Director: Robert Wise Composer: Jerry Goldsmith Film Editor: Todd Ramsey Production Designer: Harold Michelson Cinematographer: Richard Kline ASC Screenwriter: Harold Livingston Story Writer: Alan Dean Foster Producer: Gene Roddenberry Special Photographic Effects Director: Douglas Trumball Special Photographic Effects Supervisor: John Dykstra ASC Special Photographic Effects Producer: Richard Edlund ASC Executive in Charge of Production: Lindsey Parsons Jr Associate Producer: Jon Povill Special Animation Effects Supervisor: Robert Swarthe Special Science Advisor: Jesco Von Puttkamer Special Science Consultant: Isaac Asimov Costume Designer: Bob Fletcher Set Decorator: Linda DeScenna Unit Production Manager: Phil Rawlins Assistant Director: Danny McCauley 2nd Ass't Director: Doug Wise Art Directors: Joe Jennings, Leon Harris, John Vallone Mechanical Special Effects Supervisors: Alex Weldon, Darrell Pritchett, Ray Mattey, Marty Bresin Camera Operator: Al Bettcher Assistant A-Camera: Michael Genne Assistant B-Camera: Rob Wise Gaffer: Larry Howard Photographic Effects Unit DoPs: Dave Stewart, Richard Yuricich ASC Matte Paintings Supervisor: Matthew Yuricich Add'l Matte Paintings Designer: Rocco Gioffre Miniatures Supervisors: Jim Dow, Russ Simpson, Greg Jien Photographic Effects Unit Cameramen: Scott Squires, Hoyt Yeatman ASC Add'l Cinematographers: Jim Dickson, Bruce Logan ASC, Charles Wheeler ASC Mechanical Designer: George Polkinghorne Visual Consultants: Virgil Mirano, Ernest Garza, Guy Marsden Photographic Effects Unit Gaffer: David Gold Photographic Effects Unit Photography: Scott Farrar ASC Optical Consultants: Alan Gundelfinger, Milt Laiken Apogee Miniatures Supervisor: Grant McCune Apogee Supervisor of Optical Photography: Roger Dorney Apogee Photographic Effects Photographers: Cosmos Paul Bolger, Robert Elswit ASC Apogee Special Visual Consultants: Mike Middleton, Eric Nash, Phil Joanau Apogee Optical & Mechanical Consultants: Abbot Grafton, Gerald Nash Geometric Designer: Ron Resch Engine Room & Voyager 6 Complex Designers: Sam Nicholson, Brian Longbotham Filming Dates: 7 August 1978 - 26 January 1979 Cameras: Panaflex & PSR R-200 (35mm Eastman 100T 5247) Lenses: Panavision C-Series Anamorphic Primes & C-Series Split Diopter Anamorphic Primes AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects) Budget: 35-44 Million USD Budget AFI (2022): 133.9-168.4 Million USD Photographic Effects Sequences Provided by: Apogee Attribute: Filmed in Panavision

Director/Co-Writer: Nicholas Meyer Executive Consultant: Gene Roddenberry Composer: James Horner Film Editor: William Dornisch Production Designer: Joseph Jennings Cinematographer: Gayne Rescher ASC Executive Producer/Story Writer: Harve Bennett Associate Producer: William Phillips Costume Designer: Bob Fletcher Unit Production Manager: Austen Jewell 1st Assistant Director: Douglas E. Wise 2nd Assistant Director: Richard Espinoza Art Director: Michael Minor Set Decorator: Charles Graffeo A-Camera Operator: Craig Denault 1st Assistant A-Camera: Catherine Coulson 2nd Assistant A-Camera: Tom Connole Production SFX Supervisor: Bob Dawson Add'l Special Lighting Effects Supervisor: Sam Nicholson ASC Set Designers: Daniel Gluck, Daniel E. Maltese Graphic Designer: Lee Cole Stunt Coordinator: Bill Couch Technical Advisor: Richard Green Title Designers: Don Kracke, Rodger Johnson Vulcan Translation Supervisor: Marc Okrand ILM Special Visual Effects Supervisors: Jim Veilleux, Ken Ralston ILM Effects Unit DoPs: Don Dow, Scott Farrar ASC ILM Effects Unit Camera Operator: Stewart Barbee ILM Effects Unit Ass't A-Camera: Selwyn Eddy III ILM Effects Unit Ass't B-Camera: David Hardberger ILM Effects Unit Ass't C-Series: Robert Hill ILM Effects Unit Ass't D-Camera: Michael Owens ILM Effects Unit Ass't E-Camera: Michael Santy ILM Optical Photography Supervisor: Bruce Nicholson ILM Optical Printer Operators: Kenneth Smith, Mark Vargo ASC, John Ellis ILM General Manager: Tom Smith ILM VFX Production Supervisor: Patricia Rose Duignan ILM VFX Production Coordinator: Warren Franklin ILM Matte Photography Supervisor: Neil Krepela ASC ILM Matte Photography Assistant: Craig Barron ILM Model Makers: Bill George, Sean Casey, Larry Tan, Jeff Mann ILM Supervising Model Maker: Steve Gawley Ultra High Speed Camera Operator: Bruce Hill Filming Dates: 11 November 1981 - 28 January 1982 Cameras: Panaflex Gold & VistaVision (35mm Fuji A 250T 8518) Lenses: Panavision C & E-Series Anamorphic Primes AR: 2.20:1 (70mm Prints), 2.40:1 (Anamorphic)(8-Perf VistaVision: Visual Effects) Budget: 11.2-12 Million USD Budget AFI (2022): 32.2-34.5 Million USD Special Visual Effects Produced at: Industrial Light & Magic Additional Animation & Optical Visual Effects Provided by: Visual Concept Engineering & Modern Film Effects Attribute: Filmed in Panavision

Director: Leonard Nimoy Executive Consultant: Gene Roddenberry Composer: James Horner Associate Producer: Ralph Winter Film Editor: Robert Shugrue Supervising Art Director: John E. Chilberg II Cinematographer: Charles Correll ASC Executive Producer: Gary Nardino Writer/Producer: Harve Bennett Unit Production Manager: Michael P. Schoenbrun 1st Assistant Director: John Hockridge 2nd Assistant Director: Ken Stringer VFX Supervisor: Ken Ralston Costume Designer: Bob Fletcher Camera Operator: David B. Nowell ASC Cameras: Mitchell VistaVision & Panaflex Gold (35mm Eastman 125T 5247/400T 5294) Lenses: Panavision C-, E-Series Anamorphic Primes & Nikon Nikkor Primes AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects) Budget: 16-17 Million USD Budget AFI (2022): 42.8-45.4 Million USD Printed on: Eastman 5384 Visual Effects by: Industrial Light & Magic Attribute: Filmed in Panavision

Director/Story Writer: Leonard Nimoy Executive Consultant: Gene Roddenberry Composer: Leonard Rosenman Film Editor: Peter Berger ACE Executive Producer: Ralph Winter Production Designer: Jack Collis Cinematographer: Donald Peterman ASC Producer/Co-Writer: Harve Bennett Screenwriter: Nicholas Meyer 2nd Unit Director: Michael Owens ILM FX DP: Don Dow Underwater DP: Pete Romano ASC Camera Operator: Keith Peterman 2nd Assistant Director: Frank Capra III Production VFX Supervisor: Ken Ralston Costume Designer: Bob Fletcher Filming Dates: 24 February 1986 - 5 May 1986 Cameras: Arriflex 35-III & Panaflex Gold (35mm Eastman 125T 5247/400T 5294) Lenses: Panavision C-Series Anamorphic Primes & Super High Speed Anamorphic Primes AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic) Budget: 25-26 Million USD Budget AFI (2022): 63.4-65.9 Million USD Printed on: Eastman 5384 Visual Effects Provided by: Industrial Light & Magic Attribute: Filmed in Panavision

Director/Story Writer: William Shatner Executive Consultant: Gene Roddenberry Composer: Jerry Goldsmith Costume Designer: Nilo Rodis-Jamero Film Editor: Peter Berger ACE Production Designer: Herman Zimmerman Cinematographer: Andrew Laszlo ASC Executive Producer: Ralph Winter Producer/Story Writer: Harve Bennett Co-Writer: David Loughery High Fall Stunt Performer: Kenny Bates Camera Operator/2nd Unit Director: Bob Carmichael Add'l Camera Operator: Keith Peterman 2nd Assistant Camera: Jeffrey Thorin Illusion Arts Matte DoP: Mark Sawicki Live Action FX Unit DoPs: Tom Weston, Frost Wilkinson New Spacecraft Model Designer: Greg Jien Filming Dates: 11 October 1988 - 28 December 1988 Cameras: Mitchell VistaVision, Panaflex GII & Platinum (35mm Eastman 400T 5294/400T 5295) Lenses: Panavision Primo Anamorphic Primes (Prototype), C-, E-Series Anamorphic Primes & Nikon Nikkor Primes AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects) Budget: 27.8-33 Million USD Budget AFI (2022): 62.3-73.9 Million USD Printed on: Eastman 5384 Phase: The Original Series - Prime Timeline Stock Optical Recomposites Provided by: Industrial Light & Magic Special Visual Effects Produced by: Associates & Ferren Additional Optical Effects Provided by: Visual Concept Engineering Matte Paintings Provided by: Illusion Arts Attribute: Filmed in Panavision

Director/Screenwriter: Nicholas Meyer Dedicated to: Gene Roddenberry Executive Producer/Story Writer: Leonard Nimoy Composer/Conductor: Cliff Eidelman Co-Producer: Marty Hornstein Associate Producer: Brooke Breton Film Editor: Ronald Roose Production Designer: Herman Zimmerman Cinematographer: Hiro Narita ASC Story Writers: Lawrence Konner, Mark Rosenthal Producer: Ralph Winter Producer/2nd Unit Director: Steven Jaffe Costume Designer: Dodie Shepard Production VFX Supervisor: Scott Farrar ASC 2nd Film Editor: William Hoy ACE 2nd Unit DoP: John Fante Filming Dates: 16 April 1991 - 2 July 1991 Cameras: Panaflex GII & Platinum (35mm Eastman 125T 5247/EXR 100T 5248/500T 5296) Lenses: Panavision Primo Spherical Primes AR: 2.00:1 (DVD), 2.39:1 (4-Perf Super 35mm)(8-Perf VistaVision: Visual Effects) Budget: 27-30 Million USD Budget AFI (2022): 55-61.2 Million USD Printed on: Eastman 5384 Visual Effects by: Industrial Light & Magic Attribute: Filmed with Panavision Cameras and Lenses

Director: David Carson Composer/Conductor/Orchestrator: Den McCarthy Orchestrator: William Ross Co-Producer: Peter Lauriston Costume Designer: Robert Blackman Film Editor: Peter Berger ACE Production Designer: Herman Zimmerman Cinematographer: John A. Alonzo ASC Cinematographer (ILM Miniature Crash Sequence Photography Unit): Kim Marks Executive Producer/Unit Production Manager: Bernie Williams Producer/Story Writer: Rick Berman Co-Writers: Ronald D. Moore, Brannon Braga Stunt Coordinator: Bud Davis Unit Production Manager: Robert Grand 1st Assistant Directors: Yudi Bennett, Chris Soldo 2nd Assistant Director: Daniel Silverberg ILM Senior VFX Supervisor: John Knoll Production VFX Supervisor: Ronald B. Moore Special Makeup Effects Designer & Supervisor: Michael Westmore Production Supervisor: Michelle Wright Art Director: Sandy Veneziano Set Decorator: John M. Dwyer Set Designers: Robert Fechtman, Ron Wilkinson, Dianne Wager Scenic Art Supervisor: Michael H. Okuda A-Camera Operator: Pernell Youngblood Tyus B-Camera Operator: Krishna Rao C-Camera/Steadicam Operator: George Billinger III 1st Assistant A-Camera: Gregory W. Smith 1st Assistant B-Camera: Jeff Greeley 1st Assistant C-Camera: Alan Gitlin 1st Assistant D-Camera: Mike May 2nd Assistant A-Camera: Jorge Sanchez 2nd Assistant B-Camera: David Goldstein Production SFX Supervisor: Terry D. Frazee 2nd 2nd Ass't Director: Arlene Fukai Main Title Designer: Dan Curry Production VFX Associate: Eric Alba ILM VFX Co-Supervisor: Alex Seiden ILM VFX Producer: Roni McKinley ILM VFX Art Director: Bill George ILM CG Supervisor: John Schlag ILM VFX Coordinators: Alia Almeida Agha, Ginger Thiesen ILM CG Sequence Supervisor: Bart Giovannetti ILM CG Technical Director: Joel Aron ILM CG Animator: Douglas Smythe ILM CG Artist: Ben Snow ILM Concept Designer: Mark Moore ILM VFX Editor: Michael McGovern ILM VFX Unit Camera Operator: Patrick Sweeney ILM VFX Unit Ass't A-Camera: Kate O'Neill ILM VFX Unit Ass't B-Camera: Joe Biggins ILM Model Supervisor: John Goodson ILM Model Department Supervisor: Jeff Olson ILM Chief Model Makers: Lorne Peterson, Larry Tan, Steve Gawley, Brian Gernand ILM Model Maker: Steve Walton ILM Stage Manager (Miniature Crash Sequence Photography Unit): Ed Hirsh ILM Miniature Crash Sequence Photography Unit 1st AC: Patrick McArdle ILM Miniature Crash Sequence Photography Unit Key Rigging Technician: Dave Heron ILM Effects Riggers (Miniature Crash Sequence Photography Unit): Geoff Heron, Joseph Fulmer ILM VFX Unit Camera Engineer (Miniature Crash Sequence Photography Unit): Duncan Sutherland ILM Optical Supervisor (Miniature Crash Sequence Photography Unit): Bruce Vecchitto ILM CG Software Developer (Miniature Crash Sequence Photography Unit): Zoran Kacic-Alesic ILM Scanning Supervisor (Miniature Crash Sequence Photography Unit): Joshua Pines ILM Scanning Operator (Miniature Crash Sequence Photography Unit): Mike Ellis ILM Production Assistant (Miniature Crash Sequence Photography Unit): Margaret Lynch ILM Executive in Charge of Production (Miniature Crash Sequence Photography Unit): Patricia Blau ILM President (Miniature Crash Sequence Photography Unit): Jim Morris CIS VFX Producer: C. Marie Davis CIS Digital Compositing Supervisor: Don Lee CIS Digital Compositors: Steve Bowen, Danny Mudgett CIS Associate Digital Compositors: Ernie Camacho, Selena Cornish, Lenny Forher CIS VFX Editor: Karey Maltzahn CIS Creative Supervisor for Computer Imaging: Joni Jacobson CIS Computer Imaging Supervisor: Dawn Guinta SBS Effects Supervisor: John Grower SBS VFX Producer: Bruce Jones SBS Animation Supervisor: Eric Guaglione Cinesite DFX Coordinator: Scott Dougherty Filming Dates: 24 March 1994 - 9 June 1994 Camera: Panaflex Platinum (35mm Eastman EXR 100T 5248/500T 5296) Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 35 Million USD Budget AFI (2022): 65.6 Million USD Special Digital Visual Effects Provided by: Industrial Light & Magic, CIS Hollywood + Santa Barbara Studios Matte Paintings Provided by: Illusion Arts Attribute: Filmed in Panavision

Director: Jonathan Frakes Composer: Jerry Goldsmith Costume Designer: Deborah Everton Film Editor: John Wheeler ACE Production Designer: Herman Zimmerman Cinematographer: Matthew Leonetti ASC 2nd Unit Director: Peter Lauritson 2nd Unit DPs: Henryk Cymerman, Bing Sokolsky ASC Add'l Cinematographers: Jorge Sanchez, Lowell Peterson ASC Special VFX Supervisor: John Knoll Borg Stunt Preformer: Thomas Robinson Harper Filming Dates: 8 April 1996 - 2 July 1996 Cameras: Panaflex Platinum & VistaVision (35mm Eastman EXR 100T 5248/500T 5298) Lenses: Panavision C-Series Anamorphic Primes AR: 2.39:1 (Anamorphic)(8-Perf VistaVision: Special Effects) Budget: 45 Million USD Budget AFI (2021): 75.4 Million USD Visual Effects Provided by: Industrial Light & Magic Attribute: Filmed in Panavision

Director: Jonathan Frakes Cinematographer: Matthew Leonetti ASC Production Designer: Herman Zimmerman 2nd Unit Director: Peter Lauritson 2nd Unit DPs: John Leonetti ASC, Bing Sokolsky ASC Composer: Jerry Goldsmith Film Editor: Peter Berger ACE Costume Designer: Sanja Milkovic Hays Filming Dates: 31 March 1998 - 2 July 1998 Camera: Panaflex Platinum (35mm Eastman EXR 100T 5248/Kodak Vision 500T 5279) Lenses: Panavision Primo SL50mm Prime & C-Series Anamorphic Primes AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Waterfall Scene) Budget: 58 Million USD Budget AFI (2021): 93.5 Million USD Attribute: Filmed in Panavision

Director: Stuart Baird ACE Co-Writer: John Logan Producer/Story Writer: Rick Berman Story Writer: Brent Spiner Executive Producer/Unit Production Manager: Marty Hornstein Cinematographer: Jeffrey Kimball ASC Production Designer: Herman Zimmerman Film Editor: Dallas Puett ACE Costume Designer: Bob Ringwood Co-Producer: Peter Lauriston Composer: Jerry Goldsmith Production VFX Supervisor: Mark O. Forker 1st Assistant Director: David Sardi 2nd Assistant Director: Richard Oswald 2nd Unit Director: Doug Coleman 2nd Unit DoP: Flemming Olsen DI Colorist: Steven J. Scott ASC Filming Dates: 28 November 2001 - 9 March 2002 Cameras: Panaflex Millennium & Platinum (35mm Kodak Vision 500T 5279) Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 67 Million USD Budget AFI (2022): 103.5 Million USD Special Visual Effects & Digital Animation Provided by: Digital Domain, CIS Hollywood & Illusion Arts Additional Optical Effects Provided by: Digiscope, EFilm & Pacific Title Digital Attribute: Filmed in Panavision

Director/Producer/Co-Writer: JJ Abrams Writers & EPs: Alex Kurtzman, Roberto Orci Producer & Co-Writer: Damon Lindelof Executive Producer: Bryan Burk Executive Producer & UPM: Jeffrey Chernov Cinematographer: Dan Mindel ASC BSC SASC Production Designer: Scott Chambliss Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE Costume Designer: Michael Kaplan Composer/Add'l Orchestrator: Michael Giacchino Production VFX Supervisor & 2nd Unit Director: Roger Guyett Production Visual Effects Producer: Shari Hanson Co-Producer & Unit Prod Manager: David Witz Associate Producer: David Baronoff Unit Production Manager: Stratton Leopold 1st Assistant Director: Tommy Gormley Stunt Coordinator: Joey Box Fight Choreographer: Robert Alonzo ILM Senior Visual Effects Supervisor: Russell Earl ILM Senior Animation Supervisor: Paul Kavanagh ILM Senior VFX Producers: Jeff Olson, Jill Brooks Post Production Supervisor: Debbi Bossi Production Supervisor: Deb Schwab Supervising Art Director: Keith P. Cunningham Art Director: Beat Frutiger Concert Artist: Ryan Church Creature & Makeup FX Designer: Neville Page A Cam/Steadicam Operator: Colin Anderson SOC 1st Assistant A Camera: John T. Connor 2nd Assistant A Camera: Jesse Roth SOC B Camera Operator: Philippe Carr-Forster 1st Assistant B Camera: Brad Peterman Supervising Prop Master: Russell Bobbitt Production Special FX Supervisor: Burt Dalton SFX Shop Operations Supervisor: Dale Ettema Special Effects Set Supervisor: William Aldridge Special Sound FX & Montage Designer: Ben Burtt Picture Car Coordinator: Tim Woods 2nd Unit DoP: Bruce McCleery ASC 2nd Unit Stunt Coordinator: Terry Jackson 2nd Unit A Cam/Steady Op: Andrew Rowlands SOC 2nd Unit A Cam 1st AC: Sergius Nafa Nofield 2nd Unit B Camera Operator: Dale Myrand Aerial Unit DoP: David B. Nowell ASC Underwater Unit DoP: Pete Romano ASC Romulan & Vulcan Language Cons.: Mark Okrand Science Consultant: Carolyn Porco Bad Robot VFX Consultant: Brandon Fayette Production VFX Consultant: Rhonda C. Gunner Production VFX Coordinator: Tom Elder-Groebe ILM Associate VFX Supervisor: Eddie Pasquarello ILM Digital Prod Supervisor: Michael Di Como ILM CG Supervisor: Nigel Sumner ILM Visual Effects Art Director: Alex Jaeger ILM Digital Matte Supervisor: Chris Stoski ILM Digital Model Supervisor: Bruce Holcomb ILM VFX Viewpaint Supervisor: Ron Woodall ILM Seq. Supervisors: Richard Bluff, Todd Vaziri, Grady Cofer, Jay Cooper, Raul Essig ILM Sr VFX Production Manager: Jessica Teach ILM Visual Effects Production Manager: Lisa Todd ILM Visual Effects Editor: Greg Hyman ILM Add'l VFX Art Director: Yanick Dusseault ILM Assoc. VFX PMs: Katherine Farrar Bluff, Dale Taylor, Chrysta Marie Burton ILM VFX Executive Producer: Gretchen Libby ILM Add'l VFX Executive Producer: Janet Lewin ILM Sr Staff: Chrissie England, Vicki Dobbs Beck Digital Domain VFX Supervisor: Kelly Port Digital Domain VFX Producer: Julian Levi Digital Domain DFX Supervisor: Darren M. Poe Digital Domain CG Supervisor: Paul George Palop Digital Domain Comp Supervisor: Lou Pecora Digital Domain Digital PM: Michelle Jacobs Svengali FX VFX Supervisor: Stefano Trivelli Svengali FX VFX Exec Producer: Jamie Venable Svengali FX VFX Producer: Eric Withee Lola VFX Supervisor: Edson Williams Lola VFX Producer: Thomas Nittmann Lola VFX Associate Producer: Ryan Zuttermeister Lola VFX Inferno Artists: Casey Allen, Trent Claus CO3 EP-Sr Finishing Colorist: Stefan Sonnenfeld ASC DI Finishing Producer: Nick Monton Online Finishing Editor: Rob Doolittle DI Finishing Assistant: James Cody Baker CO3 Sr Finishing Producer: Missy Papageorge DI Account Executive: Jackie Lee DI Finishing Technologist: Mike Chiado Font Consultant: Richard Massey Filming Dates: 11 November 2007 - 27 March 2008 Cameras: Arriflex 435 ES, Panaflex XL2 & Platinum (35mm Kodak Vision2 100T 5212/500T 5218) Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes & Anamorphic Zooms AR: 1.43:1 (Main Title shot: IMAX 70mm version), 2.39:1 (Anamorphic) Budget: 150 Million USD Budget AFI (2021): 183.8 Million USD Printed on: Kodak Vision 2383 Visual Effects & Animation Provided by: Industrial Light & Magic Additional Visual Effects Provided by: Digital Domain, Svengali FX & Lola VFX Miniatures & Additional Special Effects Photography Provided by: Kerner Optical Digital Intermediate Finishing Provided by: Company 3 Shot on: Kodak Motion Picture Film Attribute: Filmed in Panavision

Director/Producer: JJ Abrams Writers/Producers: Alex Kurtzman, Roberto Orci, Damon Lindelof Producer: Bryan Burk Executive Producer & UPM: Jeffrey Chernov Cinematographer: Dan Mindel ASC BSC Production Designer: Scott Chambliss Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE Composer: Michael Giacchino Costume Designer: Michael Kaplan Production VFX Supervisor & 2nd Unit Director: Roger Guyett Production Visual Effects Producer: Ron Ames Co-Producer & Key 1st AD: Tommy Gormley Co-Producers: Michelle Rejwan, Ben Rosenblatt Stunt Coordinator: John Stoneham Jr Fight Choreographer: Marcus Young Supervising Art Director: Ramsey Avery Visual Effects Art Director: James Clyne Art Directors: Kasra Farahani, Lauren Polizzi On-Set Art Director: James Baldwin Stewart A Cam/Steadicam Operator: Colin Anderson SOC B Camera Operator: Philippe Carr-Forster C Camera Operator: John Skotchdopole 1st Assistant A Camera: Sergius Nafa Nofield 2nd Assistant A Camera: Simon England IMAX Technician: Tim Lovasen Production Special FX Supervisor: Burt Dalton Set Designer: Robert Fechtman Creature Designer: Neville Page 1st Assistant Film Editor: Matt Evans 2nd Assistant Film Editor: Nathan Orloff 3rd Assistant Film Editors: Evan Schiff Kelvin Opt. Sr VFX Sup & Previz Editor: Adam Gerstel Production 3D Producer: Phelicia Sperrazzo Production 3D Coordinator: Alicia Drury 3D Assistant Coordinator: Tony Damjanov Stereoscopic Consultant: Rob Engle Visual Effects Associate Producer: TJ Falls Visual Effects Plate Coordinator: Chris Antonini Production Visual FX Data Wrangler: Jason Chen Sup. Sound Editor & Designer: Ben Burtt Picture Car Coordinator: Tim Woods Language Consultant: Britton Watkins 2nd Unit DoP: Bruce McCleery ASC 2nd Unit A Cam/Steady Op: Andrew Rowlands SOC 2nd Unit B Camera Operator: Dale Myrand 2nd Unit 1st Assistant A Camera: Nino Neuboeck 2nd Unit 1st Assistant B Camera: Bob Hall 2nd Unit 2nd Assist A Camera: Rodney Sandoval 2nd Unit 2nd Assistant B Camera: Dan Schroer 2nd Unit Chief Lighting Tech: Michael Ambrose 2nd Unit Special FX Foreperson: JD Schwalm ILM Visual Effects Co-Supervisor: Patrick Tubach ILM Senior Visual Effects Producer: Luke O'Byrne ILM Senior Animation Supervisor: Paul Kavanagh ILM Associate Visual FX Supervisor: Patrick Roos ILM Digital Production Supervisor: Michael Bauer ILM CG Supervisors: Dan Pearson, Rob Weaver ILM Senior Compositing Supervisor: Jay Cooper ILM Digital Matte Supervisor: Barry Williams ILM Digital Model Supervisor: Bruce Holcomb ILM VFX Viewpaint Supervisor: Ron Woodall ILM Creature Supervisor: Karin Cooper ILM Layout Supervisor: Tim Dobbert ILM Roto & Paint Supervisor: Trevor Hazel ILM Stereo Supervisor: Sean Mackenzie ILM Singapore Comp Supervisors: Dave Dally, Al Prichard ILM Visual Effects Editor: Lorelei David ILM Singapore VFX Producer: Stuart McAra ILM Location Unit Assoc. VFX Supervisor: Eddie Pasquarello ILM Compositing Supervisor: Todd Vaziri ILM VFX PMs: Brian Barlettani, Lauren Carara, Karen Kelly, Cheng Pei Shan ILM Technical Support Artist: Jason Snell ILM Visual Effects Executive Producer: Jill Brooks ILM Add'l Visual Effects Supervisor: Samir Hoon ILM Add'l VFX EPs: Gretchen Libby, Janet Lewin ILM Executive Staff: Vicki Dobbs-Beck Pixomondo Visual FX Supervisor: Ben Grossman Pixomondo VFX Producer: Richard Ivan Mann Pixomondo On-Set VFX Supervisor: Alex Henning Pixomondo Digital FX Supervisor: Adam Watkins Pixomondo Compositing Supervisor: Dan Cobbett Pixomondo Visual Effects Editor: Brian Miller Pixomondo VFX Stereo Supervisor: Del Depierro Pixomondo CG Supervisor: Enrico Damm Pixomondo FX Supervisors: Pieter Mentz, Patrick Schuler Pixomondo VFX EPs: Thilo Kuther, Christian Vogt Kelvin Opt. DI Finish Sup: Juan Ignacio Cabrera Kelvin Opt. Main Title Designer: Andrew Kramer Kelvin Opt. Sr Compositors: Olaf Wendt, Tim LeDoux, Ken Littleton Kelvin Opt. DI Finishing Producer: Erin M. Davis Atomic Fiction Visual FX Supervisor: Kevin Baillie Atomic Fiction Digital Art Director: Chris Stoski Atomic Fiction Visual FX Producer: Dale Taylor Atomic Fiction CG Supervisor: Mauricio Baiocchi Atomic Fiction Animation Sup.: Jenn Emberly Atomic Fiction VFX Exec Producer: Sandra Scott Stereo D Stereo EPs: Will Sherak, Aaron Parry, Mike Gunter, Mike Bodkin Stereo D Head of Stereography: Graham Clark Stereo D Stereo Producer: Adam Schardein Stereo D Stereographer: Brian Taber Stereo D Stereo Supervisor: David Phillips Stereo D Finaling Supervisor: Russell R. McCoy Stereo D Stereo Prod Supervisor: Jessica Smith Stereo D Roto Supervisor: Bryan Higgins Stereo D Stereoscopic Post Exec: Milton Amadou Stereo D VP of Int'l Prod Services: Prafull Gade Stereo D Stereo Editorial Sup.: Derek N. Prusak Stereo D Senior Stereo Editor: Greg Emerson Stereo D Stereo Editor: Michael G. Buck Stereo D 1st Ass't Stereo Editor: Adrian Scherger Stereo D Visual FX Manager: Charles Giarratano Stereo D Stereo PCs: Todd Hoppmeyer, Jeffrey Stewart, Rebecca Kramp, Andrew Eick, Javier Paz Stereo D Visual Effects Lead: Milady Bridges Stereo D Element QC Lead: Les Foor Stereo D Tracking Lead: Eric Sanford CO3 EP & Supervising Finishing Colorist: Stefan Sonnenfeld ASC CO3 Add'l Finishing Colorist: James Cody Baker CO3 Senior DI Finishing Producer: Andy Kaplan CO3 DI Finishing Technologist: Mike Chiado CO3 Color Finishing Assistant: Jordan Fox CO3 Head of Production: Devin Sterling CO3 Account Executive: Jackie Lee CO3 DI Finishing Accountant: Ian Sullivan FotoKem Project Supervisors: Katherine Kane, Jose Parra, Mark Van Horne FotoKem Dailies Colorists: Brian Kahovec, Robert Tomaszewski FotoKem Dailies Film Timers: Don Capaferi, Kristen Zimmerman FotoKem DI Visual FX Producer: Jason Pelham Filming Dates: 12 January 2012 - 8 May 2012 Cameras: Arriflex 435 ES, IMAX MSM 9802, Iwerks MSM 8870 & Panaflex XL2 (35mm/65mm Kodak Vision3 200T 5213/500T 5219) Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes, Anamorphic Zooms & Hasselblad AR: 1.43:1 (IMAX 70mm Version: Some Scenes), 1.66:1 (IMAX 70mm Version: Some Scenes), 1.78:1 (IMAX Blu-Ray & 4K UHD Version: Some Scenes), 1.90:1 (IMAX Digital Version: Some Scenes), 2.39:1 (Anamorphic) Budget: 185-190 Million USD Printed on: Kodak Vision 2383 Post-Production Sound Service Provided by: Skywalker Sound Special Visual Effects, Animation, Digital Intermediate Finishing & Titles Design Provided by: Industrial Light & Magic, Atomic Fiction, Pixomondo, Kelvin Optical + Company 3 3D Conversion Provided by: Stereo D 35mm/65mm Film & VFX Dailies Provided by: FotoKem Shot on: Kodak Motion Picture Film Attribute: Filmed in Panavision

Director/Producer: Justin Lin Co-Writer: Simon Pegg Producer/Co-Writer: Roberto Orci Script Consultant: Alfredo Botello Producer: JJ Abrams Executive Producer/Unit Production Manager: Jeffrey Chernov Cinematographer: Stephen F. Windon ASC ACS Production Designer: Thomas Sanders Production Designer (Add'l Photography): Andrew Murdock Film Editors: Kelly Matsumoto ACE, Steven Sprung ACE, Dylan Highsmith, Greg D'Auria Composer: Michael Giacchino Costume Designer: Sanja Milkovic Hays Production VFX Supervisor: Peter Chiang Associate Producer/Production VFX Producer: Ron Ames Special Makeup Effects Designer: Joel Harlow Dedicated to: Leonard Nimoy & Anton Yelchin Associate Producer/Unit Production Manager: Helen Pollak 1st Assistant Director: Nick Satriano 2nd Assistant Director: Philip Nee Nee Associate Producer: Joshua Henson Stunt Coordinator/2nd Unit Director: Mike Gunther Sound Designer & Supervisor: Peter Brown Re-Recording Mixers: Jon Taylor, Frank Montano Production Manager: Stewart Bethune Production Supervisor: Evangeline Morgan Supervising Art Director: Don Macaulay Set Decorator: Lin MacDonald C-Camera Operator: Stephen Maier 1st Assistant A-Camera: Gregory Irwin A-Camera/Steadicam Operator: Geoffrey Haley SOC Steadicam Operator: Peter Wilke Aerial Unit DoP: Steve Koster Supervising SFX Coordinator: Cameron Waldbauer Location Manager: Ann Goobie VFX Art Director/Senior Concept Designer: Sean Hargreaves VFX Production Supervisors: Kim Doyle, Shelly Lloyd-Samson Political Consultant: Richard Klein Consultant: Marc Okrand 2nd Unit Director/Visualization Supervisor: Alexander Vegh 2nd Unit Key 1st Ass't Dir.: Misha Bukowski 2nd Unit 1st Ass't Director: Douglas Plasse 2nd Unit DoP: Bruce McCleery ASC 2nd Unit Camera Operator: Dean Heselden Unit Production Managers (Dubai Unit): Scott Thaler, Leigh Clarke Dubai Unit C-Camera Operators: Riki Butland Dubai Unit SFX Coordinator: Rudolphe Saleh Dubai Unit Art Director: Salim Al Razouk Dubai Unit Drone Camera Operator: Davide Tiraboschi Dubai Unit Set Designer: Sonia Savova C-Camera Operator (Reshoots): Jesse Roth SOC SFX Supervisor (Add'l Photography): Casey D. Noel Art Director (Add'l Photography): Eric Sundahl DNEG VFX Producer: Andy Taylor DNEG VFX Supervisors: Raymond Chen, Sean Stranks DNEG VFX CG Supervisors: Rick Leary, Stuart Farley, Daniel Paullson DNEG CG FX Supervisors: Mark Hodgkins, Shaun Roth, May Leung DNEG VFX Animation Supervisor: Michael Lum DNEG VFX Associate Producer: Katrina Navassartian DNEG VFX Colorist: Aurora Shannon DNEG VFX Mocap Supervisor: Simon Kay DNEG VFX Supervisor (Barco Escape): Gregor Lakner Barco Escape Supervisor: Varun Hadkar Atomic Fiction Senior VFX Supervisor: Kevin Baillie Atomic Fiction VFX Supervisor: Ryan Tudhope Atomic Fiction DFX Supervisor: Jonathan Harman Atomic Fiction Add'l VFX Supervisors: Jim Gibbs, Michael Janov Atomic Fiction VFX Executive Producer: Marc Sadeghi Atomic Fiction VFX Producers: Annie Normandin, Jenna Kent Atomic Fiction Associate VFX Producer: Dale Taylor Atomic Fiction VFX Art Director: Brian Flora Kelvin Optical Senior VFX Producer: Chrysta Marie Burton Kelvin Optical VFX Supervisors: Pauline Duvall, Stefano Trivelli Kelvin Optical Consulting VFX Supervisor: Luke McDonald Kelvin Optical Assets Supervisor: Nicholas Barnes Kelvin Optical Lead Lighting Artist: Li Xu Kelvin Optical Environments Department Supervisor: Ting Lo Base FX VFX Supervisor: Geng Li Rodeo FX VP of Production: Isabelle Langlois Rodeo FX VFX Executive Producer: Sebastian Moreau Rodeo FX VFX Producer: Adam O'Brien Locke Rodeo FX VP of Development & Technology: Jordan Soles UPP VFX Supervisor: Viktor Muller Action Sequence Consultant: David Chan Stereo D Stereo Exec Producers: William Sherak, Aaron Parry, Mike Gunter Stereo D Stereographer: Brian Taber Stereo D Stereo Producer: Alexandra Gonzalez Stereo D Stereo Supervisors: Jeremy Carroll, Prateek Kaushal, Brad Darrow Stereo D Stereo Prod Supervisors: Ryan Fisk, Vincent De Febo Stereo D Depth Supervisor: Roy Vincent Mann Stereo D Finaling Supervisor: Brian Schultz Stereo D Roto Supervisor: Daniel Schrepf Stereo D VP of Int'l Prod Services: Prafull Gade Stereo D VP of 3D Technology: Nizar Thabet Stereo D VP of Conversion (VFX): Adam Schardein Stereo D Stereoscopic Post Executive: Milton Amadou Stereo D Post-Production Manager: Derek Prusak Stereo D Line Producers: Chris Treichel, Krishna Prasad Stereo D Asset Producer: Michael Anders Stereo D Stereo Editor: Emily Mason Stereo D Pipeline Supervisor: Chris Montesanto Stereo D Element QC Supervisor: Les Foor Supervising Digital Colorist: Tom Reiser DI Producer: Vanessa Galvez DI Editor: Amy Pawlowski DI Color Assistant: Andre Rivas DI Ass't Producer: Hunter Clancey EFilm VFX Portal Producer: Jeremy Stapleton Dailies Colorist: John Hart Senior Dailies Producer: Ken Lebre Filming Dates: 25 June 2015 - 14 October 2015, 14 March 2016 - 31 March 2016 (Reshoots) Cameras: Alexa XT & Red Epic Dragon (3.4K ARRIRAW & 6K Redcode RAW) Lenses: Arri Master Anamorphic Primes, Zeiss Compact Primes, Master Primes, Ultra Primes, Anamorphic Ultra-Wide Zoom & Angenieux Optimo 2S Anamorphic Zooms AR: 2.39:1 (Anamorphic/Super 35mm Hybrid), 5.95:1 (Barco Escape Version: Some Scenes) Budget: 185 Million USD Printed on: Kodak Vision 2383 Visual Effects Provided by: Double Negative VFX, Atomic Fiction & Kelvin Optical Additional Visual Effects Provided by: Base FX, Rodeo FX & Universal Production Partners 3D Conversion Provided by: Stereo D Attribute: Filmed with Arri Cameras and Lenses

Director/Executive Producer: David Semel Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Lead VFX Supervisor: Jason Michael Zimmerman Film Editor: Jon Dudkowski ACE Production Designer: Mark Worthington Cinematographer: Guillermo Navarro ASC Consulting Producer: Nicholas Meyer Executive Producer: Eugene Roddenberry Executive Producer/Co-Writer: Bryan Fuller Executive Producer/Teleplay Writer: Akiva Goldsman Executive Producer/Story Writer: Alex Kurtzman Associate Producer: Dana N. Wilson Production Manager: David Till 1st Assistant Directors: Libby Hodgson, Beau Ferris 2nd Assistant Director: Rita Colucci 2nd Unit Directors: Christopher J. Byrne, Tamir Naber Costume Designer: Gersha Phillips Art Directors: Greg Chown, Matt Middleton Supervising Art Directors: Joshua de Cartier, Mark Steel Set Decorator: Peter Nicolakkakos Prop Masters: Mario Moreira, Jim Murray A-Camera Operator: Tony Guerin B-Camera/Steadicam Operator: Sean Sealey B-Camera Operator: Joseph Kfoury Studio Manager: Robert Jones Location Production Assistant: Chris Vargas Lead Creature Designer: Neville Page Lighting Designer: Franco Tata 1st Assistant A-Camera: Barrett Axford 1st Assistant B-Camera: Brian White 2nd Assistant A-Camera: Christina Louie 2nd Assistant B-Camera: Craig Jewell Digital Imaging Technician: Rob Stronghill Ass't Production Manager: Kosta Orfanidis Production Coordinator: Janet Gayford 1st Ass't Production Coordinator: Nicole Lane 2nd Assistant Production Coordinator: Derrick O'Toole Add'l Production Designer: Todd Cherniawsky 1st Ass't Art Director: Tasha Peschlow 2nd Ass't Art Director: Hyebin Yoon Storyboard Artist: Rob McCallum Supervising Stunt Coordinator: Rick Forsyth Production SFX Coordinator: Darcy Callaghan Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Production Manager: Helen Jen VFX Lead Artist: Charles Collyer Senior VFX Coordinator: David Takemura Production VFX Coordinators: Anaya Reid, Julie Rothfarb 1st Assistant Editor: Matthew Kovach Production VFX Editors: Jon Angus, Glenn Cote VFX Ass't Editor: Greg Minihan Post-Production Coordinator: Ruben Michael Molina Post-Production Assistant: Ryan Miles Researcher: Anthony Maranville Klingon Translator: Robyn Stewart Executive Assistant (Toronto): Emma Sampson Unit Production Manager (LA Unit): Joe Lotito LA Unit 1st Ass't Director: Susan Elmore LA Unit 2nd Ass't Director: Marcia Woske LA Art Director (LA Unit): William Budge LA Prod Coord (LA Unit): Andrew McCulloch LA Lead Crane Tech (LA Unit): Philip Hallford LA Chief Lighting Technician (LA Unit): David Lee Jordan Unit Producer: Issam Husseini Jordan Prod Coord (Jordan Unit): Tala Olabi Jordan Chief Lighting Tech (Jordan Unit): Hosni Al Baga Jordan Art Director (Jordan Unit): Sami Keilani Sound Designer: Christopher Scarabosio Chainsaw Supervising Producer: Byron Smith Chainsaw Online Editor: Chad Cole CO3 Final Colorist/Supervising Finishing Artist: Stefan Sonnenfeld ASC CO3 Ass't Finishing Colorist: James Cody Baker Filming Dates: January 24, 2017 - October 11, 2017 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms AR: 2.00:1 (Super 35mm) Budget: 8 Million USD Post-Production Sound Services Provided by: Skywalker Sound Post Production Services & Color Timing Provided by: Company 3 & Chainsaw Visual Effects Provided by: Crafty Apes, Pixomondo & Spin VFX Attribute: Camera and Lenses by Sim Digital

Director: Adam Kane Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Lead VFX Supervisor: Jason Michael Zimmerman Film Editor: Scott Gamzon ACE Production Designer: Todd Cherniawsky Cinematographer: Colin Hoult CSC Consulting Producer: Nicholas Meyer Executive Producer/Story Writer: Bryan Fuller Executive Producer: Eugene Roddenberry Teleplay Writers: Gretchen J. Berg, Aaron Harberts Associate Producer: Dana N. Wilson Production Manager: David Till 1st Assistant Director: Tim Singh 2nd Assistant Director: Kira McCord Costume Designer: Gersha Phillips Art Directors: Greg Chown, Matt Middleton Supervising Art Directors: Joshua de Cartier, Mark Steel Set Decorator: Peter P. Nicolakkakos Prop Master: Jim Murray A-Camera Operator: Tony Guerin B-Camera/Steadicam Operator: Sean Sealey Studio Manager: Robert Jones Location Production Assistant: Chris Vargas Lead Creature Designer: Neville Page Lighting Designer: Franco Tata 1st Assistant A-Camera: Barrett Axford 1st Assistant B-Camera: Brian White 2nd Assistant A-Camera: Christina Louie 2nd Assistant B-Camera: Craig Jewell Digital Imaging Technician: Rob Stronghill Ass't Production Manager: Kosta Orfanidis Production Coordinator: Janet Gayford 1st Ass't Production Coordinator: Nicole Lane 2nd Assistant Production Coordinator: Derrick O'Toole 1st Ass't Art Director: Tasha Peschlow 2nd Ass't Art Director: Hyebin Yoon Storyboard Artist: Rob McCallum Digital Asset Manager: James Jarvis Stunt Coordinator: Rick Forsyth Production SFX Coordinator: Darcy Callaghan Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Production Manager: Helen Jen VFX Lead Artist: Charles Collyer Senior VFX Coordinator: David Takemura Production VFX Coordinators: Anaya Reid, Julie Rothfarb VFX Art Director: William Budge 1st Assistant Editor: Jeffrey D. Brown 2nd Assistant Editor: John Mullin Production VFX Editors: Jon Angus, Glenn Cote VFX Ass't Editor: Greg Minihan Post-Production Coordinator: Ruben Michael Molina Post-Production Assistant: Ryan Miles Researcher: Anthony Maranville Klingon Translator: Robyn Stewart Executive Assistant (Toronto): Emma Sampson Sound Designer: Christopher Scarabosio Chainsaw Supervising Producer: Byron Smith Chainsaw Online Editor: Chad Cole CO3 Final Colorist/Supervising Finishing Artist: Stefan Sonnenfeld ASC CO3 Ass't Finishing Colorist: James Cody Baker Filming Dates: January 24, 2017 - October 11, 2017 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms AR: 2.00:1 (Super 35mm) Budget: 8 Million USD Post-Production Sound Services Provided by: Skywalker Sound Post Production Services & Color Timing Provided by: Company 3 & Chainsaw Visual Effects Provided by: Pixomondo & Spin VFX Attribute: Camera and Lenses by Sim Digital

Director/Executive Producer: Akiva Goldsman Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Lead VFX Supervisor: Jason Michael Zimmerman Film Editor: Jon Dudkowski ACE Production Designer: Todd Cherniawsky Cinematographer: Darran Tiernan ISC Producer: Thom J. Petak Consulting Producer: Nicholas Meyer Executive Producer/Story Writer: Bryan Fuller Executive Producer/Teleplay Writer: Craig Sweeny Executive Producer: Eugene Roddenberry Co-Writers: Gretchen J. Berg, Aaron Harberts Associate Producer: Dana N. Wilson Production Manager: David Till 1st Assistant Director: Libby Hodgson 2nd Assistant Director: Rita Colucci Costume Designer: Gersha Phillips Set Decorator: Peter P. Nicolakakos Prop Master: Mario Moreira Supervising Art Director: Mark Steel Art Directors: Greg Chown, Matt Middleton 1st Ass't Art Director: Natasha Peschlow Ass't Production Manager: Michael Stoyanov 3rd Assistant Directors: Ross Vivian, Brooke Fifield A-Camera Operator: Tony Guerin B-Camera/Steadicam Operator: Sean Sealey Studio Manager: Robert Jones Lead Creature Designer: Neville Page Lighting Designer: Franco Tata 1st Assistant A-Camera: Barrett Axford 1st Assistant B-Camera: Brian White 2nd Assistant A-Camera: Christina Louie 2nd Assistant B-Camera: Craig Jewell Digital Imaging Technician: Rob Stronghill Production Coordinator: Janet Gayford 1st Ass't Production Coordinators: Nicole Lane, Allison Lahav 2nd Assistant Production Coordinator: Derrick O'Toole Storyboard Artist: Rob McCallum Digital Asset Manager: James Jarvis Stunt Coordinator: Christopher McGuire Production SFX Coordinator: Darcy Callaghan Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Production Manager: Helen Jen VFX Lead Artist: Charles Collyer Senior VFX Coordinator: David Takemura Production VFX Coordinators: Anaya Reid, Julie Rothfarb VFX Art Director: William Budge 1st Assistant Editor: Matthew Kovach Production VFX Editor: Glenn Cote VFX Ass't Editor: Greg Minihan Post-Production Coordinator: Ruben Michael Molina Post-Production Assistant: Ryan Miles Researcher: Anthony Maranville Klingon Translator: Robyn Stewart Executive Assistant (Toronto): Emma Sampson Chainsaw Supervising Producer: Byron Smith Chainsaw Online Editor: Chad Cole CO3 Final Colorist/Supervising Finishing Artist: Stefan Sonnenfeld ASC CO3 Ass't Finishing Colorist: James Cody Baker Filming Dates: January 24, 2017 - October 11, 2017 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms AR: 2.00:1 (Super 35mm) Budget: 8 Million USD Post Production Services & Color Timing Provided by: Company 3 & Chainsaw Visual Effects Provided by: Crafty Apes & Spin VFX Attribute: Camera and Lenses by Sim Digital

Director: Hannelle M. Culpepper Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Costume Designer: Gersha Phillips Lead VFX Supervisor: Jason Michael Zimmerman Film Editors: Steve Haugen, Andreas Karrer Production Designer: Tamara Deverell Cinematographer: Colin Hoult CSC Producer: Ted Miller Consulting Producer: Nicholas Meyer Executive Producer: Eugene Roddenberry Writer: Jordan Nardino Associate Producer: Dana N. Wilson Production Managers: David Vaughan, David Till 1st Assistant Director: Libby Hodgson 2nd Assistant Director: Rita Colucci Set Decorator: Peter P. Nicolakakos Prop Master: Mario Moreira Art Directors: Matt Middleton, Jody Lynn Clement Ass't Production Manager: Michael Stoyanov 3rd Assistant Directors: Brooke Fifield, Jessica Kirec A-Camera Operator: Tony Guerin B-Camera Operator: Gilles Corbiel Location Manager: Melissa Warry-Smith Studio Manager: Robert Jones Lead Creature Designer: Neville Page Lighting Designer: Franco Tata 1st Assistant A-Camera: Andrew Strech 1st Assistant B-Camera: Brian White 2nd Assistant A-Camera: Stephen Gould 2nd Assistant B-Camera: Craig Jewell Digital Imaging Technician: Rob Stronghill Production Coordinator: Alison Waxman 1st Ass't Production Coordinators: Allison Lahav, Taylor Danton 2nd Assistant Production Coordinator: Laura Miles Storyboard Artist: Rob McCallum Digital Asset Manager: James Jarvis Stunt Coordinator: Neil Davison Fight Coordinator: Hubert Boorder Production SFX Coordinator: Darcy Callaghan Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Production Manager: Helen Jen VFX Lead Artist: Charles Collyer Senior VFX Coordinator: David Takemura Production VFX Coordinators: Anaya Reid, Julie Rothfarb, Lauren Kramer On-Set VFX Coordinator/VFX Plate Supervisor: Alexander Wood Associate VFX Supervisor: Mahmoud Rahnama VFX Previz Supervisor: Stephen J. Pavelski VFX Art Director: William Budge Production VFX Editor: Glenn Cote VFX 1st Ass't Editor: Greg Minihan VFX 2nd Ass't Editor: Jason Sikora Post-Production Supervisor: Bradley Ramirez Post-Production Coord: Ruben Michael Molina Post-Production Assistant: Ryan Miles Researcher: Anthony Maranville Klingon Translator: Robyn Stewart Executive Assistant (Toronto): Emma Sampson SIM Supervising Producer: Bryon Smith SIM Online Editor: Chad Cole Final Colorist: Todd Bochner Crafty Apes VFX Supervisor: Leslie Chung Filming Dates: January 24, 2017 - October 11, 2017 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms AR: 2.00:1 (Super 35mm) Budget: 8 Million USD Visual Effects Provided by: Pixomondo, Crafty Apes, Spin VFX, FX3X, Ghost & Redlab Attribute: Camera, Lenses & Post-Production Services by Sim Digital

Director/Co-Executive Producer: Olatunde Osunsamnmi Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Costume Designer: Gersha Phillips Lead VFX Supervisor: Jason Michael Zimmerman Film Editor: Andrew Coutts CCE Production Designer: Tamara Deverell Cinematographer: Glen Keenan CSC Producer: Ted Miller Consulting Producer: Nicholas Meyer Co-Executive Producer/Writer: Ted Sullivan Executive Producer: Eugene Roddenberry Associate Producer: Dana N. Wilson Production Managers: David Vaughan, David Till 1st Assistant Director: Woody Sidarous 2nd Assistant Director: Ben Marrello Set Decorator: Peter P. Nicolakakos Prop Master: Mario Moreira Art Directors: Matt Middleton, Jody Lynn Clement Ass't Production Manager: Michael Stoyanov 3rd Assistant Directors: Brooke Fifield, Kieffer Moxness, David Lester, Jordan Roy A-Camera Operator: Tony Guerin B-Camera/Steadicam Operator: Yoann Malnati Location Manager: Melissa Warry-Smith Studio Manager: Robert Jones Lead Creature Designer: Neville Page Lighting Designer: Franco Tata 1st Assistant A-Camera: Andrew Strech 1st Assistant B-Camera: Brian White 1st Assistant C-Camera: Craig Jewell 2nd Assistant A-Camera: Stephen Gould Digital Imaging Technician: Rob Stronghill Production Coordinator: Alison Waxman 1st Ass't Production Coordinators: Allison Lahav, Taylor Danton 2nd Assistant Production Coordinator: Laura Miles Storyboard Artist: Rob McCallum Digital Asset Manager: James Jarvis Stunt Coordinator: Christopher McGuire Fight Coordinator: Hubert Boorder Production SFX Coordinator: Darcy Callaghan Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Production Manager: Helen Jen VFX Lead Artist: Charles Collyer Senior VFX Coordinator: David Takemura Production VFX Coordinators: Anaya Reid, Julie Rothfarb, Lauren Kramer On-Set VFX Coordinator/VFX Plate Supervisor: Alexander Wood Associate VFX Supervisor: Mahmoud Rahnama VFX Previz Supervisor: Stephen J. Pavelski VFX Art Director: William Budge 1st Assistant Editor: Dennis Alaniz 2nd Assistant Editor: Tim Brinker Production VFX Editor: Glenn Cote VFX 1st Ass't Editor: Greg Minihan VFX 2nd Ass't Editor: Jason Sikora Post-Production Supervisor: Bradley Ramirez Post-Production Coord: Ruben Michael Molina Post-Production Assistant: Ryan Miles Researcher: Anthony Maranville Klingon Translator: Robyn Stewart Executive Assistant (Toronto): Emma Sampson SIM Supervising Producer: Bryon Smith SIM Online Editor: Chad Cole Final Colorist: Todd Bochner Filming Dates: January 24, 2017 - October 11, 2017 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms AR: 2.00:1 (Super 35mm) Budget: 8 Million USD Visual Effects Provided by: Pixomondo, Crafty Apes, Spin VFX, FX3X & Red Lab Attribute: Camera, Lenses & Post-Production Services by Sim Digital

Director/Executive Producer: Alex Kurtzman Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Costume Designer: Gersha Phillips Lead VFX Supervisor: Jason Michael Zimmerman Film Editor: Jon Dudkowski ACE Production Designer: Tamara Deverell Cinematographer: Glen Keenan CSC Co-Producers: Bo Yeon Kim, Erika Lippoldt Producer: Thom J. Petak Consulting Producer: Akiva Goldsman Co-Executive Producer: Jenny Lumet Co-Executive Producer/Writer: Ted Sullivan Executive Producers: Eugene Roddenberry Executive Producers/Writers: Gretchen J. Berg, Aaron Harberts Supervising Associate Producer: Dana N. Wilson Associate Producer: Emma Sampson Production Managers: David Till, BE Sharp 1st Assistant Director: Woody Sidarous 2nd Assistant Director: Ben Marrello 2nd Unit Director: Larry A. McLean Executive Consultant: Bryan Fuller Set Decorator: Peter Nicolakkakos Prop Master: Mario Moreira Art Directors: Matt Middleton, Jody Lynn Clement 3rd Assistant Directors: Ross Vivian, Brooke Fifield A-Camera Operator: Francois Daignault B-Camera Operator: JP Locherer B-Camera/Steadicam Operator: Sarah Warland C-Camera/Steadicam Operator: Michael Carr Location Manager: Tim Owen Studio Manager: Tom Nicholls Lead Creature Designer: Neville Page Lighting Designer: Franco Tata 1st Assistant A-Camera: Andrew Stretch 1st Assistant B-Camera: Rob Mountjoy 1st Assistant C-Camera: Andrew Macklin 2nd Assistant A-Camera: Stephen Gould Digital Imaging Technician: Ron Schlueter Production Coordinator: Alison Waxman 1st Ass't Production Coordinators: Allison Lahav, Taylor Danton 2nd Assistant Production Coordinator: Laura Miles Storyboard Artist: Rob McCallum 1st Ass't Art Director (Graphics): Lucas Wareing Digital Asset Manager: James Jarvis Stunt Coordinator: Christopher McGuire Fight Coordinator: Hubert Boorder Production SFX Coordinator: Darcy Callaghan Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Lead Artist: Charles Collyer Lead VFX Coordinator: Julie Rothfarb Production VFX Coordinators: Shawn Ewashko, Chelsea Wynne, Valerie Rocha On-Set VFX Coordinator/VFX Plate Supervisor: Alexander Wood Associate VFX Supervisor: Mahmoud Rahnama VFX Previz Supervisor: Stephen J. Pavelski VFX Art Director: William Budge 1st Assistant Editor: Matthew Kovach Production VFX Editor: Jason Sikora VFX 1st Ass't Editor: Kevin Laneave VFX 2nd Ass't Editor: Greg Minihan Post-Production Coord: Ruben Michael Molina Post-production Assistant: Ryan Miles Researcher: Anthony Maranville Translator: Robyn Stewart Executive Assistant (Toronto): Cornelia Audrey SIM Supervising Producer: Bryon Smith SIM Online Editor: Chad Cole Final Colorist: Todd Bochner Crafty Apes Supervising VFX Producer: Leslie Chung Filming Dates: April 16, 2018 - December 21, 2018 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Cooke Anamorphic/I SF Primes AR: 2.39:1 (Anamorphic) Budget: 8 Million USD Visual Effects Provided by: Pixomondo, Crafty Apes, Ghost VFX & FX3X Attribute: Camera, Lenses & Post-Production Services by Sim Digital

Director: TJ Scott Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Costume Designer: Gersha Phillips Lead VFX Supervisor: Jason Michael Zimmerman Film Editor: Scott Gamzon ACE Production Designer: Tamara Deverell Cinematographer: Tiko Poulakakis CSC Co-Producers: Bo Yeon Kim, Erika Lippoldt Producer: Thom J. Petak Consulting Producer: Akiva Goldsman Co-Executive Producer: Jenny Lumet Executive Producers: Eugene Roddenberry Writers: Dan Dworkin, Jay Beattie Supervising Associate Producer: Dana N. Wilson Associate Producers: Emma Sampson, Robyn Johnson Production Managers: David Till, BE Sharp 1st Assistant Director: Woody Sidarous 2nd Assistant Director: Sarah MacDonald 2nd Unit Director: Larry A. McLean Executive Consultant: Bryan Fuller Set Decorator: Peter Nicolakkakos Prop Master: Mario Moreira Supervising Art Director: Joshua de Cartier Art Directors: Matt Middleton, Jody Lynn Clement 1st Ass't Art Director (Graphics): Andy Tsang 1st Ass't Art Director (Illustration): Chris Penna 3rd Assistant Directors: Ross Vivian, Brooke Fifield A-Camera Operator: Francois Daignault B-Camera Operators: JP Locherer, Sarah Warland C-Camera/Steadicam Operator: Michael Carr Location Manager: Melissa Warry-Smith Ass't Location Manager: Justin Cossette Studio Manager: Robert Jones Ass't Studio Manager: Tom Nicholls Lead Creature Designer: Neville Page Lighting Designer: Franco Tata 1st Assistant A-Camera: Andrew Stretch 1st Assistant B-Camera: Rob Mountjoy 1st Assistant C-Camera: Andrew Macklin 2nd Assistant A-Camera: Stephen Gould Digital Imaging Technician: Ron Schlueter Production Coordinator: Alison Waxman 1st Ass't Production Coordinators: Allison Lahav, Taylor Danton 2nd Assistant Production Coordinator: Laura Miles Storyboard Artist: Rob McCallum Digital Asset Manager: James Jarvis Stunt Coordinator: Christopher McGuire Fight Coordinator: Hubert Boorder Production SFX Coordinator: Darcy Callaghan Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Lead Artist: Charles Collyer Lead VFX Coordinator: Julie Rothfarb Production VFX Coordinators: Shawn Ewashko, Chelsea Wynne, Valerie Rocha On-Set VFX Coordinator/VFX Plate Supervisor: Alexander Wood Associate VFX Supervisor: Mahmoud Rahnama VFX Previz Supervisor: Stephen J. Pavelski VFX Art Director: William Budge 1st Assistant Editor: John Mullin Production VFX Editor: Jason Sikora VFX Ass't Editor: Greg Minihan Post-Production Coord: Ruben Michael Molina Researcher: Anthony Maranville Translator: Robyn Stewart Executive Assistant (Toronto): Cornelia Audrey SIM Supervising Producer: Bryon Smith SIM Online Editor: Chad Cole Final Colorist: Todd Bochner Crafty Apes Supervising VFX Producer: Leslie Chung Filming Dates: April 16, 2018 - December 21, 2018 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Cooke Anamorphic/I SF Primes AR: 2.39:1 (Anamorphic) Budget: 8 Million USD Visual Effects Provided by: Pixomondo, Crafty Apes, Ghost VFX, Spin VFX & FX3X Attribute: Camera, Lenses & Post-Production Services by Sim Digital

Director/Executive Producer: Olatunde Osunsamnmi Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Costume Designer: Gersha Phillips Lead VFX Supervisor: Jason Michael Zimmerman Film Editor: Jon Dudkowski ACE Production Designer: Tamara Deverell Cinematographer: Glen Keenan CSC Co-Producers: Bo Yeon Kim, Erika Lippoldt Producer: Thom J. Petak Consulting Producer: Akiva Goldsman Co-Executive Producers/Writers: Jenny Lumet, Michelle Paradise Executive Producer: Eugene Roddenberry Executive Producer/Writer: Alex Kurtzman Supervising Associate Producer: Dana N. Wilson Associate Producers: Emma Sampson, Robyn Johnson Production Managers: David Till, BE Sharp 1st Assistant Director: Patrick Tidy 2nd Assistant Director: Jeff Muhsoldt 2nd Unit Director: Larry A. McLean Executive Consultant: Bryan Fuller Set Decorator: Peter Nicolakkakos Prop Master: Mario Moreira Supervising Art Director: Joshua de Cartier Art Directors: Matt Middleton, Jody Lynn Clement 1st Ass't Art Directors (Graphics): Andy Tsang, Kristin Herbst 1st Ass't Art Directors (Illustration): Chris Penna, Joel Craven 3rd Assistant Directors: Ross Vivian, Brooke Fifield A-Camera Operator: Francois Daignault B-Camera Operators: JP Locherer, Sarah Warland Insert Unit Camera Operator: Alan G. Kelly Location Manager: Tim Owen Ass't Location Manager: Justin Cossette Studio Manager: Robert Jones Ass't Studio Manager: Tom Nicholls Lead Creature Designer: Neville Page Lighting Designer: Franco Tata 1st Assistant A-Camera: Andrew Stretch 1st Assistant B-Camera: Rob Mountjoy 1st Assistant C-Camera: Andrew Macklin 2nd Assistant A-Camera: Stephen Gould Digital Imaging Technician: Ron Schlueter Production Coordinator: Alison Waxman 1st Ass't Production Coordinators: Allison Lahav, Taylor Danton 2nd Assistant Production Coordinator: Laura Miles Storyboard Artist: Rob McCallum Digital Asset Manager: James Jarvis Stunt Coordinator: Christopher McGuire Fight Coordinator: Hubert Boorder Production SFX Coordinator: Darcy Callaghan Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Lead Artist: Charles Collyer Lead VFX Coordinator: Julie Rothfarb Production VFX Coordinators: Shawn Ewashko, Chelsea Wynne, Valerie Rocha On-Set VFX Plate Supervisor: Alexander Wood Associate VFX Supervisor: Mahmoud Rahnama VFX Previz Supervisor: Stephen J. Pavelski VFX Art Director: William Budge 1st Assistant Editor: Matthew Kovach Production VFX Editors: Greg Minihan, Jason Sikora Post-Production Coord: Ruben Michael Molina Researcher: Anthony Maranville Translator: Robyn Stewart Executive Assistant (Toronto): Cornelia Audrey SIM Supervising Producer: Bryon Smith SIM Online Editor: Chad Cole Final Colorist: Todd Bochner Crafty Apes VFX Producer: Leslie Chung Filming Dates: April 16, 2018 - December 21, 2018 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Cooke Anamorphic/I SF Primes AR: 2.39:1 (Anamorphic) Budget: 8 Million USD Visual Effects Provided by: Pixomondo, Crafty Apes, Spin VFX & FX3X Attribute: Camera, Lenses & Post-Production Services by Sim Digital

Director/Exec Producer: Olatunde Osunsamnmi Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Costume Designer: Gersha Phillips Lead VFX Supervisor: Jason Michael Zimmerman Film Editor: Andrew Coutts CCE Production Designer: Tamara Deverell Cinematographer: Glen Keenan CSC Co-Producers: Bo Yeon Kim, Erika Lippoldt Producer: Thom J. Petak Consulting Producer: Akiva Goldsman Co-Executive Producers/Writers: Jenny Lumet, Michelle Paradise Executive Producer: Eugene Roddenberry Executive Producer/Writer: Alex Kurtzman Supervising Associate Producer: Dana N. Wilson Associate Producers: Emma Sampson, Robyn Johnson Production Managers: David Till, BE Sharp 1st Assistant Director: Patrick Tidy 2nd Assistant Director: Jeff Muhsoldt Executive Consultant: Bryan Fuller Set Decorator: Peter Nicolakkakos Prop Master: Mario Moreira Supervising Art Director: Joshua de Cartier Art Directors: Matt Middleton, Jody Lynn Clement 1st Ass't Art Directors (Graphics): Andy Tsang, Kristin Herbst 1st Ass't Art Directors (Illustration): Chris Penna, Joel Craven 3rd Assistant Directors: Ross Vivian, Brooke Fifield A-Camera Operator: Francois Daignault B-Camera Operators: JP Locherer, Sarah Warland Insert Unit Camera Operator: Alan G. Kelly Location Manager: Tim Owen Ass't Location Manager: Justin Cossette Studio Manager: Robert Jones Ass't Studio Manager: Tom Nicholls Lead Creature Designer: Neville Page Lighting Designer: Franco Tata 1st Assistant A-Camera: Andrew Stretch 1st Assistant B-Camera: Rob Mountjoy 1st Assistant C-Camera: Andrew Macklin 2nd Assistant A-Camera: Stephen Gould Digital Imaging Technician: Ron Schlueter Production Coordinator: Alison Waxman 1st Ass't Production Coordinators: Allison Lahav, Taylor Danton 2nd Assistant Production Coordinator: Laura Miles Storyboard Artist: Rob McCallum Digital Asset Manager: James Jarvis Stunt Coordinator: Christopher McGuire Fight Coordinator: Hubert Boorder Production SFX Coordinator: Darcy Callaghan Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Lead Artist: Charles Collyer Lead VFX Coordinator: Julie Rothfarb Production VFX Coordinators: Shawn Ewashko, Chelsea Wynne, Valerie Rocha, Julian Boyce On-Set VFX Plate Supervisor: Alexander Wood Associate VFX Supervisor: Mahmoud Rahnama VFX Art Director: William Budge 1st Assistant Editor: Preston Rapp Production VFX Editors: Greg Minihan, Jason Sikora Post-Production Coord: Ruben Michael Molina Researcher: Anthony Maranville Translator: Robyn Stewart Executive Assistant (Toronto): Cornelia Audrey SIM Supervising Producer: Bryon Smith SIM Online Editor: Chad Cole Final Colorist: Todd Bochner Crafty Apes VFX Producer: Leslie Chung Filming Dates: April 16, 2018 - December 21, 2018 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Cooke Anamorphic/I SF Primes AR: 2.39:1 (Anamorphic) Budget: 8 Million USD Visual Effects Provided by: Pixomondo, Crafty Apes, Ghost VFX & FX3X Attribute: Camera, Lenses & Post-Production Services by Sim Digital

Director: Mark Pellington Composer/Conductor: Jeff Russo Cinematographer: Glen Keenan CSC Film Editor: Chad Rubel Production Designer: Tamara Deverell Costume Designer: Gersha Phillips Data Wrangler/Senior VFX Coordinator: Craig Wood VFX Colorist: Kali Bateman DNEG VFX Coordinator: Jessica Ton Final Colorist/Supervising Finishing Artist: Stefan Sonnenfeld ASC

Director/Co-Executive Producer: Hannelle M. Culpepper Executive Producers: Patrick Stewart, Eugene Roddenberry Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Composer (Star Trek: TMP Theme): Jerry Goldsmith Costume Designer: Christine Clark Film Editor: Andrew Coutts CCE Production Designer: Todd Cherniawsky Cinematographer: Philip Lanyon Consulting Producer: Jenny Lumet Supervising Producer: Ralph Gifford Supervising Producer/Story Writer: Kristen Beyer Supervising Producer/Lead VFX Supervisor: Jason Michael Zimmerman Co-Executive Producer/2nd Unit Director: Doug Aarniokoski Executive Producers/Story Writers: Michael Chabon, Alex Kurtzman Executive Producer/Co-Writer: Akiva Goldsman Co-Writer: James Duff Key Unit Prod Manager: Dylan K. Massin Unit Production Manager: Francesco Tignini 1st Assistant Director: Maria Mantia 2nd Assistant Director: Alison Troy Associate Producer: Robyn Johnson Set Decorator: Lisa Alkofer Prop Master: Jeff Lombardi Supervising Art Director: Iain McFayden Art Director: Joe Comeau Ass't Art Director: Dylan Bocanegra A-Camera Operator: Eric Catelan B-Camera/Steadicam Operator: Tim Dolan Supervising Location Manager: Scott Trimble Location Manager: Peter Martorano Ass't Location Manager: Nathan Polatin Lead Creature Designer: Neville Page Chief Lighting Technician: Ross Dunkerley 1st Company Grip: Walter Bud Scott 1st Assistant A-Camera: Jamie Felz 2nd Assistant A-Camera: Casey Muldoon 1st Assistant B-Camera: James Barela 2nd Assistant B-Camera: Luis Gomez Stunt Coordinator/Drone Unit Director: Scott Rogers Digital Imaging Technician: Marc Clancy Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Project Manager: Sunny Ye VFX Lead Artist: Charles Collyer Senior VFX Coordinator: Marina Abramyan Production SFX Coordinators: Jeff Ogg, Andy Weder, Jeff Khachadoorian Post-Production Supervisor: Ruben Michael Molina Researcher Consultant: Anthony Maranville Music Supervisor: Liza Richardson CO3 Finishing Producer: Giovanni Di Giorgio Senior Online Editor/Finishing Artist: Heydar Adel Final Finishing Colorist: Stefan Sonnenfeld ASC Add'l Finishing Colorist: James Cody Baker DNEG VFX Supervisor: Michael Enriquez DNEG VFX Colorist: Kali Bateman Filming Dates: April 22, 2019 - September 1, 2019 Camera: Alexa Mini (CFast 2.0 3.4K ARRIRAW) Lenses: Cooke Anamorphic/I SF Primes AR: 2.39:1 (Anamorphic) Budget: 8-9 Million USD Post Services Provided by: Company 3 Visual Effects Provided by: Crafty Apes, Double Negative, Pixomondo & Filmworks/FX Attribute: Camera Equipment Provided by Keslow Camera

Director/Co-Executive Producer: Douglas Aarniokoski Executive Producers: Patrick Stewart, Eugene Roddenberry Composer/Conductor: Jeff Russo Composer (Star Trek: TMP Theme): Jerry Goldsmith Costume Designer: Christine Clark Film Editor: Andrew Coutts CCE Production Designer: Todd Cherniawsky Cinematographer: Darran Tiernan ISC Supervising Producer: Ralph Gifford Supervising Producer/Lead VFX Supervisor: Jason Michael Zimmerman Co-Executive Producer/Writer: Samantha Humphrey Co-Executive Producer/Unit Production Manager: Dylan K. Massin Executive Producer/Writer: Michael Chabon 1st Assistant Director: Matt Sheats 2nd Assistant Director: Alex Russ Associate Producer: Robyn Johnson Set Decorator: Lisa Alkofer Prop Master: Jeff Lombardi Supervising Art Director: Iain McFayden Art Director: Joe Comeau IV Ass't Art Directors: Shannon Walsh, Dylan Bocanegra A-Camera/Steadicam Operator: Kenny Brown B-Camera Operator: Jessica Lakoff Cannon Supervising Location Manager: Peter Martorano Location Manager: Scott Trimble Ass't Location Manager: Jonny Ramos Lead Creature Designer: Neville Page Chief Lighting Technician: Ross Dunkerley 1st Company Grip: Walter Bud Scott 1st Assistant A-Camera: Jamie Felz 2nd Assistant A-Camera: Casey Muldoon 1st Assistant B-Camera: James Barela 2nd Assistant B-Camera: Luis Gomez 2nd Company Grip: Maxwell Thorpe Ass't Chief Lighting Tech: Buzzy Burwell Digital Imaging Technician: Marc Clancy 2nd Unit A-Camera/Steadicam Operator: Leonidas Jaramillo Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska VFX Project Manager: Sunny Ye VFX Lead Artist: Charles Collyer Senior VFX Coordinator: Marina Abramyan Stunt Coordinator: Scott Rogers Production SFX Coordinators: Andy Weder, Jeff Khachadoorian Post-Production Supervisor: Ruben Michael Molina Researcher Consultant: Anthony Maranville Music Supervisor: Liza Richardson CO3 Finishing Producer: Giovanni Di Giorgio Senior Online Editor/Finishing Artist: Heydar Adel Final Finishing Colorist: Stefan Sonnenfeld ASC Add'l Finishing Colorist: James Cody Baker DNEG VFX Supervisor: Michael Enriquez DNEG VFX Colorist: Kali Bateman Filming Dates: April 22, 2019 - September 1, 2019 Camera: Alexa Mini (CFast 2.0 3.4K ARRIRAW) Lenses: Cooke Anamorphic/I SF Primes AR: 2.39:1 (Anamorphic) Budget: 8-9 Million USD Post Services Provided by: Company 3 Visual Effects Provided by: Crafty Apes, Technicolor VFX, Double Negative, Ghost VFX & FX3X Attribute: Camera Equipment Provided by Keslow Camera

Director/Exec Producer: Olatunde Osunsamnmi Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Costume Designer: Gersha Phillips Film Editor: Jon Dudkowski ACE Production Designer: Phillip Barker Cinematographer: Glen Keenan CSC Co-Producers: Kristen Beyer, Dana N. Wilson Producer: Thom J. Petak Consulting Producer: John Ottman ACE Supervising Producers: Bo Yeon Kim, Erika Lippoldt 2nd Unit Director (Iceland Unit)/Supervising Producer/Lead VFX Supervisor: Jason Michael Zimmerman Executive Producer: Eugene Roddenberry Executive Producers/Writers: Jenny Lumet, Michelle Paradise, Alex Kurtzman Associate Producers: Emma Sampson, Robyn Johnson Production Managers: David Till, BE Sharp 1st Assistant Director: Felix Gray 2nd Assistant Director: Kevin Hourigan 2nd Unit Director: Larry A. McLean Executive Consultant: Bryan Fuller Set Decorator: Peter Nicolakkakos Prop Master: Mario Moreira Supervising Art Directors: Joshua de Cartier, Jody Clement 1st Ass't Art Director (Illustration): Kristin Herbst 3rd Assistant Directors: Ross Vivian, Kieffer Moxness A-Camera Operator: Francois Daignault B-Camera Operator: Michael Carr C-Camera Operator: JP Locherer Location Manager: Melissa Warry-Smith Ass't Location Manager: Robert Jones Studio Manager: Josh Campbell Lead Creature Designer: Neville Page Add'l Cinematographer: Crescenzo GP Notarile ASC AIC SOC 2nd Unit DoP: Franco Tata Gaffer: Heinz Gloss 1st Company Grip: Robert Daprato 1st Assistant A-Camera: Andrew Stretch 1st Assistant B-Camera: Andrew Lounsbury 1st Assistant C-Camera: Scott Cowan 2nd Assistant A-Camera: Stephen Gould Digital Imaging Technician: Ron Schlueter Video Coordinator: Victor Jolic Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska On-Set VFX Associate Supervisor: Alexander Wood VFX Project Manager: Sunny Ye VFX Lead Artist: Charles Collyer Senior VFX Coordinator: Marina Abramyan VFX Consulting Supervisor: Mahmoud Rahnama VFX Art Director: William Budge Production Coordinator: Allison Waxman 1st Ass't Production Coordinators: Allison Lahav, Taylor Danton 2nd Assistant Production Coordinator: Laura Miles Storyboard Artist: Rob McCallum Digital Asset Manager: James Jarvis Stunt Coordinator: Christopher McGuire Production SFX Coordinator: Darcy Callaghan Iceland Unit SFX Supervisor: Haukur Karlsson Post-Production Supervisor: Gala Goliani 1st Assistant Editor: Matthew Kovach Executive Assistant (Toronto): Cornelia Audrey SIM Supervising Producer: Bryon Smith SIM Online Editor: Chad Cole Final Colorist: Todd Bochner Filming Dates: July 2019 - February 24, 2020 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Cooke Anamorphic/I SF Primes AR: 2.39:1 (Anamorphic) Budget: 8-8.5 Million USD Visual Effects Provided by: Pixomondo, Crafty Apes & Ghost VFX Attribute: Camera, Lenses & Post-Production Services by Sim Digital

Director/Exec Producer: Olatunde Osunsamnmi Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Costume Designer: Gersha Phillips Film Editor: Scott Gamzon ACE Production Designer: Phillip Barker Cinematographer: Glen Keenan CSC Co-Producers: Kristen Beyer, Dana N. Wilson Producer: Thom J. Petak Consulting Producer: John Ottman ACE Supervising Producers: Bo Yeon Kim, Erika Lippoldt 2nd Unit Director (Iceland Unit)/Supervising Producer/Lead VFX Supervisor: Jason Michael Zimmerman Executive Producer: Eugene Roddenberry Executive Producers/Writers: Jenny Lumet, Michelle Paradise, Alex Kurtzman Associate Producers: Emma Sampson, Robyn Johnson Production Managers: David Till, BE Sharp 1st Assistant Director: Felix Gray 2nd Assistant Director: Kevin Hourigan 2nd Unit Director: Larry A. McLean Executive Consultant: Bryan Fuller Set Decorator: Peter Nicolakkakos Prop Master: Mario Moreira Supervising Art Directors: Joshua de Cartier, Jody Clement Art Director: Matt Middleton 1st Ass't Art Director (Illustration): Kristin Herbst 3rd Assistant Directors: Ross Vivian, Kieffer Moxness A-Camera Operator: Francois Daignault B-Camera Operator: Michael Carr C-Camera Operator: JP Locherer Location Manager: Melissa Warry-Smith Ass't Location Manager: Robert Jones Studio Manager: Josh Campbell Lead Creature Designer: Neville Page Add'l Cinematographer: Crescenzo GP Notarile ASC AIC SOC 2nd Unit DoP: Franco Tata Gaffer: Heinz Gloss 1st Company Grip: Robert Daprato 1st Assistant A-Camera: Andrew Stretch 1st Assistant B-Camera: Andrew Lounsbury 1st Assistant C-Camera: Scott Cowan 2nd Assistant A-Camera: Stephen Gould Digital Imaging Technician: Ron Schlueter Video Coordinator: Victor Jolic Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska On-Set VFX Associate Supervisor: Alexander Wood VFX Project Manager: Sunny Ye VFX Lead Artist: Charles Collyer Senior VFX Coordinator: Marina Abramyan VFX Consulting Supervisor: Mahmoud Rahnama VFX Art Director: William Budge Production Coordinator: Allison Waxman 1st Ass't Production Coordinators: Allison Lahav, Taylor Danton 2nd Assistant Production Coordinator: Laura Miles Storyboard Artist: Rob McCallum Digital Asset Manager: James Jarvis Stunt Coordinator: Christopher McGuire Production SFX Coordinator: Darcy Callaghan Iceland Unit SFX Supervisor: Haukur Karlsson Post-Production Supervisor: Gala Goliani 1st Assistant Editor: Matthew Kovach Executive Assistant (Toronto): Cornelia Audrey SIM Supervising Producer: Bryon Smith SIM Online Editor: Chad Cole Final Colorist: Todd Bochner Filming Dates: July 2019 - February 24, 2020 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Cooke Anamorphic/I SF Primes AR: 2.39:1 (Anamorphic) Budget: 8-8.5 Million USD Visual Effects Provided by: Pixomondo, Crafty Apes & Ghost VFX Attribute: Camera, Lenses & Post-Production Services by Sim Digital

Director/Exec Producer: Olatunde Osunsamnmi Composer/Conductor: Jeff Russo Composer (Original Star Trek Theme): Alexander Courage Costume Designer: Gersha Phillips Film Editor: Jon Dudkowski ACE Production Designer: Phillip Barker Cinematographer: Glen Keenan CSC Co-Producers: Kristen Beyer, Dana N. Wilson Producer: Thom J. Petak Consulting Producer: John Ottman ACE Supervising Producers: Bo Yeon Kim, Erika Lippoldt Supervising Producer/Lead VFX Supervisor: Jason Michael Zimmerman Executive Producer: Eugene Roddenberry, Jenny Lumet Executive Producer/Writer: Michelle Paradise Associate Producers: Emma Sampson, Robyn Johnson Production Managers: David Till, BE Sharp 1st Assistant Director: Woody Sidarous 2nd Assistant Director: Ben Marrello 2nd Unit Director: Larry A. McLean Executive Consultant: Bryan Fuller Set Decorator: Peter Nicolakkakos Prop Master: Mario Moreira Supervising Art Director: Jody Clement Art Directors: Matt Middleton, Matt Morgan 1st Ass't Art Director (Graphics): Bruce Wrighte 1st Ass't Art Director (Concept Art): Sanford Kong 3rd Assistant Directors: Ross Vivian, Kieffer Moxness, James Dalton 4th Assistant Director: Jaclyn McBride A-Camera Operator: Francois Daignault B-Camera Operator: Michael Carr C-Camera Operator: JP Locherer Lead Creature Designer: Neville Page Co-Costume Designer: Bernadette Croft 2nd Unit DoP: Franco Tata Gaffer: Heinz Gloss 1st Company Grip: Robert Daprato 1st Assistant A-Camera: Andrew Stretch 1st Assistant B-Camera: Andrew Lounsbury 1st Assistant C-Camera: Scott Cowan 2nd Assistant A-Camera: Stephen Gould Digital Imaging Technician: Ron Schlueter Video Coordinator: Victor Jolic Production VFX Supervisor: Ante Dekovic Production VFX Producer: Aleksandra Kochoska On-Set VFX Associate Supervisor: Alexander Wood VFX Project Manager: Sunny Ye VFX Lead Artist: Charles Collyer Senior VFX Coordinator: Marina Abramyan VFX Consulting Supervisor: Mahmoud Rahnama VFX Art Director: William Budge Production Coordinator: Allison Waxman 1st Ass't Production Coordinators: Allison Lahav, Taylor Danton 2nd Assistant Production Coordinator: Laura Miles Storyboard Artist: Rob McCallum Digital Asset Manager: James Jarvis Stunt Coordinator: Christopher McGuire Fight Coordinator: Dennis La Fond Production SFX Coordinator: Darcy Callaghan Post-Production Supervisor: Gala Goliani 1st Assistant Editor: Matthew Kovach Executive Assistant (Toronto): Cornelia Audrey SIM Supervising Producer: Bryon Smith SIM Online Editor: Chad Cole Final Colorist: Todd Bochner DNEG VFX Supervisor: Toni Pykäläniemi Filming Dates: July 2019 - February 24, 2020 Camera: Alexa SXT (3.4K ARRIRAW) Lenses: Cooke Anamorphic/I SF Primes AR: 2.39:1 (Anamorphic) Budget: 8-8.5 Million USD Visual Effects Provided by: Double Negative Attribute: Camera, Lenses & Post-Production Services by Sim Digital

Director, Pilot Ep/Creator/Head Writer/EP: Akiva Goldsman Director, Episode 2: Maja Vrvilo Director, Episode 3: Leslie Hope Director, Episode 4: Dan Liu Director, Episode 5: Rachel Leiterman Director, Episode 6: Andi Armaganian Director, Episode 7: Sydney Freeland Director, Episode 8: Amanda Row Director, Episode 9: Christopher J. Byrne Director, Ep. 10 / Co-Executive Producer: Chris Fisher Creators/Head Writers/EPs: Jenny Lumet, Alex Kurtzman Casting: Margery Simkin CSA, Orly Sitowitz CSA Composer, Main Title Theme/Supervising Composer: Jeff Russo Composer, Original Music: Nami Melumad Composer, Original STAR TREK Theme: Alexander Courage Costume Designer: Bernadette Croft Costume Designer, Pilot: Gersha Phillips Editor, Ep. 1, 5, 7 & 10: Andrew Coutts CCE Editor, Episodes 2, 3 & 8: Dana Gasparine Production Designer: Jonathan Lee Cinematographer, Ep. 1, 2, 4, 7 & 9: Glen Keenan CSC Writer, Episodes 2 & 7/Co-Producer: Sarah Tarkoff Writer, Episodes 5 & 6/Co-Producer: Robin Wasserman Co-Producer: Robyn Johnson Producer: Andrea Raffaghello Writer, Ep. 4 & 7 / Supervising Producer: Beau DeMayo Writer, Ep. 3 & 6/Supervising Producer: Bill Wolkoff Supervising Producer: April Nocifora Supervising Producer / Lead VFX Supervisor: Jason M. Zimmerman Co-Executive Producer: Kirsten Beyer Writer, Ep. 3 & 8 / Co-Executive Producer: Akela Cooper Writer, Ep. 4 & 9/Co-Executive Producer: Davy Perez Executive Producers: Eugene Roddenberry, Trevor Roth Executive Producers: Frank Siracusa, John Weber Executive Producer: Aaron Baiers Executive Producer: Heather Kadin Writer, Ep. 2, 5 & 10/Executive Producer: Henry Alonso Myers Writer, Ep. 8/Writers' Asst.: Onitra Johnson Producer: Paul Gado Executive Producer: Jennifer Haulfer Production Managers: David Vaughan, Jillian Ordowich First Assistant Director: Woody Sidarous Second Assistant Director: Ben Marrello Canadian Casting Director: Robin D. Cook CSA Set Decorator: Justin Craig Prop Master: Jim Murray Supervising Art Director: Jody Clement Art Directors: Haley Isaacs, Tijana Petrovic, Matt Morgan Art Director - AR: Alex Schnobb Third ADs: Madesta Buffam, Luke Vaughan Set PAs: Erik Arnesen, Zrio Drgamsen, Jordan Mulgrave Script Supervisor: Lisa Burling A Camera Operator: François Daignault B Camera Operator: Matthew Cree C Camera Operator: Keith Hlady Sound Mixer: Sylvain Arseneault Boom Operator: Tim Sayle LA Casting Associate: Melanie J. Brown Canadian Casting Associates: Jonathan Olivera CSA, Ashley Gray Location Manager: Michael Campbell Assistant Location Manager: Kevin Allen Location PAs: Tobi Bello, Graeme Smith, Alex Quintana-James Costume Supervisor: Karen Lee Assistant Costume Designers: Sarah Goodwin, Heather English, Emily Jasper Dept. Head - Prosthetics: Chris Bridges Dept. Head - Make-Up: Maribeth Knezey Dept. Head - Hair: Yasmine Crosdale Prosthetics Design & Supervision: J. Alan Scott Prosthetics Design: Bodin Sterba Prosthetics Design & Sculpting: JD Bowers Prosthetics Coordinator: Damon Weathers Lighting Designer: Harry Stroud First Company Grip: Mitch Holmes 1st Assistant A Camera: Andrew Stretch 1st Assistant B Camera: Mark Giles 1st Assistant C Camera: Scott Cowan 2nd Assistant A Camera: Stephen Gould 2nd Assist B Camera: Rudy Mammitzsch 2nd Assistant C Camera: Dave McCallion Digital Imaging Technician: Ron Schlueter 2nd Unit First Assistant Director: Sorcha Vasey 2nd Unit 2nd Assistant Director: Jesse Glass Senior VFX Producer: Aleksandra Dekovic Production VFX Supervisor: Alex Wood Production VFX Producer: Peter Davis Associate VFX Supervisor: Charles Collyer On-Set VFX Supervisor: Ralph Sevazlian VFX Project Manager: Shawn Ewashkd Production VFX Artist: Eric Hance Senior VFX Compositor: Greg Wadsworth Overall VFX Compositor: Eddie Gutierrez Lead VFX Coordinator: Liz Alvarez Production VFX Coordinator: Brian Lis VFX On-Set Coordinator: Ross Vivian Post Supervisor: Ruben Michael Molina First Assistant Editor: Preston Rapp Key VFX Editors: Anthony Safaric, Rebecca Weigold Post Coordinators: Nicholas Estrin-Barks, Sophia Best Post Production Assistant: Tony Lugo Technical Consultant: Erin MacDonald Prod. Coordinator: Alexandra MacKenzie Script Coordinator: Tao Summers Second Assistant Production Coordinator: Robyn Scott Cast Coordinator: Zahra Liberté Aloünia Storyboard Artist: Rob Ballantine Digital Asset Manager: James Jarvis Art Department Coordinator: Becca Morin Stunt Coordinator: Neil Davison Fight Coordinator: Eric Daniel Special Effects Coordinator: Phil Maurais First Lead Dresser: Kevin Haeberlin Second Lead Dresser: Carlos Caneca Cont. Lens Supervisor: Mandy Ketcheson Executive Assistant: Sam Rosati COVID-19 Supervisor: Katalina Kovesces COVID-19 Cast Assistant: Sarah Reynolds WB. Sound Supervisor: Matthew E. Taylor WB. Sound Effects Supervisor/Designer: Michael Schapiro WB. Dialogue Editor: Sean Heissinger WB. Foley Editor: Clay Weber WB. Foley Mixer: John Sanacore Music Editor: Matt Decker Score Engineer & Mixer, Main & End Titles: Michael Perfitt Scoring Assistant, Main & End Titles: Sam Lucas Orchestra Editor, Main & End Titles: Ben Fox Orchestrators, Main & End Titles: Nolan Livesay, Jason Livesay Score Engineer & Mixer: Dennis S. Sands Score Orchestrator: Jeff Kryka Scoring Assistants: Natalia Goldstein, Mick Giacchino Orchestra Contractor: Gina Zimitti Assistant Orchestra Contractor: Whitney Martin PST Dailies Operators: Eric Harrison, Michael Krahn PST Workflow Producer: Kevin Camilleri PST Workflow Supervisor: Barb Lucchesi PST Digital Archiving Technician: David Robertson PST Metabang Architect: Jesse Korosi PST General Manager: Evan Gervais Company 3 Producer: Giovanni DiGiorgio Company 3 Sr. Online Editor: Heydar Adel Company 3 Supervising Colorist: Stefan Sonnenfeld ASC Company 3 Colorist: J. Cody Baker CO3 VFX Consulting Supervisor: Mahmoud Rahnama Cinematography Consultant: Greig Fraser ASC ACS Filming Dates: 18 February 2021 - 11 Oct. 2021 Camera: Alexa LF (4.5K ARRIRAW) Lenses: Cooke Anamorphic/I SF 1.8x Full Frame Plus Primes AR: 2.39:1 (Anamorphic) Prosthetics Provided by: Legacy Effects Sound Services by: Warner Bros. Post Production Creative Services Dailies Services Provided by: Picture Shop Toronto Post Services Provided by: Company 3 Editing Systems Provided by: Pacific Post Main Title Design by: Picturemill Visual Effects by: Ghost VFX, Pixomondo, Crafty Apes, Storm & FX3X AR Screen Effects by: Clara Studio Inc. Produced With the Participation of the: Canadian Production Services Tax Credit

Writers: Lindsey Beer, Geneva Robertson-Dworet Producers: JJ Abrams, Alex Kurtzman Producers: Bryan Burk, Dana Goldberg Executive Producer: Tom Harper Executive Producer: David Ellison Production Designer: Mark Worthington