The Decent One director Vanessa Lapa with producer Felix Breisach: "We were very focused on the age, the accent, the ability of entering a character and remain truthful to the text." Photo: Anne-Katrin Titze
Vanessa Lapa's The Decent One (Der Anständige) is evocative and complex with the horror of disconnect, impossible to dismiss as it plays out. In New York, with producer Felix Breisach, we discussed the casting of letter and diary readers Tobias Moretti as Heinrich Himmler, Sophie Rois, Antonia Moretti, Lenz Moretti, Florentín Groll and Lotte Ledl as the Himmler family. We spoke about Marlene Dietrich singing as a marker of time, if Hannah Arendt's Banality of Evil works here and how the writings were obtained, transcribed and put on film.
Based on previously unseen family diaries, photographs and private letters found in Himmler's home in Gmund in 1945 by the Us Army, Lapa's documentary sheds harsh light on the Reichsführer-ss,...
Vanessa Lapa's The Decent One (Der Anständige) is evocative and complex with the horror of disconnect, impossible to dismiss as it plays out. In New York, with producer Felix Breisach, we discussed the casting of letter and diary readers Tobias Moretti as Heinrich Himmler, Sophie Rois, Antonia Moretti, Lenz Moretti, Florentín Groll and Lotte Ledl as the Himmler family. We spoke about Marlene Dietrich singing as a marker of time, if Hannah Arendt's Banality of Evil works here and how the writings were obtained, transcribed and put on film.
Based on previously unseen family diaries, photographs and private letters found in Himmler's home in Gmund in 1945 by the Us Army, Lapa's documentary sheds harsh light on the Reichsführer-ss,...
- 10/24/2014
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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