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1-11 of 11
- Based on the true story of Melanija Vanaga, this film is a brutally realistic and terrifying account of the mass deportation of residents of Soviet-occupied Latvia that took place in June 1941.
- The marriage of Tana and Milan Labat is going through a crisis. They are constantly quarreling while their 16-year-old daughter goes missing at her birthday party. The couple redefine their marriage as they set off to find their child.
- As a young Soviet student in 1978, Ieva could not have predicted that a holiday visit to her father, Imants Lesinskis, then working in the Soviet mission at the United Nations in New York City, would irreversibly split her life in two. Entangled in a dark spy game, Ieva is forced to leave her former life behind, never to see her mother or her homeland of Latvia again. Pulling back the curtain on the shady behind-the-scenes world of the Cold War, this film tells a daughter's dramatic story of her double-agent father, exploring their relationship against the backdrop of events which have their roots over four decades ago. In order to find herself and understand the game she was part of, Ieva sets out on a journey to the past, confronting family secrets, lies and betrayal.
- A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he's about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country's cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990's war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he's completely the wrong man for the job.
- It's 1999, the Millenium is approaching. Three ninth graders Sarmite, Sveta and Katrina are tired of being bullied and laughed at school. They decide to change their lives and become the most popular girls in school till the prom.
- The Corridor is the story of two old sisters who have totally opposite characters and had to live together. They are carried to loneliness, they can't socialize neither to each other nor to anyone else. They fall into despair and wicked behaviors but never hurt anyone else but themselves and each other. This is an ironic drama where their effort to settling accounts with life, past, mother, father, family, hopes, expectations has never and will never finish.
- David, a talented 16-year-old-goalie freshly diagnosed with diabetes, joins a new ice-hockey team, the Wolves, where he becomes the outsider, bracing the avalanche of bullying that gradually gains speed.
- Story of the talented Russian poet, Anna Barkova (1906-1976), who spent twenty-two years of her life in the Gulags. She survived thanks to her poems, thanks to hope and her passionate love for a woman named Valentina.
- Insular 12 year old Alice escapes from life via gaming. After an explosive argument with her mother, Alice is suddenly flung into a strange gaming world, where she meets curious players, and faces the tyrannical Black Queen to get home.
- We encounter the controversial Croatian film director Lordan Zafranovic in voluntary exile in Prague. The film follows his rise from a talented outsider to the celebrated Yugoslav director of the acclaimed war film, 'An Occupation in 26 Pictures'. His life story is an unconventional depiction of a rise and fall that reveals compromises made in order to survive artistically during communism, as well as the missed opportunities and miscalculations that led to his inability to adapt in later years. Is the charismatic Zafranovic a national traitor or a victim of historical circumstances in which the only thing he wanted to do, in his own words, was to be himself and make films?
- No more adrenaline and missions with clear goals, instead a life that has lost meaning, isolation from family and society, and material hardship: for many soldiers civilian life is a bigger challenge than war. Three veterans of an elite task force deployed on foreign missions face a very different battle when they return to their civilian lives. These have no clearly defined battlefield or enemy, yet they represent a series of daunting challenges. Despite the clear risks, wartime operations also provided a safe zone of male camaraderie and teamwork. Suddenly, the three protagonists are fighting on their own in a world where bullets don't whizz and mines don't explode, yet full of inscrutable pitfalls for which military drill has not prepared them. The film charts their groping and complex search for new roles over a period of several years. It explores questions of the motivations that brought them into the army and the impact on their family life. A remarkable portrait of three professional soldiers whose extraordinary skills and experience are rendered virtually useless from one day to the next.