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1-15 of 15
- A man falls for his daughter's classmate and they get entangled in a steamy affair. When their sexual desire becomes obsession, things turn crazy.
- Raymund is faced with the responsibility of taking care of his nephew, while also building a relationship with Tim.
- Mateo is a lighthouse caretaker dating a teacher, Suzette, in a small town that is trying to increase tourism. Jerome stumbles across Mateo and Suzette having sex while he is on holiday from Manila. A local gay man who pays local teenage boys for sex talks to Mateo about the negative aspects of being gay in the Philippines. According to local legend, a lighthouse fairy seduces desirable men who then never marry. Mateo's relationship with Jerome leads to self-reevaluation.
- Three suspected persons revealing different points-of-view of a brutal crime.
- Photographer Billy and his girlfriend Sarah have just moved into a new apartment. They are no longer in love, but they content themselves with sex, often involving role play. Billy becomes enamored with their new neighbor Dana.
- The story follows the endangered relationship of an architect and his wife, a photographer. After being married for 10 years, they have lost all emotional connections with each other. However,they both still want to save their marriage so they resort to extreme measures to revive their attraction for one another and rekindle their dying passions. They experiment with other partners and what happens is a matter of exchanging partners that resorts into an explosive climax of uncontrolled carnal desires.
- Antonio is a 15-year-old boy coming to terms with his sexuality in Manila, where his uncle comes to stay with him and his mother.
- Tuli (Filipino for circumcise) is the story of Daisy's life in an isolated Philippine province. Daisy's father is responsible for the circumcision of almost all the males in town. Daisy's father is also a drunkard who abuses his wife and Daisy; this is making Daisy hate her father and all men. Her father forces her into an arranged marriage, but she doesn't want to marry the man her father chose for her. Meanwhile, Daisy's best friend is also suffering. Tradition in this isolated Philippine town dictates that Daisy must succeed her father as the town's official circumciser. must be the town's official circumciser. Daisy challenges the status quo and rebels against everything that she hates--and a young man defends her. Tuli is also the story of two best friends who deepen their relationship beyond friendship and a young man willing to give Daisy everything he has. In this rite-of-passage tale Daisy tells her brutal and painful story - Tuli.
- A caretaker of a boarding residence has carved holes on the house's ceiling to snoop on other tenants. Through these holes, he is able to witness their most intimate and darkest secrets.
- Set in Philippine post-American colonialist era, where the American influence was still apparent, Ilusyon tells the story of Miguel, a young man from the countryside, who decides to visit his father Pablo, a Modernist painter in Manila. Upon his arrival, he discovers that his father has decided to leave for the province, but he decides to stay in Manila and have a vacation. One day he meets Stella, a nude model originally scheduled to pose for Miguel's father. Struck by her beauty, Miguel does the unthinkable: he pretends to be his painter father; they start and develop a relationship based on his lie. Suddenly Stella contracts a strange skin disease that repels Miguel. Surrounded by strange characters--a talking cow, a talkative mailman, and a nosy landlady--Miguel is driven into a frenzy realization about beauty, lust, love, and being true to oneself. An ambiguous ending underlines the surreal tone of the film.
- Story about a group of 4 friends going on a road trip, in search for goals and inner-self.
- Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.