The film begins very soft and clean with a female hero who is willing to sacrifice anything to achieve her dream of being a mother while ironically being a fertility specialist. The first part of the film is quite typical, very smooth and simple with good looking people in good looking apartments with nice jobs, cars and all thing things you'd expect from a rom-com, but not funny. But then, once our hero makes a fatal mis-step, the world is thrown in to chaos.
A crude graphic comes on screen and we're suddenly pushed "Seven years later," and we jump from sitcom to disaster film. The jump is huge and might throw some viewers off track, but after seeing the film for a second time (and the benefit of research), it is clear now what Juares and Schneider set out to do. The problem is that the film doesn't telegraph it with "Hey, this is a movie based on Revelations," and the sudden theological references require some thinking form the audience that wasn't asked of them in the first act. The break in the film makes it feel like two separate films and based on how deliberate the filmmakers were in setting it all up, is clearly intentional and with purpose. I found myself, the first time I viewed the film, having to quickly readjusted my expectations and get in to the world that was suddenly dropped on top of me.
The picture then follows, quite carefully, the theological breakdown of the world as told in the Book of Revelations (or the "Apocalypse" for you Catholic folks). Sores start appearing on some characters, not all, which seem to represent the "mark of the Devil," the Rapture is easily identified in a sort of "Left Behind" treatment of the phenomenon, and despite the last two thirds of the film playing out in confined rooms no larger than your typical 2-car garage, it's engaging. The film is a bit overwrought with symbolism and metaphors that will just fly over the head of the average movie-goer, but that's right in line with the Book of Revelations itself which features purple-headed dragons and whores of Babylon (by the way it's also quite obvious that the USA = Babylon in the film which I found particularity well done).
Overall this film is about arrogance and the consequences of doing what you know you shouldn't no matter how bad you want it. Seems simple enough, right? There are only a few signs of "low-budget" film-making during the entire 90 minute show, but nothing that stands out as ridiculous or absurd with exception to a scene where a doctor listens to "Ave Maria" while cutting up one of his creations with an Exacto blade. Overall the piece was well constructed and the filmmakers certainly shot for the moon in their first efforts to make a splash. The skills of the film making team are clearly substantial and they should get a pat on the back for trying to do something so large and complex the first time out.