I'm IMDb's Senior Film Editor and, though I haven't seen every film 2017 had to offer, I saw a LOT of films. As always here's my Top 25 Films of 2017 in case you're wondering what's just outside of this list, perhaps even some of your favorites. Both these lists have changed over the year as they should. Movies have surfaced and receded (and left!), often after a second viewing. by Keith Simanton, Senior Film Editor, IMDb -
#1 - Writer/director Greta Gerwig's sensitive, yet unsentimental, treatment of coming of age and of a parent/child relationship (as the child grows apart) is the only flawless film I've seen this year. Saoirse Ronan's makeup free/b.s.-free performance will make writers write roles for her for fifty years. Besides Breaking Away it's hard to find a film, or a TV show, to compare it to. You'd have to go to a novel for that.
#2- Just when you think you know writer/director Martin McDonagh, because of 7 Psychophaths or In Bruges, he comes along and totally surprises you. The same could be said for the main characters in Three Billboards. There's the grieving/infuriated/aggrieved mother Mildred, played with ferocity and humanity by Frances McDormand, and the sorrowful sheriff Willoughby, a tender, real Woody Harrelson, and the ugly, bigoted deputy Dixon, played by the thank-God-it's-his-time Sam Rockwell. All three take McDonagh's script, dropping the smart-alack stance of his former work, and transform it into a bridge into another person's wrecked world. Lovely and tough at the same time.
#3 - The film I've watched at least six times Sick is one of the best romantic comedies in years. Based on the true story of Kumail Nanjiani and his co-writer/wife, Emily Gordon there are few false notes. Holly Hunter
#4 - Though I was shaken by the scope, the vastness, the emptiness, the terror of seeing this film the first time it was my second and third that solidified its greatness for me. The nature of how we experience the world, the first time raw, emotional and reactionary, is the first viewing, all noise and flashes and drive. Yet it's only upon reflection, a second viewing, if you will, that you get compassion, some depth of understanding and some perspective of events that happened to you. That perspective under-girds every frame of this incredible picture. It is Nolan's most meditative, his least plot-driven, and future film lovers may call it his greatest work.
#5 - Sean Baker is one of a handful of filmmakers making films as if he were unaware that the '70s are over. The hardest sit of the year for me The Florida Project confronts you with your own backyard (or 15-20 miles away from it). Yet instead of a PSA it brings its characters alive by making them all too real, all too believable (petty, ungrateful and just plain mean). The ending is debated even among those who made it.
#6 - The question of what constitutes humanity and human connection, one brought up in films as early as Metropolis to the original Blade Runner to A.I., are given a vigorous workout in Denis Villineuve's film. The richness of 2049's palate by cinematographer Roger Deakins and the stunning sets are like an edition of OMNI magazine sprung to horrible, terrible, inevitable life.
#7 - Family. They can be your legacy. They can be your genetic destiny. They can boost you up beyond your own belief in yourself. And they can be a huge pain in the posterior. No one has captured that in an animated film quite the way that co-directors Lee Unkrich (Toy Story 3), Adrian Molina and team have done with Coco. Of course, midst the music (is this Pixar's first musical?), the color and the atmosphere, that can easily be missed. Or maybe the filmamkers, much as best magicians, want you looking at the right hand so that the left one can perform the real trick.
#8 - Confession first: I burst out loud laughing at an inappropriate moment in the theater in Unbreakable (it's something I've done only three times in my life). It's a certain scene where a child is pointing a gun at an adult). I laughed because it was ludicrous as I found a good part of that 2000 film. Unbreakable, like The Goonies, was seen by 13-16 year-olds who drug it into adulthood like a blankie. So I'm not one of that crowd. There is nothing ludicrous about Split, a lean and taut thriller with a bravura performance by Jame McEvoy, playing multiple aspects of a conflicted killer. There is also a tender and tough performance by Anya Taylor-Joy, one largely restricted to passivity. As we've seen in 2017 there are men we thought were normal enough, but who really were inhabited by spiritual demons. As far as relevance this could be the film of the year. Split puts Shyamalan back in the promising world he inhabited with Six Sense and Signs, a master of suspense for a new age. I'm surprised to say this, but, welcome back.
#9 - In an odd way a counterpoint to Lady Bird. Here, the young protagonist, played by Timothy Chalamet (also in Lady Bird) is the knowing one in charge. His vulnerability stems from his youth but he is confident and in charge otherwise. He knows himself, what he wants and who he is, unlike almost everyone around him. Armie Hammer's older, more worldly character, however, is the one who is hemmed in by society and his own comfort.