User reviews

'Certe cose non si possono comprare'. 'Certain things you can't buy'. It's not often that one line from the script summarizes the whole film. But when the beekeeper Wolfgang speaks these words, he explains exactly what this film is about.

'Le Meraviglie' shows the life of a family of Italian beekeepers, intent on living a simple, rural, pure life, without any harmful influences from the outside world. Father Wolfgang and mother Angelica raise their four daughters according to strict rules: no television, no fancy clothes, no luxury. They have trouble making ends meet, and the father is a demanding man, who lets the children work in the honey-making business as if they were grown-ups. This is not a happy family: the father is ill-tempered and the mother is worried about the financial difficulties they have to cope with.

When the oldest daughter decides to participate in a contest for regional agricultural products, the family is forced to enter a world of commercial marketing and fancy promotion. This is the moment when the father tells a television show hostess that certain things are impossible to buy. He doesn't say what exactly, but it's clear what he means: integrity, purity, simplicity, and authenticity.

This is not a plot-driven film. It shows the confrontation between ideals and constraints, between dreams and reality. The film maker doesn't take sides. The commercial contest, representing the modern world, is ridiculous because of its slick sales pitch. But the life on the farm, representing tradition, is not happy and carefree either.

'Le Meraviglie' is filmed in an unpolished, realistic style, almost like a documentary, with bright lighting and hand-held cameras. The undisputed star of the film is the young actress playing the oldest daughter, an innocent girl who seems torn between loyalty towards her father and despise for his strict rules.

I didn't expect a similar plot. But the plot itself it not the important part of this movie. The Cannes Festival have create some interest about this little incredible surprise, and it worth entirely the attention. It is all about life. Filmed in a very strange and unusual location, a farm in a poor area (Tuscany, but could be everywhere). About a very strange and unusual family (the center of it is a young teenager, Gelsomina by a unbelievable in her great acting Maria Alexandra Lungu), and a very strange business (honey and bees). But all these unusual choices results in a so strong, so sweet, so touching, little masterpiece. We feel fully involved, interested, part of this world that is, in fact, the world: love, young expectation, economic difficulties, pollution, family affairs, all is inside, but with no drama because the look used in this opera is a colored one, full of the hope of young people.

For a film about a simple Italian beekeeping family there is a wealth of depth and imagination. I personally wasn't a fan of the visuals, editing, and cinematography; but the screenplay was phenomenal, the acting was superb, and the story struck at the heart of family life amidst difficulty.

I don't know much about Italian lore and history, but I would guess this film is some kind of modern take on an ancient Etruscan fairy tale. A struggling rural family with scores of problems is almost entirely dependent on the oldest daughter to provide. In order to help her family, she calls on the help of a fairy. In this case, the fairy is the host of a prize show. All in all, it's a brilliant revision of folklore. It goes to show that moral messages of ancient stories apply just as much to us today as they did to ancient civilizations 2700 years ago.

A candid but still rather mystical vision of agrarian life.

We get a strong and very believable depiction of a family that lives in each other's pockets and life is just working and hoping you don't mess anything up.

Then a glimpse of glamour emerges and that basically fuels the plot. The characterization is simple but effective and I was quite on edge for one scene (you'll know it when you see it).

Ultimately it's a celebration of the mundane struggle where if nothing else you have your family but that doesn't mean it doesn't have its moments of strange images that really stay with you.

The inner and hidden emotions of adults, wrote Nathaniel Hawthorne, are often revealed through how their children are acting. The life of a family of beekeepers in the central Italian countryside reveals the truth and magic of Hawthorne's words. Despite the brash, impulsive and abrasive outward behavior of the family patriarch, Wolfgang, the household composed of four daughters and a couple of guest workers functions smoothly and efficiently. This is due mostly to the oldest daughter, twelve year old Gelsomina. Gelsomina is reserved, quiet and caring like a queen bee and the family life secretly revolves around her.

There is potential to disrupt the hive. When the family is taking a break and swimming in a natural area of warm, volcanic springs, they run into a television crew featuring local culinary wonders. The star and host of the show, played by Monica Bellucci, takes a liking to Gelsomina. Gelsomina foresees a chance for her family, honey and their bees to shine by appearing in the show and winning money to help support themselves. Wolfgang sees only trouble. For him there are things that money cannot buy. Father and daughter may have more in common than is readily apparent.

This serene and unhurried film is an antidote to the shallow, predictable and emotionless Hollywood slop. It is amazing the way the life of the family mirrors that of the bees, and how they depend on each other. The actors and the film crew do a wonderful job of keeping the story flowing, or buzzing. I felt like I was part of the family and the hive of bees, and not merely watching them on screen. Other wonders of the film include interesting and unique characters and a variable, unstructured plot in which viewers can choose their own meanings.

Italian director Alice Rohrwacher's sophomore feature, the Grande Prix winner in Cannes 2014, THE WONDERS is a semi-autobiographical essay, tells the story of an Italian family of beekeepers, the patriarch Wolfgang (Louwyck) is (supposedly) of German descent, with wife Angelica (Alba Rohrwacher, Alice's elder sister) and their four daughters, the eldest one is Gelsomina (Lungu), who is on the cusp of puberty, together they live in the countryside of Etruscan area.

Gelsomina is the main help of Wolfgang in apiculture, but once they bump into a TV crew shooting a show called "The Land of Wonders", where a competition of products from local farmers is held up, it can bring handsome prize-money to the hard-up family, it piques her interest while Wolfgang is (inexplicably) strongly against the idea. Meanwhile the family accepts to allow a juvenile delinquent Martin (Huica), who is arranged by the so-called Second Life organisation, to work on the farm in exchange for some income, Martin doesn't speak Italian and seems to be autistic, still and all, he is a boy. Wolfgang's undisguised preference of Martin over her in beekeeping, sores the sensitive Gelsomina, and she fills an application on behalf of their family to compete in the TV show without telling anyone.

Drama, accident, emotion and mystery are intermittently jammed into Rohrwacher's poetic and fly- on-the-wall approach of the rural life she is familiar with. Sceneries are primarily shoot in available light, an opening gambit with a long take sustained only by the headlights of approaching vehicles out of the pitch black, manifests her aesthetic philosophy and sets the overall tonality, so no picturesque bucolic landscapes to take viewers' breathe away, instead, Rohrwacher painstakingly taps into the ethereal aura of Etruscan myth, setting the TV competition inside a cavern, forging Martin's unexplained disappearance in the necropolis area (later hinged with the equally unexplained affinity between him and Gelsomina) and the finale, an existential allegory (the ill- fitting camel gets up and moves out of the frame, so is their family workshop, cannot stay in business in the climate). All burnish the picture with a primitive sheen which is so out of tune with our era, and the ultimate sentiment is uniquely personal.

Defying empathy and involvement, THE WONDERS is not ambitious to tell a nostalgic story, it merely introduces the vignette of a family once lived on the farm, there was a girl who has bees coming out of her mouth and a boy accompanies her with a melodious whistle.

As an art-house project, it is disheartening to notice Monica Belluci's thankless participation here as the beautified anchorwoman Milly, sporting a gaudy wig and being idolised by amateur child actors, it is a frustrating strategy of celebrity placement, a false advertisement, which is as shameless as dragging Juliet Binoche into her five-minutes presence in blockbuster GODZILLA (2014). There is some mettle wanting in this case, as a young female writer/director, Alice Rohrwacher has a long and tough battle to fight as a trailblazer for women in the ultra- exist Italian film industry.

I begin by saying it was a sweet little Italian movie. It is not here to entertain you, but to give an alarming message. The world's human population is growing rapidly, but within, the farmer's counts are shrinking. Hunger will be one of the future's biggest concerns to deal. This film is about a farmer family that depicted from the perspective of what's causing for the people like them to disappear. There are a very few movies on this theme, in that, all the farmer's movies won't illustrate harvesting and hardworks rather focuses on romance, revenge and other subplots. I think this was true to what it was promised and you would feel glad watching this if you are capable to realise the facts.

A 12 years old girl, Gelsomina, with her parents and three younger sisters lives in a rural Italy. They are the bee farmers, living with a strict order of the life, especially when it comes to the profession. And this story was told from the Gelsomina's viewpoint about everything she and her family goes through. After her father who got no son, she has to carry on the family's tradition to the next generation. She's absolutely on it as she's naturally gifted and stronger than anyone in the family, including her father who's no match for her. Moreover, she's already running the family with moral. But when they reach a crossroad, some unexpected decisions have to be made which is basically the remaining portion.

"You would need a slave. Instead of 4 daughters."

I can't say it is a must see, because it is still a movie and looks for an opportunity in between to amuse you. Either, it is not afraid to unfold the reality, that's the best of this film. It had an amazing cast, but I don't know anyone of them, of course, except Monica Bellucci in a cameo. Cinematography was great, they were not trying to seduce the viewers with the beautiful countryside scenic rather presenting as it is. Beside the film let you know about bee keeping and honey extraction. It is not an easy job, thinking bees do all the work and we just snatch it using protection costume. But surrounding environment and all matters. There's no CGI, some of the dangerous scenes were shot under the guidance of the real pros with a specialised documentary crew.

It proves a coming-of-age story can also be told in this manner. Urbanising, hunters, tourism influx, name it... all these are affecting peace in the rural life. This film covers most of the factors in a simple fashion, It was not that easy for everyone to understand the end part as it contained two way meaning, literal and metaphor. One is a report card for the actuality and the other one is a cinematic conclusion. Overall, it tackles on the matured contents and children are the part of it, especially the last quarter all about them. And finally, everyone won't desire for a movie like this, but IMO certainly worth spending time for it.

8/10

Saw this at the Film Fest Ghent 2014, expecting something remarkable or novel, given what Cannes jury had to say about it. Alas, for me it failed on several counts, mainly because I don't think that throwing in an ample variety of ingredients does produce a good stew. It seems that the film makers tried to follow a complicated recipe, but could not come to a consistent and balanced product. The best example of something completely out of tune was the bee produced by Gelsomina out of her mouth on two occasions, the last one as part of the TV show she signed up her family for. It should be possible to find something better for this purpose, and still having a relationship with their bee keeping business where it was all about.

The synopsis on the festival website stated that Gelsomina was the center of the bee keeping business, and particularly the honey extraction process, but I found that not so clearly shown while watching the movie. Yet she is mentioned several times as "head of the family", while all signs seem to point in different directions. Also, when the boy Martin is introduced, everyone points to Gelsomina as the responsible person, and again I don't understand as it is the father who introduced the boy in the first place. I apparently did miss something important.

An annoying aspect of this movie is that it happened a few times that the scenery jumped to several hours later in time, without being clear about the change. For example: after the day that the boy was lost on the island, we suddenly see Gelsomina in action on the farm, requiring us to take some time noticing we are at a different time and place now, and adjust our focus accordingly. It happened to me several times, but this was the most prominent occurrence that I still remember.

While this film's Grand Prize of the Cannes jury rises expectations, I'm disappointed because of my overall feelings that the end product is not in any way remarkable, all things considered. It happened many times before that I didn't agree with festival juries, however, so this may become a fact of (my) life. It may be so that the jury admired the portraying of life on a farm, being a non-issue for me grown up on a farm myself. So all the tedious tasks and the inherent dangers in animals and machinery were merely deja-vu for me, nothing out of the ordinary. Similarly, the mixed household and the assortment of very different people having to work together, is normal on a farm and standard operating procedure. In other words, I'm prejudiced in duplicate, on one hand to find something that the Cannes jury found remarkable, on the other hand seeing a portrait of farming that offers nothing special for me. I'm inclined to forget about the jury and let aforementioned faults weigh in to arrive at a negative conclusion.

Chanelling both Olmi and Fellini, Alice Rohrwacher's "The Wonders" represents Italian cinema at its best. Like Olmi's "Tree of Wooden Clogs" or more recently, Frammartino's "Le Quattro Volte" it's another classic picture of rural life with a touch of late Fellini thrown in, (in the form of the slightly surreal television competition that gives the film its name).

It's about a family of bee-keepers, struggling to make a living in Etruscany. The German father is something of a wastrel, the mother has mostly given up and it's left to the oldest daughter to hold things together. The writer and director Alice Rohrwacher, it was only her second feature film, neither romanticises or sentimentalises their situation and the film works both as a rural idyll and another wonderful addition to the cinema of childhood, (the adults seem to be figures in the background). Intelligent and very moving.

The Wonders is really a beautiful film. There is great cinematography and interesting shots, meaningful themes to ponder, and an interesting story, but I wonder if it isn't a bit too understated. The director's more meandering and whimsical style won't be for everyone and I feel like the beats of the story could have been punched in a little bit more, because afterwards I'm left pondering about many interesting ideas the film only briefly touched upon.

Il paese delle meraviglie, a televised contest where local producers can compete with their product, gives Gelsomina (Maria Alexandra Lungu) the idea of participating and solving their beekeeper family economic problems.

Le meraviglie is the sophomore film from Alice Rohrwacher and, like her previous one, Corpo Celeste from 2011, is a coming of age whose naturalistic approach could be said to have its roots in Italian Neorealism, a style characterized for its depiction of the poor and working class. While at its foundations this is the case, Rohrwacher filmmaking departs from that style and finds a blending of elements that converge to make her films something different; La Chimera, her latest film from 2023, epitomizes this. In this sense, like in Corpo Celeste, we find her voice being formed throughout Le meraviglie.

According to Alice Rohrwacher, the movie is based on memories from her childhood working in the beekeeping business like her parents. A movie thematically crossed by topics such as control, emancipation, and the future. Wolfgang, played by Sam Louwyck, is the father of the family whose desire for her daughters to keep in the same line of work is contested by an ever-growing, unstoppable force of change. This is an illusion of control at play, an illusion he knows of but, whether out of fear or love, constitutes no more than an impossibility in disguise. For instance, his reluctance to be involved in said contest is paid no heed by his daughter, who, unbeknownst to him, applies to participate and win the cash prize. Tension looms stronger as the days go by, and the director's penchant for insinuation goes hand in hand with it.

It could be said there are enough hints to understand some of the artistic choices as signifiers of that emancipation appearing closer in reach yet not articulating the desired and expected effects. By the cave lay those who, after observing and experiencing enough of the outside, find between its walls a site of comfort.

I just finished watching this film and I must say that the naturalistic style is very well done in this one. There is a certain tension in the air, even tough nothing happens most of the time on the exteral world but everything is going on inside their heads. The idea of everyday life of people who are anonymous is there, and how that may become source material of appreciated ruins with what they leave behind is in the same vein as La Chimera. There is a certain charm of the italian countryside that becomes evident and I would thoroughly recommend it for anyone who loved La Chimera and needs more context on the subjects that this director loves to explore.

Life in the country and the sea, depicted without ornaments is a theme that always reappears in Italian cinema through an overwhelming work. From time to time, these films follow up on a perhaps Mediterranean tradition, which evokes the rites of the gods associated with natural phenomena and that govern life on Earth. The three great examples that come to my mind, are by Visconti, who gave us "The Earth Trembles" in 1948; by Olmi, who in 1978 created "The Tree of Wooden Clogs", and by Alice Rohrwacher, who in 2014 chose for her second feature a tale similar in spirit, "Le meraviglie" (The Wonders), in which days pass on a farm . They are rigorous works, concentrated in basic activities, without volatile escapism in the style of Bertolucci's "Novecento".

No doubt a beautiful and thoughtful film, "The Wonders" won the Grand Jury Prize in Cannes, but, curiously, the film does not arouse passion or seek to wonder its audience, despite its title. The moments that aspire to a certain lyricism are mixed, suddenly, with a tone "out of focus" and deliberately, with a gaudy television contest, presented by a mature star, who looks bored and jaded (Monica Bellucci). Perhaps the reasons for the "soft focus" of the story are the various conflicts of a family of dad, mom, aunt, four daughters, and German child in probation; a social worker, an irritating neighbor, TV people and a friend of the past, all with their own agendas and interests. At the center of the plot, there is Gelsomina (Maria Alexandra Lungu), in the process of leaving adolescence behind, and there is her German father, Wolfgang (Sam Louwyck), an adventurer struggling to be a farmer.

However, this film and her third feature "Lazzaro felice" (with which Alice Rohrwacher took a big, significant step) confirm that the filmmaker is in the same league as Paolo Sorrentino and Matteo Garrone, integrating a kind of trio of archangels of the current Italian cinema, as confirmed by my young "film advisors". Thanks to them. The others, watch the movie with patience and tranquility, as if you were spending a holiday in the farm of a grandfather, an aunt or a friend, under the shade of a tree, near a brittle, hearing the noise of running water animals, letting time pass.

This movie is a gem, and I have a small, quiet hope that Alice Rohrwacher fills the void left in my cinematic universe with the death of Agnes Varda.

Yes, the move is understated - but like "Happy as Lazzaro" (which I should go back and re-enjoy and write a review of) there is definitely an appreciation of the natural world, and all of its "Wonders" if you will.

In addition to that, Rohrwacher has a keen eye and a wide open heart for all of the sweet tumult that is adolescence. Actually you can even see that in a little documentary she was involved in as well called "La Futura." That documentary is not necessarily a must-watch, but this and Lazzaro are.

Both fictional films surely have their own tensions, but they are not pushed to the hilt by guns or drugs. If there is an anti-capitalistic message, it's enmeshed in a day-to-day existence and the point is more focused upon the pride of that existence.

Neither film involves magical realism, but somehow they both feel magical and real.

Right now, I have a deep trust in this filmmaker and hope to see more of how she sees the world.

It is a 2014 drama film. It is about a family that produces honey with traditional methods in a village and the eldest daughter of the family begins to change over time. The main character is the eldest daughter of the family, who is 16 years old. They have an unsympathetic and strict father, a mother who cannot control the man, and an aunt who has every right to argue. While the daughter wants to be valued as a child and to be noticed that she is growing up, the family, especially the father, treats this daughter as if she were his employee and does not approach any innovations that will contribute to their lives. On the other hand, there is pressure from the local government to bring the production site into compliance with the procedures. This little girl applies to a television program where traditional producers compete as the salvation of the family.

Every character in the movie is played naturally, without acting. The leading girl makes the audience feel the troubles she is going through and the character she is stuck in. The tension in the scene where the honey spills on the floor is not even in horror movies.

There is no sexuality or nudity in the movie. It's a good drama movie to watch.

It's interesting to read the other people's reviews as always. This film is obviously about the contrast of an authentic existence and the prevailing vulgarity and pretense of the times we live in. I'm so happy and grateful somebody sees the difference, and speaks up about it. The invasive fake onslaught of the movie company, including Monica Belluci is right on the money. What's there not to understand? I'm reacting to some reviews here. And there's more to this than just a depiction of life on the farm, please! I find that women film directors nowadays, make many times better films than men. There's an extra quality they bring in. We need it. Thank you for this film.