By picturing a motive for murder and then making the man who is to be suspected act suspiciously until we, the audience, think that he really did kill the man from a great distance, Producer William Duncan has made a good offering. The burden of the story is the proving the man guiltless. Its only noticeable weakness is the fact that the dead man is only sleeping at first, yet makes us think him dead. It is not until we see the man again that we discover the wound mark, yet one cannot be sure it wasn't there from the first. Hardee Kirkland is the author. - The Moving Picture World, January 24, 1914