mouschieinstein

The thing most Christopher Guest movies have going for them is their humanity. I always could believe the universe the characters were operating in, and their realism (see the dog owners in Best in Show or the small town citizens of Waiting for Guffman). That humanity transcended the satire and made the movies both hysterical and moving. FYC completely lost the humanity that drives these films. Almost all of the characters were not believable. In this instance Guest's improvisational technique failed him as the actors were all over the top, playing too much to the satire. Only two actors seemed in touch with their characters - Parker Posey (who we really saw too little of to understand her) and the great Catherine O'Hara, who sold both the aging actor she was portraying and the Jewish mother in the film within the film.