Problemista.As a former Saturday Night Live writer, co-creator of the bilingual HBO cult favorite Los Espookys, and government-certified “alien of extraordinary ability,” Julio Torres has been preoccupied with the secret life of objects: the existential dilemmas that plague baubles and trinkets divorced from their original purpose. In Problemista (2024), Torres’s debut feature, the efficacy of form and function, as it applies to the predominant social order and the flimsy structures that reinforce it, is up for constant reconsideration. Through fabulist vignettes and an iridescent array of signs and symbols, the film offers a buoyant critique of institutional frameworks, especially the Kafkaesque bureaucracy of the American immigration system, but also the avarice of corporate banks and the innumerable hypocrisies of the art world. Contributing a singular perspective to the discourse surrounding “the queer art of failure,” Torres views conventional notions of utility with puckish skepticism and advocates for a deliberate...