steelydwill

I'm sure it helped that I was in the right mood and the right atmosphere when I saw this movie at a midnight screening at South by Southwest, but The Haunting in Connecticut was a horror movie that really struck a chord with me.

I'm a longtime fan of this genre, getting acquainted with all the old classics and cult films through USA Saturday Night Horror when I was young, and continuing to see and love newer ones, such as The Ring, throughout college. However, when I go on a rant about the current state of horror movies, I tell people that today's movies make you heighten your sense of disbelief too much in order to be scared – I call it "fantasy horror." There aren't enough movies like The Exorcist anymore where it absolutely feels real, like something that has always existed but you've just been lucky enough to avoid.

I loved The Haunting in Connecticut, because it is much closer to reality horror than fantasy, and I suppose that's because it's based on a true story. It just doesn't feel like it came straight out of someone's imagination. It was the kind of movie where, not only did I find myself wondering about the true story of the Snedeker family, but when I went to sleep that night, I couldn't help pondering the history of my own home and its previous tenants. If you're the type of person who loves horror movies, I assume that's the exact creepy way you want them to resonate.

Besides the background story, one of the other reasons I think this movie worked was because of the performance of Kyle Gallner. This young man plays a much more complex (and believable) protagonist than most of the ones I've seen in horror films lately, as his character, Matt, has a very familiar (and scary in its own right) disease that makes him question whether the haunting is real, or a symptom of his sickness. I venture to say that his character could have made an interesting movie even BEFORE the paranormal activity starts, but Gallner was exceptional in this role, and I think we'll still be talking about "the boy in The Haunting in Connecticut," 10 years from now.

So for true horror movie fans, I definitely recommend checking this one out. Sometimes there's nothing wrong with a horror movie based completely in fantasyland, like Nightmare on Elm Street, but the creepiest horror usually has a dose of reality. This film will scare you, it will make you think and it will leave a lasting impression.

While there have been superhero genre films, there is something about the way that Push takes you through the back alleys, fish markets and pint-sized hotel rooms of Hong Kong that sets it apart and makes it palpably exciting. It is exotic, but this is no fantasy world, it is a dirty reality that the characters inhabit.

Fitting perfectly with this is the lack of a clear hierarchy of super powers. In most superhero films, there are clear levels of powers, and you know exactly which characters should be stronger than others, but Push has a perfectly muddied picture – we're on the edge of our seats, because we don't know who should win. It feels oddly realistic.

Chris Evans rises to the occasion as usual as the semi-powerful protagonist, Nick, mixing in his trademark cocky funny attitude with a subtle melancholy outlook. Dakota Fanning is definitely growing up, and she is highly likable as the adolescent future teller. Camilla Belle is gorgeous, and Djimon Hounsou is as intimidating as ever as the primary villain.

It's weird to see people compare this to Jumper, because while Jumper was filled with cheap tricks, Push has you talking about the movie when you leave theaters, and thinking about its concept long after. I really like the universe it created, so I really hope we'll get to see it again with a sequel!

As a huge fan of the previous Apatow movies, I drove recklessly through traffic to make it into an early screening of Walk Hard, and I'm happy I did. I think this movie is a different direction for Judd and his band, as it is more similar to Airplane in style than it is to Knocked Up. But that impressed me that they took that risk and made it work -- and it definitely worked as me and the rest of the theatre were laughing with regularity.

Without getting too much into the details of the movie because I hate spoilers, the thing that made this movie great to me was the unexpected humor. Like Airplane, there are a lot of times when you just don't see the next line coming, and those are the best laughs. Besides John C. Reilly in the lead role, who obviously got a lot of the funniest lines, Tim Meadows as Dewey Cox's drummer really cracked me up, and Paul Rudd as Jon Lennon cracked up the entire theatre.

It was definitely one of those movies where you're recalling a lot of funny parts a day later. So while it may be a different type of movie than the Apatow groups' other work, the sense of funny is still there, and I think this is up there with the best comedies of the year.