Director: Steven C. Miller Cinematographer: Brandon Cox 2nd Unit DP: Alejandro Lalinde Film Editor: Vincent Tabaillon ACE Camera(s): Alexa Mini & XT (2.8K ARRIRAW) Lenses: B-Series AR: 2.35:1

Director: Baran bo Odar Cinematographer: Mihai Malaimare Jr 2nd Unit Director: Jeff Imeda Film Editor: Robert Rzesacz Camera(s): Alexa Plus 4:3, XT Plus & Red Epic (2.8K ARRIRAW & 5K Redcode RAW) Lenses: B-, C-, E-, G-Series, Anamorphic Telephoto Zoom, Super & Ultra Speed MKII (Spherical) AR: 2.39:1

Director: Lasse Halstrom Cinematographer: Terry Stacey ASC 2nd Unit Director: Brendan Taylor 2nd Unit Steadicam Operator/Director of Photography: Keith Eidse Additional DPs: Dino Parks ASC, Robby Baumgartner A-Camera/Steadicam Operator: Parris Mayhew Drone Camera Operator: Trevor Bennett Underwater Camera Operator: Pascal Boisvert Film Editor: Robert Leighton President of Post-Production (Company 3): Stefan Sonnenfeld ASC Camera: Red Epic Dragon (6K Redcode RAW) Lenses: Panavision/Hawk V-Lite (Anamorphic), V-Plus (Anamorphic) & Panavision/Angenieux Optimo (Anamorphic) AR: 2.35:1

Director: Joel David Moore Cinematographer: Ross Reige Film Editor: Michael Taylor Camera: Alexa Mini (2.8K ARRIRAW) Lenses: E- & G-Series AR: 2.35:1

Director: James Foley Cinematographer: John Schwartzman ASC 2nd Unit Director: Scott J. Athea 2nd Unit DP: Roger Vernon CSC Film Editor: Richard Francis-Bruce ACE DI Colorist: Stefan Sonnenfeld ASC Camera: Alexa XT Plus (2.8K ARRIRAW) Lenses: Primo (Anamorphic), C-Series & Anamorphic Zooms AR: 2.39:1

Director: John Lee Hancock Cinematographer: John Schwartzman ASC Edge DP: Ronald Hersey Film Editor: Robert Frazen ACE DI Colorist: Stefan Sonnenfeld ASC Camera: Alexa XT (2.8K ARRIRAW) Lenses: G-Series AR: 2.35:1

Director: James Mangold Cinematographer: John Mathieson BSC 2nd Unit Director: Garrett Warren 2nd Unit DP: Lukasz Jogalla Additional DPs: Phedon Papamichael ASC, T. Sano Kwang Film Editors: Michael McCusker ACE, Dirk Westervelt ACE Camera(s): Alexa Mini & XT Plus (2.8K/3.4K ARRIRAW) Lenses: E-, T-Series, Panavision/Cooke Varotal (Anamorphic) Zooms & Panavision/Optica Elite (Anamorphic) AR: 2.39:1

Director: Jordan Vogt-Roberts Cinematographer: Larry Fong ASC 2nd Unit Director: Spiro Razatos 2nd Unit DP: Jacques Haitkin Additional DP: Stephen D. Shepard Aerial DP: David B. Nowell ASC Film Editor: Richard Pearson ACE Additional Film Editor: Bob Murawski ACE Camera: Alexa XT Plus (3.4K ARRIRAW) Lenses: Primo (Anamorphic), B-Hybrid, C-, E-Series & T-Series Anamorphic Wide-Angle Zoom AR: 2.39:1

Director: Edgar Wright Cinematographer: Bill Pope ASC 2nd Unit Director: Darrin Prescott 2nd Unit DP: Duane Manwiller Film Editors: Jonathan Amos ACE, Paul Matchliss ACE Camera(s): Alexa Mini, XT Plus, Arricam LT, ST & Panaflex XL2 (2.8K ARRIRAW & 35mm Kodak Vision3 250D 5207) Lenses: C-, G-, T-Series & Anamorphic Zooms AR: 2.39:1

Director: Zach Braff Cinematographer: Rodney Charters ASC CSC 2nd Unit Director: GA Aguilar Film Editor: Myron I. Kerstein Camera(s): Alexa Mini & XT Plus (2.8K & 3.4K) Lenses: C-, E-, G-, T-Series, Anamorphic Zooms & Zeiss Super Speed AR: 2.39:1

Director: James Gray Cinematographer: Darius Khondji ASC 2nd Unit Director: Dave Roddham Film Editors: John Axelrad, Lee Haugen Camera(s): Arricam LT, ST, Arriflex 35-III & 435 Advanced (35mm Kodak Vision3 50D 5203/200T 5213/500T 5219) Lenses: C-, E-Series, Ultra Speed Golden (Anamorphic), Anamorphic Zooms & Panavision/Angenieux HR (Anamorphic) Zooms AR: 2.35:1

Director: Guy Ritchie Cinematographer: John Mathieson BSC 2nd Unit DP/Additional DP: Alan Stewart Film Editor: James Herbert Camera: Alexa XT (2.8K) Lenses: Primo (Anamorphic), E-Series & Anamorphic Zooms AR: 2.39:1

Director: Seth Gordon Cinematographer: Eric Steelberg ASC 2nd Unit Director: Kevin Scott 2nd Unit DP: Paul Hughen ASC Film Editor: Peter S. Elliot ACE Camera: Alexa XT Plus (2.8K) Lenses: G-Series & Anamorphic Zooms AR: 2.39:1

Director: Alex Kurtzman Cinematographer: Ben Seresin ASC BSC 2nd Unit Director: Wade Eastwood 2nd Unit DP: Andrew Rowlands ACS Underwater DP: Pete Romano ASC A-Camera Operator/Steadicam Operator: Colin Anderson SOC Film Editors: Paul Hirsch ACE, Gina Hirsch, Andrew Mondshein ACE DI Colorist: Stefan Sonnenfeld ASC Camera: Alexa 65, Mini, Arriflex 235 & Panaflex XL2 (3.4K/6.5K ARRIRAW & 35mm Kodak Vision3 200T 5213/500T 5219) Lenses: C-, E-, T-Series, Anamorphic Zooms & Prime 65 AR: 16:9 HD (news scenes), 2.39:1

Director: Ana Lily Amirpour Cinematographer: Lyle Vincent Film Editor: Alex O'Flinn Camera: Alexa XT (2.8K) Lenses: B-, C-, D-Series, Macro Auto Panatar & Angenieux HR (Anamorphic) AR: 2.35:1

Director: Andrew Jay Cohen Cinematographer: Jas Shelton ASC 2nd Unit Directors: Allan Graf, Bruce Jones 2nd Unit DP: Tom Clancey Film Editors: Michael L. Sale ACE, Evan Henke Camera: Alexa XT (2.8K) Lenses: C- & E-Series AR: 2.35:1

Director: Steven C. Miller Cinematographer: Brandon Cox Splinter Unit Action Director: Theo Kypri Film Editor: Thomas Calderon Camera: Alexa Mini (2.8K) Lenses: Primo (Anamorphic), E-, G- & T-Series AR: 2.35:1

Director: Matt Spicer Cinematographer: Bryce Fortner 2nd Unit Director: Collin Erie Additional DP: Robert Lam Film Editor: Jack Price Camera: Alexa Mini (2.8K) Lenses: C-Series AR: 2.35:1

Director: Martin McDonagh Cinematographer: Ben Davis BSC Camera Operator: Stephen S. Campanelli Film Editor: Joe Gregory Cameras: Alexa XT & XT Plus (2.8K ARRIRAW) Lenses: C-, E-Series & Anamorphic Zooms AR: 2.35:1

Director: Andy Muschietti Cinematographer: Chung-Hoon Chung 2nd Unit Director: William Waring 2nd Unit DP: Michael Carella Film Editor: Jason Ballantine DI Colorist: Stephen Nakamura Camera(s): Alexa Mini & XT Plus (2.8K & 3.4K) Lenses: Primo (Spherical), G-Series, Anamorphic Zooms & Angenieux Optimo (Spherical) AR: 2.39:1

Director: Aaron Sorkin Cinematographer: Charlotte Bruus Christensen ASC 2nd Unit Director: John Stoneham Jr 2nd Unit DP: Michael Galbraith Additional DP: Christopher Hamilton Film Editors: Alan Baumgarten ACE, Elliot Graham ACE, Josh Schaeffer Camera(s): Alexa Mini & XT (3.4K ASC) Lenses: B-, C-, E-Series & Anamorphic Zooms AR: 2.39:1

Director: Neils Arden Oplev Cinematographer: Eric Kress 2nd Unit DP: Arthur E. Cooper Film Editor: Tom Elkins Camera: Alexa XT (2.8K) Lenses: Primo (Anamorphic & Spherical), E-, G- & T-Series AR: 2.39:1

Director: Hany Abu-Assad Cinematographer: Mandy Walker ASC ACS 2nd Unit DP: Roger Vernon CSC Aerial DP: Hans Bjerno ASC Aerial Camera Technician: Dane Bjerno Film Editor: Lee Percy Camera(s): Alexa 65, Mini & SXT (2.8K/6.5K ARRIRAW) Lenses: Primo (Anamorphic Zooms), C-, E-Series, Macro Panatar, Anamorphic Telephoto (70-200) Zooms & Spherical Sphero 65 AR: 2.35:1

Director/Film Editor: Sean Baker Cinematographer: Alexis Zabe Camera(s): Alexa Mini & Panaflex XL2 (2.8K ARRIRAW & 35mm Kodak Vision3 50D 5203/250D 5207/500T 5219) Lenses: E-Series AR: 2.39:1

Director: Jason Hall Cinematographer: Roman Vasyanov RGC 2nd Unit Director: Talal El Moustaghfir Film Editors: Jay Cassidy ACE, Dino Jonsater Camera: Alexa XT Plus (2.8K ARRIRAW) Lenses: C-, E- & T-Series AR: 2.35:1

Director: George Clooney Cinematographer: Robert Elswit ASC Camera/Steadicam Operator: Colin Anderson SOC Film Editor: Stephen Mirrione ACE DI Colorist: Stefan Sonnenfeld ASC Camera: Alexa 65 & XT Plus (2.8K/6.5K ARRIRAW) Lenses: C-, E-, T-Series, Anamorphic Zooms & Spherical Sphero 65 AR: 2.39:1

Director: Marc Forster Cinematographer: Matthias Koeniswieser ASC Underwater DP: Ian S. Takahashi Film Editor: Hughes Winborne ACE Camera(s): Alexa XT & Red Epic Dragon (2.8K ARRIRAW & 6K Redcode RAW) Lenses: G-Series AR: 2.39:1

Director: James Franco Cinematographer: Brandon Trost 2nd Unit DP: Additional DP: Jesse M. Feldman Film Editor: Stacey Schroeder ACE Camera: Red Weapon Dragon (5K/6K Redcode RAW) Lenses: C-, E-, G-, T-Series & Cooke Varotal (Anamorphic & Spherical) AR: 1.85:1 (scenes from The Room), 2.39:1

Director: Dee Rees Cinematographer: Rachel Morrison ASC Film Editor: Mako Kamitsuna Camera: Alexa Mini (3.4K) Lenses: Primo (Anamorphic 11:1 Zoom & Spherical Primes), C-, D-, E-, T-Series, PVintage (Spherical) & Ultra Speed MKII (Spherical) AR: 2.39:1

Director: Scott Cooper Cinematographer: Manasobu Takayanagi ASC 2nd Unit Director: Doug Coleman Film Editor: Tom Cross ACE Camera(s): Arriflex 235 & Panaflex XL2 (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219) Lenses: E-, G-, T-Series & Anamorphic Zooms AR: 2.35:1

Director: David Ayer Cinematographer: Roman Vasyanov RGC 2nd Unit Directors: Robert Alonzo, Dan Bradley 2nd Unit DP: Patrick Loungway Film Editor: Michael Tronick ACE Camera(s): Alexa 65, Mini, XT & Red Weapon Helium (3.4K/6.5K ARRIRAW & 8K Redcode RAW) Lenses: C-Series & APO Panatar AR: 2.39:1

Director: Alex Ranarivelo Cinematographer: Rueben Steinberg Film Editor: Brett Hedlund Camera: Sony CineAlta F55 (4K) Lenses: Primo (Anamorphic & Spherical), C- & E-Series AR: 2.39:1

Director: Mark Williams Cinematographer: Shelly Johnson ASC Film Editor: Thom Noble ACE Camera: Alexa XT (2.8K) Lenses: G-Series AR: 2.39:1

Director: Lawrence Sher ASC Cinematographer: John Lindley ASC Aerial DP: Hans Bjerno ASC Film Editor: Dana E. Glauberman ACE Camera: Panaflex XL2 (35mm) Lenses: Primo (Anamorphic) AR: 2.35:1

Director: Walter Hill Cinematographer: James Liston Film Editor: Phil Norden Camera: Alexa XT (2.8K) Lenses: Primo (Anamorphic), E-, G-Series & Anamorphic Zooms AR: 2.39:1

Director: Alan Smithee Jr Cinematographer: Jonathan Sela ASC 2nd Unit Directors: Mike Gunther, Spiro Razatos, Nick McKinless 2nd Unit DPs: Peter Lyons Collister ASC, Igor Meglic ZFS Iceland Unit Aerial DP: Michael Kelem Aerial DP: David B. Nowell ASC Additional DP: Brooks P. Guyer A-Camera/Steadicam Operator: Jacques Jouffret SOC 1st ADs: KC Hodenfield, Jeff Okabayashi Film Editors: Roger Barton ACE, Debra Neil-Fisher ACE, John Refoua ACE, Calvin Wimmer Additional Film Editor: Julie Monroe DI Colorist: Stefan Sonnenfeld ASC Camera(s): Alexa IMAX 3D, Arriflex 416 Plus, Red Epic Dragon, Weapon Dragon & Helium (16mm Kodak Vision3, 6K, 6.5K & 8K) Lenses: Primo (Anamorphic 11:1 Zoom), C-, E-, G-Series, Anamorphic Zooms, Panavised Hawk V-Lite16 1.3x (Anamorphic), Leica Summilux-C (Spherical), Vantage One (Spherical) & Hasselblad Prime 65 AR: 1.90:1 (Most Scenes), 2.00:1 (Most Scenes), 2.28:1 (Letterboxed: Some Shots), 2.39:1 (Letterboxed: One Shot)

Director: Paul Bunnell Cinematographer: Francisco Bulgarelli Time-Lapse DP: Steve Lazur Camera/Steadicam Operator: Manolo Rojas Steadicam Operator: Erwin Landau Film Editor: Russell Harnden III Camera(s): Arriflex 435, 535B, Moviecam Compact, Panaflex XL2 & Platinum (35mm) Lenses: Primo (Anamorphic), C-Series & Hawk C-Series (Anamorphic) AR: 2.35:1

Directors: Brendan Malloy, Emmett Malloy Cinematographer: Giles Dunning Film Editors: Tracy Adams, Luis Carballar 2nd Unit Director: Mark Rayner Assistant Editor/Additional Film Editor: Blake Harjes Colorist: Beau Leon Camera: Alexa Mini (Digital) Lenses: Panavision/Cooke Xtal Xpress (Anamorphic)

Director: Rian Johnson Cinematographer: Steve Yedlin ASC 2nd Unit DP: Jaron Presant Film Editor : Bob Ducsay Camera(s): Alexa 65, Mini, XT Plus, Arriflex 435, IMAX MKIV, MSM 9802 & Panaflex XL2 (2.8K, 3.2K, 3.4K, 6.5K, 35mm & 65mm) Lenses: Primo (Spherical), C-, E-, G-, T-Series, Anamorphic Zooms, Super Speed Z-Series MKII (Spherical), Hasselblad & Prime 65 AR: 2.39:1