Pilot
- Episode aired Oct 5, 2011
- TV-MA
- 51m
IMDb RATING
7.9/10
8.8K
YOUR RATING
Therapist Ben Harmon, his wife, Vivien, and their daughter, Violet, move across the country to Los Angeles to escape their troubled past.Therapist Ben Harmon, his wife, Vivien, and their daughter, Violet, move across the country to Los Angeles to escape their troubled past.Therapist Ben Harmon, his wife, Vivien, and their daughter, Violet, move across the country to Los Angeles to escape their troubled past.
Storyline
Did you know
- TriviaJessica Lange originally turned down the role of Constance in season 1, but finally accepted after creator Ryan Murphy repeatedly offered her the role.
- GoofsWhen Ben is pleasuring himself near the window after seeing Moira, the curtains are closed at first, but when the camera cuts to his head the curtains are open.
- Quotes
Tate Langdon: The world is a filthy place. It's a filthy goddamn horror show. There's just so much pain, y'know?
- Alternate versionsThe UK release was cut, cut required to remove potentially harmful dialogue describing a particular suicide technique, in order to obtain an 18 classification. Cut made in line with BBFC Guidelines, policy and the Video Recordings Act 1984. An uncut classification was not available.
- ConnectionsFeatured in WatchMojo: Top 10 American Horror Story Moments (2017)
Featured review
Promising Pilot
I'm a long-time horror fan. My wife & her mom aren't. We all enjoyed "American Horror Story".
The setup is fairly standard: a feuding family moves cross country, only to find that they can't run from their problems, and may in fact run into even worse ones. Of the supernatural kind.
It's wonderful to see well-produced horror on TV. As much as I want to like shows like "American Gothic" & "Masters of Horror", these shows just feel cheap. While "American Horror Story" is a touch over-indulgent on camera tricks, it's got a wonderful atmosphere that truly unsettles. That being said, the show so far resembles more of a Lynchian melodrama than a straight-up spooktacular.
Much of this has to do with the personalities. Connie Britton & Dylan McDermott feel like a real couple going through real hard, awkward times, although I hope they lose their habit of YELLING EXPOSITION AT EACH OTHER. Their conflict is deep, yet their devotion feels real; while I can't say I agree with their courses of action, it isn't a "white hat, black hat" scenario. As for the rest of the leads, Jessica Lange was already on my nerves by episode's end, and I could take or leave Taissa Farmiga as the couple's daughter (that being said, I'm interested in where their threads take them). Luckily, there are top-shelf supporting cameos from Frances Conroy ("Six Feet Under") & Denis O'Hare ("True Blood"). Then, of course, there's the menagerie of ghouls & ghosts, from the bondage-suited "Rubber Man" adorning all the ads to bloody twin boys & the Down's syndrome girl next door.
"American Horror Story" isn't the greatest thing I've ever seen. But it shows great promise. A common criticism of the horror film (unfortunately for good reason) is underdeveloped characters. The TV season format allows for deeper connection & taking time to draw out characters, motivations & stories. For now, count me in for the ride.
The setup is fairly standard: a feuding family moves cross country, only to find that they can't run from their problems, and may in fact run into even worse ones. Of the supernatural kind.
It's wonderful to see well-produced horror on TV. As much as I want to like shows like "American Gothic" & "Masters of Horror", these shows just feel cheap. While "American Horror Story" is a touch over-indulgent on camera tricks, it's got a wonderful atmosphere that truly unsettles. That being said, the show so far resembles more of a Lynchian melodrama than a straight-up spooktacular.
Much of this has to do with the personalities. Connie Britton & Dylan McDermott feel like a real couple going through real hard, awkward times, although I hope they lose their habit of YELLING EXPOSITION AT EACH OTHER. Their conflict is deep, yet their devotion feels real; while I can't say I agree with their courses of action, it isn't a "white hat, black hat" scenario. As for the rest of the leads, Jessica Lange was already on my nerves by episode's end, and I could take or leave Taissa Farmiga as the couple's daughter (that being said, I'm interested in where their threads take them). Luckily, there are top-shelf supporting cameos from Frances Conroy ("Six Feet Under") & Denis O'Hare ("True Blood"). Then, of course, there's the menagerie of ghouls & ghosts, from the bondage-suited "Rubber Man" adorning all the ads to bloody twin boys & the Down's syndrome girl next door.
"American Horror Story" isn't the greatest thing I've ever seen. But it shows great promise. A common criticism of the horror film (unfortunately for good reason) is underdeveloped characters. The TV season format allows for deeper connection & taking time to draw out characters, motivations & stories. For now, count me in for the ride.
helpful•248
- EdYerkeRobins
- Oct 6, 2011
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- See more company credits at IMDbPro
- Runtime51 minutes
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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