Jon Amiel

Director | Producer | Script Department

After studies in English literature, Jon Amiel graduated from Cambridge University and ran the ...

Born: May 20, 1948

Photos

Filmography

Known For

Copycat Director (1995)
The Core Director (2003)
Entrapment Director (1999)
Known For

Tune in Tomorrow... Director (1990)
Director

The Walking Dead (2022)
The Cleaning Lady (2022)
American Gods (2021)
Lincoln Rhyme: Hunt for the Bone Collector (2020)
Spinning Out (2020)
Carnival Row (2019)
Proven Innocent (2019)
Seven Seconds (2018)
Wisdom of the Crowd (2017)
Outsiders (2016-2017)
Ice (2017)
Aquarius (2015-2016)
Marco Polo (2016)
Wicked City (2015)
Hemlock Grove (2015)
The Astronaut Wives Club (2015)
Once Upon a Time (2013-2015)
Deliverance Creek (2014)
Halt and Catch Fire (2014)
Twisted (2013)
The Borgias (2012-2013)
Creation (2009)
The Tudors (2008)
The Wedding Bells (2007)
Reunion (2005)
Eyes (2005)
The Core (2003)
Entrapment (1999)
The Man Who Knew Too Little (1997)
Copycat (1995)
Mr. Jones (1993)
Sommersby (1993)
Tune in Tomorrow... (1990)
Queen of Hearts (1989)
The Storyteller (1988)
The Singing Detective (1986)
Screen Two (1986)
Tandoori Nights (1985)
The Last Evensong (1985)
Nobody's Property (1984)
Romance, Romance (1983)
Play for Today (1982-1983)
Busted (1983)
BBC2 Playhouse (1982)
Director

Dear Janet Rosenberg, Dear Mister Kooning (1977)
Producer

Outsiders (2017)
Deliverance Creek (2014)
The Wedding Bells (2007)
Reunion (2005)
Eyes (2005)
Producer

Simply Irresistible (1999)
Writer

Unconfined (2021)
Creation (2009)
Writer

Play for Today (1981)
Script and Continuity Department

Premiere (1980)

Videos

Awards

5 wins & 1 nomination.

Did You Know

Jon Amiel was a mentor at the 2nd annual HatcH audiovisual festival in Bozeman, MT. HatcH is a film and arts festival that focuses on mentoring and inspiring student, independent, and up-and-coming filmmakers and artists.

Quotes

I spend quite a lot of time in rehearsal, not so much to rehearse the words but to rehearse the character's side you don't see. I try and use rehearsal a lot to build a sense of intimacy between actors.