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- A documentary made prior to the death of filmmaker Andrei Tarkovsky, showing him working on his final film "The Sacrifice". This documentation was made at Tarkovsky's request to stand as a record of his working practices. Interspersed with clips of the director's previous films, this should prove especially interesting for fans of Tarkovsky's work.
- Akerman spends a month in Tel Aviv, in an apartment by the sea, contemplating her family, her Jewish identity and her childhood.
- A documentary examining the effect of a man dragged to death on the residents in Jasper, Texas.
- A documentary look at the fate of Mexicans who cross the border into the United States.
- Filmed in Warsaw with the Sinfonia Varsovia Orchestra and assorted musicians, the idea for the film came from Sonia Wieder-Atherton herself, who wanted to pay homage to the beloved Slavic repertoire, folk music that sounds very unfamiliar.
- This short subject consists of six outtakes from the 2001 feature Where Does Your Hidden Smile Lie about the editing sessions of Straub and Huillet on their film Sicilia.
- Four families live together in an isolated house in the mountains, where conflicts erupt between the generations.
- Documentary on a recovering crack addict and her troubled daughter as they navigate the obstacles of joblessness, parenthood, welfare, and public housing.
- Cellist Sonia Wieder-Atherton talks about herself and her musical path. She says she chose the cello because of the legato, and the possibility of a legato that could last forever. Then we are regaled with footage of the artist playing.
- Winter 2008: An unrelenting roar has been mounting for several months in America, resonating all the way to Paris, where African-American expatriate filmmaker, Guetty Felin has been living a self-imposed exile for the last 20 years. Unable to resist the seething political atmosphere back home, she embarks French husband, Hervé Cohen (co-director) and their two sons 15 year-old Yeelen and Joakim 11, on a journey to bear witness to the historical grassroots movement that is uniting Americans across party and racial lines. And so, what began as a video diary of the political coming of age of their sons, would later turn into an electoral road movie across the country in the quest of rediscovering America and redefining oneself in it. For weeks on, as the mainstream media, political pundits spend airtime dissecting and fragmenting the American electorate, the couple journey across the country unearthing the compelling stories of an array of charismatic individuals, turning their lenses to a mosaic of American faces and lives: Congresswoman, lawyer, public defender, nurse, street musician, spoken word poet, punk rockers, environmentalist, rabbi, gay activists and a mellifluous flow of other individuals breathe life into the film. From Houston, Texas to Chapel Hill, North Carolina and from Roseburg, Oregon, to Boca Raton, Florida, via the Southside of Chicago, Illinois, we see Republicans and Democrats coming together to rethink and redefine democracy in America. The encounters, interwoven with sequences of Senator Obama at rallies but also town hall meetings interacting on a very personal level with the audience, help to move the narration forward, providing a new set of lenses through which the filmmakers view America today. By the end of the film, the couple discovers an answer to their question: Shall we return to America and engage in the changes to come? Shot entirely handheld, the strength of the film lies in its insider and outsider gaze, and is a powerful testament to the resilience of the American people and their desire to engage the country in a bold new direction.
- In a modest office in Paris, Caroline and Colette help asylum seekers find accommodation or something to eat, and fight against their growing despair and the madness of bureaucracy.
- The search for a missing woman gives an Athenian lawyer, Manos - who is suffocating in his marriage to Kynthia - the opportunity to travel to Epirus. Leaving his familiar surroundings, he gradually enters another world, unknown and mysterious. His journey resembles the descent to Hades, and his visit to the supposed entrance to the underworld is revelatory. In Epirus he discovers that Evanthia, the woman he is searching for and whose disappearance twenty years ago provoked a major inheritance issue, has, in the meantime, married a Greek refugee from Albania, Fanis. Circumstances oblige Fanis to return to Albania, but Evanthia goes in his stead. Manos discovers Fanis hiding in an isolated hut and learns that Evanthia has been in Albania for quite some time. He decides to cross the border, finds Evanthia and brings her back. This is a film about loss and searching, both external and internal. An introspective meditation on life inspired by the social disorder of the Balkans in the mid '90s.
- Between 1947 and 1950, more than 80 000 Greek citizens were imprisoned on the isle of Makronisos (Greece) in reeducation camps created to 'fight the spread of communism'. Among these exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, these prisoners succeeded in composing poems, which describe their struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda constantly piped through the camps' loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.
- A look at the Baath party's project to construct a system of dams.
- Autumn 1946, Germany is devastated. For three months, a young Swedish journalist, Stig DAGERMAN, wanders in the ruins of the German cities destroyed by the bombing of the allies.
- This documentary describes the historical, geographical and social similarities between the people living in the Mediterranean countries through their dietary habits, production methods and everyday activities.
- When France surrendered in 1940 and German soldiers showed up in the Vosgian village of Housseras, an unknown French foot soldier burned his papers and killed himself in a farmer's barn. Four years later he was identified as "soldat Doblin, Vincent". In fact, he was none other than the mathematician Wolfgang Doeblin, son of the famous German novelist Alfred Döblin ("Berlin Alexanderplatz") who was forced to flee Nazi Germany with his family in 1933. A French citizen since October 1936, Wolfgang Doeblin carried on his research into probability theory during his military service and even during the hardships of the "Phoney War" in the winter of 1939-40. In February 1940, four months before his death at the age of 25, he sent his most important manuscripts ("About the Kolmogoroff Equation") as a "sealed envelope" to the Academy of Science in Paris, where they were kept in safe custody for 60 years. Wolfgang Doeblin's short and dramatic life story, almost forgotten, was finally brought into the limelight when the "sealed envelope" was opened in May 2000. Far ahead of their time, his groundbreaking contributions to the theory of random processes place Wolfgang Doeblin among the major innovators of probability, the "mathematics of randomness". Mathematical models for evaluation of chances and risks went on to gain major importance in numerous domains of modern science, in everyday life and especially in contemporary financial mathematics.
- The film school of Sderot, located in the south of Israel 2 km from the Gaza border, is a microcosm of daily life in the country. Jews, Muslims, Christians, Palestinians, Israelis, left-wing radicals and nationalists share classrooms but rarely opinions. Here, cinema isn't just an artistic pursuit. It is a nakedly political act. This film school is a sociological laboratory, confronting complex paradoxical ideologies and political positioning. It is a place of cultural geopolitics, intent on redefining perceived boundaries...
- Esti meets Antoine. She says: 'I'm writing, you'll film it'. She no longer knows if they love each other because they're making a film together or if they love each other in life. The love story goes on more lovely, passionate, too strong.
- The voice-over of an animal documentary finds out the film actually takes place in Paris.
- For many years, our buying power has constantly grown. In order to satisfy our needs and make the economy work, we need to purchase more and more. We are happy to buy cheaper but we don't realize that we hereby dismantel our social models and we destroy our jobs and environment. But can we cheapen the value of things endlessly?
- A film about the long-lasting image of King Louis XVI which focuses on the French monarch's political journey to the Revolution and the mixed legacy that resulted after his death.
- Within an image, another one is always hiding. Using only archive footage and without words, Still Life aims to rediscover and delve into the opacity of images made during the 48 years (1926-1974) of Portuguese dictatorship (news, war footage, propaganda documentaries, photos of political prisoners and also previously never seen rushes) in order to foster new interpretations.
- Documentary about the director Shohei Imamura. This intimate portrayal arrives to calm us. In good health and enjoying life, Imamura gets drunk methodically in a bar worthy of "An Autumn Afternoon". Then, in the hands of the professional of an hairdresser, he tells his short experience as a director of pornographic films. We salivate with extracts of unknown and invisible films. We find out he his preparing a new film. It sums up the global project of Imamura perfectly: write the counter-history of Japan, from the point of view of the whores and bandits.