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  • Warning: Spoilers
    Fight Club is one of those movies that hits the spot without missing an inch of it. The nameless narrator (Edward Norton) is an insomniac office worker who lives a materialistic life. From the very beginning the movie comments on the capitalist nature of society by portraying how consumerism moves the world, but is unable to give relief in the end. Flipping through catalogues of new furniture for his apartment is the narrator's only personality trait. To fight against his insomnia he starts attending to support groups. By lying to people, pretending he has conditions he does not have, the narrator finds relief - the emotional acceptance he finds in the support groups is enough to allow him to sleep at night. The emotional complexity of the character is nothing unrealistic. David Fincher makes a subtle, yet clear, comment on the nature of materialist societies where no one really listens to each other nor care about each other. The system doesn't care about anyone, the distance between people - especially enhanced by how they function in the capitalist world - is a major plot point. However, when the narrator is finds someone who's a faker just like him he loses his emotional escape - " Her lie reflected my lie. Suddenly, I felt nothing. I couldn't cry, so once again I couldn't sleep".

    Shortly after Tyler Durden (Brad Pitt) is introduced into the story, the main character loses everything he valued. Deprived of his possessions he seeks solace in the company of a man who is the polar opposite of what he is. If the narrator is a worker who's way too worried about his condo and his job, Tyler is a freewheeling soapmaker who couldn't care less about all those things. The contrast between them is clear; Tyler refuses any consumerist logic from the narrator whilst making he see how futile is the lifestyle he was leading - "Right. We are consumers. We're the by-products of a lifestyle obsession." The characters portrayed here are so different because one of them is free, while the other is not. Tyler, in a nihilistic way, helps the narrator realize that his existence is meaningless enough - something that is clearly displayed in the capitalist world - that all they can do is giving up everything. The self-destruction promoted by the Fight Club is ironically what allows the narrator - as well as many other frustrated men - to find solace in their mundane life. Little by little the narrator is stripping himself off his previous beliefs about job, about behavior and the value of things. It's interesting to note that the narrator doesn't quit his job immediately, picturing how hard it is actually to cut ties with the system - he eventually does though.

    Many subtopics are discussed through the movie. We see the narrator and Tyler, now living together, talking about many things. They talk about how both had an absent father, how both lacked a sense of direction in life at some point and were told to follow the common sense - "He says, 'get a job'. So, I'm 25, I call again and say, 'now what?' He says, 'I dunno. Get married". The nature of the system we live in tells us what to do since the moment we're born, while both of them agree on that, they also agree that this is all a great waste of time. It's important to notice though that both them had no significant connections with other people, especially with women as Tyler comments - "We're a generation of men raised by women. I'm wondering if another woman is really the answer we need".

    As the club grows the movie delves even deeper in those reflections about what really matters in life - "Advertising has us chasing cars and clothes, working jobs we hate so we can buy s**t we don't need". Tyler becomes the source of inspiration for everyone who attends to the fight club; everyone is much more like the narrator, but they're striving to be more like him. At some point, Tyler decides that the club is meant to be something bigger - what he would call Project Mayhem. While the original Fight Club was something kept like a secret idealized to give some sort of freedom, through self-destruction, to its members, Project Mayhem is about declaring a fight against the system. The frustrated collective consciousness was the straw that broke the camel's back - "We've all been raised on television to believe that one day we'd all be millionaires, and movie gods, and rock stars. But we won't. And we're slowly learning that fact. And we're very, very pi**ed off". However, the narrator starts to slowly go against what Tyler was meaning to do - kinda of recalling a bit of his past self and a sort of respect for the authority of society - and when this happen it's the moment the movie reaches its climax.

    The genius of the movie is displayed when we discover that Tyler Durden and the narrator are the same person, they have always been the same person. Due to his declining mental health and his rather meaningless life, he created an alter-ego - someone capable of manifesting everything he wasn't as a system abiding person. The contrast created by Tyler's different personalities is amazing to watch as the truth unfolds; and the ambivalence created when we discover the truth about Tyler Durden is even more marvelous. This movie portraits very well how a person can reach the extremes of their mind in a system that overlooks the relevance of your very existence - when you become just a number, just a braindead member of society, having your hopes and wishes constantly ignored. In the end Tyler recovers his sanity only to see that his actions can't be reverted - so he only stands by and watches. The final scene is beautiful; what could be bettar than watching the system crumbling before your eyes while "Where is my Mind" plays? This movie is a masterpiece and it is so entrancing because of how real it is - in the end the movie shows many things we know and think but tend to keep hidden. It is provocative, funny and thrilling and most importantly: It is so damn real. The plot aged perfectly and I don't think it is going to get old so soon - this movie is a must watch.
  • I first saw Fight Club when I was 8 years old. I didn't understand any of it, but I liked the fighting and editing.

    I saw it again when I was 13 and just started seeing movies for what they were - a language. A language through which the filmmakers interpret their own views on the world. I understood more of it, especially being part of "the middle children of history" generation.

    After that, I saw it at least once per year and every single time, I realized something new or different about it, and the world itself. I grew with this movie both intellectually and spiritually.

    Still took me another 12 years to understand this movie is THE textbook for Jungian psychology BESIDES already being the single greatest social critique of the consumer era.

    It's ridiculously smart, deep, beautiful and cool. I've watched basically every movie out there, and nothing comes even close to the degree of greatness of Fight Club.
  • Fight Club does exactly what movies should do, blow our minds, make us ask questions of ourselves and our society, and all the while thoroughly entertain us. Edward Norton and Brad Pitt are at their very best.
  • Because you'll probably be confused the first time around. It's not a coincidence it stars some of the greatest actors of our time.
  • Beleive me if you want to feel this movie to the core watch it twice . It took me twice to analyse that this movie was something much more than just awesome Brilliant acting by brad pitt maybe his best one, direction above par . There is something much more in this movie than meets the eye .. Watch it and find for yourself
  • I have no words about this film. This is masterpiece cult film.

    10 / 10.
  • grantss19 April 2014
    10/10
    Superb
    Superb, and truly one of the greatest movies of all time.

    It starts with the screenplay. Adapted from, and very faithful to, an excellent book. The book by Chuck Palahniuk was perfect for a movie: vivid, powerful, challenging, original, unpredictable. Considering how perfectly formed the book already was, the screenplay would have been a doddle.

    Some very interesting themes are explored - consumerism, class warfare, multiple-personality disorder, male bonding, terrorism and anarchy - without being judgemental.

    Direction is spot-on. Perfect cinematography, pacing and editing. The twists and nuances of the book are captured perfectly.

    Edward Norton and Brad Pitt are perfectly cast as the two lead characters, and deliver in spades. Helena Bonham Carter is a strange selection to take on the role of Marla, as she tends to act in Shakespearean dramas and other period pieces. However, despite this, her performance is very convincing.

    An absolute classic.
  • trosati-9892312 October 2019
    So rewatchable. The acting is amazing, the story is amazing the second time you watch it, very good acting, funny as well sometimes. Great movie.
  • sebastiandelgah11 October 2018
    This movie is one of the greatest of all time. It is adapted from a book by Chuck Palahniuk. This movie has very interesting themes like emasculation, violence, chaos, societal breakdown, isolation, the threat of death and consumerism. The direction is sublime. Perfect cinematography, pacing and editing. The twists and nuances of the book are captured perfectly. Also they did a good job with the inter-cuts. Brad Pitt and Edward Norton were the perfect choice to lead this movie. When you are watching the movie you just are glued to your seat, that is just how good it is.
  • I watched the first hour and a half of this movie when I was 16 before I asked my boyfriend to turn it off because it was too dark. Now I am in my early 20s and I watched it until the very end, credits and all, and it truly is the best thing I've ever watched. I'm obsessed and I cant wait to watch it again. I reckon it will hit me even harder when I am older and I'm sure it will be just as fantastic.

    Everything from the plot, the acting, even the damn lighting of every scene is art. I cannot believe I was not pushed to rewatch it sooner. I writing this as 1am because I cant stop thinking about it. It will seep into my dreams and I'm not sure if that is terrifying or thrilling. Maybe both
  • buk-315 October 1999
    Fight Club is one of the most unique films I have ever seen. In addition to presenting a rather fresh take on life, FC also presents its material in a fresh way. My main interest in the film is in that, in my opinion, it does not present characters for us to think about. Rather, it presents actions for us to think about. I will say that I cannot recall *ever* having been "asked" by a film to both suspend my disbelief the way this film asks in its third act AND at the same time come to terms with an understanding that there is no room--or need--for disbelief.

    Perhaps these comments will not make sense to the average movie goer who will dismiss this film--and, unfortunately, its premise--as another hollywood flick filled with gratuitous violence. I'd go as far as to say that this film is not about violence. It is about choices. It is about activity. It is about lethargy. It is about waking up and realizing that at some point in the past we've gone to the toilet and thrown up our dreams without even realizing that society has stuck its fingers down our throat.

    I would argue that anyone caught, at some point in their lives, between a rock and a hard place--anyone who has reached bottom on a mental level--anyone who has uttered to themselves "Wait, this isn't right. I would not do/say/feel what it is that I just did/said/felt... I do not like this. I must change before I am forever stuck being the person that I am not." These people, they will know what I'm talking about. These people will not only recognize the similarities between Edward Norton's character and themselves--they will be uncomfortably familiar with him. These people will appreciate Fight Club for what it is: a wake up call that we are not alone.

    As David Berman once said: "I'm afraid I've got more in common with who I was than who I am becoming." If this sentence makes any sense to you, go see Fight Club. You won't regret it.

    L.
  • Warning: Spoilers
    When I first saw the previews for this movie, it had me interested. A movie about guys who fight - it didn't seem to deep, but I thought it would provide entertainment. I had heard buzz about, a few of my friends raved about it for a few days, and I was convinced. I should see this movie. I went to my local video store and picked up the last remaining DVD. I popped it in, sat in amazement until the last credit rolled, and then watched it again. And again. And again.

    This movie is dark and disturbing, however, it is equally smart and stylistic. I found it hard to watch at points, but I couldn't turn my eyes away. Fight Club makes many bold statements against the modern consumer-driven society, and produces Norton's best performance and Pitt's second best (12 Monkeys).

    Norton plays an average-Joe who is living a dead-end life. He needs something to change his life. Tyler and Marla will take care of this, and that is all I want to give away. Other comments will tell you more, but I suggest you let it all sink in while watching. As for it's ending, it doesn't rival 'The Sixth Sense' - it blows it away. One of the best movie endings I've seen. Even better if you're a Pixies fan.

    As for it being important, don't worry. You will be hearing about this movie. When 'A Clockwork Orange' came out, it was met with mixed reviews, deemed too dark and violent, and is now considered a classic. These two movies share quite a bit in common - both were based on great books. If you haven't read either, get to it. Politicians will use this movie as a demonstration of careless and consequenceless violence in movies, and as a perfect example of what today's youth are being influenced by.

    Watch this movie, and watch it again with some of your more intelligent friends. 10 out of 10.
  • I'm not sure if it's just the fact that Ed Norton really grates on me in this film, but I never really bought into the idea of Fight Club being some kind of cultural phenomenon. Yes it's an innovative story, told via a strong script, engaging characters and intense cinematography. But is it really worthy of such high praise? Personally, I find it starts to fall apart halfway through and actually becomes quite tedious towards the end. Everything just becomes a little bit childish and contrived as the story loses touch with its base elements and the rage against the machine vibe takes over. I have huge respect for the way this film was made but, much like The Matrix, I feel like people attach way more importance to this movie than it deserves.
  • Despite a good theme, great acting and important messages that this movie convey in an unorthodox way, I think it fails to connect the audience with the storyline and leaves him in a world of confusion. Although, majority of reviews find this movie entertaining and interesting, yet I would choose to be a minority that believes that this movie is extremely overrated.
  • The movie is phenomenal. I liked every single actor, the story was great and had some plot twists. It kept me engaged thoroughly and I was never bored. I only watched it for first time in my life a month ago, and I suggest you to do the same if you haven't!
  • Fight club is not at all what I expected, but I was surprisingly ecstatic about what the movie was. A terrifically made thriller that builds suspence and keeps you invested throughout the entirety of the film. Be warned the film is incredible through the first watch and provides a different perspective the second time.
  • A lot of people I know have never even heard about this film. Good to see the system works
  • I am, unfortunately, not one of the faithful Chuck Palahniuk readers who had read the book BEFORE they saw the movie. I, however, couldn't wait to read the book after seeing this film. I've read the book 5 times since and seen the movie more times than I can remember.

    Simply put, this movie changed my life. Not just on a personal level (on which I will not comment here except to say I'm now a major Palahniuk fan) but also as a movie-watcher. I view movies differently after seeing this movie, because it broke down doors.

    This movie is literally the first time I ever came upon something that, at first sight seemed incredibly stylish, sophisticated and entertaining. The plot lured you in before turning you upside down, the acting was nothing short of perfect (has there ever been a more memorable character than Brad Pitt as Tyler Durden?), the music, the screenplay (based on what is now my all-time favorite book), the lighting, the pacing, the everything! Virtually everything about this movie took my by surprise, save for one man.

    David Fincher, director, was probably the only reason I went to see this movie in the first place. His work on 'Seven' and 'The Game' had me excited to see what he would do next, but I came to this movie expecting a stylish flick that offered a good plot and hopefully some good acting but what I got was so much, much more.

    Honestly, how many times have you seen a movie that, with every viewing, gets even more complicated yet so simple that you can't help but laugh. Every time I watch this movie I notice something new about it, such is the depth of what is on the screen. Then there's the tiny issue of the story of Fight Club, penned by Chuck Palahniuk (who has one of the most fertile imaginations around. Don't believe me? Read 'Survivor' and weep!) the story is nothing short of incredible, a pure shock-value social commentary on the state of the world at the end of the century. You'll cry, you'll laugh, you'll do all the clichés but most importantly you'll identify with every single thing on the screen.

    This movie rates as one of my all-time favorite movies and, simply put, if you haven't seen it yet then quit wasting your time OnLine and get to the nearest videostore!

    5/5
  • Warning: Spoilers
    David Fincher's dark, brooding assault on the senses employs much of the same style as he used in SEVEN, to great effect. This is a complex, intelligent film which, for a change, doesn't take the viewer for granted. A big streak of black comedy runs through the centre, making things a bit easier to cope with, but it's still a morose, disturbing film, a good film, yes, but not one which makes you feel good after watching it.

    The plot twists and turns continually, from beginning to end. Things start off on a relatively small scale to become outrageous and explosive at the film's finale. There's also one of those very-clever twists at the end, so favoured by the likes of THE USUAL SUSPECTS. There is plenty of sick humour, the highlight being the hilarious scene involving the liposuction fat - you'll know it when you see it.

    With a film like this, the acting has to be brilliant, and it frequently is. Edward Norton excels as the narrator of the story, caught up in all the madness, and it's a multi-faceted, psychologically-focused performance. Brad Pitt doesn't really stretch himself but he fits the bill well and isn't afraid to put off his female fans by appearing broken and bloodied in a film like this. Other actors, ranging from Meat Loaf to Jared Leto, are also very good.

    The violence is extremely brutal and unglamourised. Heads are knocked hard against concrete, acid is poured over flesh, teeth are knocked out, and noses are split open. This is a hard film to watch, but fascinating at the same time. Fiendishly clever and highly suspenseful, I would rate FIGHT CLUB as one of the best films of 1999 - on par with THE SIXTH SENSE, and just under my favourite, THE BLAIR WITCH PROJECT. Buy it, rent it, steal it, but be prepared: you won't be the same afterwards.
  • Let's ignore the advice and talk about "Fight Club". This film was a milestone; although it bombed at the box office, Fincher's cinematic language left a mark that can still be felt now, 14 years later, on many current releases. Despite the risky 'cutting edge' nature of the film, Fincher got a huge budget for this and it shows: the camera effects and the whole production design are amazing.

    This movie has a raw energy that grips me every time I watch it. What a crazy, fun ride! Whether it is a very clever satire or pure testosterone going on a rampage - both are fine by me. A film so visually stunning and sexy, with career best performances by all involved - welcome to movie heaven.

    My vote: 10 out of 10

    Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

    Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

    Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/

    Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/
  • MrPupkin22 October 2019
    Everything about Fight Club is simply amazing. The acting, the directing, and the story is simply superb. However, going into this film I had already had had some of the major twists spoiled for me, and this is a movie that relies so heavily on those twists that knowing them will detract from the experience significantly. Because of that, the film is really only worth seeing of you have no prior knowledge of it whatsoever.
  • An Office worker spends his time looking for fulfilment in various support groups, when he randomly encounters a soap maker named Tyler Durden, the pair discover a mutual, but strange and violent past time.

    There is no doubt in my mind, Fight Club is one of the best films of all time, a story like no other, even for someone that doesn't care for this film, I'm sure they'd agree that it's original.

    Fight Club is fast paced, action packed, intriguing, sexy, revealing and timeless, it's one of those films that it doesn't matter how many times you watch it, it doesn't lose any of its appeal. At times it is genuinely outrageous, and therein is its monumental appeal.

    Helena Bonham Carter steals so many films, and she's terrifiic here, but it's the combination of Ed Norton and Brad Pitt that makes the film, they are outstanding, I still think it's Norton's best performance to date.

    The wonderful, late Meatloaf adds a nice bit of humour.

    The moral of Fight Club......don't have the soup.

    10/10.
  • "Fight Club" an aggressive, confrontational, often brutal satire that is quite possibly a brilliant masterpiece. Taking the "Choose life," anti-consumerism rant at the beginning of "Trainspotting," and carrying it to its logical -- albeit extreme -- conclusion this is a big budget, mainstream film that takes a lot of risks by biting the hand that feeds it. The film's narrator (Edward Norton) is an insignificant cog in the drab, corporate machine, dutifully doing his job and what he's told without question. He's an insomniac slave to his IKEA possessions and only finds joy in going to as many self-help/dealing with terminal diseases sessions as he can. It provides him with an escape from his sleepless nights. That is, until Marla Singer (Helena Bonham Carter), a trashy chain-smoking poser, enters his life and upsets his routine. The narrator also meets Tyler Durden (Brad Pitt), a charismatic soap salesman whose straightforward honesty, candor and sleazy lounge-lizard outfits are a breath of fresh air. One night, after the two men have bonded over beers, Tyler asks the narrator to hit him. At first, it seems like an absurd request but after they pound on each other for a bit, a strange feeling overcomes them. They feel a kind of release and satisfaction at inflicting pain on one another. In a world where people are desensitized to everything around them, the physical contact of fighting wakes them up and makes them feel truly alive. Others soon join in and pretty soon Fight Club becomes an underground sensation. However, it becomes readily apparent that Tyler has more elaborate plans than just organizing brawls at the local bar. David Fincher has taken the dark, pessimistic worldview of "Seven" and married it with the clever plot twists and turns of "The Game" and assembled his strongest effort to date. "Fight Club" is a $50+ million studio film that remains true to its anti-consumer, anti-society, anti-everything message -- right up to the last, sneaky subliminal frame. What makes "Fight Club" a subversive delight is not only its refreshing anti-corporate message but how it delivers said message. As Fincher has explained in interviews, you don't really watch the film but rather download it. Its structure is extremely playful as it messes around with linear time to an incredible degree. The narrative bounces back and forth all over the place like a novel, or surfing on the Internet -- even making a hilarious dead stop to draw attention to itself in a funny, interesting way that completely works. Yet Norton's deadpanned narration holds everything together and allows the viewer to get a handle on what's happening. This is the way films should be made. Why must we always have to go through the A+B+C formula? "Fight Club" openly rejects this tired, clearly outdated structure in favour of a stylized frenzy of jump cuts, freeze frames, slow motion and every other film technique in the book that only reinforces its anarchistic message. A film like this would have never been greenlighted by a major studio if Brad Pitt had not been attached to the project. Once you see the film, it becomes obvious that he was the only choice for Tyler Durden. Like he did with "Kalifornia" and "Twelve Monkeys", Pitt grunges himself down and disappears completely into his role to a frighteningly convincing degree. During many of the brutal fight scenes, he is transformed into a bloody, pulpy mess that'll surely have the "Legends of the Fall" fans running for the exits. It is an incredible performance -- probably his best -- for the simple fact that he becomes the character so completely. If Pitt has the flashy, gonzo role, Edward Norton is his perfect foil as the seemingly meek yet sardonic narrator. It's a deceptively understated performance as the last third of the film reveals but Norton nails it perfectly. He is clearly our surrogate, our introduction into this strange world and his wry observations on our consumer-obsessed culture are right on the money. They are the perfect setup for Tyler's introduction and his view on the world which is clearly a call to arms of sorts, a manifesto that rejects the notion that we are what we own. And ultimately, that is what "Fight Club" tries to do. The film is a cinematic punch to the head as it challenges the status quo and offers a wakeup call to people immersed in a materialistic world where those who have the most stuff, "win." I think that Fincher's film wants us to tear all that down, reject corporate monsters like Starbucks and Blockbuster, and try to figure out what we really want out of life. It's almost as if the film is suggesting salvation through self-destruction. And it is these thought-provoking ideas that makes "Fight Club" a dangerously brilliant film that entertains as well as enlightens.
  • Fight Club isn't a bad movie, but it's not nearly as good as people make it out to be.

    It really comes off as a pretentious piece of work for film students to study to the point of exhaustion, but I don't think it was ever intended to be that. The movie plays out, with a few key alterations, as a scene-by-scene retelling of the book, sometimes going so far as to lift paragraphs of inner monologue directly from the novel and plopping them into the script.

    It's a movie that requires at least two viewings but, beyond that, it gets boring in a pretty big hurry. Particularly toward the end of the second act/beginning of the third, it's so painfully bland and boring that it's difficult to care about anything that's happening at all (around the whole Project Mayhem stuff). It's difficult to maintain any kind of focus throughout.

    There's a lot of stuff hidden in this movie for people to go back and revisit, too, but most of it is inessential. Honestly, having looked back at some of the Easter eggs, it leaves the question: who cares? And of course this is an unpopular opinion to have, but I held off on reviewing this title in the honest hopes that multiple viewings would raise the rating. I even read Palahniuk's novel to try to derive some additional meaning out of it.

    Without giving away the ending, it makes you think, and it creates a nice gimmick to get people to watch it again but, as I said, beyond that I'm perfectly happy to close the chapter on this one and leave it in the past.

    The first rule of fight club is that you don't talk about fight club. And I'm happy to be done talking about this one for a good long while.
  • David Fincher is terrific with his camera. Visually his films are a wonder. Unfortunately the contents are so thin that the interiors of his tale vanish very quickly. What remains is "the look" and the promise, no matter how unfulfilled the promise remains. Edward Norton is sensational, especially in the first 20 minutes of the movie. Brad Pitt, already a film icon, does his thing, and that, of course, is a plus. Helena Bonham Carter surprised me big time with a facade I had never seen. The slow motion of the smoke coming out of her mouth as Fincher introduces her to us is a work of art in itself but, and that "but" is a real problem, nothing remains because deep down there is nothing there but a fantastic eye for and to startle and amaze. I'm sure that sooner or later David Fincher will come out with something that is as powerful inside as it is outside.
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