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  • If you don't like "emotional journey" films about millennials you will not like this film. That probably explains the low rating. Diana (Zosia Mamet) is an aspiring writer, as in she hasn't actually published anything yet. She is moving back to New York after some time in London. She rents a spacious brownstone apartment only to find out later that the person renting the apartment downstairs is Ben - the guy she had a serious relationship with and broke up with before she went to London, saying that it was about him being trapped and shackled to her aspirations when in fact she was just afraid of stepping into that cosmic void called commitment.

    What makes it interesting? Diana is not classically beautiful. In fact, objectively, she is physically plain bordering on homely. The nice thing is that this does not seem to effect her confidence, the nicer thing is this is not about an ugly duckling turning into a swan - she has the same uneven bite, stringy hair, and dark eyebrows that do not match her blonde hair at the end of the film that she had at the start. What makes it really interesting are the little things - Diana working retail at a tony "wedding store" where she gets yelled at by customers who are much richer and prettier than she is about things (colors available) over which she has no control.;Her very beautiful friend finding out that the guy to whom she is very attracted is just stashing her - she is a friend with benefits without the friendship -she is a "plate" to use red pill language; Ben's live in girlfriend thinking that every chance encounter is Diana obsessing over Ben , and maybe she is obsessing, but most of the time Diana really is just raking leaves or returning a misdelivered package.

    The weird stuff? In what universe do 20 somethings who are aspiring writers and musicians get to live in upscale Manhattan brownstones while working for minor duckets at a retail job? Celebrities live in those kinds of places! But then that would make the film about battling bedbugs and detract from the emotional turmoil. Oh, and it's also weird to have a landlady with whom you have no history, who is 30 years older than you, suddenly want to become besties. Maybe in Nebraska, but not in New York.

    One more thing - something that confused me at first, but is actually a feature of the film. It goes back and forth between Diana's present and her past relationship with Ben. If you don't get that you'll think Ben is cheating on his girlfriend with Diana one minute and acting ambivalent towards Diana the next. He is not.
  • First things first. Any chick that rocks white overalls, Keds high tops and drinks Coors from brown stubbies has me dead to rights, man. Zosia Mamet (HBO's "Girls") does all of this and much more in the new romantic dramedy "The Boy Downstairs". She also acts her ass right straight off.

    Mamet is Diana, a young aspiring writer whose not at all confident in her craft or her relationship. Enter Ben, a burgeoning musician played by Matthew Shear (TNT's "The Alienist"). Ben loves Diana, Diana loves Ben. Complications ensue, as in boy meets girl flicks they always do. Not a lot of new ground tread upon in this regard. However, it is in the mostly quiet yet compelling chemistry concocted between Mamet and Shear that we find a fresh, frank and funny take on a tale as old as the one of that original conflicted couple, Adam and Eve.

    While mostly a yarn of the young 'uns, a special shout out simply must go to the nearly effortless and totally natural work of the entire ensemble of "the old guard" in "The Boy Downstairs". Veteran actress Deirdre O'Connell ("Hulu's "The Path") in particular radiates as a widower who serves both as landlord and confidante to damsel in distress Diana.

    You may wanna be hip to the fact that at times some of the dialogue and dynamics come off as a bit contrived here. And Writer/Director Sophie Brooks's stylistic choice to shift scenes back and forth in time can be flat-out befuddling.

    These points notwithstanding, you'll likely find yourself content to overlook such potential distraction as you focus on the fine performances of Mamet and Shear in "The Boy Downstairs". For this talented pair take us along on a most eclectic and entertaining journey through that timeless and tricky minefield we have come to know as-and still for lack of anything better to call it-love.
  • pbonsu24 July 2020
    It's an average watch all around. The screenplay isn't riveting, yet it isn't horrendous. But the film constantly wants you to be in love with a story that doesn't seem to leave a mark within itself. It won't bore you to tears but it doesn't move you either. It's ok.
  • Uh... Err... Ummm... I... uh... yeah... No I mean... Yeah... Um... Uh...

    If the above nonsense is hysterical for you, you'll probably like The Boy Downstairs. Characters with nothing interesting about them, not even on a molecular level, a story that's been done and re-done to death in movies, good sitcoms, bad sitcoms, and all the mediocre sitcoms in between... All that could be forgiven and forgotten, of course, if the whole thing was more than the sum of its parts: A funny movie, or a charming movie, or something that would at least hold the viewer's interest. Sorry, but no.

    There is probably a target audience for this, no doubt about that. People who in their own minds star in Woody Allen movies, people who see some characters in a movie and go "OMG that's me! That girl is just-like-me!" and therefore give it 10 stars... People who want to declare a national emergency for any minute crisis they face (and I needn't point out that this "crisis" is always about an ex). People who think awkwardness, nervousness is cute and funny, even a selling point to the opposite sex... People who spend more time at Starbucks than at work or school. People who think starting every sentence with a 10-second "Ummm... Uhh... yeah but... No I mean..." nonsense intro makes your words interesting... Check out the main character in this film: She NEVER speaks a straight line in the whole 80 minutes. Always going "ummm..... uhhhh...." first. We should be glad she doesn't work at an emergency call center. The whole building would burn down before she could say "Hello, what's the emergency?"

    You may think I'm being too harsh, or I "just don't get it" or may want to respond "Just go watch Expendables 5, you insensitive ignoramus!" but no. I love dramas, comedies, "dramedies" as they're now called, and I love movies about young people's insecurities, relationships... on one condition: If they're done well. I've seen some good examples, by young directors, young casts, millenials, the social network generation. They put out some good stuff there. Sadly, this doesn't rank among them. It misses every chance it gets to be funny, or interesting, or just mildly amusing.
  • kmyra813 September 2018
    So I really really wanted to like this movie, and a part of me did; only because I love " Shoshana". The acting was appropriate for its vernacular. My cinema induced anxiety was a result of the grossly abused words heard in almost every scene i.e " like" " ummm" " yea". Way too millennialish, and I am a millennial! True to life scenario's- we don't always get what we want, the one that got away, and of course IRONY. While this movie did have some good, it like had ummmmm like more bad, like yea.
  • facebookemail-790328 September 2018
    This is the slowest movie ever and nothing really happens. The characters aren't even likable and her eyebrows are ridiculous. Guess I just don't get it. Sorry I wasted my time.
  • LukeCustomer210 December 2021
    I do think your enjoyment of this will hinge on your tolerance for the acting style of Zosia Mamet. If you have not seen Girls then you should know that Zosia acts in a particular style. Lots of ummms.... etc. This doesn't bother me.

    The story is a bit refreshing as well. Basically a girl is about to head off to London for an extended time there (2 years or more) when she meets someone. She chooses to break it off because of that and, upon returning to New York, unknowingly rents out an apartment in the same building as her ex. Awkward hijinks ensue.

    Both characters were well written and seemed like real people. Many of the situations they found themselves in did not seem unreasonable and were interesting. I particularly liked her love interest in both how he acted and how he looked as he was not the typical hollywood love interest.
  • ChipBach10 November 2018
    If spoiled, passive aggressive, dishonesty with your lead characters is your thing, but the DVD.

    Love to watch rich, artsy millennials suffer the fate of their fantastic privilege.

    Wish I'd have just tuned into something a bit deeper, like Shrek 2....
  • yanleoshay3 March 2019
    Terrible acting, terrible plot! This movie was horrendous!! It was boring and ridiculous! Sorry I wasted my time!
  • Sometimes a movie gets lost in the shuffle. Certainly the plot is old and often told but movie making is all in the telling. Zosia Mamet give a memorable performance with an authenticity that moves one and forces identification. Her performance is so effortless that it is easy to miss the exceptional acting. Which means that the acting was superb. The movie captures the hesitation to expose feelings in love while recognizing that the goal of love is to share life with someone who loves you as well. Perhaps the promotion was weak. But this movie is a must see and brings a catharsis to all who struggle with commitment but do dare to risk to truly love and be loved.
  • aevaughn-7730522 May 2019
    The lead actress was unattractive and just annoys the hell out of you with all the nervous ass attempts at conversation : "um...uh...yeah...well I...I...I guess...yeah...um...ok" UGH!!!!!! I would literally walk away from anyone that couldnt get a full sentence out like that.

    The plot was good but that character was just irritating
  • melodyso27 September 2020
    These kind of stories have been done a million times. Don't get me wrong. I love Zosia Mamet. But this story just has nothing special to it, so much so that I struggle to understand why it is made into a movie in the first place.
  • I really enjoyed this film, minimal bad language or objectionable content, great acting and story. There are some movies, where the silence portrays so much and it feels like you are just watching a real relationship develop. This was one of those films. More like this please.
  • An American romantic comedy; A story about a young woman who is forced to reflect on her first relationship when she inadvertently moves into her ex-boyfriend's apartment building. There are some fresh moments in this droll and occasionally amusing indie, even if it may feel like a familiar storyline. It is told from a mix of present-day scenes and flashbacks but they do nothing to stop the characters looking stranded at times. Mamet is charismatic in her quirkiness but by equal measure her character is irritatingly self-absorbed. All in all, the naval-gazing is diverting, even if the characters lack distinctiveness.
  • Whitney091918 May 2020
    This movie did not hold my attention at all. I watched the entire thing and didn't realize until there was 10 minutes left that half the movie was flashbacks. Ok acting, terrible attempt at humor, and those eyebrows... definitely don't recommend.
  • This film definitely consisted of choppy scenes, uninteresting writing, and a slow progression throughout the movie. Also contained long and unnecessarily awkward scenes and a great absence of background music. Nevertheless, the main characters are quirky and fun.
  • Fortunately or unfortunately I watched this movie on Netflix back to back with the rom-com, Destination Wedding. Run don't walk to see Destination Wedding and skip this one, The Boy Downstairs. Both movies are basically the boy-meets girl modern relationship but they couldn't be more different. The Boy Downstairs is about two millenials and that's about all I can really say about this movie. There is some cute humor between them but it is so deadpan that you can miss it. The traditional "girlfriend" of the female protagonist is so creepy, that she makes you cringe. And the new girlfriend of the male protagonist, is so unlikable that you can only use the "B" word to describe her.

    Destination Wedding is two crotchety, nerdy, unlikable braniacs that meet at a wedding. The movie is basically just the two of them in a half a dozen traditional wedding situations (rehearsal, wedding, post wedding, and trip to and from the wedding). But the fighting between the two of them is so acerbic, funny, intelligent. From the moment she yells at him at the airport gate, you know they will connect at the end. Some scenes are so funny I was spitting. I will never open a bag of peanuts in an airplane without thinking and laughing about this movie. Kudos to Keanu Reeves for taking on this role. He was great.
  • Honest, heartbreaking, yet also heartwarming. I loved the indie feel of this movie. Even though her living in a beautiful brownstone when she only worked at a bridal shop (and was also an unpaid aspiring author) was a tad unrealistic, it made for some great scenery. I loved the acting, the dry humor, and the chemistry between the two. Would definitely recommend.
  • skrufi8 June 2020
    No chemistry between any of the characters. The banter is depressing and flat. Ugh.
  • The acting was superb. The characters work together perfectly. It felt real at all times. I loved the dry humor. I felt so deeply for the characters.
  • I honestly usually despise romantic comedies or romantic type movies in general, but this one was done well. I was captivated by the characters and their realistic/mundane lives that were intertwined with emotions, heartbreak, and love. The acting was also pretty great, you really felt as though the characters were genuinely in love. Overall it was very good.
  • larherman5 September 2018
    Wonderful acting by lead actors, movies seems "same old story" at first but grows on you as characters struggle with their relationship. Draws you in with sincerity and feelings.
  • If you're not a basic b*tch, you'll like it. A movie that actually mirrored real life vernacular and awkward moments and REAL RELATIONSHIPS.
  • imshrestha30 December 2020
    I loved the move. I thought Zosia's acting was great. Very much enjoyed the movie.
  • So it sucks when you're lonely and insecure. It's not always going to be perfect when you're torn between being content with your singlehood or going downstairs and confront him. She needs to change things on her end and truly recognize, consciously and subconsciously, why she's still single. Her relationship is over, and it's hard that he's living underneath her. But all that's doing is preventing her from giving someone new a fair shot. Accept the fact that there's a reason things ended - she let him get away, and did't even bother dating anyone else. Nothing's ever going to happen for her if all she does is think about the ex. Keeping the ex around as a friend isn't normal. So many I know get into a serious relationship, and realize being close friends with your ex is just weird. Diana makes her fear of commitment ruin her chance at falling in love. Bad gut feelings lead to fear. They're not the same. Gut feelings are meant to be followed, and fear is meant to be conquered. While Ben moves on with a new girlfriend, Diana can't enter a real adult relationship because of confusing fear for a feeling that things won't work out. She'll never know the answer unless she takes the plunge. Eventually she realizes nothing has really worked out for her in getting over Ben, but instead of believing nothing will work out in the future she puts up a guard and sees only possible red flags. And I'm glad the film didn't end up as many Lifetime movies and they fall into each other's arms. She grows some common sense, tosses away all those fears and opens up to a potentially great relationship with Ben and opens up to a potentially great relationship.
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