Recensioni di Metacritic

Even when Disconnect follows the path we expect it to follow, it does so in a way that keeps us intensely engaged. There wasn't a moment during this movie when I thought about anything other than this movie.

The film ominously conveys a world of too much information but too little communication, where people have become slaves to glowing hand-held devices that were designed to make life easier but have made it busier and more complicated.

It’s a blunt instrument of a movie, and often melodramatic. But it sometimes moves and often hits its target square on the nose.

Despite occasional flaws, Disconnect is filled with fine performances, informed by an often sophisticated script and directed with passion.

Bateman, in a rare dramatic role, is just tremendous, finding depths of emotion where they're least expected. Disconnect works they same way. Even when it trips on its ambitions, it hits home.

Disconnect is far from a bad movie. It’s just better at melodrama than drama.

Well-meaning but dated and frequently risible issue-drama.

Disconnect might play better a decade from now, when it's more clearly a compendium of contemporary fears rather than some dire expression of them.

Only Andrea Riseborough comes close to rising above it all, and even she’s undone by what may be the crassest climactic slo-mo montage ever. The lucky will have logged off by that point.

Fails not so much because of its occasional self-seriousness or didacticism than it does from a scattered plot that makes the story's overriding theme or message difficult to grasp.