by Cineanalyst | Public
The obvious choice to top this ranking, MGM's Technicolor musical may be the most popular and beloved film of all time. With a wonderful ensemble cast led by Judy Garland, fantastic use of color, cinematic reflexivity, camp, entertaining musical numbers, memorable lines and improving upon Baum's text in every significant regard, it deserves to be, too.
My Full Review
The actual first Technicolor film treatment of Baum's book, this cartoon's release was reportedly hindered by contractual disputes, but it's an interesting, if odd, take on the text. Plus, it's short.
My Full Review
Disney's sequel to the MGM masterpiece is a surprisingly shocking departure, including a Halloween theme. Its shared fondness with Baum for the removal of heads is a highlight.
My Full Review
This Disney prequel is more in line with the studio's usual propensity for self-promotion and effects-laded fluff. The movie effectively continues the 1939 film's reflexivity of the Wizard creating films-within-the-film, though.
My Full Review
An all-black cast variation on Baum's tale, although "The Wiz," too, owes its plot structure to the 1939 film. Unfortunately, the musical numbers tend to be tiresome with the exception of "Ease on Down the Road," and its translation of a story focused on white characters from Kansas to an African-American urban dreamscape is only partially effective.
My Full Review
The earliest film on this list is largely a filmed play in the dated tableau style, but it's somewhat cute and short, which puts it above the rest of the silent Oz films.
My Full Review
The first of three Oz films that Baum produced himself. They were amateurish even by 1914 standards, although, I suppose, they're not without some charm.
My Full Review
These Baum films are much of the same. This one may be shorter because of lost footage.
My Full Review
Again, more of the same, and if you can tolerate seeing all three of Baum's Oz trilogy, you might dare to watch the final film on this list.
My Full Review
Some have proposed this to be the worst film of the silent era. They may be right.
My Full Review