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IMDbPro

D.W. Griffith(1875-1948)

  • Director
  • Writer
  • Producer
IMDbProStarmeterSee rank
D.W. Griffith, c. 1913.
David Wark Griffith was born in rural Kentucky to Jacob "Roaring Jake" Griffith, a former Confederate Army colonel and Civil War veteran. Young Griffith grew up with his father's romantic war stories and melodramatic nineteenth-century literature that were to eventually shape his movies. In 1897 Griffith set out to pursue a career both acting and writing for the theater, but for the most part was unsuccessful. Reluctantly, he agreed to act in the new motion picture medium for Edwin S. Porter at the Edison Company. Griffith was eventually offered a job at the financially struggling American Mutoscope & Biograph Co., where he directed over four hundred and fifty short films, experimenting with the story-telling techniques he would later perfect in his epic The Birth of a Nation (1915).

Griffith and his personal cinematographer G.W. Bitzer collaborated to create and perfect such cinematic devices as the flashback, the iris shot, the mask and cross-cutting. In the years following "Birth", Griffith never again saw the same monumental success as his signature film and, in 1931, his increasing failures forced his retirement. Though hailed for his vision in narrative film-making, he was similarly criticized for his blatant racism. Griffith died in Los Angeles in 1948, one of the most dichotomous figures in film history.
BornJanuary 22, 1875
DiedJuly 23, 1948(73)
BornJanuary 22, 1875
DiedJuly 23, 1948(73)
IMDbProStarmeterSee rank
  • Awards
    • 4 wins

Photos27

D.W. Griffith, Lillian Gish, Richard Barthelmess, Burr McIntosh, Vivia Ogden, and Lowell Sherman in Way Down East (1920)
D.W. Griffith in Way Down East (1920)
Charles Chaplin, D.W. Griffith, Douglas Fairbanks, and Mary Pickford
D.W. Griffith
D.W. Griffith
D.W. Griffith and Cecil B. DeMille
D.W. Griffith, Donald Crisp, Robert Harron, and Mae Marsh in The Escape (1914)
D.W. Griffith and G.W. Bitzer
D.W. Griffith
D.W. Griffith, G.W. Bitzer, and Jack Pickford
D.W. Griffith
D.W. Griffith and G.W. Bitzer

Known for

The Birth of a Nation (1915)
The Birth of a Nation
6.2
  • Director
  • 1915
Intolerance (1916)
Intolerance
7.7
  • Director
  • 1916
Robert Harron and Mae Marsh in The Mother and the Law (1919)
The Mother and the Law
7.1
  • Director
  • 1919
Broken Blossoms (1919)
Broken Blossoms
7.2
  • Director(under the personal direction of)
  • 1919

Credits

Edit
IMDbPro

Director

  • Frankie Carle, Leon Errol, Inesita, Jerry Murad, and The Harmonicats in Footlight Varieties (1951)
    Footlight Varieties
    • Director (segment Confidence)
    • 1951
  • Flicker Flashbacks No. 1, Series 5
    • Director (archive footage from "The Last Deal, 1910", uncredited)
    • Short
    • 1947
  • Claude Cooper and Hal Skelly in The Struggle (1931)
    The Struggle
    • Director
    • 1931
  • Walter Huston in Abraham Lincoln (1930)
    Abraham Lincoln
    • Director (personally directed by)
    • 1930
  • William Boyd and Lupe Velez in Lady of the Pavements (1929)
    Lady of the Pavements
    • Director
    • 1929
  • Don Alvarado, Belle Bennett, Phyllis Haver, Jean Hersholt, and Sally O'Neil in The Battle of the Sexes (1928)
    The Battle of the Sexes
    • Director
    • 1928
  • Drums of Love (1928)
    Drums of Love
    • Director
    • 1928
  • Rosetta Duncan, Vivian Duncan, and Gibson Gowland in Topsy and Eva (1927)
    Topsy and Eva
    • Director (uncredited)
    • 1927
  • Adolphe Menjou in The Sorrows of Satan (1926)
    The Sorrows of Satan
    • Director
    • 1926
  • That Royle Girl (1925)
    That Royle Girl
    • Director
    • 1925
  • Sally of the Sawdust (1925)
    Sally of the Sawdust
    • Director
    • 1925
  • Carol Dempster and Frank Puglia in Isn't Life Wonderful (1924)
    Isn't Life Wonderful
    • Director
    • 1924
  • Harry O'Neill in America (1924)
    America
    • Director
    • 1924
  • Mammy's Boy
    • Director
    • Short
    • 1923
  • D.W. Griffith in The White Rose (1923)
    The White Rose
    • Director
    • 1923

Writer

  • Frankie Carle, Leon Errol, Inesita, Jerry Murad, and The Harmonicats in Footlight Varieties (1951)
    Footlight Varieties
    • Writer (segment Confidence)
    • 1951
  • Claude Cooper and Hal Skelly in The Struggle (1931)
    The Struggle
    • Writer (uncredited)
    • 1931
  • Carol Dempster and Frank Puglia in Isn't Life Wonderful (1924)
    Isn't Life Wonderful
    • Writer
    • 1924
  • Mammy's Boy
    • writer
    • Short
    • 1923
  • D.W. Griffith in The White Rose (1923)
    The White Rose
    • Writer (as Irene Sinclair)
    • 1923
  • Carol Dempster in One Exciting Night (1922)
    One Exciting Night
    • story (as Irene Sinclair)
    • 1922
  • Orphans of the Storm (1921)
    Orphans of the Storm
    • Writer (as Gaston de Tolignac)
    • 1921
  • Carol Dempster, Ralph Graves, and Charles Emmett Mack in Dream Street (1921)
    Dream Street
    • scenario (as Roy Sinclair)
    • 1921
  • Lillian Gish and Richard Barthelmess in Way Down East (1920)
    Way Down East
    • Writer (uncredited)
    • 1920
  • Richard Barthelmess and Carol Dempster in The Love Flower (1920)
    The Love Flower
    • Writer
    • 1920
  • Robert Harron and Mae Marsh in The Mother and the Law (1919)
    The Mother and the Law
    • screenplay
    • story
    • 1919
  • The Fall of Babylon (1919)
    The Fall of Babylon
    • writer
    • 1919
  • Broken Blossoms (1919)
    Broken Blossoms
    • writer
    • 1919
  • Richard Barthelmess and Carol Dempster in The Girl Who Stayed at Home (1919)
    The Girl Who Stayed at Home
    • writer
    • 1919
  • Lillian Gish in A Romance of Happy Valley (1919)
    A Romance of Happy Valley
    • story (as Captain Victor Marier)
    • 1919

Producer

  • Victor Mature and Carole Landis in One Million B.C. (1940)
    One Million B.C.
    • producer (uncredited)
    • 1940
  • Claude Cooper and Hal Skelly in The Struggle (1931)
    The Struggle
    • producer (uncredited)
    • 1931
  • Walter Huston in Abraham Lincoln (1930)
    Abraham Lincoln
    • producer
    • 1930
  • Don Alvarado, Belle Bennett, Phyllis Haver, Jean Hersholt, and Sally O'Neil in The Battle of the Sexes (1928)
    The Battle of the Sexes
    • producer
    • 1928
  • Drums of Love (1928)
    Drums of Love
    • producer
    • 1928
  • Adolphe Menjou in The Sorrows of Satan (1926)
    The Sorrows of Satan
    • producer
    • 1926
  • Sally of the Sawdust (1925)
    Sally of the Sawdust
    • producer
    • 1925
  • Carol Dempster and Frank Puglia in Isn't Life Wonderful (1924)
    Isn't Life Wonderful
    • producer
    • 1924
  • Harry O'Neill in America (1924)
    America
    • producer
    • 1924
  • D.W. Griffith in The White Rose (1923)
    The White Rose
    • producer
    • 1923
  • Carol Dempster in One Exciting Night (1922)
    One Exciting Night
    • producer
    • 1922
  • Orphans of the Storm (1921)
    Orphans of the Storm
    • producer
    • 1921
  • Carol Dempster, Ralph Graves, and Charles Emmett Mack in Dream Street (1921)
    Dream Street
    • producer
    • 1921
  • Lillian Gish and Richard Barthelmess in Way Down East (1920)
    Way Down East
    • producer (uncredited)
    • 1920
  • Richard Barthelmess and Carol Dempster in The Love Flower (1920)
    The Love Flower
    • producer
    • 1920

Personal details

Edit
  • Alternative names
    • David W. Griffith
  • Height
    • 5′ 11″ (1.80 m)
  • Born
    • January 22, 1875
    • LaGrange, Kentucky, USA
  • Died
    • July 23, 1948
    • Hollywood, Los Angeles, California, USA(cerebral hemorrhage)
  • Spouses
      Evelyn BaldwinMarch 2, 1936 - November 1, 1947 (divorced)
  • Other works
    Radio show: Appeared on an NBC radio special: "The Dodge Hour", March 29, 1928, with Douglas Fairbanks, Charles Chaplin and John Barrymore. Griffith spoke on "Love". Sponsored by Dodge Brothers to introduce its newest automobile, it was broadcast from New York, Detroit and Hollywood. No recording is known to exist.
  • Publicity listings
    • 2 Biographical Movies
    • 29 Print Biographies
    • 3 Portrayals
    • 129 Articles
    • 1 Magazine Cover Photo

Did you know

Edit
  • Trivia
    Was the first to utter the catchphrase "Lights, camera, action!" in 1910, on the set of In Old California (1910). It, like many of his techniques, are still widely used in filmmaking.
  • Quotes
    [quoted by G.W. Bitzer in "Billy Bitzer: His Story."] A film without a message is just a waste of time.
  • Trademarks
      His films depict the cruelty of humankind.
  • Salaries
      The Birth of a Nation
      (1915)
      $300 per week plus 37.5% of net profits

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