This is a beautiful film made in Dublin which I have just seen in Tel Aviv at the Israel Irish film festival, in the presence of the director. At first I did not think I would enjoy it, it is, after all not an endearing subject but the longer it went into its 83 minutes, the more I enjoyed it. This is the story of two homeless heroin addicts called Adam and Paul but which is Adam, which is Paul, you never find out. Similar to "Waiting for Godot" but filmed in a great number of locations rather than a single room. Although its a sombre subject, you follow a single day in their lives (and the death of one from an overdose) but the film is much filled with humor in a style reminiscent of Laurel and Hardy. The dialog is simple, in very short sentences, which is accurate of these folk, and there is, I warn you, much use of the word f**k which gives the Hebrew subtitlers a lot of grief. All the characters are believable and are based on the lives of real Dubliners. The script was written by the taller addict. How do they eat, how do they go to the bathroom, how do they survive? You follow their lives and ultimately you yearn for one of their scams to survive in order that they "earn" some money but then you realize that it would not be spent on food but drugs. They meet a varied collection of other losers on their travels and I could add a spoiler by revealing the funniest one-liner in the film - when they meet a man they think comes from Romania - but I won't. Another funny sequence is outside a gas station where they are supposedly watching for the police during an attack on the station by two men with baseball bats, pure L & H. The photography is superb, stark, revealing of slums, the direction brilliant. The director was forced to take jobs making commercials to earn a living whilst making the film. As to which one is which, the director confirmed that they were interchangeable and, probably, a single entity. This is the sort of film most English-speaking film-making countries could not make, they lack the observational powers of this writer and director. If you get the chance to see it, don't miss it. And better in a cinema than on television where it will lose much of its qualities.