The made-for-tv movie was a programming staple for the broadcast networks in the 1970s and 1980s. While it fell out of favor in the 1990s and was even dropped as an Emmy Awards category for three years beginning in 2011, it has been on an upswing as of late. This year, 21 telefilms are in contention for the five nominations that will be revealed on July 12.
All 22,000 plus voting members of the TV academy have until June 24 to cast their 2019 Emmy Awards nominations ballots for their favorite TV movies. In the past, voters were limited in the number of telefilms that they could put forth. In 2017 that cap (which was usually 10 per category) was lifted. And, as opposed to the Oscars, voters for the Emmys do not rank their choices and nominees are determined by a simple tally.
See 2019 Emmy nominations ballot: 732 programs vie for your consideration (that is 4 more than last...
All 22,000 plus voting members of the TV academy have until June 24 to cast their 2019 Emmy Awards nominations ballots for their favorite TV movies. In the past, voters were limited in the number of telefilms that they could put forth. In 2017 that cap (which was usually 10 per category) was lifted. And, as opposed to the Oscars, voters for the Emmys do not rank their choices and nominees are determined by a simple tally.
See 2019 Emmy nominations ballot: 732 programs vie for your consideration (that is 4 more than last...
- 6/12/2019
- by Paul Sheehan
- Gold Derby
How do you strike the correct musical tone when a piece of storytelling rides the line between comedy and drama? For many composers working in the limited series and television movie formats this year, the cues were taken directly from
the scripts, but elements including choral music, jazz and even a detuned piano offered additional creative solutions.
In Amazon’s “Good Omens,” the mood shifts from scene to scene, as an angel (Michael Sheen) and a demon (David
Tennant) work together to try and stop the coming apocalypse, to the consternation of their colleagues in heaven and hell. English composer David Arnold (“Sherlock”) says he doesn’t believe one should “ever try and be funny with music,” though.
“If it’s funny, it’s funny, and your job [as composer] is to get out of the way and support the humor. The opening title music is a kind of wicked, slightly devilish,...
the scripts, but elements including choral music, jazz and even a detuned piano offered additional creative solutions.
In Amazon’s “Good Omens,” the mood shifts from scene to scene, as an angel (Michael Sheen) and a demon (David
Tennant) work together to try and stop the coming apocalypse, to the consternation of their colleagues in heaven and hell. English composer David Arnold (“Sherlock”) says he doesn’t believe one should “ever try and be funny with music,” though.
“If it’s funny, it’s funny, and your job [as composer] is to get out of the way and support the humor. The opening title music is a kind of wicked, slightly devilish,...
- 6/6/2019
- by Jon Burlingame
- Variety Film + TV
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