Walt Disney Studios Motion Pictures released two new character posters for the upcoming “Pirates of the Caribbean: On Stranger Tides.” The posters are of Blackbeard and Captain Hector Barbossa. The film is directed by Rob Marshall. It stars Johnny Depp (“Edward Scissorhands,” “Sweeney Todd: The Demon Barber of Fleet Street”), Penelope Cruz (“Volver,” “Vanilla Sky”), Ian McShane (“The Pillars of the Earth,” “Death Race”), Kevin R. McNally (“Pirates of the Caribbean: The Curse of the Black Pearl,” “Entrapment”), Astrid Berges-Frisbey (“Un Barrage Contre Le Pacifique,” “Elles & Moi”), Sam Claflin (“Any Human Heart,” “The Pillars of the Earth”)and Geoffrey Rush (“Shakespeare in Love,” “The King’s Speech”). Here is the official synopsis for the film: “Produced by Jerry Bruckheimer and directed by Rob Marshall, ‘Pirates of the Caribbean: On Stranger Tides” captures the fun, adventure and humor that ignited the hit franchise—this time in Disney Digital 3D. Johnny Depp...
- 3/18/2011
- LRMonline.com
Dead men tell no tales. Especially zombies. Walt Disney Pictures released the concept art of the zombies in the upcoming “Pirates of the Caribbean: On Stranger Tides.” The eight artwork pieces profile different zombies of various races. Here is the official synopsis: “When Jack crosses paths with a woman from his past, he’s not sure if it’s love—or if she’s a ruthless con artist who’s using him to find the fabled Fountain of Youth. When she forces him aboard the Queen Anne’s Revenge, the ship of the formidable pirate Blackboard, Jack finds himself on an unexpected adventure in which he doesn’t know who to fear more: Blackbeard or the woman from his past.” The film stars Johnny Depp (Sweeney Todd: The Demon Barber of Fleet Street,” “Edward Scissohands”), Penelope Cruz (“Broken Embraces,” “Blow”), Ian McShane (“Ian McShane” “The Pillars of the Earth”), Geoffrey Rush (“Shakespeare in Love,...
- 3/11/2011
- LRMonline.com
Further casting news for Pirates Of The Caribbean: On Stranger Tides has been revealed…
Earlier this week, we rounded up the latest casting reports on the forthcoming fourth Pirates Of The Caribbean movie, On Stranger Tides. You can read the full report here, but basically, Johnny Depp and Geoffrey Rush are returning from the first three films, and it seems the rest of the cast is full of fresh faces.
The most promising casting news concerning the project thus far was when Ian McShane climbed aboard as the villain in the film. And the latest? Disney has cast the role of Syrena, who's a young mermaid, and has given the part to an actress who's unlikely to be known to the majority of moviegoers.
Her name? Astrid Berges-Frisbey. She's a French actress who will be making her American movie debut with Pirates 4. Previously, she's appeared in films such as La...
Earlier this week, we rounded up the latest casting reports on the forthcoming fourth Pirates Of The Caribbean movie, On Stranger Tides. You can read the full report here, but basically, Johnny Depp and Geoffrey Rush are returning from the first three films, and it seems the rest of the cast is full of fresh faces.
The most promising casting news concerning the project thus far was when Ian McShane climbed aboard as the villain in the film. And the latest? Disney has cast the role of Syrena, who's a young mermaid, and has given the part to an actress who's unlikely to be known to the majority of moviegoers.
Her name? Astrid Berges-Frisbey. She's a French actress who will be making her American movie debut with Pirates 4. Previously, she's appeared in films such as La...
- 4/15/2010
- Den of Geek
Those who have already read L'amant (The Lover) knows why it's extremely hard to adapt a novel of French novelist Marguerite Duras into a film. Yours truly hasn't seen the film The Lover. However, as for this film, all I can tell you is that it bores you to death because of its slow pace and its badly written dialogues. All in all, the excellent cinematography can't help the film.
In the French Indochina (Cambodia, Vietnam and Laos) of the 1930s, a widow (Isabelle Hupert) invested her savings in a rice field in Cambodia. However, she feels that she's got ripped off by the colonial authorities. In fact, she has difficulty to pay back the mortgage on her land and it's always flooded by typhoons of the South China Sea. This is why the widow plans to build a dam to make profits. However, as she tries to improve her situation,...
In the French Indochina (Cambodia, Vietnam and Laos) of the 1930s, a widow (Isabelle Hupert) invested her savings in a rice field in Cambodia. However, she feels that she's got ripped off by the colonial authorities. In fact, she has difficulty to pay back the mortgage on her land and it's always flooded by typhoons of the South China Sea. This is why the widow plans to build a dam to make profits. However, as she tries to improve her situation,...
- 9/27/2009
- by anhkhoido@hotmail.com (Anh Khoi Do)
- The Cultural Post
Toronto International Film Festival acquisitions this year were sparse which was no surprise given the recent closings of the well funded specialty arms of the studios. The noticeable slowdown in the business at these large festival cum market events (e.g., Toronto) has continued since Cannes although Locarno was happily surprised at the increased number of acquisitions which took place there albeit by international sales agents rather than by distributors. At least it attests to some enthusiasm in what seems to be a lackluster low energy year for the film business. Venice[/link] also created some sales in spite of its never quite becoming the market it might be. Pusan was disappointing leaving buyers and sellers looking toward the upcoming Tokyo International Film Festival and AFM as the place where deals will close. The European sales agents did better selling to the Asian distributors than the Asian sales agents. Bavaria sold 'Into the Great Silence' to Jin Jin of South Korea. Celsius sold 'Vivaldi' to Mirovision for South Korea, and new international sales agent M-Appeal's Maren Kroymann sold 'Trick' to Coral for South Korea.
This is a sample of the Rights Roundup Reports available from sales-filmfinders@imdb.com. For more information on acquisitions in the future you can purchase the Fall Festival and Market RightsRoundup and Rights Roundup Reports for AFM/ American Film Market, Berlin Film Festival and EFM/ European Film Market and Cannes Film Festival and Marche du Film after those events.
In Toronto, Fox Searchlight remained the strong buyer, picking up 'The Wrestler' for the highest sales figure of the market, but still less than $4,000,000 and ‘Slumdog Millionaire’, the other hit of the festival. Summit, an A list international sales agent who entered the domestic distribution business this year also acquired ‘Hurt Locker' for U.S.. Both 'The Wrestler' and 'Hurt Locker' were packaged, financed and represented by CAA and both were significant in that only U.S. rights were acquired (without Canada) at a good high price. IFC Films continued its acquisitions activities for IFC in Theaters, its day and date distribution platform making independent films available to a national audience in theaters and on demand simultaneously, buying ‘Flame & Citron’, ‘Fear Me Not’, ‘Everlasting Moments’ and ‘Che’. Sony Pictures Classics was also active acquiring distribution rights to ‘Every Little Step: The Journey of a Chorus Line’, ‘Faubourg 36’ (aka ‘Paris 36’). The micro distributors such as Strand, Kino, Zeitgeist, Panorama, etc. continued business as usual, which generally means hanging back until there are no obvious offers for a film and then coming in with a modest proposal.
Here are the international sales agents whose sales (licensing of distribution rights on behalf of the producers) have been reported thus far:
Bavaria Film International licensed ‘Krabat’ to SPI for Poland and Romania and to Film Depot for Russia ahead of the first public screening. Strong interest is also reported from Spain, France, Italy, Czech Republic, Hungary, Latin America, Japan and USA. ‘The Window’ (aka ‘La Ventana’) sold to Cinemien for Benelux, Imovison for Brazil. A deal with France is expected to close. ‘Cherry Blossoms’ went to Against Gravity for Poland. ‘Empty Nest’ has interest from U.S. as does ‘Restless’.
Celluloid Dreams has acquired all international sales rights to ‘Soul Power’ from Submarine Entertainment who was repping the film. There are offers in major territories soon to close. It also acquired ‘Youssou NDour: I Bring What I Love’ for world sales. Oscilloscope acquired it for U.S. ‘Birdwatchers’ sold to Artificial Eye for the U.K., Filmladen for Austria, Trigon for Switzerland, Pandora for Germany, Cinemien for Benelux, Hopscotch for Australia and New Zealand. ‘Mark Of An Angel’ has sold to Metrodome for the UK, Odeon for Greece, Seville for Canada, Xenix for Switzerland. Diaphana is about to gross $5m with its French theatrical release and Lumiere released in Belgium. ‘Achilles and the Tortoise’ sold to Odeon for France and Maywin for Russia.
Cinema Management Group has closed several territories on ‘The People Speak’ which screened 20 minutes in Toronto FF Special Screening. ‘Zambezia’, ‘Killer Bean Forever’ and ‘The People Speak’ went to Vision Film for Poland and to Film Pop for Turkey.
Elle Driver licensed ’35 Rhums’ to New Wave Films for the U.K.
Fandango Portobello licensed ‘Mid August Lunch' (aka'Pranzo di ferragosto’) to Le Pacte for France, Pandora for Germany, Cinemien for Benelux, Xenix for Switzerland, Filmladen for Austria.
Films Distribution licensed ‘Sea Wall’ to Axiom for the U.K.
Finecut licensed 'Daytime Drinking' to Japan's Eleven Arts who will release it in 30 North American cities. Fortissimo Films signed a six picture deal with Canadian distributor Maximum Films for ‘$9.99’, ‘Laila's Birthday’, ‘Country Wedding’, ‘Serbis’, ‘Native Dancer’, and ‘Tokyo Sonata’. ‘Disgrace’ also went to Maximum. ‘Every Little Step: The Journey of A Chorus Line’ went to Sony Pictures Classics for North America and Australia and New Zealand. ‘Serbis’ and 'Tokyo Sonata' went to Regent for North America.
Hanway Films licensed ‘Of Time and City’ to Strand Releasing for all U.S. rights. ‘Genova’ went to ThinkFilm for North America just before Toronto. Wanda acquired all rights for Spain.
Maximum licensed ‘Sugar‘ to Axiom for the U.K.
Momento licensed ‘Goodbye Solo’ to Imagine for Benelux, Axiom for the U.K. and Xenix for Switzerland. It also has offers from France, Portugal, Greece and Italy among others.
MK2 licensed ‘24 City’ to The Cinema Guild for U.S.
Pathe licensed ‘Slumdog Millionaire’ to Warner Bros. and Fox Searchlight for North America. ‘Faubourg 36’ (aka ‘Paris 36’) went to Sony Pictures Classics for U.S., Australasia, and Scandinavia just before Toronto.
Rai Trade licensed ‘Il Papa di Giovanna’ to Paradis for France, ABC for Benelux, Palace of Australia and New Zealand, MFD for Switzerland.
Roissy has licensed 'Seraphine' to Metrodome for U.K. and Ireland and to Rialto for Australia and New Zealand.
Sahamonkol licensed 'Chocolate' to Magnet for North America.
The Match Factory licensed ‘Flame & Citron’ to IFC Films for U.S. ‘Teza’ went to Trigon for Switzerland and Ripley’s Film for Italy.
TrustNordisk licensed ‘Fear Me Not’ and ‘Everlasting Moments’ and 'Heaven's Heart' to IFC Films for North America. Visit Films licensed five titles including ‘Hannah Takes The Stairs’, ‘LOL’, and ‘Kissing on The Mouth’, ‘Dance Party USA’ and ‘Quiet City’ to Beyond Entertainment for Australia/ New Zealand.
Voltage licensed ‘The Hurt Locker’ to Summit for U.S.
Wild Bunch licensed ‘Che’ to IFC Films. ‘Ponyo’ went to Lucky Red for Italy.
This is a sample of the Rights Roundup Reports available from sales-filmfinders@imdb.com. For more information on acquisitions in the future you can purchase the Fall Festival and Market RightsRoundup and Rights Roundup Reports for AFM/ American Film Market, Berlin Film Festival and EFM/ European Film Market and Cannes Film Festival and Marche du Film after those events.
In Toronto, Fox Searchlight remained the strong buyer, picking up 'The Wrestler' for the highest sales figure of the market, but still less than $4,000,000 and ‘Slumdog Millionaire’, the other hit of the festival. Summit, an A list international sales agent who entered the domestic distribution business this year also acquired ‘Hurt Locker' for U.S.. Both 'The Wrestler' and 'Hurt Locker' were packaged, financed and represented by CAA and both were significant in that only U.S. rights were acquired (without Canada) at a good high price. IFC Films continued its acquisitions activities for IFC in Theaters, its day and date distribution platform making independent films available to a national audience in theaters and on demand simultaneously, buying ‘Flame & Citron’, ‘Fear Me Not’, ‘Everlasting Moments’ and ‘Che’. Sony Pictures Classics was also active acquiring distribution rights to ‘Every Little Step: The Journey of a Chorus Line’, ‘Faubourg 36’ (aka ‘Paris 36’). The micro distributors such as Strand, Kino, Zeitgeist, Panorama, etc. continued business as usual, which generally means hanging back until there are no obvious offers for a film and then coming in with a modest proposal.
Here are the international sales agents whose sales (licensing of distribution rights on behalf of the producers) have been reported thus far:
Bavaria Film International licensed ‘Krabat’ to SPI for Poland and Romania and to Film Depot for Russia ahead of the first public screening. Strong interest is also reported from Spain, France, Italy, Czech Republic, Hungary, Latin America, Japan and USA. ‘The Window’ (aka ‘La Ventana’) sold to Cinemien for Benelux, Imovison for Brazil. A deal with France is expected to close. ‘Cherry Blossoms’ went to Against Gravity for Poland. ‘Empty Nest’ has interest from U.S. as does ‘Restless’.
Celluloid Dreams has acquired all international sales rights to ‘Soul Power’ from Submarine Entertainment who was repping the film. There are offers in major territories soon to close. It also acquired ‘Youssou NDour: I Bring What I Love’ for world sales. Oscilloscope acquired it for U.S. ‘Birdwatchers’ sold to Artificial Eye for the U.K., Filmladen for Austria, Trigon for Switzerland, Pandora for Germany, Cinemien for Benelux, Hopscotch for Australia and New Zealand. ‘Mark Of An Angel’ has sold to Metrodome for the UK, Odeon for Greece, Seville for Canada, Xenix for Switzerland. Diaphana is about to gross $5m with its French theatrical release and Lumiere released in Belgium. ‘Achilles and the Tortoise’ sold to Odeon for France and Maywin for Russia.
Cinema Management Group has closed several territories on ‘The People Speak’ which screened 20 minutes in Toronto FF Special Screening. ‘Zambezia’, ‘Killer Bean Forever’ and ‘The People Speak’ went to Vision Film for Poland and to Film Pop for Turkey.
Elle Driver licensed ’35 Rhums’ to New Wave Films for the U.K.
Fandango Portobello licensed ‘Mid August Lunch' (aka'Pranzo di ferragosto’) to Le Pacte for France, Pandora for Germany, Cinemien for Benelux, Xenix for Switzerland, Filmladen for Austria.
Films Distribution licensed ‘Sea Wall’ to Axiom for the U.K.
Finecut licensed 'Daytime Drinking' to Japan's Eleven Arts who will release it in 30 North American cities. Fortissimo Films signed a six picture deal with Canadian distributor Maximum Films for ‘$9.99’, ‘Laila's Birthday’, ‘Country Wedding’, ‘Serbis’, ‘Native Dancer’, and ‘Tokyo Sonata’. ‘Disgrace’ also went to Maximum. ‘Every Little Step: The Journey of A Chorus Line’ went to Sony Pictures Classics for North America and Australia and New Zealand. ‘Serbis’ and 'Tokyo Sonata' went to Regent for North America.
Hanway Films licensed ‘Of Time and City’ to Strand Releasing for all U.S. rights. ‘Genova’ went to ThinkFilm for North America just before Toronto. Wanda acquired all rights for Spain.
Maximum licensed ‘Sugar‘ to Axiom for the U.K.
Momento licensed ‘Goodbye Solo’ to Imagine for Benelux, Axiom for the U.K. and Xenix for Switzerland. It also has offers from France, Portugal, Greece and Italy among others.
MK2 licensed ‘24 City’ to The Cinema Guild for U.S.
Pathe licensed ‘Slumdog Millionaire’ to Warner Bros. and Fox Searchlight for North America. ‘Faubourg 36’ (aka ‘Paris 36’) went to Sony Pictures Classics for U.S., Australasia, and Scandinavia just before Toronto.
Rai Trade licensed ‘Il Papa di Giovanna’ to Paradis for France, ABC for Benelux, Palace of Australia and New Zealand, MFD for Switzerland.
Roissy has licensed 'Seraphine' to Metrodome for U.K. and Ireland and to Rialto for Australia and New Zealand.
Sahamonkol licensed 'Chocolate' to Magnet for North America.
The Match Factory licensed ‘Flame & Citron’ to IFC Films for U.S. ‘Teza’ went to Trigon for Switzerland and Ripley’s Film for Italy.
TrustNordisk licensed ‘Fear Me Not’ and ‘Everlasting Moments’ and 'Heaven's Heart' to IFC Films for North America. Visit Films licensed five titles including ‘Hannah Takes The Stairs’, ‘LOL’, and ‘Kissing on The Mouth’, ‘Dance Party USA’ and ‘Quiet City’ to Beyond Entertainment for Australia/ New Zealand.
Voltage licensed ‘The Hurt Locker’ to Summit for U.S.
Wild Bunch licensed ‘Che’ to IFC Films. ‘Ponyo’ went to Lucky Red for Italy.
- 9/16/2008
- Sydney's Buzz
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