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  • Being quite a harsh critic myself, I was surprised to see how badly recieved this film was. Admittably the film tended to drag a little length and was missing something to make it a little more entertaining.

    But the film has some interesting characters, situations, and scenery to make this film highly watchable. Pitt and Roberts are good, but have put in much better performances elsewhere. And spend the majority of the film apart. I suspect the main criticisms of this film are mainly to do with high expectations: in having Pitt, Roberts and the Sopranos guy in. But in summary, an alright film - but nothing special.
  • Take "All About Steve" (cute dysfunctional romcom), toss in "3 Days in the Valley" (gritty crime drama), a little bit of "Silver Streak" (roadcom) and a hint of "Deathtrap" or possibly "Fargo" (dark comedy), then whip them all mercilessly with an eggbeater until it's unrecognizable, bake at 425 degrees for 2 hrs 3 mins, and there you have "The Mexican".

    If you enjoyed all the films I mentioned above, you'll like this. It's polished, as any Hollywood flick with Brad Pitt & Julia Roberts would be, but it's quirky and odd enough to set itself apart from the others. The story is about a lovable loser (Brad Pitt) and his crazy therapy-inducing girlfriend (Julia Roberts) who end up trapped in a bloody battle to get a cursed gun known as "The Mexican". The plot has plenty of twists & turns to keep you entertained on the surface. But the real story is about unlikely relationships: not just Brad & Julia's bipolar romance but also unlikely friendships & loyalties that spring up between kidnappers & kidnappees, assassins & victims, American profiteers & Mexican defenders... like a good Clint Eastwood movie ("The Unforgiven", "Gran Turino"), the point is that it's easy to apply labels, but how often do you get a good look at what's underneath?

    I mentioned that this is a dark comedy, and indeed there are about half a dozen killings. What makes it different from, say Pulp Fiction or Heathers, is that the film doesn't gloss over the deaths with comedic gags. That's where this film is unusual... It has a place for comedy, and it has a place for tragedy. It doesn't really mix the two. Thus you may find your emotions wrenched around a bit, and that may be disorienting to some viewers. But if you're ready for a wild ride (exactly what this movie claims to be), you'll love it. And it has a cool dog in it too.

    Other good movies in the same genre include "Mr. & Mrs. Smith" (Brad Pitt & Angelina Jolie), the hilarious "My Cousin Vinny" (Joe Pesci, Marisa Tomei) and the classic "Foul Play" (Chevy Chase & Goldie Hawn).
  • Warning: Spoilers
    THE MEXICAN / (2001) *** (out of four

    The title of Gore Verbinski's new romantic comedy adventure refers to the name of an extraordinarily valuable but cursed pistol possessed by a young man living in urban Mexico. Brad Pitt stars as Jerry Welbach, an errand boy forced to work for a local mob boss (Bob Balanban) after accidentally causing a powerful kingpin named Margolis (Gene Hackman) to be sent to jail. His "last" job is to go to Mexico and retrieve "The Mexican" and its beholder. Jerry's spiteful girlfriend, Samantha (Julia Roberts), wants Jerry to keep his promise about traveling to Las Vegas with her, but she does not realize that he can either accomplish this task or be killed. Since Samantha is such an understanding lover, she packs her bags and heads to Vegas alone, dumping her "selfish" long time boyfriend. Unfortunately for her, she is in the middle of a complicated situation whether she likes it or not. While traveling to her destination, Samantha is almost killed by a hitman (Sherman Augustus), but saved by another cold-blooded killer named Leroy (James Gandolfini), who has been assigned to kidnap her just in case Jerry gets any deceptive ideas while on his journey.

    Once in Mexico, Jerry locates the person and the pistol, but things go terribly wrong when the man is accidentally killed and several locals steal his transportation. Becoming suspicious, Jerry's accomplice, Ted (J.K. Simmons), is sent to find Jerry and declare the rising stakes at hand. Meanwhile, Samantha and Leroy become emotionally candid and share useful information of their past experiences involving love. While Leroy is a homosexual, he still lusts for romantic fulfillment, as the sentimental killer gives Samantha some advice of her own.

    "The Mexican" is not really a romantic comedy like many audiences will expect; it is a somewhat coarse, violent adventure with undertones dealing with forgiveness and the strength of love. Actually, the relationship between the characters of Brad Pitt and Julia Roberts is quite trite. Except for the third act, whenever on screen together, the two characters do nothing but bitterly argue and fight. The performances keep the romance alive; clearly Pitt and Roberts are the right choices for the parts. Brad Pitt progresses into a somewhat comedic role, and he often struggles with it. But I certainly thought his performance was funny. He gives his character the perfect amount of charm and sweetness. Julia Roberts is a little annoying but puts an effective edge in her character. We actually end up caring about both of their fates.

    There are a lot of little things to like in "The Mexican" like the scenes in a Mexican bar, shuttered with a dark atmosphere and authentic cinematography by Dariusz Wolski; dim lights give the rooms a greenish tint, creating a realistic and believable mood for the scenes. The soundtrack furnishes the movie with a genuine zest. A lot of the dialogue is witty and smart, with scenes that are well-written, often funny, and keep our attention. The comedic elements keep the movie interesting and fresh. The film does an excellent job with informing us about the history of the pistol and the plot's complications are curiously intriguing. Leroy's homosexuality introduces relationship issues that give his character depth. Although often bloody and shockingly profane, "The Mexican" is not mean-spirited or nasty-but enlightening and whimsical.

    The film is directed by Gore Verbinski, who also provided us with fast-paced entertainment in the 1997 family comedy "MouseHunt." "The Mexican" is much different from that film, but still has the energy and stride to keep us engrossed. Although not what many people will expect, I found "The Mexican" to be a surprising delight.
  • I'm genuinely surprised at the number of people who disliked this movie. Perhaps because it was a bit disjointed, chaotic, uneven, unpredictable and even incoherent at times. And that's just why I loved it. It's life. Yes, it's the crazy, seedy, shady lives of these people (the main characters being Pitt's and Roberts' characters), but at least it's honest... and darned funny. I thought the self-deprecating jabs at how most Gringos view Mexico/Mexicans were priceless. Raul!! The grainy flashbacks had my sides splitting.

    People, this is a classic melodrama told in today's yucky, dirty, gritty, ugly times. A beautiful (if you look closely) story that doesn't take it self seriously at all. This is anything but formula Hollywood hype. It is a genius inside-joke that sandbagged most of the people hoping to come out and see a Pitt/Roberts version of Sleeping in Seattle or some similar chick-flick dreck.

    When is enough enough? Never.
  • Fun story, and Brad Pitt is always great, but really stood out to me is chemistry between James Gandolfini and Julia Roberts. I could watch a movie of just them two going on an adventure.
  • Warning: Spoilers
    Never having seen this film when it made its commercial debut, we were able to catch it when it showed recently on a cable channel. "The Mexican" is a film that combines genres. It tries to be a madcap comedy, a road film, and a crime comedy. Gore Verbinsky tries to make sense of the J. H. Wyman's screenplay, without much success.

    Fans of Julia Roberts and Brad Pitt were probably disappointed with the finished product because they only appear together for a short time. Brad Pitt plays the goofy Jerry, a gofer for a mobster who is sent to Mexico to retrieve the valuable silver pistol. Julia Roberts is Samantha, Jerry's girlfriend, whose main ambition is to relocate to Las Vegas to be a croupier.

    The viewer is rewarded by the wonderful supporting cast. James Gandolfini plays a bad guy sent to get Jerry in Mexico. His character is the most complex of the film and to boot, he is gay, something that Samantha notices without much trouble. J. K. Simmons, sporting a blond wig, has some good moments as Ted. Bob Balaban is also on hand to play the man who sent Jerry to get the pistol. Gene Hackman shows up toward the end showing why he is one of the best character actor of his generation.
  • The Mexican really has it all. It has the feel of an old Western, mixed with gangster flicks and a nice romantic comedy. It's really entertaining and pleasing.

    Pitt plays a bumbling slacker gangster criminal dude who makes a mistake on a job, and is forced to undertake one last job. The gig is retrieving an ancient pistol. Little does he know he will have to go through great lengths to retrieve that pistol, and everyone around him may be feeding him lies to attain it as well.

    Pitt plays his character so well. It's fun watching him throughout the movie. He is what the slackers should look upto, and it's his best role yet. I couldn't suggest a better time in the cinematic world.

    Spend some time with this movie. You may regret it, but I liked it at least.

    7 stars
  • Jerry Welbach (Brad Pitt) has to bring back a pistol called 'The Mexican' with a guy back from Mexico as his next job for the mob. His girlfriend Samantha Barzel (Julia Roberts) is sick of his mob jobs. He decides to go with the mob. Only Samantha gets kidnapped, and Jerry has a lot of difficulties delivering the cursed gun.

    I think they're suppose to be white trash characters. They're way too pretty. Having these two A-listers may not be the right move. And it doesn't quite work as a comedy. Both Pitt and Roberts try very hard to be wacky. Pitt especially try hard to be stupid. The story is idiosyncratic wallowing in its quirkiness. None of it is particularly funny. However James Gandolfini does take an interesting turn as the kidnapper.
  • GOOD - Story was interesting the first time around.....loved the cinematography; nice Mexican scenery.... liked Brad Pitt's dialog and his character was fun to watch.....enjoyed the few side-bits with the dog and was surprised when Gene Hackman showed up late in the film.

    BAD - Julia Roberts ruined this film, at least by the second viewing. She was either yelling at Pitt all the time or gushing over a hit-man who admitted he was gay, and both routines wore thin. She thought (being gay) that was just the greatest thing and really overdid it.

    Overall, if you modified Roberts' character into someone less abrasive this might have been a "keeper."
  • This is a popcorn movie with aspirations to quality, but it fails on either level.

    The romance doesn't work, because we're not made to care about the characters played by Julia Roberts and Brad Pitt; the humour doesn't work, because the movie's trying way too hard to be "hip"; and the attempts at serious moments don't work, because almost nothing in the movie has anything to do with reality.

    The only thing this has going for it is James Gandolfini, and I'm not just saying that because he's gorgeous. Surprisingly (and refreshingly), the fact that his character is a gay hit man is not played for laughs. Unfortunately, it doesn't serve a purpose either.
  • You have to wonder whether there's enough room on the big screen for two megastars such as Julia Roberts and Brad Pitt. The truth is you have Brad on the one hand who's cool and even fairly talented. Yet on the other hand there's Julia Roberts, lacking much talent and losing her appeal on the big screen at an accelerating rate. Well it seems to me the director has taken this into account and has left Julia out of most of the movie, and thankfully spared us slotting the two together in too many scenes.

    With movies about Mexico the flavour of the month this movie does little to inspire you, and gives even less of an insight into Mexicans and their way of life. Big Brad will entertain the ladies though, and with a few blank expressions and appropriate comments, most of the audience seemed to go home happy.
  • Personally I had a very good time watching this movie, but it seems like I'm one of the few. I don't know why, but the voters on this website always seem to hate comedies if they aren't from the hand of some cult-director. Does a movie always have to be a great drama or an exciting thriller? Not if you ask me, but I'm only one of many over here of course.

    It's true, the movie is a little chaotic from time to time. It isn't an overproduced Hollywood movie that takes itself too serious and that's exactly where its charm is in it for me. I loved to see Brad Pitt as the clumsy criminal who always is able to do something wrong. The same for Julia Roberts as his hysterical girlfriend and James Gandolfini as the gay hit man who has kidnapped her.

    I know, it's not done to say that you liked to see Julia Roberts play a certain role and Brad Pitt can never be good as a comical actor... Well, perhaps it is time for some people to broaden their minds. Don't believe what everybody says, watch it for yourself and form your own opinion. I liked it and I give it an 8/10.
  • Well, viewing the list of actors this could have been a good movie. But it's not. It misses the passion for a good romantic movie and the thrill for a action movie. But that's not all. The acting of Roberts is instable, and at one point I had the feeling she was playing a completely different role. Pitt's acting is better but by far not as good as I've seen him acting before. The best acting in this movie is been done by James Gandolfini. He challenges Roberts much more then Pitt does. Now for the good things: the scenery is nice and the movie is actually pretty funny sometimes. And counting it all up it ends as an average movie, not worthy to visit a cinema for, worthy enough for a cheap bargain and a weekend which would have been boring anyway.
  • Director Gore Verbinski and screenwriter J.H. Wyman open and close their character caper "The Mexican" atrociously...but there are some appealing scenes in-between for those who can stay the course. Julia Roberts isn't convincing for a second squabbling with boyfriend Brad Pitt over a balcony in a parking lot (he's involved with mobsters and is assigned to track down a priceless antique pistol they covet; she disapproves). However, both the film and Julia temporarily improve (she is particularly good in her chatty moments with gay hitman James Gandolfini, who's the real star of the picture). Nearly every scene that pairs Roberts with Pitt are weak, which could be the fault of the scattershot script. Wyman tries combining too many different elements into his mix, eventually leaving one character shafted far too early. This leads to an elongated finale stretched 20 minutes beyond the breaking point. Too bad: this might have been a wonderful black comedy, but the filmmakers didn't bother to take audiences' feelings into consideration. *1/2 from ****
  • I have heard a lot of criticism (sp?) on this movie for various reasons. I have to say that I agree to pretty much every one. The plot is sketchy and incoherent at times, it crosses too many genres, etc. etc. The characters don't fit together right, but that's alright. For me all the flaws are what makes me want to watch The Mexican. For some reason I love this flick, even though I don't really know anyone else who cares for it! Why do I like this movie? I haven't figured that out yet, but I believe it's because I never tried to read that much into it, just sat back and took the trip. It will never make my top 10, but that doesn't mean its not worth repeated viewings. If you haven't seen it, give it a shot.
  • The story about the pistol is far from interesting. The continuous flashbacks are very boring and make the movie move in an even slower tempo. Brad Pitt and Julia Roberts who play the lovers Jerry and Samantha have absolutely no chemistry together. Julia Roberts usually isn't believable as someone's love interest so I'd blame it on her. How she became part of the A-list is beyond me. She's not Oscar-material (Hollywood obviously disagrees) but I guess one could call her an okay actress. However in this movie Roberts' character Samantha is such a dislikeable person that I have trouble watching any scenes she's in. In all fairness I guess the writers' are more to blame for the character's flaws than Roberts. Throughout the movie Jerry and Samantha fight constantly. Now, I do think that a quarrelling couple can be sexy, passionate and interesting but that unfortunately does not include Jerry and Samantha. I just can't see them either have a past or a future together. Luckily enough Pitt and Roberts only have a few scenes together. However even though Roberts have better chemistry with James Gandolfini her character Samantha is so annoying and boring that I never stand watching their scenes together. Despite Gandolfini's wonderful acting. What I find entertaining (yes, there is actually some good moments) about this movie is Jerry's and his partner Ted's run in with the locals. Brad Pitt's Jerry is a charming fool and J.K. Simmons is perfectly cast as Ted. My favourite scene is the conversation between Jerry and the car thief (Rochard Coca) when Jerry has to shoot him in the foot. The funny moments are unfortunately few and far between and I'd rate this movie a 5 out of 10 or a weak 6.
  • For some time now Pitt has been one of my favorite actors. His mannerisms put him down as the Everyman stick in very un-Everyman situations. There are lots of great actors here and the story, if not exactly scintillating, is simple and serviceable. Pitt made me howl with laughter quite a few times during this film.
  • vitachiel19 August 2007
    Let me start with saying some positive things about The Mexican. By times the dialogues were good and witty. Gandolfini is good at playing a tough gay gangster. Julia Roberts was - contrary to most commenters' opinion - quite OK in her role as emotional sponge. These last two characters were also the only ones who could make the humorous content of this movie any thing close to funny. Which brings me to the not so positive things. First of all, Brad Pitt: wouldn't I have seen an other movie he's in, I would simply have said he is crap. But maybe, as some suggested, he just cannot act in comedies. In any way, this is a very far cry from Fight Club. In the early scene between him and Roberts with the things flying out of the window, he just made me sit in bewilderment. It looked as if this was his first major film as a very bad B- actor. He may also have been a bit misdirected. In the scenes with Teddy he acts as a street- wise thug, which is quite strange considering his inaptness in being handy and communicating with the Mexicans. Of course, this is a comedy, but consequence in character should be essential. All this was compensated a bit for by the entertainment value.
  • The Mexican (2001)

    A crazy, fun, off-the-wall, slightly indulgent spaghetti western styled would be Tarantino farce. It's great and it's lame compared to what it could have been.

    Brad Pitt makes it work most of all, and his half of the movie playing off of clichés of Mexican life, especially as seen through the movies, is funny and whacked. The other half of the movie features, somehow, Julia Roberts and that's the wimpy boring half of things. You sense even an attempt at some "Pulp Fiction" stuff in general, even with the dumb thugs and witty conversation, and in fact it sort of works. But not compared to Tarantino.

    It's fun to see what might be a whole new genre of movies developing over the last 15 years--camp excess, part comic part grotesque, and playing off of movie and storytelling clichés. Call it postmodern if you want, but it's mostly a different kind of parody than previously.

    One weird part of the billing of the movie is the two leads, who are together at the same time for only a few minutes in first half of the film (which gives nothing away). Later they have some screen time at once and are maybe less charismatic together than you might have expected.

    The director, Gore Verbinski, might have little to show for himself up to this point--but this might be watched as a turning point for him since he went on to further campy fame with the Pirates of the Caribbean movies. Not so bad.

    The fact is, it's a comedy (a black comedy, maybe, but not so dark in tone). Pitt is a natural for this kind of humor--notice that Tarantino picked up on this himself and so Pitt appears in "Inglourious Basterds" to great, similar effect. Here he's attractively boyish at times. Gene Hackman shows up in "The Mexican," by the way, and he's always effective. If brief.

    You do eventually wonder how it's all going to work its way together, the two very separate plots. The writer needs some credit for audacity but there is a longer term problem of development--taking a great idea and complicating it, making it matter, something beyond this great set of basics. You'll see how it goes, and you'll wonder how something so outrageous could actually get sluggish after awhile. And after an hour of more or less sluggish sameness you'll be frustrated.
  • This is one of those movies, I guess that some people love and most people hate. I am the latter of the two people. The trailers do this film no justice at all since they imply that it will be another 'Pulp Fiction' type movie with stylish characters, witty dialogue, dark humor and over the top violence played for sinful pleasures and shock value. This film contains the last of these promises, and that's about it.

    My roommate and his girlfriend, who love this movie made me watch it one night. Being a huge movie buff, and a fan of Brad Pitt, I had incredible expectations for this flick, but they were all shot down, beginning with Julia Roberts' annoying scene where she tosses all of Brad Pitt's stuff out a window in a fit of rage. As I sat there watching this film, the other couple in the room kept laughing hysterically at the jokes and slapstick in this film. Needless to say, I sat bewildered as to how anyone can think this movie is funny, let alone enjoyable. Now, I am one of those people who enjoy most movies with over the top silly humor like Monty Python, Road Trip or Deuce Bigalow, and I love to laugh for the simple point of laughing, even if the material isn't exactly up to Python brilliance, but how can someone think that "I need a ride-o in your truck-o to the el town-o" is the least bit funny? There's a fine line between juvenile humor (which even the most serious of us enjoy, even though they don't admit it) and a pathetic attempt at juvenile humor (Enter "The Mexican"). Trust me, this is coming from a guy who finds humor in almost anything. This movie had me sitting there, hoping that something entertaining would happen. No such luck here.

    With a film with Brad Pitt and James Gandolfini (and though I don't like her, Julia Roberts) one would think that the movie would be good, if not great. But once again, Hollywood proves that even big budget stars 'owe favors' to producers from time to time (In other words, if the script is bad, the 'bigger' the movie, the harder it will fall). Pitt is an incredibly annoying and incompetent wannabee gangster who tries to provide humor for the film, but fails miserably in perhaps his most embarrassing performance to date. James Gandolfini was probably the best part of this film, though not saying much as the hitman with hidden secrets. Julia Roberts made me want to take the television and throw it out the window, she played the most annoying character I have seen in quite some time. The acting and the script are so awful, it will bother you for a while afterwards and leave a bad taste in your mouth. It's one of those films that tries too hard to be good, and wants you to want it to be good or hopes that the viewer will be incompetent enough to think it's good as well thinking that big budget stars and a misleading trailer will make up for a cheesy plot, bad acting, a horrible script and bad direction. Come on guys, believe it or not people are not stupid. All in all, this is a flick that is a total waste of time. This movie sucks so bad, it draws all the air out of the room and then closes all of the walls around you until you suffocate from the suckage, as well as the large quantity of cr@p that is hurled at you from your television set. I have said this for maybe three or four movies in my life, but this film is pure torture to watch, it provides no entertainment, and leaves you upset afterwards, after you were looking forward to a nice evening at home with a fun movie. I rarely say this on IMDB, but AVOID THIS MOVIE AT ALL COSTS!!!! 1/10.
  • I actually liked this movie. I think it's a little underrated if you ask me. The movie had good actors in it such as Brad Pitt,Julia Roberts, and James Gandolfini. Brad Pitt was pretty funny in this movie and James Gandolfini was really good as the bad gay guy with a pretty good heart. It had a pretty good story to finding the ancient gun before another guy gets it. Some ppl can think its pointless and boring but I thought i was pretty entertaining. It's a good western type of Mexican movie. The script was written pretty well and the action was good also. The story of the gun was pretty cool about the beautiful bride and poor boy.

    7/10
  • On the surface this might appear to be a relatively entertaining film since it stars two big names , but stop to consider the careers of both Julia Roberts and Brad Pitt . Roberts was unbelievably lucky to have won the Oscar for ERIN BROCKOVICH while Pitt is obviously a film star due to his sexy boy looks . You're right i'm slightly jealous of Pitt's physique and his face and even more jealous still that he's made a massively successful career out of it and like everything else he's appeared in THE Mexican shows Pitt is not much of an actor

    The plot revolves around gangster Jerry Walbach being sent down to Mexico by the mob to collect an antique firearm called " The Mexican " and while he's away his girlfriend Samantha is kidnapped by a hit-man called Winston Baldry who also wants to get his hands on The Mexican . I'm not sure if the premise would have allowed for many laughs but what's obvious on screen is that Roberts and Pitt try and milk the humour for all it's worth . This is a mistake because the comedy should come out of the situations the characters find themselves in not by Roberts and Pitt mugging for the camera , shouting or waving their arms about trying to convince the audience that this is a funny film . Even worse is the casting of James Gandolfini as Winston since he's written as a gay version of Tony Soprano , effectively we've got Gandolfini playing a distractingly similar role that he's best known for . Thankfully we don't see JK Simmons playing the head of The Ayran Brotherhood but his character is such a wimp I found myself wishing he'd say something like " From now on Jerry your ass belongs to me " while craving a swastika onto his victim's flesh . It's probably also a mistake to have Gene Hackman in here since his scene seems to have been written just so we'd get a cameo from a living legend . Anything that prolongs the running time of this movie receives harsh judgement from me

    THE Mexican is a comedy that I found to be far from entertaining . The casting of such big names must have cost a lot of money and more time and attention should have been taken with the script and you do get the irritating feeling that the producers thought having a couple of big names in the movie everything would have taken care of itself . Obviously it didn't . Some people on the message boards have complained that this is the worst movie ever when in fact it's not even the worst movie Brad Pitt has appeared in , but unless you're a die hard fan of either Roberts or Pitt there's not much point in seeing this amigo
  • A couple working on the give-and-take aspects of their relationship, an exquisitely crafted antique pistol with something of a diverse history and some questions concerning who is working for whom, all figure prominently in `The Mexican,' a black comedy directed by Gore Verbinski and starring Julia Roberts and Brad Pitt. Jerry Welbach (Pitt), a somewhat less than astute young fellow in thrall to a criminal currently incarcerated, is given a seemingly simply assignment: He is to go to Mexico, where he will rendezvous at a bar in a small town, at which time he will take possession of an invaluable hand-made pistol; he will then transport the item to the States and deliver it to his boss. But there's a problem; his girlfriend, Samantha (Roberts) expects to go to Las Vegas at the same time, and their plans were already made and set in stone. So what is a guy to do? After Sam throws him out of their apartment and Jerry tries to explain-- in a memorable scene with her on the second story balcony, he on the ground looking up-- that if he doesn't do this job they will, well, KILL him, it doesn't make any difference. After all, their trip to Vegas had already been planned, and he promised it would happen. Talk about a guy between a rock and a hard place. And it's only the beginning of a dark comedy of errors and circumstances that ultimately involves them with some double dealings and brings them into contact with a psychotic killer named Leroy (James Gandolfini). Director Verbinski lends a nice touch to the movie, eliciting noteworthy performances from his actors and establishing early on his method of using specific landmarks-- a traffic signal and a cross-roads in the middle of nowhere, for example-- that give context and definition to what is happening, sometimes off-screen (as in the opening scene, when you only `hear' a traffic accident that becomes a pivotal part of the story). He avoids slapstick and plays up the natural, subtle humor that drives the film. The characters are well drawn and the dialogue is clever and witty (`You ‘Forrest Gumped' your way through this...') and often very droll. And he maintains a pace and develops an atmosphere in which the unexpected can be expected that keeps it all moving along nicely and right on track. And there's a politically incorrect sensibility to the movie that is refreshing to see; in real life certain situations and cultures that are foreign to us are often viewed in stereotypical terms, so there is no reason to portray it otherwise in a film, especially when care has been taken to present it in an inoffensive manner, as it is here. Taking on a decidedly unglamorous role, Roberts nevertheless creates a lively character with Sam, imbuing her with plenty of spunk and, of course, that trademark smile. It's not a part that calls for a lot of depth, but she makes Sam likable and fun to watch, and she makes her banter with Jerry and Leroy credible and engaging. Credit goes to Pitt, as well, for making the most of what is actually a leading man/character role; Jerry isn't the sharpest tool in the shed and he may be easily distracted, but-- like Sam-- he's not without some natural charm that makes him quite personable and interesting. And there is a chemistry between the two that makes their relationship believable, especially when the sparks are flying. Gandolfini, meanwhile, not to be outdone by his charismatic co-stars, makes an indelible mark as the sensitive, psychotic killer who turns out to be something of an enigma. The supporting cast includes Bob Balaban (Nalin), David Krumholtz (Beck), Luis Felipe Tovar (Luis) and Gene Hackman (Margolis). A lively romp that takes some unexpected turns, `The Mexican' has a dark side, but manages to remain uplifting and thoroughly entertaining. There's a natural flow to the film and the laughs, generated by both the situations and the characters, are never forced but prompted, rather, by the spontaneity of it all. It's a movie that never pretends to be anything other than what it is, which is pure entertainment. It'll leave you with a smile on your face, some chuckles and some great lines to quote. And that, my friends, is the magic of the movies. I rate this one 8/10.
  • It's a comedy, it's a slim drama, it's an adventure tale, with an amusingly presented Mexican legend inserted every once in a while.
  • i saw this film when it first came out in the theatres, and, for the record, i gave this film a chance, had somewhat high expectations for it considering the actors who are in it, and, to my utter horror, have found that it is the worse film ever made. i wish gore verbinski could erase this film from his resume, and i'm sure every other sane film critic would agree. this is probably his most embarrassing work to date. i'm glad he was able to salvage himself with "the ring" and "pirates". everyone makes mistakes, i guess, but not many people make the mistake of directing the WORST FILM EVER MADE. this film was so boring and lackluster that it caused the friend that i saw this film with and i to stop watching popular films on a whim for about 2 years. we were just so p***ed that we would never get our $20 back, and didn't want to make that mistake again.
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