Crying In The Dark When It's Over Well, I'm not an especially big fan of the work of Lars Von Trier, and i had actually never listened to Bjork's music at all before this movie. Lars von Trier has just never impressed me as a filmmaker. I've always admired the visuals in his movie, like the opening of Melancholia and Antichrist, but none of the movies I had seen from him seemed to be anything special. Until I saw this movie. Now, I'm still not a Von Trier fanboy, but, goodness, I love this movie. It definitely is not for everyone. The style of the movie may be hard for some people to look past, and, admittedly, it was hard for me to digest for the first half-hour or so. But, after the first song "Cvalda", I was completely sold on this movie. I didn't even notice the grainy style of the old digital camera. It's a movie that is definitely more subtle than other Von Trier films. Now, it's not incredibly subtle, but there are some things I noticed the second time around that I didn't catch the first time. For example, during the song sequences, the colors are actually brighter and more vibrant, but it's almost invisible in a first viewing. At least, it was to me. I was raised on musicals, and this one does hold up in its own quirky way. The music is Bjork, and if you are familiar with her, then you will know what to expect. I didn't, and to hear music like this kind of took me aback. However, most of the singing is very good, and this movie completely sold me on Bjork's singing abilities, and I'm glad I was introduced to her through this movie. And, it is a very emotional movie. When it was over, me and my uncle (with whom I watched it with) just sat there in complete silence. Needless to say, the story and music and ending added up to make a fantastic movie. It was so impressive to me, that the very next day, I watched it again. The style is still somewhat odd to me, but it's grown on me. Not for everyone, but if want something that's experimental or emotional or both, check it out.