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  • Warning: Spoilers
    Mayberry town drunk Otis Campbell ("The Andy Griffith Show") picks a lousy time to take a drive out to Los Angeles, California. He had told Mayberry Sheriff Andy and Deputy Barney a few years earlier that he was never going to drive another car (after purchasing an old Hot Rod and then selling it almost immediately.) This was because he loved drinking alcohol so much and the two - driving and alcohol - just don't mix. But now, here he is, drunk and driving. Oh, Otis... There shall be one vacant chair. Officers Malloy and Reed follow in the footsteps of Officers Taylor and Fife. They haul 'ol Otis off to the slammer. (Though there probably weren't going to be any dynamite-loaded goats trying to share his cell in the L. A. lock-up!)

    Detective Bill Gannon ("Dragnet") aka, Colonel Sherman Potter ("M*A*S*H") aka, Actor Harry Morgan, has chosen a terrific time to take a stab at directing a television half hour police drama. He handles the action, the as-written boredom (Malloy and Reed spend a good portion of the episode complaining to each other that "business" hasn't been all that thrilling lately,) the production and actors quite well. That is, once you realize that this episode, shown late in the first season, was quite possibly the second or so episode of the series to be filmed.

    As it is, there are a few stand-out moments which give clear indication that this was filmed very early in season. For some unknown reason it was held back for broadcast. The most notable in-story indication of this is when Sergeant MacDonald informs Reed - to put Reed in his place after he offers his unwanted two-cents worth - that he's only been on the job for three weeks. That three weeks statement is very much at odds with a whole lot of events which have transpired over the past 18 episodes or so.

    A production-wise indication of this episode having been one of the very first filmed, is the use of "clashing" moments within the same segment. By this I mean switching from outdoor location shots to obvious indoor studio shots within the same conversation. This can be seen in the segment featuring the man and woman who are complaining about the evil, glue-sniffing hippies who are standing on the otherside of the street over by the park. This switching back and forth from location to studio to location to studio is quite jarring. The studio lighting comes no where near to matching the location lighting.

    This segment was actually filmed for the very first, pilot episode of the series. It actually sets up what is in fact the final segment of that episode. Here, the woman with the complaint is Thelma Martin. Back in the pilot episode, the final segment finds Malloy and Reed sent to a park late at night where 30 hippies are gathered. Three of them have guns and a shotgun. They are shooting wildly from a barbecuing hut. Another Officer remarks that a woman, Thelma Martin, has been injured. Malloy and Reed look to one another, obviously recognizing the name. Then too, when Reed captures the hippies, they are the same hippies that are seen in this episode.

    Besides all that, there's the entire scene in which M & R work to save a suicidal man from jumping off the outside ledge of a multi-story apartment building. Malloy's behavior is very much at odds with how the character has developed within the 18 or so episodes since the show's premiere. Joining the man out on the ledge is simply too "Super-Cop". Like something that a Cop in a 1950's police drama might do so the show could demonstrate to viewers how incredibly heroic their character is. At this point in time for "Adam-12", neither Malloy nor Reed have to prove themselves like that. Besides all that, risking one's life by climbing out onto a building ledge as Malloy did, just simply isn't intelligent nor proper police procedure. Also, the outside action on the ledge isn't filmed very well. When the suicidal man and Malloy tussle on the ledge, Malloy swinging the man past himself and back through the window, it looks as if there's actually enough room on the ledge for the two men to have a nice dance.

    Setting aside all that "filmed early in the season" stuff, this is still a darn good episode of Adam-12. Though Malloy and Reed may be bored with the little bits of inactive Police work they're dealing with, the episode is not at all boring for the viewer.
  • tac10554 January 2024
    I agree with the "Trivia" comment stating this episode was shown out of sequence. Just the way Reed and Malloy interact, their "look", and other factors already mentioned in the trivia comment basically prove it. I would guess this is probably the second episode filmed and would be surprised if it was any later than that. I like this episode for the same reason I like the pilot episode-it has the "Jack Webb/Dragnet" staccato paced acting and speaking patterns, as opposed to all the other, more natural episodes. I prefer the more natural paced ones, I just like this and the pilot episodes because they are so different from the rest. Additionally, contrary to what the other reviewer stated, that is NOT Kent McCord in disguise doing double duty as the head "Nazi" juvenile. It's an actor by the name of Jon Shank. You can look him up on Google.
  • cwstone28 April 2020
    10/10
    Classic
    Adam 12's Reed and Malloy (McCord and Milner) are great characters. But their encounters with lowlifes, specifically hippies, aren't nearly as entertaining or unintentionally hilarious as, say... Joe Friday. The ever laconic LAPD detective who uses his acid tongue with machine gun speed to verbally eviscerate hippies, acid heads, pill freaks, or some combination. Adam 12 is played more for realism, or what passed for it at the time. Reed and Malloy handle hippies in a more matter of fact albeit less entertaining way. This episode has different threads but the glue sniffing hippies hanging around a park is worth the price of admission. Adam 12 was Webb's brain child and its depiction of the anti social elements of the day were more or less the same. One of the hippie ringleaders perfectly reflects Webb's sometimes muddy depictions of those who viewed cops as "the fuzz." In a major wtf? moment, he stands there accusing Reed and Malloy of being Nazi stormtroopers, even using a German accent. Yet the hippie is wearing a Nazi helmet and uniform jacket. What is that supposed to mean? lol. It's a completely bizarre moment and quite hilarious.
  • I can't believe in nearly 6 decades no fan has recognized him?! Double Duty For Officer Reed: Kent McCord plays the leader of the gang! He is the tall lanky one whom the officers address. Along with clown pants, he is wearing an very obvious disguise, which includes false teeth, a prosthetic nose, dark eye contacts, fake eyebrows and cotton inside his lower lip plus make up to alter its shape. But if one looks closely, he is of the same height, same demeanor, same head shape and face silhouette and same voice. Kent seems delighted in stretching his acting chops and fooling everyone in his here cameo.

    In fact, in the next scene, you can see his mischievous grin in the patrol car, for no reason at all that he got to play a bad guy. Of course, back then the production didn't want to ruin his image, so he was sworn into secrecy. I mean, after all, he not only plays a thug but... a NAZI!!! This charade has lasted almost 55 years now. The time has come to reveal it all: I did years ago, but I see that my contribution never made it. I couldn't find the title to resub through the years and just now caught it by chance. So, here's hoping the hardcore fans will read this and one of you will have the chance to interview him before it's curtains for officer Reed!

    Cheers!