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  • In regards to Corey Montieth: I saw that the other review focused almost entirely on Montieth's performance. In truth, he plays a supporting role without much screen time (although it is an important role). He does an adequate job, but I was not blown away by his performance. I will say that he was completely unrecognizable to me, which is a positive thing.

    In regards to David Morse: A underrated actor who I have always appreciated. He carries the burden of the film on his shoulders and makes it look easy. Morse has a way of being menacing and is absolutely believable as a cop approaching retirement age who can still scare people shitless.

    The movie as a whole: A mixed bag. Rather than being the gritty character study that it wants to be, it feels like a ripoff of some other superior gritty character study. The dialogue is just barely off the mark, but enough so that it feels slightly odd. Some plot points are naggingly unrealistic (For example, the idea that Morse's partner could be unaware of a robbery/rape that occurred the previous night. Believe me every cop in the city would be aware). The camera-work and direction are competent but bland. Morse raises my score from a 4 to a 6.
  • McCanick follows a darkly twisted Philly detective throughout one day as he tries to find a recently paroled ex con. This film stars David Morse in another Philadelphia based role and the late Cory Monteith, both of which give very seasoned performances that really elevate this film. To start off, the story here, while it is entertaining, is very hard to follow. It is telling two stories simultaneously, one through flashbacks, the other through present day. While this has worked for films of this sort in the past, McCanick misses its mark here regarding a coherent plot. However, as a character piece, this film is absolutely terrific . David Morse as McCanick is very realistic and true to his performance. Morse is especially great in delivering a spot on Philly accent and making us truly believe that this man is a complete psychopath. Another actor in need of much praise here is Cory Monteith. Despite passing away rather recently, this film is bittersweet in a sense. The man proved he was capable of delivering raw and intense emotions, it is a shame we will not be able to see Monteith truly evolve and grow as an actor. Mike Vogel, another Philly native, gives a rather lackluster performance in a bare bones type of role. It isn't necessarily Vogel's fault that his character was underwritten, but he could have at least spiced it up a bit on his own. The director Josh C. Waller has created a great atmosphere for Philadelphia along with delivering a very tasteful character study but he fails to deliver in telling a story that remains coherent and is paced right. In the glimpses of the story that we do get, it is broken information, some of which is said and then never touched upon again. This happens quite often in this film. Despite a bare bones and jumbled story, the film works as a gritty character study of an obsessive cop. If only the story was elaborated on more or cut out all together and went the Bad Lieutenant route, either way there is room for improvement. The only thing that I did not like in this film was the ending. Without giving away any spoilers, all I'll say is it is underwhelming. Overall, I feel Waller has a safe place for future films of this sort. He directs with confidence, even if the script is a bit flat, he makes it work. The real people to watch in this film though are both Morse and Monteith. These two actors really give two amazing performances that are quite impressive. Morse especially carries this movie on his shoulders and runs with it, he's very very good in this film. Anyone who is a crime film buff, you'll really enjoy this one. It's a really raw and gritty thriller with a lot to offer.
  • David Morse is a messed up bad ass cop and self declaimed bad father with a shady character in this film, which is one of those which keeps you in the dark, and slowly unravels what it's all about. Slowly we learn both what is supposed to have happened, and what really has been happening, and who you are to trust. this is no action film, but a low character story.

    David Morse and Corey Monteith is both playing well in this low budget independent film, which is filmed OK technically, but the storytelling, as in the manuscript doesn't help too much along the way in a film which could have been so much better with a more strict storytelling.

    It's gloomy, dark and sad story, with a great gloomy soundtrack well suited for the story. It takes time for the story to unveil and take a grip on you, and when it does, it's almost to late. The film is a character study of a cop losing grip. Such a pity the story doesn't manage to build up the story in a better manner. It comes out an OK film, rated mediocre. a pity, since the acting work put into it deserves much more.
  • claudio_carvalho23 February 2019
    In Philadelphia, on the day of the fifty-ninth anniversary of Detective Eugene 'Mack' McCanick (David Morse), he learns that Simon Weeks (Cory Monteith) has been released. Captain Jerry Quinn (Ciarán Hinds) asks Mack to forget Simon Weeks, but Mack lures his partner Floyd Intrator (Mike Vogel) to chase Weeks with tragic consequences. In flashbacks, the relationship between Mack and Weeks is disclosed.

    "McCanick" is a crime-drama with a messy story. The good thing is to see the underrated David Morse in a lead role and the young and promising Cory Monteith in his last work. Unfortunately the screenplay is not clear and the viewer ends the film without understanding the reason of the hatred of Mack for Weeks. The conclusion is also deceptive. My vote is three.

    Title (Brazil): "Obsessão Perigosa" ("Dangerous Obsession")
  • Wow, what a rollercoaster, but one you ride after eating, so it makes you feel kinda sick, kinda bad...

    McCanick (2013) is a wrong movie. It's all wrong since the beginning. All that keeps us pushing foward towards the end is the question: "what's his problem with Simon Weeks?"; and the answer is sour, bad and bland, mediocre at its best.

    What I felt is that they went for a great idea of a plot, but couldn't make it happen right. It goes all shallow and unexplained until the very end, which, when it happens, just leaves you wondering why couldn't you just skip until the end and saved yourself the trouble.

    The acting is OK, which keeps you going, but everything falls flat. Nothing to see here.
  • carlaweems7229 September 2021
    I have always enjoyed the work of David Morse, he's right up there, in my opinion, with Gene Hackman, Ciaran Hinds and a bunch of other character actors, who never disappoint. And Mr. Morse did NOT disappoint in this movie either. What DID disappoint was a disjointed script. It's also unfortunate this was the last film Corey Monteith was in before his untimely death. I had an okay idea of what this was supposed to be about, but that was only after reading RogerEbert.com's review, and IMDB's description. I even Googled and clicked on a couple of other "reviews," all of which rated this one low, and with good reason. It was convoluted and messy. I would like my 1-hr and 36-mins back please.
  • Warning: Spoilers
    Unfortunately, I only watched this film noir in french spoken, in a horrible dubbing. No other way to see it. On a DVD release with no English...Anyway, this did not prevent me to appreciate, to love this bleak, dark, depressing story of a cop on the road to perdition. A borderline cop, as I crave for. I thought of a old french crime flick, made in the early eighties, starring Victor Lanoux and Xavier Deluc, in a nearly same scheme. LA TRICHE. Nearly, I insist. The scheme of the cop involved - only in the end - in a homosexual matter, made me think of the french film. For the rest, both of these features are film noir describing cops on the loose. The savage one, with no redemption at the end. Useless to say that the underrated and too much unknown David Morse gives here a more than brilliant performance. But, as I said, this movie will remain unknown, except the fact that it was the last one of this young supporting actor, whose I don't remember the name. Here, he play's the lead's side kick.
  • Warning: Spoilers
    Eugene McCanick (David Morse) is an unlikeable Philadelphia cop who has a bad relationship with his son and everyone else on the planet. He has no trouble lying to his partner. When Simon Weeks (Cory Monteith) gets paroled, McCanick is told to stay away from him which lasts for two scenes.

    The film consists of McCanick attempting to find Weeks through young male prostitutes, of which Weeks was one. The movie is told with flashbacks to amplify the lies of our main character. I watched the film not knowing where it was going through boring action and drama scenes, hoping the film would make sense and redeem itself. Unfortunately, once I had figured out what I was watching, I couldn't wait for it to end. Sorry. No spoilers.

    Not my cup of poison.

    Parental Guide: F-bombs. No sex or nudity.
  • Fantasy story about a bad cop.

    Unrealistic plot, with extreme lack of knowledge of police procedures and investigations.

    Skip it.
  • Warning: Spoilers
    "Raze" director Josh Waller's melodramatic police yarn "McCanick" qualifies as an above-average but unsavory thriller about a troubled Philadelphia detective whose life spirals downward into tragedy. As the unhinged homicide detective with a past that he prefers to keep secret, David Morse is terrific as the eponymous protagonist McCanick. He behaves like Gene Hackman's psychotic, drug-busting N.Y.P.D. cop in William Friedkin's "The French Connection." Indeed, Waller stages a scene somewhere in the middle where McCanick pursues a suspect, Simon Weeks (the late Cory Monteith of "Glee"), on a subway train, but Weeks manages to board the train minutes before it pulls out of the station. A frustrated McCanick scrambles out of the station into the street below and hijacks a citizen's car and following the train to the next station. What starts out as just another standard-issue police procedural about a corrupt cop turns into a confusing narrative about a cop who is more concerned with his bisexual behavior. Weeks and he shared an intimate moment at Weeks' apartment when McCanick and he hugged and kissed each other and McCanick offered him a place to stay. Throughout scenarist Daniel Noah's script, two stories appear to unfold and crossover. The first half of "McCanick" isn't bad. McCanick and his ill-fated police partner, confront some dastardly drug dealers in an apartment. Not only does McCanick blast the evil African-American drug dealer, but he also accidentally guns down his partner, Floyd Intrator (Mitch Vogel of "Cloverfield") and then attributes the blame to Weeks. Naturally, this infuriates McCanick's superior, Captain Jerry Quinn (Ciarán Hinds of "Munich") who worries about McCanick's demeanor and the secrets cluttering up their past as well as their colleagues in the precinct.

    "McCanick" isn't a bad film, but it is flawed. Primarily, the plot gets a little confusing and takes a bad turn. Imagine "Training Day" with a white protagonist who is a little more sympathetic but ultimately doomed. You may like McCanick, but the character has several bad characteristics that pull at arm's length. He emerges as a villain in the end. David Morse's performance is outstanding as a man in turmoil whose last act is pretty horrific. The rest of the performances are serviceable, with Hinds doing wonders with a small part. Waller generates atmosphere with his on location lensing in Philadelphia, and cinematographer Martin Ahlgren always thrusts us into the best possible place to see the action unfold. Traditional audiences that love film noir thrillers will enjoy this more than popcorn and beer spectators that want to see an action-packed epic. If you like to feel good at the end of each movie that you watch, "McCanick" may alienate you. You'll feel more relieved than satisfied.
  • jhawk38-216 August 2014
    This was yet another interesting indie film I was able to learn about through Netflix. It is a darkly moody story which requires paying close attention. As I watched this movie, I felt myself becoming more and more saddened and angry as the realization hit me that Cory Monteith possessed far more talent than he was ever called upon to demonstrate in Glee and this would be the last of his roles for eternity. Here was a young man already capable of holding his own with a seasoned actor like David Morse and obviously capable of becoming even better and better at his craft as time progressed. What a sad, sad waste of a young life.
  • I chose to see this movie (at TIFF 2013)for three reasons; David Morse, the brief synopsis in the TIFF guide and, finally, to see what Corey Monteith was capable of doing, outside of Glee.

    This is a low budget film with a a deceptively simple story and I was only expecting to be mildly entertained. BIG MISTAKE!!!

    Corey Monteith can ACT. Since I have never seen him do anything other than play a shy highschool football player with musical leanings.... I was completely blown away by his portrayal in this film. If I were to compare the difference between my expectations based on his Glee persona and his performance in this role, to any other actor with a similar, abrupt growth spurt of acting chops, it would have to be what Heath Ledger accomplished in The Dark Knight Returns. To be honest, I never would have expected this performance from him.

    The movie itself is OK and it has a solid cast but Corey's was definitely the difference in the film. It makes you wonder what we might have seen from him in the years to come if only..........
  • Warning: Spoilers
    David Morse as usual is a great hard nosed cop. Good cast who do the best thing that they could to support Morse's performance, and that is to simply stay out of his way. That man is scary. :) The story is unique, and true, and the kind of story you want to see yanked up into the light. There are no punches pulled once we get to the truth, and get past all the bull. It is not boring to watch, but it does really lack in any real background substance. I don't "blame Canada" for that as others will, there just needs to be more attention taken by the direction, and production teams to bring the back ground to life, but not in such little swatches that you get here. Look at the TV the big falla is playing his xbox on, or any symbolic items you will see around Weeks' apartment I understand you want to show that junkies can't keep stuff, but the TV was just too small. The idea is there, but it will just be lost on most people as it goes by so quickly. You get more use of screen from today's TV dramas than sadly you do here. Cory Monteith is really good, there is just too much confusion in the first 90% of the film for you to understand why he does, and acts the way he does, but it all comes around. Worth the little bit of effort you will have to put forward to stay with this story to the end. Enjoy.
  • I was amazed at the negative reviews of this film. I simply bawled.

    David Morse acted superbly the plight of a man who is coming to know who he is and what he is capable of given certain circumstances. Only a man of conscience could react the way the lead character did in this film.

    This is a psychological drama/thriller that keeps one guessing till the end and reveals the tragedy of the human condition with great poignancy.

    Perhaps the secret that the lead was dealing with was concealed in a rather confusing fashion and made it hard to follow along but it is a ploy often used in the movies and doesn't take away from the core theme of the story. I cannot explain the core theme without giving away too much so I will just admonish viewers to take the time to watch this almost masterpiece of psychology if they have lived a little and are honest.
  • Warning: Spoilers
    I watched this film for one reason cory monteith. This film overall will keep you guessing. What is the nature of mccanick and weeks' characters why does he hate him so much etc who is the bad guy?! I definitely recommend any glee/cory fan to watch if you haven't already...cory displayed a huge talent i had yet to see, the depth of this character is so unlike the unloving leader finn, it will make you wonder if this is how cory was in part in real life, if this is the pain he hid, and medicated to the point of his demise. i am both saddened and proud after watching this movie and am left with the knowledge that had he lived he no doubt would have made beautiful award winning material, but alas that is not the reality. 9/10 only not a 10 because cory deserved more screen time. rip cory we love you.
  • The hallmark of a really good performance is that you don't even realize who the actor is. The ability to transform and completely change who you are to create a character is a rare talent... Cory pulls that off in this movie. Let's be honest, no one is seeing this movie because they're a fan of police drama's. There are thousands of those out there and yes, those are better told than this one. You're interested in this movie as a curious last look at Cory's career to see what his final piece of work was. Well let me tell you right now, this is something special. He devoted himself to this character. He is so far into it that even when his face takes up 90% of the screen you'll be second guessing if it's Cory or not. He dived into this character completely and if this is to go in the history books as his final film, it's a perfect film to hold that title. It proves that he had fantastic potential to pull out amazing performances, sadly we won't see any more after this. It's a must see for any fan of Cory, you owe it to yourself to see him at his prime.