i doubt that most hookers have a "heart of gold" or that they look like Melanie Griffith or Julia Roberts for that matter..but anyway some local school boys end up saving their milk money to see a woman naked..of course they run into Griffith, who is being chased by a bad guy, so one of the children bring her home to their dad who is divorced and looking for love again and...zzzzzz....Oh I'm sorry i fell asleep..you will too.,, The only good scene is the one part where Griffith takes over a health class and talks a little about the birds and the bees.. on a scale of one to ten...2
  • This movie SO typifies Hollywood.

    We get (1) another prostitute who is gorgeous, sweet and with a heart of gold. (2) the prostitutes are nothing but victims of the cruel and abusive male pimps; (3) kids ages 10-12 are obsessed with sex (I'm talking about how Hollwyood sees the culture); (4) there are few higher callings than being a tree-hugger, this one chaining himself to a tree to save some wetlands.

    On and on and on it goes in ultra-Liberal, politically-correct, morally-clueless Hollywood. Well, to be fair, the movie did have lots of charm and it's always nice to see Ed Harris actually play against type, meaning play a decent human being. Melanie Griffith never looked better, either. Too bad the story was so stupid and insulting.
  • Warning: Spoilers
    This film was trying too hard to be like the 1990's romantic comedy film, 'Pretty Woman', with its hooker with the heart of gold premise. It had some really awful delivery. This so called family movie was just uncomfortable to watch with your mom, dad, sibling, and grandparents. I felt dirty for just watching this film with them in the 1990s. Amazingly enough for the time, this script sold for over $1 million (which was at the time a record for a first-time screenwriter for John Mattson). Directed by Richard Benjamin, the movie partake in the lowest of lows stories, by having bunch of prepubescent boys lead by Frank Wheeler (Michael Patrick Carter) wanting to see a prostitute, V AKA Eve (Melanie Griffith) naked. Only for them, to later, want to convince V to date Frank's father, Tom (Ed Harris). Yes, that is the sleazy premise of this romantic comedy film! What an awkward watch! Not only, was the movie, very disturbing to watch, as a kid, but it wasn't funny at all. The jokes were a little too dark, or made little to no sense. Lots of inappropriate pedophile overtones jokes. Lots of jokes about young boys & girls, wanting to grow up, to be pimp & hookers. Yes, that's a great message for children. It was too disgustingly than funny. Also, the movie had some very painful badly written dialogue, delivered by some really poor acting. For me, this particularly comes from Melanie Griffith, who personally, for me, doesn't show, much range. I also never found her to be, really attractive, due to the effects of her drug and alcohol abuse, during the early and mid-1980s. Even in the early 1990s, you can tell, by her limited facial movements, that she got some really bad plastic surgery as well. She also a bit annoying with her soft nearly squeaky voice. Plus, I don't like how this movie didn't do any research in V's profession. I hate, how the film is saying that all prostitutes are working for the mob. A lot of them, are working for themselves, nor are they, sex slaves. Some of them, just do it, for kicks. I really don't like that clichés that every hooker is a trouble person. If anything save the movie for me; it's Ed Harris's performance. He was great as the clueless father. It's rare to see him, in a funny role. Ed Harris really needs to be, in more comedies. However, his character was bit, underdeveloped. The whole, saving the wetlands sub-plot really needed to be fresh out, more. It comes and disappears, as soon as that part is mention. Another character, in the film that was fun to see here is Waltzer (Malcolm McDowell). I know, a lot of people didn't like McDowell's Englishman accent performance here, but I found his short scenes to be one of the film highlights. He really seem somewhat wasted, by being limited. I wish, they just eliminated the Cash character (Casey Siemaszko) and gave it to Waltzer. He was fun as the villain for V and the children to face. The kid actors was also alright, despite their character not acting their age level. Like really, how can they be that clueless about sex education? It's weirder when the subplot about Frank failing Sex Ed is suddenly dropped once he brings V to his class room for show and tell. How on earth, did they get away with doing that? Why would V, even agree to something like that, if she's in hiding from the mob. Wouldn't she be arrest for trespassing on school grounds, label as a registered sex offender, or by now, murder by the mob that she's trying to run away? This film doesn't make any sense, because of things like that. I hate these stupid annoying children getting away with very unrealistic scheme clichés. If I did that, at his age, during school hours, I would find myself in juvenile prison for sure. Overall: While, this PG-13 movie has a lot of sexual innuendos, talks about private body parts, and others sexual things. The movie doesn't have any nudity. It's not like, I wanted to see Melanie Griffith naked, anyways. Overall: I don't mind, films for children trying to understand, their bodies and sex. However, this isn't the film for them. It's not mature enough to teach kids, nor funny enough to pass as a romantic comedy. I can't recommended watching it at all.
  • Lighten up people...this is just entertainment, not Ghandi (yawn). I found this movie to be great entertainment for a Saturday afternoon. My wife and I laughed all the way through. Excellent performances by Ed Harris, Melanie Griffith and Michael Patrick Carter. The cross communication between Harris and Griffith based on Carter's lie is hilarious.
  • why anyone would give this movie anything more than a 1 rating is beyond me.

    It is filled to the brim with clichés, terrible acting, a bad script, and just badness. C'mon, a hooker with a heart of gold? Again?!?! I watched this with my family when I was 12, because we lived in a town with one theater that showed one movie, and only on the weekends. We would go every week, no matter what was showing. We agreed unanimously that this was the worst piece of drivel that has ever been created. We still pretty much stand by that judgment.

    I won't go so far as saying that this movie was created by Satan, but it has such a concentration of raw evil and bile underneath it's lily white veneer, that I wouldn't be surprised if Lucifer's hoof marks weren't all over this one.

    Shame on anyone who gives this movie a 3 or better.
  • Bad direction, a weak script and a career-low performance by Ed Harris sideline 'Milk Money', a movie which could've been excellent, but wasn't.

    Onetime-respected-actor-now-reduced-to-B-movie-star Malcolm McDowell delivers a hilarious performance with help from Melanie Griffith and talented newcomer Michael Patrick Carter, but they alone do little to rescue the film.

    The first half hour or so is perfectly on tune, then everything seems to change gears and 'Milk Money' is pushed from a comedy to a sappy drama with an awful dance sequence, and an ending that's even worse. To complicate matters even more, Harris is completely miscast, and future star Anne Heche is seriously underused.
  • This is like pretty woman, but kids want to see boobs. I feel like the 90's could get away with the premise and there are some heartfelt moments, but there is no way people would be cool with this these days haha. Although, it is not near as raunchy as some of the reviews here made it seem.

    The main kid is a good actor, surprised to see he didn't do much after this.
  • That quote from Milk Money above truly applies to this poor excuse for a movie; better to call it a flick, "movie" is too good for it.

    Paramount supposedly paid over $1 million for the script (there's a sucker born every minute).

    There is some decent talent here, but it is wasted, really wasted.

    The pretext for this mess is stupid, implausible, silly.

    It is not worth reviewing as a watchable film; needless to say, I didn't watch it all the way through.

    Do not go near this flick! You will embarrass yourself, like these actors embarrassed themselves making it!
  • m_madhu24 November 2001
    the movie is quite a bore. cannot believe that ed harris wasted himself in this brainless plot. a cheap attempt to recreate some of the magic of pretty woman, but without the class, conviction or the charisma of the former.

    watch the movie only if you're desperate to see melanie griffith in yet another role as a skimpily clad sexpot. she's quite good in the role though.

    a stupid 4!!
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