The Hollywood Reporter
Words like "inventive" and "inspired" are very rarely applied to the parade of cookie cutter animated features that pass through the multiplex each year, but The Boss Baby proves a refreshing exception.
I connected with its out-there take on the first days of sibling rivalry, the acknowledgement that humanity is utterly distracted by cute puppy videos on the Internet and with Baldwin, a silky-smooth comic bully whose onscreen bark is always a lot worse than his bite.
The Boss Baby, the jokey new 3D animated lark from DreamWorks Animation (it’s being distributed by 20th Century Fox), is a visually brisk, occasionally clever low-concept comedy that’s also trying, half-heartedly, to be some sort of Pixarish masterpiece. You may wind up wishing that it had been one or the other.
There’s so much to like in this movie, but its best qualities are ultimately subsumed in formula. And not the nutritious kind.
Tampa Bay Times
The Boss Baby is a bun needing more time in the oven, some rethinking of what sort of animated comedy it wishes to be.
The film is never funny, and its attempts to wink at the adults in the room are so lame that you wish they’d been left on the cutting room floor, but the deeper the film delves into Tim’s imagination the less imaginative it becomes.
The Boss Baby is hopped up on energy but never harnesses it effectively. There are laughs and heart buried in this idea somewhere. Shame the film is too hyperactive to find them.
McGrath and screenwriter Michael McCullers are too preoccupied piling on chase and action scenes to exploit their title’s potential to its fullest.
We Got This Covered
The Boss Baby is a movie made for few audiences, inconceivably inept in its ability to blend adult references with children's immaturity.