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'The Surfer' has really just one thing to say about it: if ever a movie was made for Nicolas Cage! I got great entertainment from this one, the main man himself is terrific all the way through but, in fairness, is joined by a very ably performing supporting cast.

I can sometimes get more annoyed than anything else when films use yobs as antagonists, but this flick shows the way to utilise those sorta characters because here they are the (relatively) believable but also clearly just there to mess with the protagonist; their actors do good.

Cage is obviously the star, but I did enjoy watching Nic Cassim (the best away from the lead) and Julian McMahon. As expected given its a psychological thriller, the plot does indeed go heavy in both of those things. It does meander a bit much in the middle, but it's ultimately worth it.

The score is excellent, that and most other elements to this make it clear that a lot of thought and attention to detail has gone into making this. It's a nice looking film, for sure. That means little if the story isn't engaging though, which thankfully it most definitely is here.

'Agak Laen' may be a bit all over the place in terms of tone, but it is quite a fun flick all in all. It's well made too, it oddly gave me vibes of 2018's 'The Festival', particularly lighting-wise, for some reason - I didn't think I'd be making a connection between those two!

Oki Rengga, Boris Bokir, Indra Jegel and Bene Dion make for good casting, they fit as a four and do come across as a friends group. Rengga and Bokir are the standouts, for me. Arie Kriting is the one I'd rank highest of the other cast members; all of whom are absolutely fine, at worst.

The plot is a strange choice, I gotta say, for a comedy, I'm not convinced by how they blend it together but it works; even if the more sincere moments didn't quite hit as intended, at least to me. Oki's part at the conclusion is the closest a non-comedy bit came to hitting.

Also, the product placement is kinda mad, proper egregious stuff. This is my first taste of Indonesian cinema, I assume this is the norm? I only guess that because I do know that their football broadcasts are/were ad-heavy; that's how I know what Torabika is, lol.

'Warfare' ends up as expected: bleak and miserable. The sound design is truly outstanding, such fine work ensures that you hear and feel everything. The plot being told in real time makes it rather captivating too, the tone of either trepidation or torment is omnipresent.

Well, I say omnipresent, that's taking out the opening scene. I was not expecting that! Very fun though and a good way to show a snapshot of the camaraderie. It shouldn't work because it's not like it matches the rest of the film, but I gotta say I really loved it. What a tune, by the way.

It's a fairly stacked cast list, from Will Poulter to Joseph Quinn to Charles Melton to Michael Gandolfini to D'Pharaoh Woon-A-Tai. No-one actually stands out individually, but I think that's entirely a good thing because it obviously isn't a story about any one person - it's about all of them.