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  • I have not seen the other previous versions of Devdas, but as far as this Devdas goes, I can say that it is really difficult to transform such an old and popular story into such an amazing film without being boring, and the director has successfully managed this task.

    The set decorators, choreographers and the costume designers must be lauded very very highly. It is truly amazing and a real pleasure to just even observe these three elements. Of course, Aishwarya Rai (Parvati) is so incredibly beautiful, the camera loves her, and she sparkles like a diamond. Still, (also credited above Aishwarya) Madhuri Dixit (Chandramukhi) is the real acting talent.

    I had great pleasure watching this lyric melodrama, although it lasted about three hours, it deserves all kinds of appraisal.
  • Background: This film is based on Sarat Chandra Chattopadhyaya's novel 'Devdas'. Sanjay Leela Bhansali has perfectly altered some parts of novel to suit the film.The movie continuously keeps on drooping till it ends.Its a perfect anticlimax kind of movie.

    Brief Story: Initial part of first half of the film shows immense bonding between childhood playmates Devdas(Shahrukh Khan) and Paro(Aishwarya Rai) and the reactions of all other characters to there relationship.Later part of the first half shows how circumstances result in the separation of these 2 lovers. Second Half shows the impact of separation which drives Devdas to stunning courtesan Chandramukhi(Madhuri Dixit).Devdas drains himself into excessive drinking in an attempt to get Paro out of his mind and also to prevent Chandramukhi from entering into his mind.Ultimately Devdas drinks himself to death, loosing both women.(One whom he could never stop loving and One whom he could never love).

    Salient Features of the movie : 1)Combining three biggest stars and extracting there acting to maximum possible extent by unbelievably talented filmmaker Sanjay Leela Bhansali. 2)The film perfectly depicts its timeline(Pre Independence Era)through its strikingly attractive and huge sets,through richness of costumes etc. 3)Another striking feature is the dialogues.One hardly finds these kind of precise and sentimental dialogues in present day Bollywood films.

    If you really want to know what a tragedy is ,then Devdas is best the example!! Just go for it !!
  • Right from the opening credit sequence it is apparent that this is not your typical Bollywood movie. There are no iffy dance sequences with multiple costume changes. During those dance sequences the location does not change inexplicably - thus no bemused Swiss folk staring at the actors in bemusement in the background. Devdas' dance sequences are sexy without being sleazy. They are lavish but not gaudy.

    The women do not ape western fashion (badly I may add) with pleated miniskirts and glittery tops. The men, thank God, do not wear tight PVC muscle tops and leather trousers (it may be all the rage in India for all I know, but its a big nono everywhere else). The fashion in Devdas, historically inaccurate as it probably is, is nevertheless stunning.

    The obligatory fight sequence where our hero beats the crap out of a dozen armed 'bad-guys with moustaches' without breaking into a sweat is notably absent. No goofy comedy sidekick either.

    All in all, its difficult for me to categorise this film as a 'Bollywood movie' at all - it's just too damn good.

    It does have flaws, the main one being that you do not get a clear idea of how much time has elapsed between events in the movie. However, I look forward to Sanjay Leela Bhansali's next film.
  • dmul5319 April 2003
    I was lucky enough to see this in the theater in the United States when it first came out. I had seen a few Shahrukh Khan films on tape (thanks to a friend), and when I noticed "Devdas" in the online movie listings, I decided to go have a look at what would be my first Hindi film in a theater. I was the only Anglo in a packed house and I aroused as much curiosity as I felt.

    I was completely blown away by Devdas, from the first moment of the opening credits to the last bitter tear on Paro's cheek. Every shot, every frame of this film is like an artist's canvas. Aishwarya Rai is breathtakingly gorgeous, Madhuri Dixit's quiet beauty increases with each scene, and Shahrukh has never looked so good. All the supporting actors are incredible, particularly Jackie Shroff as Chuni-babu and Kiron Kher as Paro's mother.

    The sets and the costumes are fabulously opulent...almost too fabulous, in fact, and at times threaten to overwhelm the story. But I was far too enthralled in the theater to do anything but gasp in open-mouthed wonder, and enjoy.

    The story of Devdas, a famous Indian novel written in the 1920's by Saratchandra Chattopadhyay, has been made into film numerous times by Bollywood. It is about the spoiled son of a wealthy man, who is loved by Paro, his lower caste neighbor and childhood playmate. Devdas is a weak, aimless sort who is blown about by destiny, never taking action until it is too late. He is unable to recognize his love for Paro until she has been married off to an older man and is lost to him forever. He then turns to the bottle, and to the prostitute Chandramukhi, for comfort and forgetfulness.

    This story will probably be hard for westerners to relate to...there is no corresponding literature of the west that I can think of...perhaps Romeo & Juliet is closest. Bhansali's version differs in many respects from previous versions, and from the book, in that Devdas is a more forceful presence who declares his love for Paro, only to be kept apart by scheming family members. In the novel, however, it is Devdas' own flawed character that keep the lovers apart. He is simply too weak and indecisive to know what he wants until it is taken away forever.

    Having seen the earlier Dilip Kumar/Bimal Roy version, and read the novel, I can say that Shahrukh Khan truly made the character his own and breathed a new life into Devdas, making him more lovable, and more a victim of fate than of his own tragic weakness. In the novel, and in the earlier Bimal Roy film, Devdas has almost no personality at all...he moves through the story like a mere shadow, and we only see his character reflected in the love of the two women who worship him.

    Much attention has been given to Aishwarya Rai for her performance, which I agree was outstanding. She is almost inhumanly beautiful in this film. When I saw this in the theater I was in half love with her myself.

    But it was Chandramukhi who haunted me after the film was over. Madhuri Dixit deserves much, much more attention than she has received for her wonderful performance, which has been relegated to a "supporting" role, when actually her role is every bit equal in importance to that of Paro. Chandramukhi is the only character in the film who is completely unselfish in her love...her love is the purest of the three, because she loves with no expectation of being loved in return. While Devdas and Paro are busy destroying each other's chances for happiness, Chandramukhi's love is always uplifting and positive.

    Besides the award-winning performances (Devdas swept all the Bollywood popular awards in 2003) and the fabulous sets and costumes, Dedas has one of the best music scores I've ever heard, and dance numbers to match. I wished the opening number, Mere Piyar (performed by Rai), could have gone on forever, and toward the end Dola Re Dola (performed by Dixit and Rai) is a treat. Some viewers felt that the up-beat drinking song Chalak Chalak (performed by Khan, Shroff and Dixit) was out of place in such a dramatic story, but it is my favorite number in the movie.

    There are so many things to recommend this film, I could go on, but I will just call it a masterpiece of Indian cinema and leave it at that.
  • SLB is a god gifted director to bollywood and i am again spellbound by his work. He is the only director who can remake a super hit 1960s movie in 2002 with the same essence. This movie was marvelously made with a powerful star cast with mesmerizing scenes, dialogues and music at the same time.

    Aishwarya rai has done her best and Madhuri was the same refreshing as 8 years ago. Shahrukh khan to put his best and this makes this movies unforgettable.

    I consider this movie as one of the best movies made in India. I recommend this movie to everyone because even after the end, this movie won't get out of your mind.
  • Warning: Spoilers
    Coming off a film like 'Albela', it was very important for Aishwarya Rai to do a film like this! A lot of people had been speculating about her beauty, charm, acting and dancing skills etc. etc. and I think this was the film that shut them all up. I can't imagine that so many people think this film is crap, yet there are 92 reviews and comments before mine. I think that's saying something. Anyhow, in this Epic of Titanic proportions, Aishwarya Rai plays Paro, a lovely young woman coming of age, whose sole purpose in life is to worship her childhood friendship and friend Devdas (played by Shah Rukh Khan), just one look at her and you can tell that Paro/Pavrati is one half of a two part series of star-crossed lovers. It's Romeo and Juliet meets Titanic meet Tuck everlasting meets every colourful bollywood picture you have ever seen all rolled into one magnificent masterpiece! While they are preteens, Devdas is sent away by his family to go study in England and this devastates Paro who is chastised by her mother for over-reacting during the boy's departure. As she blossoms into a teenager, Paro's love for Devdas only grows and one day she is told that Devdas is to return home to India. Naturally, she is beyond overjoyed and prepares herself for his arrival, only to develop an inexplicable fright when he finally comes to her house to see her. A game of cat and mouse ensues but the two would-be lovers finally come face to face and find that their attraction has grown. Enter the evil conniving family feuds, the caste systems and surely you know that all this takes a toll on this everlasting friendship. Somehow, Paro's love eludes Devdas and he winds up with a gypsy's curse looming over his head until the final moment of the film when Paro's husband executes his own curse on his wife, while Devdas's curse finally catches up with him. A devastating and earth shattering blow that ends their friendship and love forever! This of course, is only part of the story, there are lots of twists and turns and while it is a remake of the 1950s classic of the same name, this version is a unique must see of its own. Don't miss the show-stopping song and dance numbers especially 'Sisila ye' and 'Dola re Dola' which teams up the dancing queens (Ash and Madhuri Dixit) in a dance-floor showdown! A+
  • I owned this film for 8 months but did not see it because of all the negative hype on the board. Then I took the plunge. First off let me say that I was not a great Saratchandra admirer. His stories (except SWAMI) mostly portrayed women as weak minded, subservient (maybe true to the time, but not to be admired), and men as weak and mostly well bred but not well educated. I had no real recollection of the story as written. And, not being a great Dilip Kumar fan, I never watched the old version. So, I have no comparisons to draw, no plot line differences to talk about.

    I came away moved by the tragic love story that unfolded. It was not flawless, most Bollywood movies are not.

    Negatives - the sets were beautiful but over the top, ditto for the costumes. The duo dance was a great way to compare Aish vs Madhuri dancing skills (both were pretty even matched for me) but in the story line it was quite silly and should not have been there. There was no real need for the the two to meet, but this was Mr, Bhansali's directorial license. Chandramukhi's kotha and environs were lifted straight from Pakeezah, which was a very stylized movie and not authentic.

    Positives: Shahrukh Khan gave a very restrained performance, the silent tears accompanied with an anguish that only his eyes portrayed was a real departure from the screwed-up face crying. He was very very good in the drunk bits, very good in the anguished bits. It is remarkable how much this actor is accused of being typecast when every other year he pulls out an amazing performance - Dil Se (1998), Asoka (2001) and Devdas (2002) are all departures from his usual typecast romantic hero image. Recent roles in Swades and KANK are even more varied. The detractors will keep saying he overacted, or he portrayed no emotions, for me this was a truly great role as an anguished lover. Mr. Khan - your best actor award for this role in Devdas was well deserved.

    Madhuri - what can one say about this truly great icon? She was amazing, you felt her pain, her caring, her selfless love, the moments between her and Shahrukh sizzled. And her dancing was brilliant.

    Aish - was a bit wooden at times, but not always. She had a chemistry with Shahrukh that was understated until she was beyond his reach, but come on - the woman looks amazing, is there any doubt that a hundred Devdas types are dying for her?? She was better as the movie progressed to the more serious part.

    The movie went into an emotional downward spiral a third of the way in and I sat there moved and almost crying for these tortured souls the rest of the two hours.

    The movie was eye candy in the sets and costumes department. The two leading ladies were stunning, Shahrukh was easy on the eye, yet there was something that did detract from this being a great film. Upon much thinking I have come to the conclusion that it was the over the top beauty of everything that really made everything a little unreal for me. How could such perfect people have such imperfect lives? In essence the little black mark on the lip was missing and that left me a little dissatisfied.

    If Mr. Bhansali had stated that this was an adaptation from the original novel, people would forgive him the fact that Devdas in his version is a mature man and knows his mind (although fails to act decisively on it), and the fact that an aristocratic lady visits a courtesan's establishment and the two dance together.

    If you do not compare with what did or did not come before, this was an intense emotional experience, anchored by great performances from Shahrukh, Madhuri and yes, even Aish.
  • Having just seen Devdas, I wondered how it had been received by other viewers.

    I am a 'Westerner' who has had a growing interest in 'Bollywood' movies and music over the last few years (and found it a very difficult genre to explore - since it's poorly represented in shops, except those in "Asian" areas of major cities in the UK).

    I've seen enough to realise that Devdas was going to be a huge visual feast - almost too much to take. Heck... I was blown away by the trailer! I found it gripping and intense and extremely 'stylish'. Thundercracks, wailing children, whip cracks, stunningly lit glimpses of the more attractive cast members and wild swirling colours! What else could you want?

    My colleagues and I were aware of the overly melodramatic content. I can see characters from Victorian plays and themes that are covered in a lot of films from around the world - mainly the 'Romeo and Juliet' idea of love being thwarted by families, traditions, prejudices and missed opportunities.

    But Devdas is like a wonderful steamroller. It drives straight over you and leaves you breathless. I don't think I have ever seen anything quite so visually wild and exciting.

    Early Hollywood epics had 'spectacle', but all on a grand scale - vast buildings, arenas, crowds. Devdas packs all this into a much smaller space, turns up the colour to maximum and then lights the whole thing up like a firework display. The dance sequences are stunning, Paro's flight through the house as she runs to the dying Devdas is stunning - the whole film is stunning.

    Hang the historical accuracy... this movie is an unforgettable experience.
  • I must admit that the trailer to this film showed alot of promise...shame it didnt live up to the hype!!! the first 20 minutes of the film have got some some nice set-pieces. Bhansali is one of the better bollywood directors (although that isnt saying much) but he does use some nice sweeping camera angles to hypen the grandeur feeling of the film. As far as the story is concerened, its nothing new and the pace at which it unfolds is a major fault. This film could have been miles shorter. The characters are poor although madhuri dixit is the better of the leading ladies Another factor which contributed to the films length were the songs. Although Ismail Darbor has done a good job with the songs and they are well choreographed, they are far too long. self-indulgent is a good phrase to describe Devdas. Its a very polished and grand film but when you take that away you are left with somthing which is Average. Its only saving grace is its good direction.

    6/10 then
  • This classic is really well re-made.

    One can not say more of the story-line as this has been remade so many times. I was surprised that the first version was made in 1925. The setting and costumes are really classical and the acting by all three lead actors tugs on one's emotional strings. The two mothers also had their share of fine performance.

    The dancing in this movie is one of the best. The solo classical dancing of Chandramukthi is exquisite; every movement of her body down to the fingers and eye movements tells something. Ash really look beautiful here. The coupled dancing by Ash and her later on was also very well done and enjoyable. No wonder MJ went to India to learn dancing! He really had a thing or two to learn from India.
  • The movie is excellent in it's grandiose production values, but fails to make the audience empathize with any of it's characters, because of mediocre acting(or extreme over-acting, I should say), repetitive dialogues and a mundane script. But the sets alone are worth the 8 bucks one pays to see the movie, since they are probably the best I've seen ever!(and that includes competition from Star Wars, LOTR etc)!
  • I watched this movie more than once. Each time it gets better and better. I still cry at the end. I still have hope for the two star-crossed lovers. I love Shak Rukh Khan. He's very easy on the eyes, and one of the best actors I have ever seen. He can act, sing, and dance. He is very stylish. The songs in the movie were AWESOME! I bought the CD! Aishwarya Rai was completely breathtaking in this movie. Her acting skills are immense. Her voice is beautiful. You can feel her love for Devdas through the TV screen so much that you fall for him. UGH! WATCH THIS MOVIE! You will not be disappointed. If this is your first go on Bollywood films, then this a great first choice. This was my first film that got me hooked onto Bollywood movies. Now, I find Bollywood movies better than Hollywood movies. They have action, drama, romance, song/dance, and comedy ALL IN ONE! It's great. Now, I am collector of Shah Rukh Khan movies! See more of his movies...you will NOT be disappointed. Sorry ladies, but he is married! Yea, I know I was disappointed at that as well. I AM HIS BIGGEST American FAN!!!!!
  • Well made movie except I was totally blinded by the gaudiness of the ostentatious sets.. somehow did not ring true for the era the movie was set in. i guess it was SLB's interpretation of the masterpiece. nonetheless SRK was pretty good- mercifully he did not torture us with his usual mannerisms and facial contortions which pass for emotional expression. mads looked and acted great. aish looked great and acted well enough, but i think her acting in HDDCS was far superior. She needs to improve her urdu diction ...the songs were amazing and extremely well picturised.. jackie shroff was an irritating presence- he was desperately trying to ape Rajesh Khanna from amar prem. more than anything else, this was SLB's vision and he is still by far one of the best "visualizer" of romantic moments on the Indian screen.
  • Warning: Spoilers
    Devdas (Shah Rukh Khan) has been abroad getting educated for ten years. Now, he's finally returning and his beloved Parvati (Aishwarya Rai Bachchan) awaits him and hopes they'll marry. However, although the two are in love, his mother and sister-in-law decide rather coldly that he should marry someone even richer than Parvati. Now Parvati is NOT poor--just not quite as fantastically rich as Devdas' family. So, when her family rejects this union, Devdas stomps off BUT he does NOT take Parvati with him. She is naturally hurt but reluctantly agrees to marry a super-wealthy guy (who, sadly, is a total jerk). Devdas finally decides to defy his family and comes for her--but it's too late. For the rest of the film, Devdas whines and whines and whines--and drinks LOTS of wine. During this time, oddly, a courtesan, Chandramukhi, Madhuri Dixit loves Devdas and cares for him but he refuses to marry her or accept her into his heart. Ultimately, Devdas drinks himself to death and the film ends...after almost three hours of Devdas' whining and mooning about and drinking.

    I am probably NOT the best person to be reviewing "Devdas". While I have probably seen more international films than anyone NOT currently undergoing psychiatric care, I have only seen a few dozen Indian films and am by no means an expert. And, certain clichés might be adored by fans of the Indian cinema, but as a bit of an outsider, I see them a bit differently. Now I am NOT saying I dislike Indian movies or their unusual style. I have adored and praised films such as "Three Idiots", "Kandukondain Kandukondain" and "Aparahito" in my reviews, I just did not enjoy "Devdas" and I'll try to explain why.

    As I sat and watched "Devdas", I thought of an appropriate metaphor for this film. It was like giving me a gigantic bowl of whipped cream to eat. Now I like whipped cream--but after eating gallons and gallons of it, I want some substance. "Devdas" is full of sumptuous sets, gorgeous actors (particular Aishwarya Rai Bachchan---who, apart from my wife, is probably the most beautiful woman on the planet). It has lovely camera-work and singing. However, the story itself seemed like a collection of children's "Disney Princess" fairy tales that most guys cannot relate to. Now it is NOT because I am not a romantic--I love a good romance. But, I also want one with depth. And, sadly, "Devdas" is sadly lacking depth and too often I just wanted to slap the title character and tell him to 'stop whining and man up!'. After all, although he lost his childhood sweetheart, he was incredibly rich and well-educated--unlike 95% of his countrymen. I am sure a lot of folks in Mumbai would have a hard time feeling all that sorry for this guy! I just thought the story looked great and gave me characters I really didn't care for or like.
  • I have to admit that as great as Devdas is, I can't watch it too often as it is far too depressing but it is ultimately the most spectacular movie I have seen in a long time. Aside from its theme, the film making process was awesome including the costumes, the cinematography, the direction, camera angles. Imagine the number of hours the extras worked their *beep* off to dance in sync. Even the soundtrack was perfectly tuned to help set the mood of the movie and hearing Paro (Aiswarya Rai's character) sing for her love lost for Devdas (Shahrukh Khan) on her wedding day was enough to make you burst into tears.

    The actors chosen were perfect for their roles as they portrayed it with such heart wrenching gut, you could almost feel their sorrow along with them. I was particularly surprised how Aishwarya Rai pulled off her biggest acting role to-date, thereby quashing any doubts on her previous beauty queen title. Shahrukh Khan once again proves why he is the reigning king of Bollywood playing a heartbroken alcoholic pining for the love of his life who's been married off to another man. Madhuri Dixit was equally wonderful as the beautiful courtesan who played her role with such empathy that I couldn't help but feel sorry for her and wished Devdas would eventually reciprocate her feelings for him. Jackie Shroff has never disappointed and was excellent in his supporting role as Devdas 'brothel' companion. All in all, the cast ensemble of this movie is one of the best in cinema history.

    This movie is also a perfect (and spectacular) introduction to first timers of Bollywood movies into the lives and culture of Indian/Asian people in general. How, in this modern and civilised world, old traditions and values still hold dear in certain communities and whilst it is not the most favourable of beliefs, it is the age old cultural practices that makes one culture unique to the other.

    Yes, no movie is perfect but Devdas almost does it so watch it with an open mind. Being Asian myself, I dare be bold and say this is better than 'Gone With The Wind'.
  • Warning: Spoilers
    Note: This review pertains only to the subtitled version.

    A gorgeous epic about a timeless love, Devdas broke box office records in its home country of India and garnered critical acclaim at the Cannes film festival in 2002. The story follows a man's downfall into depression, alcoholism, and his ultimate self-destruction when his childhood sweetheart marries a man she does not love because of a thoughtless mistake on his part. While Devdas Mukherjee (Khan) struggles to overcome his grief at losing Paro (Rai), the one woman he loves, he meets Chandramukhi (Dixit), a courtesan who falls in love with him at first sight. Running slightly over three hours (subtitled version), Devdas is, at heart, a basic story of boy loves girl, boy loses girl, another girl loves boy, and a tragic end for one or all of them. Although typical in Bollywood (Hindi cinema), the plot is very engaging and simple, but later made complex due to the marvelous performances by Khan, Rai, and Dixit.

    At first, the focus of the viewer is solely on Devdas and Paro's relationship, but when Chandramukhi enters the scene, the viewer is conflicted by who he/she wishes to see Devdas end up with. While Paro is beautiful, innocent, and pure in her love for Devdas, Chandramukhi is sensual and elegant. The latter also gives off an air of sadness and loneliness that seems to stem from her life as a courtesan, which endears her all the more to the viewer.

    With his previous hit Hum Dil de Chuke Sanam (Straight from the Heart, 1999), Bhansali delivers another visually stunning film with Devdas. The songs are exquisite and very catchy, and the dance scenes were a wonder to behold. Elaborate costumes and striking sets only added to the beauty and mystique that was the world of Devdas.

    The only things I could make negative comments on would be the picture quality, the subtitles, and Shahrukh's acting. The quality of the picture was often grainy and did not seem as clear as it should have been. There were a few instances when the subtitles either went by too fast or needed to be read more than once in order to understand the meaning; some of them were very weirdly worded. Shahrukh did appear to struggle a bit in his performance and overact in some scenes, but overall he did a nice job.

    A film that can be enjoyed by families and viewers of any age and nationality, Devdas is what most Americans expect to come from India: gorgeous, breathtaking, and having the ability to take a simple love story and turn it into a complicated plot line that will have almost anyone become a romantic (even a secret one).
  • ash-rai17 January 2009
    Warning: Spoilers
    Devdas is an amazing movie and one of Bollywood's best! It released in 2002 after which the movies of the time as well as actors, directors and writers began making better quality films in an attempt to be up to par with this one! If you don't speak Hindi, I suggest you still watch this movie with English subtitles, as from the first frame to the last it is very entertaining and keeps you with the film at all times. The colors, acting, storytelling are all brilliantly done and it truly is a love story to be remembered. The songs are very catchy and Madhuri Dixit and Ashwariya Rai are Bollywood's biggest actresses and both looked the absolute best in this film than any other they have done. Shahrukh Khan too is brilliant as the lover who lost.

    This movie Definitely, Definitely is a keeper that one would want to buy on DVD to keep in their collections and EVERYONE I know has watched the whole film/certain part of it repeatedly!
  • The joy-ride starts with all the glitter and shine of a Hollywood classic, it sails through the emotions and ends up at the death..so real and reality is the biggest plus of this great movie. Its loud in dialogues as the feudal society of early 20th century in India was and is not overpowered with emotions...as the people from that class should have been (expressive yet graceful). Technically it remains the best ever Indian film and one of the best around the world. Well done Bhansali. In acting Aish does wonders..Madhuri has shown why she is the queen of the bollywood and Shahrukh khan has reached where no Indian actor would have ever reached..I have seen Dilip sahab's Devdas too and bowing to the greatness of Dilip Sahab let me say,"Shahrukh did it better than him". Dialogues, sequences, frames, music and acting all there to give you a treat to watch..a movie in which one finds the glimpses of one's own life...beautiful yet so real, harsh and sad...
  • VickyGlitz2 March 2005
    This is the best movie ever made in all of Bollywood! The costumes, the characters, the lines! Everything! And who ever says that Bollywood cant make movies should go get a life because Bollywood is a million times better than anything the amercican $H*T eaters make. We don't need intense love scenes to show feeling, no kisses to show affection. We make it work anyway. I am half Russian and half Indian, and watch Indian movies constantly, even though I live in Russia. Bollywood rocks the earth and life without it sucks. Hollywood on the other hand, has nothing goo and emotional to produce. If you watched Titanic, and cu out all the love scenes, would you really cry at the end? All that would be left, would be the dance they do. Go Bollywood! I wish you all the best!
  • Note: As an American who quite likes, but is not an expert on Indian cinema, I'm the first to admit there may be elements of content or style that I might lack the knowledge to fully appreciate. These are just my personal reactions, take them for what they're worth.

    Colorful and touching, if occasionally uneven, this story of a Romeo and Juliet like love affair and it's aftermath certainly has it's moments. The performances are strong, it looks great, there's some interesting social commentary about the corrosive effects of class and social status. and there are a few good musical numbers.

    But the musical element is odd – too much or two little for my taste. One song an hour is just enough to make their sudden appearance a bit jarring, not fully integrated into the style. There's also a tendency to melodrama and overstatement in the plot and even the (quite good) acting, and some important questions about the "whys" behind characters' key decisions in this tale of love and loss are left unexplored.

    None-the-less, it works well enough to enjoy as spectacle, and heart stuck melodrama to be enjoyable, almost like an old style Hollywood film, if not up to the level of Bhanasali's later, quite brilliant and innovative "Black".
  • sa_a1 August 2015
    Devdas- 2002 Director: Sanjay Leela Bhansali

    Sanjay Leela Bhansali's labour of love Devdas is a larger-than-life, poignant and spectacular interpretation. Clearly Devdas is a work of art and heart. Ismail Darbar's rich compositions are mostly situation-based and aid the narrative. Thankfully, the music plays in the background and Devdas and Paro are not shown lip-syncing sweet nothings. Pandit Birju Maharaj and Saroj Khan storm the screen with some sensational choreography. Madhuri Dixit's dances are breath-taking.

    Binod Pradhan's eye for detail cannot be missed as he romances the camera with imaginative angles and lighting. The good thing is that before the viewer gets too caught up in admiring Aishwarya's exotic hair clip, the shot switches to the sorrow in her eyes.
  • rjspark29 November 2020
    One of the greatest spectacles put on film, with grand sets, costumes and choreography, with a luminous presence of Aishwarya Rai & Madhuri Dixit.

    The script and the rest of the cast roast in excess, a grand pity..
  • Now, in all honesty, this is not exactly my type of film. Doubtlessly, it is beautiful, but the fairytale-like delivery and narrative require patience even though I'm sure it's a superior cinematic experience especially in the cinemas. I enjoyed and appreciated it more than I actually liked it, but sometimes that's enough. Interestingly, this film particularly impressed western viewers, who appreciated its stunning photography. Indeed, Devdas is a true visual treat, a film of great artistic and cinematographic mastery; it is tremendously well shot with lavish sets, costumes, and a story well-known but never in such an astonishing setting. As a matter of fact, the film is such a visual grandeur it takes away from the story itself. Director Sanjay Leela Bhansali makes it more than a regular costume drama though, and his professional and perfectionist approach is evident in every frame. Devdas is mystical and spiritual, and it has great, great songs, and very good-looking actors, but it has soul, and it is clearly Bhansali's attention to detail which makes it world-class cinema. I can totally understand why western audiences find it so good. The numbers, all without exception, are astonishingly good, both melodically and in terms of how they were filmed and visualised. While all mainstream Hindi films made to that point are musicals - Devdas is a musical in the true sense of the word. The narrative IS music, dance and colour, the songs are part of the dialogue and the story, and that's where it scores. It just seems that its core intention is to be a this stunning, melodramatic and extravagant legendary fairy tale, not a serious drama of the sort we're used to.

    Does the famous story from Chandra's classic novel matters much when you have a film you can't take your eyes off anyway? Well, decidedly less so, but even in that department Devdas is well made. While most of the supporting cast, including Jackie Shroff and Kiron Kher, act brilliantly in accordance with the film's highly melodramatic energy, the three lead players seem to have been directed to deliver some of their best work. Their performances are spot on and make much of the work by Hollywood actors in musicals of the sort look and sound pretty amateur. It's great that Hindi cinema has areas where it's just incomparable, althhough off late it's been getting lost. The film's star, Shah Rukh Khan, is excellent in his self-destructive character, often rising above the film's melodramatic tone with an in-depth portrayal of the title character's inner storms. What else can one say about Aishwarya Rai except she is impossibly, indescribably beautiful? Well, that she matches it with a wonderful performance. And if these two are not enough, watch out for the show-stealing act by the great star Madhuri Dixit, who sure knows how to romance the camera and cancel everyone else around her. Her dialogue delivery is amazing, and her dance numbers, oh boy did she nail them! They convey so much of Chandramukhi's feelings and expectancy. Just see her seductive "Kahe Chhede Mohi" - every expression, every line she delivers with her own voice is performed with pure excitement and stays with you after the show is over. The film's ending is well-known, but again, never quite matters. If you are into exhilarating visuals, regardless of your own culture, Devdas is a film for you. Note it is high on drama and emotions and take it in the right context, and you'll enjoy it.
  • harshi_tacoo4 December 2020
    Though it feels like some dialogues are scenes were extended, the movie is impeccable! Madhuri and Aishwariya are fabulous! It has some of the most beautiful songs and dance. Obviously the sets and costumes will leave you mesmerized. Love the desi vibes.
  • Warning: Spoilers
    one of the most disgusting adaptations of devdas!the director was never able to identify the character only. Devdas is not only about drinking. its about the repentance of a man in not understanding what he wanted in the right time. it was about the repentance of a man in not accepting his love .when he understood his mistake it was too late!!! absolute disgraceful!totally destroyed a masterpiece of a novel by late Saratchandra Chattopadhay!!! Paro was a poor girl . how the hell was she living in a house of glass!!! where did that Bahu Devar conflict come into being. Mr Bhansali u r making a feature film based on one of the greatest novels of all times not a Sass Bahu soap!!!direction was totally abysmal!!!Paro was not known to do dance!! she never met Chandramukhi!!!what was more outrageous u made them dance together!! excuse me she was the daughter-in-law of a Hindu conservative family ,which would have never allowed her to dance with a Baiji!! u never did any research b4 doing the film , isn't it?if u would have done that u would have known all that i am telling u. the total look of the film was disgusting!! i am a Bengali and we all know Bengali are known for their simplicity and u made the wear so many jewelries and heavy garments it was like watching a ad film commercial on saris and jewelry!! if u want to impress Ur distributors please make a film on topics like that!!but don't ever destroy a novel like that!! now the acting part !totally overacting !crap!absolutely crap! from Srk to ash to Madhuri! totally disgraceful!!! everything was overdone!! people read the novel understand it and then comment it Shud necessarily not be same to same as the novel but from the point of view of a film also it was disgusting!!! only good part was the music and the dance so that 1 otherwise it deserves less than zero!!!
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