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  • ringsindiamonds20 July 2020
    I really love this look at a real life experience that has happened countless times. It's realistic, funny at times, and heart-wrenching others. It's enjoyable because it's a play, raw and live. But that upstairs without a handrail though. I kept waiting for them to fall off.
  • I saw this in high school and it stayed with me to this very day. I SO WISH it would be released either on vhs or dvd. This is the performance that proved to me how much more than "Flo" Polly Holiday was. But Sally Field is truly remarkable. Not that "Norma Rae" hadn't already shown the world that, but this is a quiet storm brewing here about a young wife and mother who's husband suddenly doesn't come home one night. Anyone who's lost a spouse to an "accident" can identify with this story. The acting takes it leagues above the soap it could have been (in lesser hands). Catch this one in any way you can.
  • I have to agree with the last reviewer. I've hoped for years that they would repeat this stellar production. I'm just grateful that I had the good sense to catch it the one time it was shown.

    It's hard to single out anyone in this cast because they were all brilliant, however I'll mention two.

    Sally Field was incandescent and gave us a glimpse of her future brilliance in a similar role of a young widow and mother in "Places in the Heart,"

    William Hurt's part, albeitbrief, was unforgettable. His character's struggles with alcoholism was so true to life. The rest of the cast were equally touching in their portrayals of family members and friends devastated when touched by tragedy.

    So TV wizards, if you're reading this and if you want to do the world a favor, please release this on DVD. I'd buy it in a heartbeat and I know that a new generation would be awestruck by the talented cast and this fine piece of theatrical history.
  • Warning: Spoilers
    The performances are truly raw in this videotaped version of the novel by the novel by James Agee and the play by Tad Mosel, first filmed in 1963 and revived as a play for this TV special at USC in 1981. Daniel Mann, who directed many of the Great live TV plays of the 1950's, does it again superbly with this and features a superb cast led by Sally Field and William Hurt as the young couple struggling to make it and dealing with family issues when tragedy strikes. Among the ensemble are a slew of the familiar faces from TV, stage and screen playing relatives from both sides of their families. Betty Garrett, Ned Beatty, Ellen Corby, Polly Holliday, Murray Hamilton, John McIntire and Jeanette Nolan probably had over 300 combined years as critically acclaimed thespians, and they are brilliant in this no matter how big or small the part is.

    Corby, recovering from a real-life stroke during her run of "The Waltons", barely says a word but makes a huge impact with her brief time on stage as the great great grandmother of the young Jeremy Licht, playing Field and Hurt's son. When she hears through her dementia who the little boy in front of her is, she grabbed him as if she was seeing a childhood dog, loving him without even thinking about it oh, and acting despondent when he is taken away from her as if a precious part of her past has been snatched. Nolan and McIntyre are Hurt's parents, and Garrett and Hamilton are Fields' parents. Holliday plays the wise aunt that always has the right thing to say, and is as commanding as Aline MacMahon was in the 1963 film.

    This filmed stage play is much darker than the movie because you really see the darkness of all the characters, particularly brothers Beatty and Hurt. When the tragedy strikes and Field breaks down, her rampage is ten times as powerful as it was in "Steel Magnolias", and like that famous scene, her grief is broken up by a single remark said by Garrett, not mention a comical nature but certainly relieving the tension at least temporarily and getting a huge laugh from the audience as well. This play is powerful because it is about something that is totally timeless no matter whatever it is set in: the constant need for family. As far as classic TV history is concerned, this is one of the best examples of the later age, showing that you could have live TV in the 1980's and create something truly powerful. That disappeared for quite a while as far as the actual events were concerned, but fortunately made a comeback. Everybody here should be truly proud of their efforts, and this definitely needs a restoration and video release.