User Reviews (23)

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  • Warning: Spoilers
    This movie reminded me in ways of Stand By Me and Boys In The Hood...very reflective, with themes of growing up and interpersonal relationship, but also like Stand By Me a theme of journey.

    Except for a somewhat overly sweet ending, the tone of the movie and the characters are right on the mark, exactly right for the themes and plot and character development. The acting was very real and human, and the characters could be easily related to. Even with sometimes sensitive subject matter, never did the acting seem at all false, in fact it seemed particularly true with the hardest subjects. (The sweet surprise ending, however, does not quite make sense with the rest of the plot, and made other parts of the plot seem somewhat unrealistic, though they were quite realistic without this revelation.)

    I would recommend the film highly. Note that due to sensitive subject matter, parents should probably see the film before letting younger children see it, and watch the film with them.
  • Warning: Spoilers
    -------SPOILERS BEGIN HERE-------

    A very sad tale about a young boy named Nathan. The movie begins on his birthday. He lives with his mother, and has never met his father. His mother's a heroin addict, and Nathan supports him, his mother, and her habit by prostituting himself. His mother dies very early in the film of a drug overdose, and Nathan proceeds to run away from social services.

    He soon meets Boon. Boon is an 30-something seemingly dead beat jerk. Nathan convinces Boon to let him tag along for the ride to Vancouver.

    -------SPOILERS END HERE-------

    The majority of the movie occurs in Boon's home town. Boon meets his high school sweetheart, Erin, and Nathan befriends her son Lloyd. Things take a turn for the worst when it's revealed to Erin that he is not Nathan's father.

    I'll save the great ending...go watch the movie

    The movie shines light on the problem of child prostitution, but it's also a heartwarming father-son story.

    A must see for all!
  • Suradit14 February 2015
    Warning: Spoilers
    Nathan stays with his mother who is a drug addict and a mother in name only. He's left to fend for himself and to get drugs to support his mother's addiction. He manages this by prostituting himself. At the start of the movie, after making some money the only way he knows how, he brings home some drugs for his mother and she dies from an overdose. He's taken back to a police station and someone from social services is called to take him into care, but he decides to run away.

    His father is unknown, even to his mother, but he claims he's heading west to find him. I was never very clear about why he was actually motivated to head toward Vancouver. Maybe he just wanted to get as far away as possible from the life he had been living. He finds a way to coerce a man, Boon, who he runs into at a diner to give him a lift. Coincidentally, Boon was also a man that happened to be at the police station at the same time as he was. Probably one of the greatest weaknesses of the storyline was the heavy reliance on coincidences and the equally unlikely way so many things fell into place to carry the plot forward.

    It's hardly surprising that Boon, who appears to be transporting a supply of illegal drugs to someone in Vancouver and who has a load of personal baggage vis-à-vis his own family and childhood, bonds with Nathan along the way, while ostensibly trying to keep an emotional distance from him. Equally expected, there are some misunderstandings, disagreements and complications to their relationship along the way, but it's also fairly obvious that both Nathan and Boon grow on each other.

    The ending was something of a surprise, although it too depended in part on some credulity stretching coincidences and a presumed & slightly improbable happily-ever-after denouement.

    Well worth watching and a feel-good movie if you're not too picky about the overly "convenient" plot development. The choice of "Jet Boy" for a title seems unfortunate since it might conjure up ideas of a animated comic book character.

    Allowing for some dramatic license, the characters were believable and the acting was good. Branden Nadon and Dylan Walsh were especially good as Nathan and Boon.
  • Warning: Spoilers
    Jet Boy deals with some very sensitive subjects. It does so with skillful honesty and without falling into stereotypes and melodramatic depictions. It is a real-life drama that convinces with its sincere authenticity and the profound quality of the interaction between the two leading characters.

    The movie is set in Canada and shot in Vancouver, B.C., Calgary and Linden, Alberta, and the road between. It can be qualified as a road movie and as a drama focusing on characters influenced by their cultural milieu and by each other. The movie has a simple story and is still complex in its plot development as well as in the pace of plot revelations. The audience never stops learning about the two main characters, their individual stories and their background, which provides the movie with tremendous quality and causes curiosity that makes the audience dive into the story and stay alert.

    The main protagonist is Nathan, played by newcomer Branden Nadon. We are introduced to him as he sells his body on his 14th birthday. These very subtle scenes at the beginning make us aware of how desperate this young boy is. He is a hustler, but still a child. We get a very good impression of his life – a bleak, exploited life without much room for dreams and no way out. Then we are introduced to his family. He has no father and his mother is a drug addict. She dies right at the beginning due to an overdose, which leaves Nathan orphaned and totally isolated.

    The second main character is a rough and mysterious man named Boon Palmer (played by Dylan Walsh), a man we do not know anything about. Apparently he has a questionable past as some kind of criminal. All we know is that he is up to something and violent if challenged.

    Nathan is on the road, running away from the social services that would take him in, heading towards Vancouver, when he encounters Boon in a road pub. He associates with him and manages to make the taciturn man give him a ride to the city. On their way they stop in a motel in a small town, where Boon grew up and where he has to settle something. It becomes clear from the very beginning of their traveling companionship that Nathan sees much more than a temporary ride in Boon, but pins all his hopes on him. He does everything to please the man, makes their breakfast and – as some subtle hints reveal – would not mind sleeping in the same bed with him.

    Once in the small town, we find out some interesting bits and pieces about Boon's past, about his imperious father, about his old flame and his life twenty years ago. We still do not know who Boon is today, but we get a clearer idea of his roots and find out that he is indeed a rather likable person, which we could not expect right from the beginning. The growing relationship between Boon and Nathan is characterized by frictions, but still slowly growing in depth. Boon renews a sexual affair with his old flame while Nathan associates with some local lads.

    The movie's climax is emotionally stirring and intriguingly played by the two leading characters. Nathan breaks away as Boon neglects his love and his yearning for paternal appreciation. Boon has to finish his job in Vancouver, and there he sees how Nathan offers himself to a client. He follows them and rushes into the hotel room as Nathan is about to be sexually harassed. Boon hugs Nathan, and the emotional turmoil makes the boy break down and cry. As they leave the hotel, we find out that Boon is in fact an undercover cop – something we did not know throughout the entire movie. They drive back to the small town, as it seems happily united.

    This last aspect is probably slightly, just slightly overdone and a bit corny. The rest of the movie is profoundly authentic and smashing in its sincere character portrayal of a strange man and a young hustler who help each other out of their bleak lives. These two characters carry complex problems and their interaction makes up the emotional thrill of the whole production. The soundtrack is flawless and the camera work lives up to the decisive moments. The other characters are fairly flat, but this is okay here, as the two protagonists carry the burden and define the pace and the quality of the plot development.

    I give Jet Boy a 9 because it handles a very sensitive issue – child prostitution – frankly and without corny stereotypes. It furthermore delivers a fine character portrayal and focuses on a very strong father-son aspect, set in a cultural stratum in which hope and trust are hard to find and even harder to maintain. The two leading actors are just brilliant, and thus Jet Boy is an authentic Canadian movie, a wonderful portrayal of genuine human struggles
  • wmadavis9 November 2008
    I gave this a 9 out of 10, which is extraordinary for what, in many ways, is a pretty bad film. Sometimes a movie can touch you, like this one does, even though you know it has some terribly bad aspects like cardboard-cutout characters and unbelievable plot turns. In a movie that often has the complexity and production values of an ABC Afternoon Special, there is the stirring performance of Branden Nadon as Nathan, a young male prostitute, latching onto a drifter he wants to be his ... father figure? lover? both? There are many unanswered questions here, opportunities missed, time spent on uninteresting plot lines. But instead of walking away in disgust, Nadon's performance and character just leaves you hungry for more, and wishing scenes had been expanded. There's a scene where Nathan tells a gay teen who has just kissed him, "I just want to be a good kid," and it so excruciating and sweet and sad you wish the scene had gone on forever. When Nathan accompanies the drifter to the drifter's home town, none of the people he encounters there know how worldly he is, or how wounded he is, and how he longs to belong to someone. It's a poignant performance you won't easily forget.
  • Warning: Spoilers
    About once or twice a year I find a film that has been seen by almost no one, and yet turns out to be outstanding and should have reached a much larger audience. Jet Boy is in this category. Branden Nadon gives such a superb performance as a boy "Nathan" turning 14 and living in conditions no child should have to endure, that it stirs the "rescue" urge in anyone with a conscience that something like this can happen in Canada or America. The story was written by the director David Schultz, and it is a terrific story. I don't agree that it is a bad movie that nevertheless moves the viewer. I admit it has a few flaws, but most movies do, and they are relatively minor here. Like how Dylan Walsh's "Boon" can so easily reject Nathan after being protective a minute earlier, or how they re-connect in Vancouver when neither knew where the other was in such a large city. Their extended hug near the end is very affecting, and did not hurt the movie in my opinion, as others have suggested. It reflected Boon's realization that he truly cared for Nathan, for he was influenced by his rekindled love interest telling him he is not (and does not have to be like) his own cold, dying, father. Still to see a movie with a raw ugly streetwise theme manage to be uplifting and presented in a way that even young teenagers can watch is quite an accomplishment. It was also great to see a boy who looked to be the age he was playing, rather than an adult playing a much younger person. The scenes where Boon reunites with his high school love and her 13 year old son are beautifully done, and the two boys are so real together, it's hard to believe they are acting. And when the two slightly older boys go out with them and they all get into minor trouble, it seems perfectly believable. Especially when Lloyd, the 13 year old, breaks down and cries at the police station. Each time after I have watched this film, it takes me 30 minutes to stop dwelling on it. I'm so glad I purchased this film sight unseen based on an Amazon recommendation. It is one of my all-time favorites already. I hope some of you reading this will do the same. You won't be sorry.
  • coolloser23 October 2002
    I was bored and wanted to watch a movie, Jet Boy was the only movie starting at that moment so I started to watch it. The beginning hooked me right away, I wanted to know what would happen to this young boy who was selling himself on his twelfth birthday. This movie hooked me and it kept me hooked all the way through. A lot of neat things happened :)
  • To begin with, yes, I understand this is a Canadian film, which by nature has to be "nice" and cute. But there is really nothing funny, cute or nice about pedophilia. The beginning of the film opens up and promises a harsh, in-your-face slice of life for an underage male prostitute (who honestly does a decent job...I seriously felt sorry for this actor for taking this role/being exposed to this subject matter). But then starts to get "cute" with heart-warming "awwwwe..." moments (remember: Canadian) that you would almost expect on any TV sit-com as it wraps up with its obligatory schmaltz. There are in fact a couple of interesting plot-twists, but they are underplayed by the lackluster writing (and acting), made-for TV filmography and EXTREMELY predictable, linear writing. We actually watched the out-takes/cut scenes which reveal an even worse writing imaginable (someone at least had the sense to hire a very good editor). I would say, if you happen to be a fan of "Nip/Tuck" or want a "feel good" movie about pedophilia knowing it will all work out in the end, then sure...watch it. If not, there are much more accurate, hard-hitting and blunt dramas out there.
  • gsmishka29 September 2011
    Warning: Spoilers
    *** Some BIG spoilers about plot development follow, so be warned ***

    I caught this movie a few days ago and I've been thinking about it ever since. I almost never write movie reviews here. I'm glad to see a version of this film has made it to DVD. It is hard to explain exactly what makes this such a great film to me, but writing as someone with a few father/son issues of my own this movie has unexpectedly and profoundly affected me.

    The performances from the leads are great, especially from Branden Nadon and Dylan Walsh, and the story moves along well. Young Branden is just excellent here - he breathes real life into his character - making him both toughened and vulnerable at the same time. Where is he? We need to see more of him as an adult actor.

    The script may become a little unrealistic at the end to push us towards our happy ending, but I can forgive it that because it's the ending I was hoping for. Some of the other characters are only sketched, but they are all carefully positioned to support the two performances at the heart of this story.

    I challenge any audience to remain unmoved by the final scenes between Boon and Nathan. How could anyone want anything else for these characters? Love and redemption win for them both, and they find it in each other. I can honestly say that nothing on film has moved me more than this for a long time.

    If you're used to a diet of slick, multiplex fodder then some of the production values may disappoint you occasionally, but none of that gets in the way of the telling of this neatly crafted little story.

    Dave Schultz is to be congratulated for creating a very moving independent Canadian film on what I imagine was a limited budget. He successfully navigates a taboo subject to create a little gem of storytelling about fathers and sons.

    And the track over the closing titles "Whisper in Time" by Bad Religion is killer! Very appropriate.

    Recommended.

    Greg
  • A very flawed film with more plot holes than a cheese grater. It is a fairy tale for abused children dressed up as gritty realism. It has a daft storyline and an over-the-top ending that only lacked an appearance from Santa Claus to make it complete. Its failure to represent reality, considering the seriousness of the story line, was getting on my nerves. But the completed movie is greater than the sum of its parts. The acting, particularly of Nathan the abused boy, is very good and regardless of everything that is wrong with the film, I couldn't help but become involved in the action and emotionally invested in the outcome.
  • Warning: Spoilers
    This movie after seeing it the first time a few weeks ago moved me. It was such a great story of two people coming together as father and son. It was like a dark version of "Dear Frankie". The acting was great, you will feel sorry for Nathan for what he went through, and he is better off with Boone. And some scenes in the movie, you almost cringed when you something was going to happen, like with the gun. But the scenes when Boone's girlfriend thought Nathan and Boone were father and son was the best!! It made you want to make the scene go on forever, and you will have to watch the movie to see what happened!! This movie ranks up there with some of my personal favorites!! Wish this film had got around, so more people could enjoy it!!!
  • I found this almost impossible to watch at the start. So sad and depressing that I actually gave up on it. I actually felt angry that such a movie had been made. Only after seeing so many good reviews that I decided to try again.

    I'm happy that I did. The acting by Branden Nadon as Nathan is unforgettable.

    I've given it 9 out of 10. A truly great movie.
  • Warning: Spoilers
    The gay theme is only secondary in this film. A rather young boy, probably ten or eleven, the son of a drug addicted mother who dies one day on him with an overdose she gets from the heroin he has brought her and he had bought with the money he had made with an older man he had serviced intimately.

    He escapes social services and manages to find himself in the hands, some sort of two way blackmailing or dependence, of a man he decides is going to be his father. He manages to get in his car and the man starts taking him to Vancouver.

    On the way to there the man goes back to his hometown where he visits his invalid and unconscious father but that leads him to a girl friend from a long time ago and the boy he is transporting, Nathan, falls for the son of the woman. The man, Boon, falls again or anew for the woman, but he is on a big case, though we do not know exactly what, criminal probably.

    Nathan comes to a desperate proposal to keep Boon, a desperate intimate proposal that Boon refuses and that refusal sets Nathan on the run again.

    The action ends up in Vancouver for sure where Nathan is more or less in the room of an older man and needs to be reprieved from perdition while Boon is following and arriving and breaking a door, and at the same time he is getting tailed by an important criminal of some kind he is dealing with.

    The end is sentimental in a way but everything gets clear though most of the important scenes happen in the night with little light and kind of all blurred up in and by darkness.

    The question of the film is simple. Does a boy need a father? What kind of substitute activities can a boy without a father do to feel close to an older man? The answer is as simple as the question. Yes a boy needs a father or a father substitute and a boy without such a father model next to him will do all kinds of risky and dumb things to feel older than he is and to fill the emptiness he experiences in his heart somewhere between his brain and his diaphragm.

    Maybe it could be better not to show that film to children under the tender age of ten or something like that. And be ready to answer a few questions if your son is too young and direct enough to ask embarrassing queries.

    Dr Jacques COULARDEAU
  • It felt like the director was having trouble stitching together an over complicated turn of events. The flaws in the plot are evident from the beginning yet had they been simplified I feel it would have worked so much better.

    A neglected / abused adolescent meets and cons his way into getting a lift off a mysterious stranger he suspects is a drug dealer. The stranger is coerced into giving the boy a lift. There then follows an unlikely turn of events re-uniting the stranger with an old flame and the boy - passing himself off as the stranger's son - befriends the woman's son.

    Never having had a father figure the boy jealously guards his new 'mentor' and resorts to unconventional means to try and win him over as the movie becomes more plausible but still somewhat 'messy'. As with the opening scenes the fate of the protagonist is heart rending.

    All that being said the director handles some very tricky issues very delicately although I would have preferred otherwise. These are real issues and there should be the 'shock factor', it would never have been a family film so maybe the delicacy with which issues were addressed detracts from, or dilutes the impact they have in real life.

    Brendan Nadon was a little unconvincing in my opinion but playing the part of a 13 year old when 15 did give him a little more maturity which is true to life for those poor kids that have to grow up fast. The adult actors held it all together with some strong performances.

    I still gave the movie 7 out of 10 because despite the obvious flaws the director handled the unenviable task of avoiding censorship when dealing with child abuse and prostitution.. The film was very engaging and well worth watching.
  • «Jet Boy» is not a pleasant movie to watch, not for the sordid elements in the plot, but for the options the leading characters choose in the end, in a hopeless intent to form a "happy home". And worse than that, what begins rather promising turns into a melodrama of few merits: the performances by Branden Nadon as Nathan, the "jet boy", and Dylan Walsh, as Boon, the tough driver who is forced to take Nathan with him in a dangerous trip to Vancouver, related to drug trafficking.

    The main issue is that 13-year-old Nathan is a prostitute, abused and battered by adult male patrons, who runs away from Calgary when his junky mother dies of intoxication with bad dope that he provided. He meets Boon in a cafeteria on the road, and suspects that the man is into "something". When Boon makes a phone call, Nathan memorizes and then erases a number which is vital for Boon to call in Vancouver... and so on, the plot gets into cliched territory, giving rutinary psychological answers to many of both characters' ticks, blows and surrender, including a return to Boon's hometown, to his dying father, to his ex-bride and her son, whose apparently idyllic suburban life attracts Nathan and unwittingly Boon too.

    Things get tougher, deadlier in Vancouver, and... you know the rest. It gets mellow and improbable, but I tell you, Nadon does a fine job as the kid, and Walsh gives good support as the kind of man who attracts and repels Nathan. Not bad to watch as a surrogate of a TV Movie of the Week.
  • Warning: Spoilers
    There's just something about this movie that pulls you in. Overall, it's got unbelievable parts (Boon and his girlfriend picking up their relationship in one day, after not seeing each other for twenty years, Boon being able to sign Nathan out of jail, etc), and the boy who plays Nathan isn't that great of an actor... But despite all that, there's something about this movie that just... I don't know, pulls you in, and makes you want to cry for Nathan. The scene in the field with the other boy, where Nathan describes the abuse at the hands of his mother and her boyfriends, you can tell he's trying to be strong, trying not to cry... and it made me want to cry, and I'm not one who cries easily. The scene in the motel with Boon is another heart breaker, as you watch this boy - who has been so screwed up that he feels sex is the only way he can be loved- struggle to keep himself from crying as he offers himself to the man he wants to be his father... This was a wonderful script, and even with Nathan's mediocre acting, it still shines through as an amazing movie.
  • Warning: Spoilers
    Despite some weakness to the credibility of the plot development, I enjoyed this film from start to finish. The ending, although perhaps a little soppy, was what I was hoping for although pushed a little far by Boon returning, almost instantly, to his former teen lover of twenty years past and her boy.

    The part of Nathan was beautifully and convincingly portrayed by Branden Nadon who, I felt, gave a stunning performance as the hardened streetwise prostitute who has just the same needs and desires as everyone else. The most poignant lines for me were where he said he just wanted to be a good kid and to have a father to help with his homework and go fishing and camping.

    Boon and Nathan become slowly attracted despite Boon's reluctance to get into any relationship. Boon's dying father did not provide him with the paternal love and guidance he would have wished for. This reluctance also shows through when he tells his former teen lover that he is not the same man that she knew - he perhaps fears their relationship might be rekindled and him having to take responsibility. Boon strikes me as a character who wishes to avoid responsibility for himself or others. He doesn't wish to collect Nathan from the police station whilst trying as hard as he can to build barriers between them for fear of them becoming closer.

    Nathan's craving for a paternal figure and someone to take responsibility for and care for him are consistent with my own real-life experiences. Sadly there are too many neglected and damaged youngsters in need of love and affection. The desperation to find someone to fill that void can sometimes lead to undesirable situations.

    This is definitely a feel-good movie which I would happily recommend.
  • bileriphon30 November 2002
    It's a good movie. It's about a boy who sells himself for money. And then his mom dies and he has no dad, so he has no where to go. While in a diner he mats Boon. It's sad because in one scene he says "I just want to be a good kid" and you feel sad for him. He dosen't want Boon too leave him all alone.Branden Nadon plays Nathan,the main character. It's also good because it's canadian.
  • ashleynallen-430137 September 2017
    Warning: Spoilers
    Let me start by saying: yes, it's got its corny parts. Yes, it's cliché as all get out.

    But it's got some amazing acting, and there are four or five moments throughout that just make you feel like your heart shattered into a million pieces.

    Nathan is a fourteen year old boy, who sells himself to feed his mother's drug habit -the movie starts on the day of his fourteenth birthday, leading to what is easily one of the most heart wrenching moments I've seen in a movie for a while.

    After 'working' the night before, Nathan goes to school, then returns home, where a neighbor lady complains to him about the noise from his mother's party the previous night, for which Nathan apologizes, and the lady kindly tells him that it's him she feels sorry for. After he starts to walk away, there's this moment of hesitation, before he turns, and tells the lady that it's his birthday. It's such an innocent moment, seeing this kid desperately wanting somebody to know that he's made it fourteen years; that he's still alive. And honestly, it almost made me cry.

    And that's what makes this movie memorable; that's what makes it such a gem. Instead of big name actors, massive CGI effects, car chases, and one-liners for cheap laughs... it actually evokes strong emotions in you.
  • Warning: Spoilers
    This is a good coming of age movie, I watched it originally when I was younger. It has some excitement and a good story to keep you going. Some have spoke of cliches however I am not sure how many reviewer are lower class and blue collar. Like is tough and sometimes our choices and options are not pretty. The movie also touches on a sad but real problem of young runaways and children from troubled homes, who too often make poor choices and wind up trapped. Spoiler: this movie has a good ending.
  • Warning: Spoilers
    Firstly, it kinda reminds me of Mysterious skins due to its cinematography and 2000's aesthetics. Branden really made a top tier acting in this movie, the feeling of being lost through a world that doesn't play with kids alone really embodied him with his performance, though the movie is kinda short and should've been longer, it optimizes its time to gave a sagnificant massage to all Americans that many children are suffering due to the economic state.

    I found an unpleasant experience due to the camera angles but I think for a normal film watcher, it won't bother you that much, and for a 2001 film this is thing a pure GOLD.
  • Warning: Spoilers
    A young boy is sitting at a late-night fast food restaurant table, playing with a model car. A man enters. He says something to the boy. The video becomes dark and only the boy's groans of pain are heard as he is raped by the man. The scene takes off: it's morning, the boy lies naked in bed with his private parts covered by the blankets. His eyes are open and he is staring at the ceiling, expressionless.

    This is how we are introduced to Nathan, a 13-year-old Canadian boy who has to prostitute himself to get drugs for his single, drug-addicted mother. Actually, Nathan turned 13 that same night. Really a bad way to celebrate a birthday. But unfortunately it's not over yet.

    When at home, Nathan gives the drug to his mother that wishes him a happy birthday and tells him that there is a slice of cake in the fridge. While Nathan blows out the candles in the kitchen, we see his mother lying on the bed with her eyes open, dead, probably from an overdose.

    Nathan is taken to the police station, where waiting for social services to come and entrust him to a foster family because it is not known where his father is and he has no other relatives in the city.

    Taking advantage of the chaos unleashed by an arrested man, Nathan escapes.

    Actually the arrested man is Boon Palmer, an undercover special policeman who is trying and capture a big drug dealer. The police pretended to arrest him because they had to plan the operation.

    It's night: Nathan comes out from the bathroom of a gas station and sees the arrested man he saw at the police station. He's playing a fast food board game. Nathan sits down at his table and starts tinkering with the game, solving the puzzle.

    Boon smiles, then he gets up, takes his hamburger and heads to a phone booth on the street; he makes a phone call, writing a phone number on the foggy surface of a car. When he comes out he realizes that the number has been deleted. Nathan is nearby and looks at him defiantly: it was he who deleted the number to force Boon to give him a lift to Vancouver where Nathan claims to be his father.

    So Boon has to do what Nathan wants. After a driving journey, they arrive in the small town where Boon grew up and he tells Nathan that they will stop in a motel there.

    The next morning Nathan has made breakfast and serves it to Boon who has just waked-up. He tells Nathan that he needs that number, but the boy refuses because he's worried that Boon might leave him as soon as he gets the number. Boon assures that he won't do it. However he has some things to do so he can wait.

    What Boon has to do is go to his father's house, because the old man is unconscious, seriously ill. From what Boon tells his father, we can understand that their relationship had been difficult.

    Meanwhile, Nathan is at the baseball field where he watches some kids play. Boon arrives, sits next to Nathan and tells him to join the boys on the field. Nathan does it even though he doesn't know how to play at all; a boy named Lloyd seems to take care of him.

    At that moment Lloyd's mother, Erin, arrives: coincidentally, Erin and Boon were engaged when they were 17, but one day Boon flew away because he couldn't stand living with his father. Then Erin married Boon's best friend, Ray, who died when Lloyd was 4.

    Erin obviously thinks Nathan is Boon's son and he lets her think so.

    That same night the two boys go out with two older boys, Clay and Dennis. They smoke and drink.

    Then Lloyd stays in the car with Dennis while Nathan and Clay are further away talking. Clay suddenly kisses Nathan on the mouth. Nathan retreats not as upset or shocked and Clay is astonished. Nathan explains that his mother and her boyfriend got excited if Nathan watched them have sex. He sometimes wants to hear all these filthy stuffs but he also wants to be a good guy.

    Clay in tears of shame asks Nathan not to tell anyone what just happened and he assures Clay that this is their secret: Clay won't tell Nathan's and he won't tell Clay's.

    Meanwhile, a drunken Dennis races his car towards the city monument (the world's largest ball of string) which slips from its support and rolls hitting an oncoming police car.

    All four boys are taken to the police station.

    Erin and Boon are in bed when they are told that Nathan and Lloyd are to be picked up at the police station. At that point Boon tells Erin that it is better she gets Nathan because the boy is not his son: Nathan told her he was and he went along with it because he wanted Erin to think he had someone.

    Erin is amazed: who the hell is that boy? And who the hell really is Boon?

    However, Boon decides to take a risk and go get Nathan just as Erin leaves with Lloyd.

    So Boon and Nathan go back to the motel where Boon tells Nathan that they're leaving at the dawn and that he must talk to Erin. Nathan tells him that he wants to say goodbye to Lloyd too, but Boon rudely tells him that he can send Lloyd a postcard when he'll get Vancouver. There their paths will separate forever.

    Later, Lloyd goes to the motel and reveals to Nathan that love has been reborn between his mother and Boon. This drives the jealousy of Nathan, who wants Boon only for himself: he goes crazy because he realizes that Boon will return without him so he scolds Lloyd and pushes him out. Left alone, Nathan bursts into tears.

    When Boon returns, Nathan is deeply sleeping in bed, so Boon has to lie down next to him. The boy has only his undies on, so Boon can see in horror some long, deep scars on Nathan's back.

    In the night, Nathan wakes up and seeing Boon at his side, he tries to reach his manliness. Boon suddenly wakes up, stops Nathan's hand and throws the boy to the ground; Nathan almost crying tells Boon that he can have sex with him if he wants; after all he is good enough at it and it will be for free.

    Boon is really horrified and shouts at the boy to stop acting like this. Nathan, in tears and raging as well tells him that Erin doesn't need Boon and begs the man not to leave him alone.

    Seeing no reaction, Nathan gets dressed and runs away very angry.

    The next morning Boon tells Erin's that he must leave because something big is happening and he can't help Nathan who also has a father in Vancouver. As Boon leaves, Erin yells at him that he's not like his old father and must help Nathan.

    It's night: Boon is on the phone with the drug dealer, when he sees Nathan standing on the sidewalk across the street: it's clear he's trying to sexually lure someone. A luxurious black Cadillac arrives: after talking to the driver for a while, Nathan gets into the car which leaves immediately.

    After chasing the drug dealer that one is arrested by the police. Boon speeds up and disappears into the night determined to find Nathan.

    In a hotel room, Nathan is half naked and the man tries to caress and kiss him, but the boy dodges and runs away, locking himself in the bathroom. Fortunately Boon has noticed the black Cadillac parked in the hotel parking lot and with gun in hand forces the doorman to take him to the room where Nathan and his rapist are.

    Boon enters and throws the man to the ground shouting at him to stay down or he will kill him!

    Then he heads to the bathroom and gently knocks on the closed door asking Nathan to open.

    The door opens: Nathan is sitting on the bathtub step wearing only his pants and is very upset and in tears, with his head on his knees.

    Boon asks him if the man harmed him. Nathan nods and says tearfully that he doesn't have a dad... he asked his mother about him but she didn't know. He has no one.

    Boon is touched and tells him to come closer. The boy does it a little reluctantly but Boon hugs Nathan tightly; also Nathan holds Boon close, in tears, with his head on Boon's chest who gently caresses his head. Boon tells him not to worry because he won't let him go.

    When they exit the hotel, surrounded by police cars, Nathan realizes that Boon is a cop and not a criminal. Then Boon and Nathan get in the car and head somewhere into the night.

    Actually they are going to Erin's house: when they get there late at night, Erin and Lloyd open smiling. Everyone hugs each other and enters the house.

    A new life is to begin for all of them.

    Overall, that is a very moving movie about the unexpectedly and pleasant switch happened in the lives of two lonely and deeply wounded souls who meet by chance The most woundel soul is obviously Nathan's: he's only thirteen, he doesn't have no one but his drug addicted mother for whom he's forced to sell his young body and who dies the day of his birtday.

    We cannot help but feel pity and affection for this little boy who just needs someone who loves him and doesn't treat him like a sexual object. As he says, he just wants to be a good boy, despite the terrible wounds that have been inflicted on his body and soul.

    Boon's wounds were caused by an emotionally absent father who made his son a wandering man who can't empathize with anyone. A hardness that melts when he promises Nathan that he will be with him forever. In the end, his life gave him the chance to prove that he is better than his old father and that he will be a wonderful father to Nathan. Because those who are hurt know how not to hurt As for the acting, the performance of the then fifteen-year-old Branden Nadon was fantastic: it really seemed like he was experiencing first-hand the ugliness that life had reserved for him. And I think it would have been nice if the film had investigated his character's life more thoroughly, because there are so many things left unsaid.
  • I watched this like two weeks ago and completely forgot to review it so my thoughts and opinions aren't very fresh but I'll try my best. I liked this movie. I'm always a sucker for the kid plot line with sex work or drugs especially if there's gay involved. I thought this was really interesting and the ending was cute. The acting was a little meh but that's forgivable. It was exactly what I was looking for to watch while procrastinating on my homework.