Kaathal - The Core (2023) User Reviews (52)

A kaleidoscope of human emotions..!

[samxxxul · 7/10 · 24 November 2023]

Despite gradual progress in recent times, a deep-seated reluctance to openly discuss LGBTQ issues persists within the Indian sociocultural landscape. While more LGBTQ+ characters are appearing in Indian films, some portrayals have been criticized for being superficial and lacking authenticity. While it's encouraging that mainstream media is acknowledging LGBTQ+ issues, true progress will only be achieved when these portrayals move beyond tokenism and explore the complexities of LGBTQ+ experiences in a genuine and meaningful way. One such film which is Kaathal spearheaded and produced by the GOAT.

Coming to this film, in the heart of a tranquil village in Kottayam district of Kerala, Mathew Devassy (Mammootty), a seasoned man plunges into the fray of a byelection in his local gram panchayat, driven by the directives of his Leftist party. He dives headfirst into the political arena as the election fervor intensifies. However, a seismic revelation shatters Mathew's carefully constructed world - his wife, Omana (Jyotika), has initiated divorce proceedings, alleging in her filings that her husband is a homosexual. The story navigates through the conflict of personal struggles as he confronts unforgiving societal expectations and the fragility of human relationships around him. This setups for Matthew opening himself up to the world he had left behind, embracing the complexities of his identity and leading him to confront the societal prejudices that have long confined him. This thought-provoking film breaks away from conventional expectations, showcasing Mammootty's versatility and dedication to his craft. His willingness to take on unconventional roles further cements his status as a cinematic legend and allowing Jyothika and rest of the characters to shine alongside him. Jyothika's performance is arguably one of her best in recent years, despite occasional dubbing issues.

Applauds are due to director Jeo Baby, Adarsh Sukumaran, Paulson Skaria, and the entire Kaathal team for crafting this remarkable film. While its unhurried pace might not appeal to everyone, I found myself captivated by the story's organic unfolding, devoid of the need for external validation. Kaathal rewards its viewers with exceptional performances and a thought-provoking narrative, demonstrating its brilliance in its simplicity.

Crisp and distilled

[cinish · 9/10 · 14 January 2024]

I knew the theme of the movie from the beginning, and I felt that that is impacting the experience for me.

Jeo Baby probably casted Jyothika and Mammootty, and gave a romantic "Kaathal" title to set a different expectation, and then bring the viewer into the theme as the watching unfolds. That could have added another dimension I feel.

Mammootty has done exceptional acting. Holding all emotions in for most of the time, and breaking up subtly with excellent acting performances.

Jeo Baby has definitely grown a lot with this movie. "The Great Indian Kitchen" had felt like a twelth standard guidebook with explanatory text, an asterisk with a footnote, and some diagrams to drill in the stance. "Kaathal" is beautifully subtle.

Crisp and distilled movie. Very nicely done. There is a short cinematic romantic scene, complete with rain and closeups. Beautiful honest shot that captures the love.

A controversial topic to work with, the movie has reined it in really well. No crass, no overbearing remarks. The director has made a very watchable movie for such a subject. A very mature take.

A voice, better late than never. . .

[vineepradeepan · 9/10 · 24 November 2023]

For the Indian society, this movie is an extremely difficult topic to narrate to, actors to act, and makers to conceptualize. There are no references for the actors to view, read through or probably not much on the legal references too.

Complex, complicated in the eyes of a common man, brilliantly written (Adarsh Sukumaran and Paulson Skaria) and executed. Director (Jeo Baby) has proved once again that he could take a topic that's rare to be divulged, write it almost politically correct and execute it. Nobody shouts at high decibels, they do not call names, they don't wish others ill, this is idealistic and much more. Pray tell? Watch the movie and you'll know, provocation isn't needed in a relationship to be one's self.

I normally don't agree on praising the leading actors, especially when they are super star actors. However, Jyothika and Mamookka definitely should be praised for this movie.

Jyo for being part of progressive content, that she chooses, everytime. Mamookka for not typecasting himself.

The simplicity of the arc (of his character, in this movie) and the final say, grabs you by the throat. Last but not the least, Sudhi Kozhikode is a perfect cast for the movie, man he's out of the world.

This movie, in the history of Indian cinema, will be a leap towards progressiveness and inclusivity. They have tried to normalize different identities and show audiences that the world is not as black and white as it is often painted to be. And, succeeded.

'Mammootty Kampany's' last 3 movies (Nanpakal Nerathu Mayakkam, Rorschach, Kannur Squad and Kaathal - The Core) are poles opposite in genre and quality movie experience. In all of these, other characters get same or more screen space and are catalysts too.

When other actors of Mammokka's age are playing saviors and have god syndrome. This man, is on a separate league.

I am in awe of the staging (to keep the tension), Cinematography (Salu Thomas), and Music (Mathews Pulickan. ) When Chitra Ma sings - "Anbaleyen Chiragalanjeedum", written by - Anvar Ali (Roughly translates to - 'My wings will protect you, with love') the facade of being strongs breaks down. There's a heart ache, when this line ends. And, one carries that ache and leaves the movie hall.

There was standing ovation after the movie. On a weeekday in Tamilnadu, the movie is almost sold out. That is a testimony of the quality of the content and the making. Grace, dignity and love personified should've been the tagline of the movie.

Marriage is the solution for all ! Think again!

[iammonay · 10/10 · 25 November 2023]

A very brave and outstanding drama which really kept me engaged all the way! Pats on the back of everyone involved in this production!

Story clearly showed the after effects of letting a homesexual person marry into a straight relationship! The loves lost, people affected and sufferings they endure! Let them marry and everything will be alright after marriage- we hear it all the time!

People could say this as a story about gay or LGBTQ but is it just that? It's much beyond that! It's about the society, the family, genuine love, sacrifice and the value of accommodation!

Characters were brilliantly portrayed by everyone, especially Sudhi. He was simply brilliant, and tbh his character had much deeper impact in me than Mammootty's which was also brilliant!

THINK again if you think being Gay is a choice, and there is never a conversion, including marriage! It never is a choice, frankly! So clearly expressed in this beautiful film!

Movie may seem a tad slow for mainstream movie watchers, but brilliance with filming comes in all paces! This one is perfect example of that! Somewhere I heard 'leasurely paced'!

Thanks to everyone who worked behind this film! One of the best movies I have watched lately. I genuinely hope this will be a breakthrough in Indian cinemas, for many more leading actors across India.

Made me cry, smile, enjoy, think and appreciate!

A must watch

[msaraswathy-65155 · 10/10 · 26 November 2023]

If you are a fan of fast-paced masala movies, Kaathal might appear to be a slow drama. However, the emotionally-packed performances devoid of unnecessary drama will keep you hooked till the very end. Don't go by reviews and unfair criticism. Movies like this deserve to be watched in the theatre. I had high expectation from Jeo Baby and as usual, he beats expectations. Rather than waiting for its OTT release, please go and watch movies like these in theatres. Mammotty and Jyotika are brilliant as ever. Sudhi Kozhikode who plays Thankan may not have a lot of dialogues but does full justice to his part through his impecccable ability to emote pain and love. Give Kaathal a chance, watch it without preconceived notions about the genre. Leave your prejudices aside and you'll thoroughly enjoy the movie. Those 120 minutes of your day will be well spent.

Hats off Mammootty sir!

[SoumikBanerjee1996 · 7/10 · 12 January 2024]

The true strength of 'Kaathal' lies in its subtlety and its sincerest portrayal of the LGBTQ community.

The narrative not only highlights the challenges and the struggles faced by individuals associated with this group, but also sheds light on the difficulties faced by their friends and families due to societal and judicial reluctance.

More Importantly, the story does not get vindictive or vilify any specific group or their people or their beliefs. Instead, it tries to offer a compassionate & empathetic perspective on society and the ordinary people who inhabit it.

The story comprehends the various viewpoints without endorsing segregation, nor does it promote coercive cohabitation but it rather advocates for harmonious coexistence through equal rights and understanding.

P. S. Mammootty's remarkable range and diverse script choices, especially at the age of 72 (yes, you heard it right, 72), are truly remarkable!

How Malayalam Directors think a Way forward

[getsenthill · 10/10 · 6 January 2024]

What a extraordinary Movie. Mamooka and Joe and the Writter and the Director and the entire Crew. How can a Actor like Mamootty can even think to act in such a story. That's the passion he has on Cinema. The same with Joe. Climax is heart warming even expected. Tamil actors will act only in killing 100 men in a single punch. Telugu movie ....no need to say. But Malayalam movies takes Indian Cinema to next forum. The one scene when the hero cries with his father and with his wife is the Core of Love. The last Win he makes is the core of love peoples have on him. Every family should watch this movie.

Bold and mature approach

[SPHariSP · 25 November 2023]

Kathal is a significant step forward in Malayalam cinema. Its nuanced approach and sensitive handling of the subject matter make it a must-watch for anyone seeking an insightful and thought-provoking film.

Mammooty delivers a powerful performance , capturing the character's internal struggles and vulnerability with remarkable sensitivity. Sudhi Kozhikode is equally impressive as Thankan, bringing a quiet strength and dignity to the role.

Jyothika's performance as wife, feels somewhat wooden and underdeveloped, except for the last scene. Jyothika appeared too urban and the stone face she put up in the movie did not contribute much.

The actor Sudhi Kozhikode who has done the character Thankan is a promise for Malayalam cinema. The 2 kids and other side actors also have done well.

Mammooty stands tall for taking up this movie and its production.

"Love Yourself"

[chand-suhas · 7/10 · 29 November 2023]

Mathew Devassi has decided to contest in the panchayat election. He has a wife and a daughter. Right before filing his nomination, he gets a divorce notice from his wife Omana, citing him to be an homosexual. Mathew is in shock with this development yet agrees to contest the case at court while continuing his campaigning for the election. How does Mathew and Omana go ahead with their case despite the pressure from the catholic community or Mathew's political party? How does this case impact the innocent Thankan who is accused to be Mathew's partner, forms rest of the story.

I still feel like I am in the audi, staring at the shot of Mathew standing clueless while Thankan staring at him from the car's rearview mirror and Omana contemplating at her future. Simply to say the narrative is handled maturely or sensitively will be a gross understatement. The film is filled with several standout scenes and much of it doesn't even feature Mathew and Omana, just proves how strong the writing was. It is as intense and dramatic as one expects it to be without going over the top throughout. This is what helps focus on the human emotions alone than being judgemental. Mathew is deemed wrong and this is not even contested which the makers and the audience can agree upon. Yet, this story is more than that.

The only segment which didn't have completely on board was the entire panchayat election which again incited more of wishful thinking than reality. Not just the performance, the screenplay itself is so subdued, the whole divorce case triumphs over this narrative whereas this subplot involving the election slightly falls short of. I kept telling myself that I need one more scene of Thankan but in the end, the ones featuring him simply felt magical. There is a clear attempt to not have any scene to trigger a response forcefully instead the attempt is to make a film that is heartfelt and on that front, the director has succeeded massively.

Pertinent, warm and hope-filling

[anthruparvathy · 10/10 · 23 November 2023]

The movie is brilliantly directed by Jeo Baby and it has brought unique themes in unique settings. All actors have nailed their roles. Loved it. It's sad and shameful that it's banned in some countries, like in Middle East countries like Qatar, Kuwait, and Saudi Arabia Also, the movie has arrived in the right place. Family movies are very influential in India, especially in Kerala and the potential of these kinds of films is endless. Best wishes for all of the crew. Please keep creating these kinda films ! Things which are normal need to be normalised and let this be a warm and beautiful beginning.

Isn't it too late to call it a gutsy/taboo-breaking movie? But there are still two strong factors to consider: Marriage and Mammooty

[SAMTHEBESTEST · 6/10 · 5 January 2024]

Kaathal The Core (2023) :.

Brief Review -

Isn't it too late to call it a gutsy/taboo-breaking movie? But there are still two strong factors to consider: Marriage and Mammooty. Maybe it has become a trend to make films on LGBTQ issues nowadays since the writers have got 377 approved from the Supreme Court. Anything before that would have been really taboo-breaking, in my opinion. It's just about Indian cinema; otherwise, Hollywood and some foreign cinema industries made films on homosexuality many decades ago. We are just too late. In the last 6-7 years, we have seen some really good attempts on these issues, but I don't know why they have started looking very typical and boring nowadays, to me at least. Almost every year, there will be at least one movie trying to tell the same agony, and the problem is that the majority of the audience doesn't care about it because they don't belong to that community. Kaathal is again the same subject, but it has a fresh layer of marriage. I can recollect some episodes of Saavdhan India from the story, which eventually went on to fetch criminal directions. Here, Kaathal tries to be sensible and less talkative about it. At the end, we all know what happens. The rainbow frame might please some people (like I said, a certain community), but others may not get any emotional kick out of it. But as I mentioned, there is a fresh layer of marriage, so there are chances of some changes in society. Many married women, married men, and their in-laws might get some teaching from Kaathal and make their lives happy. The other solid factor is, of course, Mammootty. The legend plays a tough part, which 99% of superstars would reject. But he accepted it. Why? Because he is Mammootty. Not any ordinary, massy superstar with no legacy. Jyotika also looks solid beside him. Jeo could have made it shorter. The film is unnecessarily slow. But as a whole, it's a good watch. Nothing great, though.

RATING - 6/10*

By - #samthebestest.

Well done.. Mammootty, Jyothika, Jeo Baby & Co! [+79%]

[arungeorge13 · 8/10 · 23 November 2023]

It isn't fair to call this an intense drama about relationships, sexuality, or even politics for that matter. Kaathal is a drama indeed, though its "dramatic" quotient is severely underplayed and kept subtle until the final moments where it all culminates in a stretch of heart-breaking scenes. I like how a mainstream actor who holds major box-office potential like Mammookka chose to play the character of Mathew Devassy. It not only opens the doors to several conversations and discussions but also gives the subject all the attention it deserves.

As a director, I feel Jeo Baby has put his cast to sensational use, and that goes out to every little supporting character as well. I also realized how much I missed seeing Jyothika on screen. The use of rain in the pre-interval stretch beautifully symbolizes the melancholy in the household at that particular point. How rain turns into a rainbow at the end is a neat directorial touch. Mathews Pulickan's music and background score aren't used to amplify emotions in every scene, but reserved for those segments that absolutely require them.

While the courtroom drama in the second half brings plenty of backstory into light, the writers also use this section to ask pertinent questions to the audiences. It even addresses the Decriminalization of Section 377, integrating it as a law point within the story. The best thing about it all is that it treats every character (and their interpersonal relationships) with dignity, even in the toughest of situations. That's, you know, wonderful to see! There's still the (very real) question of Mathew's voting community being equally progressive and accepting (of him), though in this particular film, I like to believe that's the case.

P. S. - Many production houses in the Malayalam industry can learn a thing or two from Mammootty Kampany (and its owner).

Courageous

[nairtejas · 7/10 · 6 January 2024]

Kaathal (Love) is a courageous film and almost a milestone in Malayalam cinema because it's a film that a few of my immediate family members back in Kerala have refused to watch. Then have even abhorrently questioned Mammootty's role in it and I can only imagine the look on their faces when I tell them next time I meet them that he also produced it. And the best thing about the film is not even the central theme - that deals with a marital conflict - but the screenplay. You need to give your full attention to Kaathal to suck the nectar out of its unfolding as the plot slowly bares itself open and shows itself to reveal things that are too wonderful for a Malayalam silver screen. I was blown away by what transpired in the final 20 minutes that all my nitpicky downsides of the film vanish. A bit of a utopian stance is also why I cranked out those 3 stars. Highly recommended nonetheless.

Its a slow moving debacle that has an appropriate plot for a short film

[amalamalikaparambil · 2/10 · 23 November 2023]

Instead of captivating the audience, Kaathal feels more like an unending lecture about LGBTQ rights than an entertaining cinematic experience. The narrative seems overly preoccupied with delivering a message or moral lesson, sacrificing the essential elements that make a film engaging and enjoyable. This lack of entertainment value contributes to a sense of detachment, leaving viewers disinterested and detached from the story unfolding on screen.

The pacing of Kaathal is notably sluggish, to say the least. The story unfolds at a laboriously slow pace, which might test the patience of even the most patient viewer. Unfortunately, this languid tempo doesn't complement the narrative; instead, it detracts from the film's overall impact. The atmosphere feels inert, lacking the energy and dynamism needed to engage the audience effectively.

The camera work often feels forced and contrived, failing to create a compelling visual narrative. There's a sense of constraint, as if the camera movements are constrained rather than flowing naturally with the story. This forced approach impedes the immersion that cinematography should ideally bring to a film.

With the exception of Mammootty, whose performance shines amidst the mediocrity, the rest of the cast appears stifled and constrained. The actors seem restricted in their roles, almost as if they're held back or intimidated by the director's vision. Their performances lack depth and authenticity, making it challenging to connect with the characters on an emotional level. I am giving two stars only because of the veteran actors performance. Watch at your own risk. Kaathal is a sleeping pill which nobody dares criticize because its politically incorrect to speak against it.

Best film about this from anywhere in over ten years

[Radu_A · 8/10 · 4 February 2024]

When I think about the best films on a controversial subject in the past decade, whether it's feminism, AI, urbanization, natural disasters, global warming or a pandemic, the standout film is from Kerala, and now this extends to closet life. It must have been hard for Jeo Baby to finalize a follow-up to the much celebrated "Great Indian Kitchen", but to tackle this issue and get a star like Mammootty involved is without precedent. The result is a film that could never be produced in Bollywood because it would be seen as too much of a commercial risk. Imagine SRK's reaction had he been offered this script.

The story unfolds in a much simpler way than "Kitchen" and it's probably less enjoyable the more you know, because then you're just waiting for the key moments. Jeo Baby has a fantastic talent for visual storytelling, you experience the development the characters go through, particularly Mammootty who might have done his best work here in spite of such a long and illustrious career. Jyothika is a bit too reserved apart from the end, but it is a difficult role.

The two weaknesses of the film are a) the absence of the daughter's opinion which is quite surprising. That's a really important part of the story, I don't understand why this has been omitted. And b) there is no explanation of the crux of the matter, which is just superficially brushed upon, but maybe you have to be queer (like myself) to notice this. Stop reading if you don't want to know too much, continue if you are straight and confused about this bit in the story: if you are gay and identify with the active male role, it is not only common to be pressured into marriage by your relatives, since there's "nothing wrong" with you. You also keep telling yourself that you're nothing like "them" because you talk and behave "normally". There should have been a dialogue about that between the two united friends at the end, we've all been there.

I highly recommend it.

[raj5251 · 10/10 · 5 January 2024]

"Kaathal - The Core" is a film that resonates long after the credits roll. It's not just a story; it's an experience that delves into the complexities of human relationships, societal taboos, and the profound journey of self-discovery.

Mammootty delivers a nuanced and transformative performance as Mathews, a man grappling with hidden truths and societal expectations. Jyothika, as his estranged wife Celine, matches his brilliance with equal parts grace and vulnerability. Their on-screen chemistry crackles with raw emotion, making their struggles and triumphs palpable.

The film's brilliance lies in its quiet intensity. Director Jeo Baby masterfully utilizes subtle gestures and unspoken words to convey a depth of emotion rarely seen in cinema. The pacing might feel slow to some, but it allows the characters to breathe, their silences speaking volumes.

"Kaathal" tackles the sensitive topic of sexuality with honesty and courage. It challenges societal norms without resorting to melodrama, offering a nuanced portrayal of a rarely explored theme in mainstream cinema. This is a film that sparks conversations, not judgments.

But beyond the social commentary, lies a profound story of human connection. It's about love, loss, acceptance, and forgiveness. It's about confronting your own demons and finding the courage to rebuild.

The supporting cast adds layers of depth to the narrative. Each character, from Mathews's political associate to Celine's confidante, contributes meaningfully to the overall tapestry.

The cinematography is hauntingly beautiful, capturing the lush landscapes of Kerala in a way that mirrors the characters' inner turmoil. The music, with its melancholic tones and occasional bursts of energy, perfectly complements the film's emotional tenor.

"Kaathal" is not a film for everyone. It demands patience, open-mindedness, and a willingness to engage with a story that unfolds in its own time. But for those who seek cinema that challenges and evokes introspection, it's a masterpiece.

In conclusion, "Kaathal - The Core" is a film that stays with you long after the lights dim. It's a testament to the power of storytelling to move us, challenge us, and ultimately, offer hope. It's a film that deserves to be seen, discussed, and cherished.

Unexplainable emotions

[Pranali_Patil · 7/10 · 14 January 2024]

I love Malayalam movies, especially for their village settings and cultural richness. "Kaathal - The Core" handles a sensitive topic with grace. There were so many things happening but things started to unfold near the interval. The interval scene is artistically done, capturing deep emotions and connections. Mammooty and Jyotika acted brilliantly, with Jyotika standing out. She's simply amazing. We need more sensible films like this. The movie's ending leaves a lasting note, making it a heartfelt and authentic watch. It is not just a film; it's a heartfelt journey, exemplifying the beauty of simplicity and the power of meaningful storytelling.

Bold Statement for Society

[nilasharmi · 10/10 · 4 February 2024]

Women facing sexless , loveless or cruel marriage in this social setup never knew this is not their mistake absolutely. There are large number Women ( sometimes Men too ) who are victims of such situation who doesn't spell their issues out . She could be tagged as a Prostitute or Sex Maniac if she brings this out . I wish such movies should have come out several years ago. Sex and happiness is a Right for Couples in Marriage.

Unfortunately the country that gave the world Kamasutra doesn't have a good sex education which is essential for awareness, physical health and mental health of the nation.

Fantastic film!

[TreeFiddy53 · 8/10 · 15 January 2024]

6 months ago, I'd have said there are certain roles that Megastars of (South) Indian cinema would never consider. That still holds true, minus Mammooty. Leave it to Mollywood, as always, to do something that's never been done before.

Mammooty plays Mathew, a retired bank secretary who reluctantly agrees to run for a local elected position. Right before the election, everything begins to fall apart, and he must now deal with issues in his marriage in a tight-knit village community in the middle of his election campaign.

Without spoiling the film, I can't talk about the plot and why Mammooty, in particular, deserves props for this role and producing the film too. Speaking of props, interesting casting choice to have Jo be in this film, she and the supporting cast do a great job! The film presents a story and related drama that would solicit outrage in any other film, but not this one. And therefore, you may feel that the plot lacks complexity, but the cast and the writing are so convincing that it feels like it's okay to not have any over-the-top finger-pointing drama.

With these megastar projects, I often ask myself if the film without have worked for me if I were to replace the stars with lesser-known actors. More often than not, the answer is no but this film though, remove Mammooty (and Jo) from the film - it may not have garnered so much attention, but it would have still worked the same amount. The big names only help spread the message to a bigger audience, and without them, 5-10 years down the line, one would have said that it was ahead of its times. We still might.

Two scenes in this film had no dialogue but spoke volumes. Funny how good writing can do to a film. Watch this film. It's a bit of a slow burn, but if that's something you can put up with if you like a good drama film, it's totally worth it.

Sense & sensibility...!!!

[PANDIAN120621 · 8/10 · 4 January 2024]

Joe baby who gave us "THE GREAT INDIAN KITCHEN" takes a sensitive topic with a sensible approach it's unusual to see a well made flick that speaks the importance of relationship...

Thanks to Adarsh sukumuran & Paulson skaria for their matured & tidy screenplay that slowly moves with ur heart and the big thing is they gave a very respective relationship but can't bare it anymore...Due to sensitive content that maintains its dramatization more than a hour keeping us invested is a tough task and the duo does at ease...

Mammoty needs a huge round of applause for coming forward to produce with guts especially scenes he cries out with loud as he hugs his father shows his mastery of the art...while jyothika does it flawlessly withstanding the pain thats buried deeply and boldly faces the fact in this society that just criticizes and not solution...

Overall this flick needs ur attention that portrays the subject without any vulgar scenes or dialogues.

Waste of money and time

[midhunkkd · 1/10 · 30 November 2023]

I didn't find anything interesting in this movie. I don't even know why so much hype was given to this movie. Nothing good to share. Just waste of time and money. Don't go unless you are a boring movie fan. I have seen the reviews which were good that made me forced to book the ticket. But it was totally misleading and nothing could be seen worthy. Just a small film and concept dramatically elaborated to big movie and nothing else. Felt lagging from the beginning itself. I didn't even understand anything until the interval time and even my friends had the same. Just watch in mobile if required.

Empathetic vision for a better tomorrow

[Jithindurden · 8/10 · 26 November 2023]

Jeo Baby's Kaathal is all about recognizing past mistakes and moving on while being empathetic to everyone. As Omana's lawyer says to the court, she could only file the petition after section 377 was abolished so that Mathew wouldn't be branded a criminal. Mostly when Indian films have tried doing stories regarding LQBTQ, they will have many dramatic moments, a long speech that would change a lot of people's minds and mostly urban settings, of course, there are some exceptions like Aligarh. There's nothing like that here. The dialogues that are supposedly educating are mostly said by lawyers in a very straightforward fashion which doesn't feel preachy and fits perfectly in the situation. There are a lot of moments that could've been dramatic but the film chooses to be peaceful throughout, all the while acknowledging how tumultuous the characters' minds are. Both Mammootty's and Jyothika's characters don't talk too much but say a lot through their silences. It is for these silent moments that the movie reserves most of its powerful background music. So many seemingly peaceful lives would be much more peaceful and happy if there was no need to worry about what people would think. The first main scene of Mammootty itself is one that cements this idea in a more familiar way in Indian films than the rest of the film.

The ending shows the character who was filled with fear and hiding it finally showing a bit more confidence and the character that stayed strong in their decision turning anxious to show the progress they have left to make because of how the world works. But even with that, Jeo Baby envisions a world with a bright future with that final shot.

The film did feel like there were areas where it could have been more. There's so much that is not too open just as the characters' fears lead them to be. But maybe this is the right meter for a superstar like Mammootty to do such a role. Watching a film like this in a packed commercial theatre became possible because it stars him. The exposure and the empathy this movie is capable of creating is even more than that a preachy more commercial movie would have made if it didn't star someone like him.

Positive theme

[sajin-53807 · 8/10 · 27 November 2023]

In the realm of storytelling, one narrative emerges as a beacon of positivity, skillfully navigating the complexities of love while imparting invaluable insights to society. This carefully crafted tale unfolds with a dual purpose: to engage the audience on both a visual and emotional level and to serve as a conduit for meaningful reflections.

At its core, this narrative is a celebration of love-a theme universally resonant yet often challenging to capture authentically. The storytellers employ thoughtful comparisons, inviting viewers to delve into the nuances of human connection. Unlike conventional narratives, the exploration of love here extends beyond romantic notions, encompassing familial bonds, platonic friendships, and intricate romantic entanglements.

The characters in this story are not mere vessels for the plot but rather vehicles for the exploration of love in its multifaceted glory. Each character represents a facet of this intricate gem, allowing the narrative to traverse the varied terrain of human emotions. Through their journeys, the story paints a rich tapestry that mirrors the complexity of real-life relationships.

Simplicity becomes the guiding principle in this narrative, a deliberate choice to let moments unfold organically. The unhurried pace invites the audience to savor each nuance, reinforcing the notion that every beat of the story contributes to its overall harmony. This departure from frenetic storytelling aligns with the overarching theme-a reminder that, in life's symphony, every note, no matter how soft, plays a crucial role.

As the narrative unfolds, it skillfully weaves connections between seemingly unrelated elements, creating a symphony of emotions. Metaphors and symbolism amplify the resonance of the story-a carefully tended flower serving as a metaphor for the delicate yet resilient nature of love, and changing seasons reflecting the ebbs and flows inherent in relationships.

Visual elements are not mere embellishments but integral components in conveying the narrative's emotional depth. Cinematic techniques are employed to evoke emotions, with light and shadow serving as visual metaphors for the complexities of relationships. The cinematography captures fleeting moments-shared glances, subtle gestures, and unspoken words-acknowledging the profound significance embedded in the subtleties of human connection.

Beyond its visual allure, the narrative seeks emotional resonance. Authentic characters, portrayed with nuance, beckon the audience to see themselves in the story. The storytellers understand that genuine connection lies not in grand gestures but in the authenticity of shared experiences. It is in vulnerability, the acknowledgment of flaws, and the celebration of imperfections that the narrative finds its emotional core.

This narrative transcends the confines of storytelling; it is a profound reflection on the intricacies of love, a mirror reflecting society's collective soul. The deliberate blend of simplicity and depth invites the audience on a journey-one that explores the beauty and challenges of human connection. It is more than a story; it is a poignant testament to the timeless allure of love, leaving an indelible mark on the hearts and minds of those fortunate enough to experience its tender embrace.

Beyond Masterpiece!...it's a revolutionary film...!

[alexm-70125 · 10/10 · 27 November 2023]

The film is a Masterpiece and beyond!!!.... It is beyond competition...awards.... opinions... criticism..politics..of all types...The film will shake the film industry and society to its core!!!...Even the hardcore critics of gender politics and all the audiences in general are tongue tied after they have watched the film...they find it difficult to explain its greatness...One has to see it on the big screen to experience it in its full glory!... Now that is what great film making is all about! Salute to the cast, crew and makers of Kaathal..The Core......... They deserve a standing ovation!!!

Simple but Brilliant

[arunjamesc · 9/10 · 11 January 2024]

Hats off to you man Jeo Baby !! Keep it coming. Don't compromise for anything else, as most of the other directors did after their initial success. I want to highlight two things about this film.

1. Amazing performance once again by Mammookka. I'm pretty sure no other megastars in Malayalam would have accepted this character and effectively acted like Mammookka. I don't know how , but Mammookka does it over and over again , year after year. My personal expectation is that he will grab some awards for this character.

2. I just wanted to give a shout out to Jeo Baby for his director brilliance. He has given utmost care for even minute details . Definitely a well made film.

Only in casting I see they could have done better . For Jyothika , and Mammootty's daughter they could have done better casting . Everyone else is just spot on for their roles .