Exclusive: Following recent confirmation from Amazon MGM Studios and Lionsgate that A Simple Favor 2 is a go, the film has added seven new cast members: Elena Sofia Ricci, Michele Morrone (365 Days), Elizabeth Perkins (Minx), Alex Newell (Zoey’s Extraordinary Playlist), Taylor Ortega (Grand Death Lotto), Lorenzo de Moor, and Aparna Nancherla (The Drop).
While Nancherla reprises her role as Sona, all other roles are new and under wraps for now.
Deadline was first to report on the sequel two years ago, as stars Anna Kendrick and Blake Lively and director Paul Feig signed on to return. Others set to reprise include Henry Golding, Andrew Rannells, Bashir Salahuddin, Joshua Satine, Ian Ho, and Kelly McCormack.
Released by Lionsgate in 2018 to critical acclaim and more than $97 million at the worldwide box office, A Simple Favor is a mystery thriller that adapts the same-name novel by Darcey Bell. The first film introduces...
While Nancherla reprises her role as Sona, all other roles are new and under wraps for now.
Deadline was first to report on the sequel two years ago, as stars Anna Kendrick and Blake Lively and director Paul Feig signed on to return. Others set to reprise include Henry Golding, Andrew Rannells, Bashir Salahuddin, Joshua Satine, Ian Ho, and Kelly McCormack.
Released by Lionsgate in 2018 to critical acclaim and more than $97 million at the worldwide box office, A Simple Favor is a mystery thriller that adapts the same-name novel by Darcey Bell. The first film introduces...
- 3/28/2024
- by Matt Grobar
- Deadline Film + TV
Italian actor Sandra Milo, known for memorable roles in Federico Fellini’s “8½” and “Juliet of the Spirits” as well as her work with Roberto Rossellini, died on Monday at her Rome home. She was 90.
News of Milo’s death was announced on social media by her daughters, Debora and Azzurra, and son Ciro, who said Milo died in her sleep on Monday morning.
Italian deputy culture minister Lucia Borgonzoni mourned the passing of Milo as the loss of a “protagonist of Italian cinema … a great, talented artist with an overwhelming charisma” and “the muse of great directors such as Federico Fellini who won the hearts of millions of Italians.”
Milo, whose work spanned several genres, made her big screen debut in 1955 alongside popular comic actor Alberto Sordi in Antonio Pietrangeli’s “Lo Scapolo” (“The Bachelor”). Other comedies followed such as “Totò in the Moon” (“Totò Nella Luna”), one of...
News of Milo’s death was announced on social media by her daughters, Debora and Azzurra, and son Ciro, who said Milo died in her sleep on Monday morning.
Italian deputy culture minister Lucia Borgonzoni mourned the passing of Milo as the loss of a “protagonist of Italian cinema … a great, talented artist with an overwhelming charisma” and “the muse of great directors such as Federico Fellini who won the hearts of millions of Italians.”
Milo, whose work spanned several genres, made her big screen debut in 1955 alongside popular comic actor Alberto Sordi in Antonio Pietrangeli’s “Lo Scapolo” (“The Bachelor”). Other comedies followed such as “Totò in the Moon” (“Totò Nella Luna”), one of...
- 1/29/2024
- by Nick Vivarelli
- Variety Film + TV
Equal numbers of Chinese and Japanese titles adorn the main competition section of the Toyo International Film Festival, which was announced on Wednesday – three each.
Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award.
The full competition with 15 titles, set to play between Oct. 23 and Nov. 1, includes the world premiere of Russian director Alexei German Jr.’s “Air” and Filipino director Sheron Dayoc’s “The Gospel of the Beast.”
The trio from Japan are: “(Ab)Normal Desire,” by Kishi Yoshiyuki; “A Foggy Paradise,” by Kotsijui Yohei; and “Who Were We,” by Tomina Tetsuya.
The festival’s gala selection appears designed for entertainment pleasure. In addition to the previously-announced “Perfect Days” and “Godzilla Minus One,” set as the festival’s opening and closing films,...
Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award.
The full competition with 15 titles, set to play between Oct. 23 and Nov. 1, includes the world premiere of Russian director Alexei German Jr.’s “Air” and Filipino director Sheron Dayoc’s “The Gospel of the Beast.”
The trio from Japan are: “(Ab)Normal Desire,” by Kishi Yoshiyuki; “A Foggy Paradise,” by Kotsijui Yohei; and “Who Were We,” by Tomina Tetsuya.
The festival’s gala selection appears designed for entertainment pleasure. In addition to the previously-announced “Perfect Days” and “Godzilla Minus One,” set as the festival’s opening and closing films,...
- 9/27/2023
- by Patrick Frater
- Variety Film + TV
The title “Poker Face” suggests a droll, methodical cunning that unfortunately proves elusive everywhere else in Russell Crowe’s sophomore effort as writer-director. As handsomely produced as his first, 2014’s historical drama “The Water Diviner,” it offers an even more overstuffed narrative whose myriad elements barely have time to register before we arrive at a nearly 10-minute end credits crawl. This Australia-shot mix of intrigue, soap opera, thriller and tearjerker never quite gels, despite enough surface gloss and cast expertise to hold attention. Screen Media is releasing theatrically to a couple dozen U.S. screens this week and to digital formats on Nov. 22, with other territories following.
A prologue finds our protagonists as teenage besties in what looks like the late 1970s: five rural Aussie lads already obsessed with poker. After a swim in an idyllic quarry, they’re challenged to a game by a local bully, who naturally is enraged by his loss.
A prologue finds our protagonists as teenage besties in what looks like the late 1970s: five rural Aussie lads already obsessed with poker. After a swim in an idyllic quarry, they’re challenged to a game by a local bully, who naturally is enraged by his loss.
- 11/15/2022
- by Dennis Harvey
- Variety Film + TV
Italy’s Minerva Pictures has taken international sales on veteran director Pupi Avati’s Dante Alighieri biopic “Dante” starring Sergio Castellitto as the Florentine bard.
Minerva will be introducing “Dante” to buyers at the Venice Film Festival’s informal market and then at Rome’s Mia Market in October. Pic is set for release in Italy on Sept. 29 via Rai Cinema’s 01 Distribution.
Over the course of his long career, Avati has shot more than 40 films in a wide range of genres, including the cult horror pic “The House with Laughing Windows”; romancer “The Heart Is Elsewhere,” which went to Cannes; the biopic “Bix” about American trumpet player Bix Beiderbecke; psychological drama “Giovanna’s Father” with Alba Rohrwacher; and the 2019 thriller “Il Signor Diavolo,” to name a few.
Castellitto, an Italian A-lister who starred with Penelope Cruz in “Don’t Move,” which he also directed, plays the Renaissance poet during the...
Minerva will be introducing “Dante” to buyers at the Venice Film Festival’s informal market and then at Rome’s Mia Market in October. Pic is set for release in Italy on Sept. 29 via Rai Cinema’s 01 Distribution.
Over the course of his long career, Avati has shot more than 40 films in a wide range of genres, including the cult horror pic “The House with Laughing Windows”; romancer “The Heart Is Elsewhere,” which went to Cannes; the biopic “Bix” about American trumpet player Bix Beiderbecke; psychological drama “Giovanna’s Father” with Alba Rohrwacher; and the 2019 thriller “Il Signor Diavolo,” to name a few.
Castellitto, an Italian A-lister who starred with Penelope Cruz in “Don’t Move,” which he also directed, plays the Renaissance poet during the...
- 8/25/2022
- by Nick Vivarelli
- Variety Film + TV
In February, “Mission: Impossible 7” was forced to halt production in Italy days before its planned shoot in Venice, as the country contended with one of the highest coronavirus death rates in Europe.
Cut to September. The Venice Film Festival is the first top-tier fest physically taking place, and Tom Cruise is expected back in the lagoon city later this month to resume shooting, according to multiple sources.
The Paramount production is getting logistical support from Rome’s Cinecittà Studios, where “Mission: Impossible 7” currently has an operational office. And, barring complications, Cinecittà is gearing up for a boom.
At the iconic – and recently revamped – facilities outside the Italian capital, cameras resumed rolling in early July on high-end British TV series “Domina,” the Sky original looking at power of women in Ancient Rome, which had shut down production in early March.
This lavish period piece co-produced by Sky Studios with the U.
Cut to September. The Venice Film Festival is the first top-tier fest physically taking place, and Tom Cruise is expected back in the lagoon city later this month to resume shooting, according to multiple sources.
The Paramount production is getting logistical support from Rome’s Cinecittà Studios, where “Mission: Impossible 7” currently has an operational office. And, barring complications, Cinecittà is gearing up for a boom.
At the iconic – and recently revamped – facilities outside the Italian capital, cameras resumed rolling in early July on high-end British TV series “Domina,” the Sky original looking at power of women in Ancient Rome, which had shut down production in early March.
This lavish period piece co-produced by Sky Studios with the U.
- 9/2/2020
- by Nick Vivarelli
- Variety Film + TV
Italian state broadcaster Rai, the country’s long-time major film and TV industry driver, is seeking to placate concerns being voiced by the country’s producers as it navigates the coronavirus crisis amid mounting criticism and shrinking resources.
As the pandemic paralyzes the economy in Italy — which at present is suffering the world’s highest coronavirus death toll, at upwards of 16,500 — the mammoth pubcaster, which has more than 13,000 employees, has revealed that its long-gestating organizational overhaul and 2020 budget approval have been frozen.
Meanwhile, Rai’s ratings are oscillating as it scrambles to reprogram slots of its more than 20 channels amid appeals to provide the country’s captive audience in lockdown more “culture” and “quality” programming, as veteran film director Pupi Avati (“Il Signor Diavolo”) put it in a recent open letter to national daily Corriere della Sera.
In another appeal to Rai’s top management, last week Italy’s indie documentary producers org.
As the pandemic paralyzes the economy in Italy — which at present is suffering the world’s highest coronavirus death toll, at upwards of 16,500 — the mammoth pubcaster, which has more than 13,000 employees, has revealed that its long-gestating organizational overhaul and 2020 budget approval have been frozen.
Meanwhile, Rai’s ratings are oscillating as it scrambles to reprogram slots of its more than 20 channels amid appeals to provide the country’s captive audience in lockdown more “culture” and “quality” programming, as veteran film director Pupi Avati (“Il Signor Diavolo”) put it in a recent open letter to national daily Corriere della Sera.
In another appeal to Rai’s top management, last week Italy’s indie documentary producers org.
- 4/7/2020
- by Nick Vivarelli
- Variety Film + TV
Well, we’ve officially made it to April, which means we’ve got more home media releases to look forward to as well. In terms of new horror headed to Blu-ray and DVD on Tuesday, Joe Begos’ badass siege flick Vfw arrives on both formats, and Jennifer Reeder’s Knives and Skin is coming home via a Blu/DVD combo release as well. If you’re in the mood for a mind-blowing Exorcist ripoff, be sure to pick up Arrow Video’s 2-Disc Special Edition release of Beyond the Door, and Terror Train is being shown some love this Tuesday with a brand new Blu-ray, too.
Other releases for April 7th include Supernatural (1933), Dead by Dawn, Reflections on the Living Dead, The Devil’s Fairground, Impact Event, and The Wind Walker.
Beyond the Door: 2-Disc Special Edition
Legendary filmmaker Ovidio G. Assonitis, whose Tentacles and Piranha II sought to...
Other releases for April 7th include Supernatural (1933), Dead by Dawn, Reflections on the Living Dead, The Devil’s Fairground, Impact Event, and The Wind Walker.
Beyond the Door: 2-Disc Special Edition
Legendary filmmaker Ovidio G. Assonitis, whose Tentacles and Piranha II sought to...
- 4/7/2020
- by Heather Wixson
- DailyDead
” Come on, you filthy pig-lick the vile whore’s vomit! “
Legendary filmmaker Ovidio G. Assonitis, whose Tentacles and Piranha II sought to cash in on the killer fish craze spawned by Jaws, first hit pay dirt in 1974 with Beyond the Door – a gloriously bonkers riff on The Exorcist featuring Emmy Award-winning actress Juliet Mills and distinguished British actor Richard Johnson.
Set against the backdrop of San Francisco, Beyond the Door stars Mills as Jessica Barrett, a young mother who starts to develop strange behaviors whilst pregnant with her third child. Before you can say split pea soup , Jessica is displaying signs of full-blown demonic possession – complete with projectile vomiting and fully-rotating head! Could it be that she s carrying the child of the Antichrist himself?
Described as disgusting , scary trash and maddeningly inappropriate by film critic Robert Ebert and subject to a lawsuit by Warner Bros. (who claimed copyright infringement...
Legendary filmmaker Ovidio G. Assonitis, whose Tentacles and Piranha II sought to cash in on the killer fish craze spawned by Jaws, first hit pay dirt in 1974 with Beyond the Door – a gloriously bonkers riff on The Exorcist featuring Emmy Award-winning actress Juliet Mills and distinguished British actor Richard Johnson.
Set against the backdrop of San Francisco, Beyond the Door stars Mills as Jessica Barrett, a young mother who starts to develop strange behaviors whilst pregnant with her third child. Before you can say split pea soup , Jessica is displaying signs of full-blown demonic possession – complete with projectile vomiting and fully-rotating head! Could it be that she s carrying the child of the Antichrist himself?
Described as disgusting , scary trash and maddeningly inappropriate by film critic Robert Ebert and subject to a lawsuit by Warner Bros. (who claimed copyright infringement...
- 3/26/2020
- by Tom Stockman
- WeAreMovieGeeks.com
Arrow Video isn't joking around when it comes to their April Blu-ray releases, with an eclectic physical home media lineup that includes the beloved, the obscure, and one of the more buzzed-about indie films from last year's festival circuit.
In April, Arrow Video will release Beyond the Door, Why Don't You Just Die!, Elvira: Mistress of the Dark, and The Wind on Blu-ray via Mvd Entertainment Group.
You can read the full release details below (including the new announcement of an illustrated collector’s booklet for Elvira: Mistress of the Dark), and to learn more, visit the links for the following Blu-rays:
Beyond the Door Why Don't You Just Die! Elvira: Mistress of the Dark The Wind
"Spring into April with Five Exciting New Releases from Arrow!
While the world faces difficult, uncertain times the small comforts like movies can mean so much more. Arrow knows this and has you...
In April, Arrow Video will release Beyond the Door, Why Don't You Just Die!, Elvira: Mistress of the Dark, and The Wind on Blu-ray via Mvd Entertainment Group.
You can read the full release details below (including the new announcement of an illustrated collector’s booklet for Elvira: Mistress of the Dark), and to learn more, visit the links for the following Blu-rays:
Beyond the Door Why Don't You Just Die! Elvira: Mistress of the Dark The Wind
"Spring into April with Five Exciting New Releases from Arrow!
While the world faces difficult, uncertain times the small comforts like movies can mean so much more. Arrow knows this and has you...
- 3/26/2020
- by Derek Anderson
- DailyDead
Rajendra Roy, the Celeste Bartos Chief Curator of Film at the Museum of Modern Art with Istituto Luce Cinecittà’s Camilla Cormanni, Alice Rohrwacher, and Alba Rohrwacher Photo: Anne-Katrin Titze
At the Istituto Luce Cinecittà opening night reception for The Wonders: Alice and Alba Rohrwacher at the Museum of Modern Art in New York, Julian Schnabel circulated through the crowd, Sony Pictures Classics Michael Barker chatted with Magari (If Only) director Ginevra Elkann and Rome Film Festival Artistic Director and Le Conversazioni founder Antonio Monda held court.
Alba Rohrwacher on Alice Rohrwacher’s The Wonders: “I can say it's my life, but from her point of view.” Photo: Anne-Katrin Titze
There is only one actress linked to Gianni Zanasi’s Troppa Grazia (Lucia’s Grace); Giorgio Diritti’s L’Uomo Che Verrà (The Man Who Will Come); Luca Guadagnino’s Lo Sono L’Amore (I Am Love) and Part...
At the Istituto Luce Cinecittà opening night reception for The Wonders: Alice and Alba Rohrwacher at the Museum of Modern Art in New York, Julian Schnabel circulated through the crowd, Sony Pictures Classics Michael Barker chatted with Magari (If Only) director Ginevra Elkann and Rome Film Festival Artistic Director and Le Conversazioni founder Antonio Monda held court.
Alba Rohrwacher on Alice Rohrwacher’s The Wonders: “I can say it's my life, but from her point of view.” Photo: Anne-Katrin Titze
There is only one actress linked to Gianni Zanasi’s Troppa Grazia (Lucia’s Grace); Giorgio Diritti’s L’Uomo Che Verrà (The Man Who Will Come); Luca Guadagnino’s Lo Sono L’Amore (I Am Love) and Part...
- 12/8/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The 21st edition of the Neapolitan event is running from 23 September-1 October and will feature tributes to German film, to the New Wave movement and to new Spanish cinema. Nine days dedicated “to all things cinema”, involving upwards of 150 screenings, 30 close encounters with special guests and 5 competitions feeding into the Vesuvio Awards, not to mention a raft of other prizes geared towards ensuring greater visibility for first and second works... The 21st edition of the Napoli Film Festival kicks off today, 23 September, based this year at the Institut Français Napoli, with events also unspooling at the Instituto Cervantes, the Goethe-Institut Neapel and the Castel dell’Ovo. Until 1 October, the Neapolitan event directed by Mario Violini will play host to huge guests along the lines of Pupi Avati and Gianni Amelio, who will be handed the Lifetime Achievement Award; French director Benoît Jacquot, whose most recent...
Kristina Grozeva and Petar Valchanov’s Bulgarian family drama is screening in Toronto’s Contemporary World Cinema strand.
Urban Distribution has acquired French rights to Kristina Grozeva and Petar Valchanov’s Bulgarian family drama The Father, which is screening in Toronto’s Contemporary World Cinema strand.
It won the Crystal Globe for best film at Karlovy Vary earlier this summer.
Wide has also sold Pupi Avati’s Italian horror title Il Signor Diavolo to Rocket Releasing for Russia and the Cis.
Urban Distribution has acquired French rights to Kristina Grozeva and Petar Valchanov’s Bulgarian family drama The Father, which is screening in Toronto’s Contemporary World Cinema strand.
It won the Crystal Globe for best film at Karlovy Vary earlier this summer.
Wide has also sold Pupi Avati’s Italian horror title Il Signor Diavolo to Rocket Releasing for Russia and the Cis.
- 9/7/2019
- by Louise Tutt
- ScreenDaily
Cannes — Loic Magneron’s Paris-based Wide, a production-distribution boutique, has acquired international sales rights to “Il Signor Diavalo,” the latest -and 40th – feature from Italian horror icon Papi Avati,
Avati is best known for 1976’s “The House with Laughing Windows” and 1983’s “Zeder” which crowned him as a master of Italian giallo horror-thriller cinema.
Starring Gabriel Lo Giudice and Alessandro Haber, produced by Duea Films and Rai Cinema, and framed as a tribute to horror classics from the ‘70s and ‘80s, “Il Signor Daivalo” adapts Avati’s own novel. Set in 1950s Italy, it turns on a 14-year-old boy, Carlo, who kills Emilio, a special needs ward of the local priest. “Il Signor Diavalo” asks why. It receives a Cannes Film Market screening on Sunday.
A well-known sales agent, Wide has moved into production. It is bringing two own productions onto the Cannes market: “Negative Numbers,” which receives a private market screening,...
Avati is best known for 1976’s “The House with Laughing Windows” and 1983’s “Zeder” which crowned him as a master of Italian giallo horror-thriller cinema.
Starring Gabriel Lo Giudice and Alessandro Haber, produced by Duea Films and Rai Cinema, and framed as a tribute to horror classics from the ‘70s and ‘80s, “Il Signor Daivalo” adapts Avati’s own novel. Set in 1950s Italy, it turns on a 14-year-old boy, Carlo, who kills Emilio, a special needs ward of the local priest. “Il Signor Diavalo” asks why. It receives a Cannes Film Market screening on Sunday.
A well-known sales agent, Wide has moved into production. It is bringing two own productions onto the Cannes market: “Negative Numbers,” which receives a private market screening,...
- 5/18/2019
- by John Hopewell
- Variety Film + TV
Italy’s top film organizations on Tuesday announced a concerted initiative to lure more local moviegoers into theaters during summer months, just as the country’s box office continues to plunge after a disastrous 2018.
The country’s motion picture association Anica, which comprises reps from the Hollywood majors as well as Italy’s distributors, producers and exhibitors said they are jointly launching a push to release more movies between May and August, when Italians traditionally hit the beach en masse.
The dearth of summer releases in the past has been known to cause a glut of releases the rest of the year and is considered a major local impediment to market growth.
Italian distributors’ chief Luigi Lonigro called the country’s 2019 summer lineup the “biggest ever,” noting that “the big [Hollywood] blockbusters will finally be released day and date with the main European territories, along with titles by major Italian and international directors.
The country’s motion picture association Anica, which comprises reps from the Hollywood majors as well as Italy’s distributors, producers and exhibitors said they are jointly launching a push to release more movies between May and August, when Italians traditionally hit the beach en masse.
The dearth of summer releases in the past has been known to cause a glut of releases the rest of the year and is considered a major local impediment to market growth.
Italian distributors’ chief Luigi Lonigro called the country’s 2019 summer lineup the “biggest ever,” noting that “the big [Hollywood] blockbusters will finally be released day and date with the main European territories, along with titles by major Italian and international directors.
- 3/19/2019
- by Nick Vivarelli
- Variety Film + TV
Italian horror movie was originally called Zeder
The post Pupi Avati’s Revenge of the Dead Returns in October appeared first on ComingSoon.net.
The post Pupi Avati’s Revenge of the Dead Returns in October appeared first on ComingSoon.net.
- 9/7/2017
- by Chris Alexander
- Comingsoon.net
Horror Channel are set to kick off 2017 in horrific style, with seven fearful film premieres in January alone! Premieres that include the UK TV premiere of Ted Geoghegan’s terrifyingly taut ghost story We Are Still Here, starring horror icon Barbara Crampton. There are also network premieres for Roman Polanski’s supernatural biblical puzzler The Ninth Gate, starring Johnny Depp and Daniel Stamm’s possession nightmare The Last Exorcism, produced by Eli Roth.
Horror Channel are also giving a UK TV premiere to Daniel Stamm’s intriguing remake of 13 Beloved, 13 Sins, starring Ron Perlman. Other UK TV firsts include Quilez’s Colombia-shot supernatural suspenser Out of the Dark; and Steve Wolsh’s monster mayhem thriller Muck. Lluis David Brooks’ siege thriller Atm also debuts on Horror, receiving its Network premiere on January 20th.
Fri 8 Jan @ 22:55 – Muck (2015) * UK TV Premiere*
After escaping from a possessed ancient burial ground underneath the Cape Cod marshes,...
Horror Channel are also giving a UK TV premiere to Daniel Stamm’s intriguing remake of 13 Beloved, 13 Sins, starring Ron Perlman. Other UK TV firsts include Quilez’s Colombia-shot supernatural suspenser Out of the Dark; and Steve Wolsh’s monster mayhem thriller Muck. Lluis David Brooks’ siege thriller Atm also debuts on Horror, receiving its Network premiere on January 20th.
Fri 8 Jan @ 22:55 – Muck (2015) * UK TV Premiere*
After escaping from a possessed ancient burial ground underneath the Cape Cod marshes,...
- 12/13/2016
- by Phil Wheat
- Nerdly
"It's showtime, Daily Deaders, Betelgeuse, here. You know what you could do for me, well, besides saying my name three times, is, uh, check out these photos of my Cavity Colors shirt at the top of this Horror Highlights thing." Okay, that was weird... seems like Betelgeuse somehow took over for a hot second. We're all good now! Readers can also look forward to details on the Demons 2 screening in NYC and Film4 and All 4's Fright Bites short films.
Cavity Colors' Beetlejuice-Inspired Bio-Exorcist Shirts: From Cavity Colors: "Our newest *limited edition* clothing release arrives! We've teamed up with artist Kyle Hotz (@kylehotzcomics) to re-create everyone's favorite cartoon Bio-Exorcist, but in a gloriously grotesque and spooky manner for Halloween! I did the colors, and he did the linework. Set those reminders! These are limited to 300 only, on T-shirts, Tanktops, and Crewneck Sweatshirts! Once it's gone, it's gone forever!"
To...
Cavity Colors' Beetlejuice-Inspired Bio-Exorcist Shirts: From Cavity Colors: "Our newest *limited edition* clothing release arrives! We've teamed up with artist Kyle Hotz (@kylehotzcomics) to re-create everyone's favorite cartoon Bio-Exorcist, but in a gloriously grotesque and spooky manner for Halloween! I did the colors, and he did the linework. Set those reminders! These are limited to 300 only, on T-shirts, Tanktops, and Crewneck Sweatshirts! Once it's gone, it's gone forever!"
To...
- 10/28/2016
- by Tamika Jones
- DailyDead
While horror films have been dominated by American directors and films, most casual horror fans seem to forget that some of the most unique, frightening and innovative horror films spawned from countries other than the Us. Italy of course played a great part in this, bringing forth some of the most innovative directors. Started by Mario Bava (“Black Sabbath” 1963) and Riccardo Freda (“The Horrible Dr. Hitchcock” 1962) in the 60s, who inspired a list of great directors such as Dario Argento (“Profondo Rosso” 1975), Lucio Fulci (“The Beyond” 1981), Michele Soavi (“Deliria” 1987), Pupi Avati (“The House With the Laughing Windows” 1976), Lamberto Bava (“Demons” 1985) as well as the more exploitative cinema of Ruggero Deodato (“Cannibal Holocaust” 1980), Umberto Lenzi (“Cannibal Ferox” 1981)...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 9/24/2016
- Screen Anarchy
This is the undubbed Italian trailer for Pupi Avati’s atmospheric pseudo-giallo, set in a small Southern Italian village. Though the film was never released theatrically in the Us, the advent of home video has opened up a whole new appreciation for such influential but generally unheralded genre films, only a fraction of which were seen outside Europe up until recently.
- 12/16/2015
- by TFH Team
- Trailers from Hell
Special Mention: Dead Ringers
Directed by David Cronenberg
Written by David Cronenberg and Norman Snider
Canada, 1988
Genre: Thriller / Drama
Dead Ringers is one of David Cronenberg’s masterpieces, and Jeremy Irons gives the most highly accomplished performance of his entire career – times two. This is the story of Beverly and Elliot Mantle (both played by Irons), identical twins who, since birth, have been inseparable. Together, they work as gynecologists in their own clinic, and literally share everything between them, including the women they work and sleep with. Jealousy comes between the two when Beverly falls in love with a new patient and decides he no longer wants to share his lady friend with Elliot. The twins, who have always existed together as one, have trouble adapting and soon turn against one another. Unlike the director’s previous films, the biological horror in Dead Ringers is entirely conveyed through the psychological...
Directed by David Cronenberg
Written by David Cronenberg and Norman Snider
Canada, 1988
Genre: Thriller / Drama
Dead Ringers is one of David Cronenberg’s masterpieces, and Jeremy Irons gives the most highly accomplished performance of his entire career – times two. This is the story of Beverly and Elliot Mantle (both played by Irons), identical twins who, since birth, have been inseparable. Together, they work as gynecologists in their own clinic, and literally share everything between them, including the women they work and sleep with. Jealousy comes between the two when Beverly falls in love with a new patient and decides he no longer wants to share his lady friend with Elliot. The twins, who have always existed together as one, have trouble adapting and soon turn against one another. Unlike the director’s previous films, the biological horror in Dead Ringers is entirely conveyed through the psychological...
- 10/29/2015
- by Ricky Fernandes
- SoundOnSight
Special Mention: The Rocky Horror Picture Show
Directed by Jim Sharman
Screenplay by Richard O’Brien and Jim Sharman
1975, USA
For the unfamiliar, The Rocky Horror Picture Show is the film adaptation of a popular musical stage production composed and written by Richard O’Brien, a struggling actor at the time who was best known for his performances in such musicals as Hair and Jesus Christ Superstar. For O’Brien, The Rocky Horror Picture Show was an homage to drive-in double features and science fiction B-movies of the fifties, and ironically, the film itself went on to become the ultimate midnight movie. To this day, screenings held in and around its anniversary as well as on Halloween sell out. It has never been pulled by 20th Century Fox from its original 1975 release, and it continues to play in cinemas four decades after its premiere, making it the longest-running theatrical release in film history.
Directed by Jim Sharman
Screenplay by Richard O’Brien and Jim Sharman
1975, USA
For the unfamiliar, The Rocky Horror Picture Show is the film adaptation of a popular musical stage production composed and written by Richard O’Brien, a struggling actor at the time who was best known for his performances in such musicals as Hair and Jesus Christ Superstar. For O’Brien, The Rocky Horror Picture Show was an homage to drive-in double features and science fiction B-movies of the fifties, and ironically, the film itself went on to become the ultimate midnight movie. To this day, screenings held in and around its anniversary as well as on Halloween sell out. It has never been pulled by 20th Century Fox from its original 1975 release, and it continues to play in cinemas four decades after its premiere, making it the longest-running theatrical release in film history.
- 10/4/2015
- by Ricky Fernandes
- SoundOnSight
Stars: Barbara Crampton, Andrew Sensenig, Lisa Marie, Larry Fessenden, Monte Markham | Written and Directed by Ted Geoghegan
As a kid growing up in the 80s there were only a handful of women who, at least for this young horror fan, could sell a film on their name alone. For T&A terror it was the likes of Brinke Stevens, Michelle Bauer and Linnea Quigley; but for the real stuff, the truly horrorfying movies it was Barbara Crampton. To this day I will watch any film to which her name is attached, he presence in a movie, especially a horror movie, always elevates the production. Which is why We Are Still Here was pretty much a given at this years Frightfest!
But it’s not just the presence of Crampton that attracted me to this particular slice of New England horror.
Back in 2009, Ti West’s The House of the Devil...
As a kid growing up in the 80s there were only a handful of women who, at least for this young horror fan, could sell a film on their name alone. For T&A terror it was the likes of Brinke Stevens, Michelle Bauer and Linnea Quigley; but for the real stuff, the truly horrorfying movies it was Barbara Crampton. To this day I will watch any film to which her name is attached, he presence in a movie, especially a horror movie, always elevates the production. Which is why We Are Still Here was pretty much a given at this years Frightfest!
But it’s not just the presence of Crampton that attracted me to this particular slice of New England horror.
Back in 2009, Ti West’s The House of the Devil...
- 8/11/2015
- by Phil Wheat
- Nerdly
We return with another edition of the Indie Spotlight, highlighting the recent independent horror news sent our way. Today’s feature includes a trailer for Bloodsucking Bastards, Phantasmagoria, and The Scarehouse, The Boston Horror Show lineup for 2015, Zombie with a Shotgun episode details, a Q&A with Ninjas vs Monsters director, Justin Timpane, and much more:
Bloodsucking Bastards Trailer and Premiere Details: “An Office Space meets Shaun of the Dead action-packed vampire comedy, Bloodsucking Bastards stars Fran Kranz as Evan Sanders, a dutiful and overworked employee stuck at a soul-killing corporation with his beautiful co-worker and girlfriend Amanda (Emma Fitzpatrick) and his slacker best friend Tim (Joey Kern). Evan’s world begins to crumble when Amanda dumps him and his boss Ted (Joel Murray) hands his coveted promotion to his nemesis Max (Pedro Pascal). When his officemates start going through disturbing changes and bodies begin to pile up, Evan must...
Bloodsucking Bastards Trailer and Premiere Details: “An Office Space meets Shaun of the Dead action-packed vampire comedy, Bloodsucking Bastards stars Fran Kranz as Evan Sanders, a dutiful and overworked employee stuck at a soul-killing corporation with his beautiful co-worker and girlfriend Amanda (Emma Fitzpatrick) and his slacker best friend Tim (Joey Kern). Evan’s world begins to crumble when Amanda dumps him and his boss Ted (Joel Murray) hands his coveted promotion to his nemesis Max (Pedro Pascal). When his officemates start going through disturbing changes and bodies begin to pile up, Evan must...
- 1/18/2015
- by Tamika Jones
- DailyDead
TwitchFilm has been given early access to the new international trailer for the horror anthology Phantasmagoria. It takes a minute to kick in and show some gore but it gives you a fair glance at each director's style. 3 shocking tales of horror that takes you beyond fear. With its typical Italian atmosphere and vintage photography, Phantasmagoria evokes the spirit of cult films directed by Mario Bava, Pupi Avati and also William Castle.The film has been selected for over 25 international film festivals around the World and will make a pit stop at NY Horror Show Filmfest this Saturday, January 17th. ...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 1/13/2015
- Screen Anarchy
We return with another edition of the Indie Spotlight, highlighting the recent independent horror news sent our way. Today’s feature includes release details on Amnesiac, The Atticus Institute, and Alien Outpost, multiple trailers, premiere details for Head, and a Q&A with the founder of The Philip K. Dick Film Festival:
Amnesiac Distribution and Release Details: “Amnesiac tells the story of a man (Wes Bentley) who wakes up in bed suffering from memory loss after being in an accident, only to begin to suspect that his wife (Kate Bosworth) may not be his real wife. The web of lies and deceit deepen inside the house where he soon finds himself a prisoner.
XLrator Media has acquired North American distribution rights to the psychological thriller Amnesiac starring Kate Bosworth (Still Alice, Superman Returns) and Wes Bentley (The Hunger Games series, Interstellar). XLrator Media will release the film in Summer 2015 on its acclaimed “Macabre” genre label.
Amnesiac Distribution and Release Details: “Amnesiac tells the story of a man (Wes Bentley) who wakes up in bed suffering from memory loss after being in an accident, only to begin to suspect that his wife (Kate Bosworth) may not be his real wife. The web of lies and deceit deepen inside the house where he soon finds himself a prisoner.
XLrator Media has acquired North American distribution rights to the psychological thriller Amnesiac starring Kate Bosworth (Still Alice, Superman Returns) and Wes Bentley (The Hunger Games series, Interstellar). XLrator Media will release the film in Summer 2015 on its acclaimed “Macabre” genre label.
- 1/11/2015
- by Tamika Jones
- DailyDead
Sharon Stone's experience filming The Golden Boy was anything but. The Avati Brothers (consisting of director Pupi Avati and his producer Antonio Avati) claim the 56-year-old Basic Instinct star had some diva-like demands while shooting in Italy! Per the Hollywood Reporter, it was the film's director's idea for Stone to "an actress from the '90s who becomes a book editor."He "knew there are American actresses more capable than her," said Pupi, "but I wanted a film icon. Everyday on the set I was telling her: 'But do you realize that you are Sharon Stone because of that day when you crossed your legs?'" According to Pupi, his brother Antonio "asked me if I...
- 9/22/2014
- E! Online
The Avati brothers aren't enchanted by Sharon Stone's attitude. Pupi and Antonio Avati — who worked with the actress on the upcoming film Golden Boy — are claiming that Stone was a difficult diva on set. The Italian filmmakers went into detail about her alleged outrageous demands during a recent press conference in Rome. Director Pupi Avati wrote the role of Ludovica, an actress-turned publisher, specifically for 56-year-old Stone. The brothers were surprised when she took the part, but not as shocked as when they met her [...]...
- 9/20/2014
- Us Weekly
Sharon Stone’s Italian cinema debut hit theaters on Thursday — and the brothers behind the film are painting the American actress as a diva who was difficult to work with. The film, Golden Boy, comes from celebrated director Pupi Avati and his producer-brother Antonio Avati. Casting Stone for the low-budget film was a big win for the duo. In Golden Boy, Riccardo Scamarcio plays Davide, a copywriter whose father Ettore was a B-movie screenwriter. After his father dies in a car accident, Davide leaves his job, city and girlfriend Silvia, played by Cristiana Capotondi. He moves to
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- 9/19/2014
- by Ariston Anderson
- The Hollywood Reporter - Movie News
Every year, we here at Sound On Sight celebrate the month of October with 31 Days of Horror; and every year, I update the list of my favourite horror films ever made. Last year, I released a list that included 150 picks. This year, I’ll be upgrading the list, making minor alterations, changing the rankings, adding new entries, and possibly removing a few titles. I’ve also decided to publish each post backwards this time around for one reason: that is, the new additions appear lower on my list, whereas my top 50 haven’t changed much, except for maybe in ranking. Enjoy!
Special Mention:
Outer Space
Written and directed by Peter Tscherkassky
Austria, 2000
Outer Space has gained a reputation over the years as being a key experimental film alongside the works of such legends as Stan Brakhage and Michael Snow. Horror buffs will recognise the actress in the short as Oscar nominee Barbara Hershey.
Special Mention:
Outer Space
Written and directed by Peter Tscherkassky
Austria, 2000
Outer Space has gained a reputation over the years as being a key experimental film alongside the works of such legends as Stan Brakhage and Michael Snow. Horror buffs will recognise the actress in the short as Oscar nominee Barbara Hershey.
- 10/13/2013
- by Ricky da Conceição
- SoundOnSight
Hard at work on her latest project, Sharon Stone showed up on the set of “The Golden Boy” in Rome, Italy on Monday (July 22).
The “Casino” cutie looked lovely in a white blouse and black skirt as she sat on a park bench and conversed with her costars while the cameras rolled.
And at one point, Sharon leaned in for a flirty kiss with one of her younger, handsome Italian costars.
“The Golden Boy” (“Un Ragazzo D’Oro”) is written and directed by Pupi Avati and features actors like Riccardo Scamarcio, Cristiana Capotondi, and Giovanna Ralli.
The “Casino” cutie looked lovely in a white blouse and black skirt as she sat on a park bench and conversed with her costars while the cameras rolled.
And at one point, Sharon leaned in for a flirty kiss with one of her younger, handsome Italian costars.
“The Golden Boy” (“Un Ragazzo D’Oro”) is written and directed by Pupi Avati and features actors like Riccardo Scamarcio, Cristiana Capotondi, and Giovanna Ralli.
- 7/24/2013
- GossipCenter
By 1976, giallo cinema had already reached its peak, and different postwar paranoia icons increasingly replaced the black-gloved killers of the past. Coming off a co-screenwriting turn (uncredited) for Pier Paolo Pasolini's controversial masterpiece Salò, director Pupi Avati brought Italy's social and political unrest from the period to the countryside for his community terror tale, The House with the Laughing Windows. The filmmaker wanted to channel the pastoral, Catholic fears from his childhood for his low-budget horror film, but the influence of previous rural-set gialli like Sergio Martino's Your Vice Is a Locked Room and Only I Have the Key and Fulci's Don't Torture a Duckling are present. Avati introduces us to Stefano (Lino Capolicchio), who has been sent to an Italian village to restore a church fresco that depicts the death of Saint Sebastian — or so he thinks. A strange cast of characters greets him, including the mayor...
- 5/31/2013
- by Alison Nastasi
- FEARnet
Versatile Italian actor known for her roles in Lina Wertmüller's films
Mariangela Melato, who has died of pancreatic cancer aged 71, was one of Italy's most versatile and vivacious actresses, working in theatre and cinema with some of the leading directors of her time. She won international cult status for three films directed by Lina Wertmüller in which she co-starred with Giancarlo Giannini: The Seduction of Mimi (1972), Love and Anarchy (1973) and Swept Away (1974), in all of which the controversial Wertmüller mixed sex and politics. Melato had no qualms about submitting with great good humour to the sometimes humiliating situations and explicit dialogue inflicted on the two stars.
Those Wertmüller films made Melato well-known, but she liked to be recognised as an actor rather than a star. Born in Milan, she trained at the city's Brera Academy. One of the first companies to sign her up was that of the...
Mariangela Melato, who has died of pancreatic cancer aged 71, was one of Italy's most versatile and vivacious actresses, working in theatre and cinema with some of the leading directors of her time. She won international cult status for three films directed by Lina Wertmüller in which she co-starred with Giancarlo Giannini: The Seduction of Mimi (1972), Love and Anarchy (1973) and Swept Away (1974), in all of which the controversial Wertmüller mixed sex and politics. Melato had no qualms about submitting with great good humour to the sometimes humiliating situations and explicit dialogue inflicted on the two stars.
Those Wertmüller films made Melato well-known, but she liked to be recognised as an actor rather than a star. Born in Milan, she trained at the city's Brera Academy. One of the first companies to sign her up was that of the...
- 1/15/2013
- by John Francis Lane
- The Guardian - Film News
Throughout the month of October, Editor-in-Chief and resident Horror expert Ricky D, will be posting a list of his favorite Horror films of all time. The list will be posted in six parts. Click here to see every entry.
As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.
****
Special Mention:
Shock Corridor
Directed by Samuel Fuller
Written by Samuel Fuller
1963, USA
Shock Corridor stars Peter Breck as Johnny Barrett, an ambitious reporter who wants to expose the killer at the local insane asylum. In order to solve the case, he must pretend to be insane so they have him committed. Once in the asylum, Barrett sets to work, interrogating the other patients and keeping a close eye on the staff.
As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.
****
Special Mention:
Shock Corridor
Directed by Samuel Fuller
Written by Samuel Fuller
1963, USA
Shock Corridor stars Peter Breck as Johnny Barrett, an ambitious reporter who wants to expose the killer at the local insane asylum. In order to solve the case, he must pretend to be insane so they have him committed. Once in the asylum, Barrett sets to work, interrogating the other patients and keeping a close eye on the staff.
- 10/28/2012
- by Ricky
- SoundOnSight
Taken together, the above two cues underscore the opening 5 minutes of Pupi Avati's The House with the Laughing Windows (1976).
It’s a miracle that any movie would even have the guts to attempt an unironic shift between such irreconcilable emotional tones as these in under 30 seconds, but Avati's giallo sleeper classic is just that kind of miracle. The film's first cue accompanies the material perfectly. Visually, the opening title sequence is a punishingly blunt, unannounced salvo of graphic violence. Grainy, sepia-tinted, stuttering slo-mo photography obsesses over a bloodcurdling depiction of an aestheticized ritual torture. Though what else would you expect from Avati? He co-wrote Salò! Considering the intensity of these images, he was lucky to find a fittingly sadistic composer to compliment them. Amedeo Tommasi crafted a soundscape that is proportionally grisly to Avati’s titles, utilizing little more than a simple piano refrain, one repeatedly sampled scream, and...
It’s a miracle that any movie would even have the guts to attempt an unironic shift between such irreconcilable emotional tones as these in under 30 seconds, but Avati's giallo sleeper classic is just that kind of miracle. The film's first cue accompanies the material perfectly. Visually, the opening title sequence is a punishingly blunt, unannounced salvo of graphic violence. Grainy, sepia-tinted, stuttering slo-mo photography obsesses over a bloodcurdling depiction of an aestheticized ritual torture. Though what else would you expect from Avati? He co-wrote Salò! Considering the intensity of these images, he was lucky to find a fittingly sadistic composer to compliment them. Amedeo Tommasi crafted a soundscape that is proportionally grisly to Avati’s titles, utilizing little more than a simple piano refrain, one repeatedly sampled scream, and...
- 9/28/2012
- MUBI
Note: This week is Italian Horror Week over at WWW.Docterror.Com, which is the blog from which I hail, Dr. Terror’s Blog of Horrors. I’ve cooked up some extra special giveaways, some extremely fun content and a bunch of guest contributors that will make you bleed red, white and green. Stop by, enjoy the festivities. This particular entry is a crossover entry into the It Came From 1980X feature as the title suggests. It’s important to note before we begin that so much Italian Horror and Giallo is stuck on VHS. That isn’t to say that you should appreciate it any less, but that does mean you might need to go an extra step or two to make sure you see ‘em all. VHS is not a dead format. That’s half the reason we write this damn column and why magazines like HorrorHound and...
- 7/16/2012
- by Jimmy Terror
- The Liberal Dead
Italian horror maestro Dario Argento will be honored at the 7th Los Angeles, Italia Film, Fashion and Art Festival to be held at the Hollywood Mann Chinese 6 Theatre from February 19-25.
L.A., Italia, which chaired this year by Italian filmmaker Pupi Avati, with producer Mark Canton serving as honorary chair, will take place during the week preceding the Oscars February 19th through the 25th.
The event will feature a retrospective of Argento's films including Deep Red, Suspiria, The Stendhal Syndrome, The Cat O'Nine Tails as well as a 25-minute preview of the his latest movie Dracula 3D starring the German actor Thomas Kretschmann, Rutger Hauer and the director's daughter Asia Argento.
Read more...
L.A., Italia, which chaired this year by Italian filmmaker Pupi Avati, with producer Mark Canton serving as honorary chair, will take place during the week preceding the Oscars February 19th through the 25th.
The event will feature a retrospective of Argento's films including Deep Red, Suspiria, The Stendhal Syndrome, The Cat O'Nine Tails as well as a 25-minute preview of the his latest movie Dracula 3D starring the German actor Thomas Kretschmann, Rutger Hauer and the director's daughter Asia Argento.
Read more...
- 1/30/2012
- by ryanrotten@shocktillyoudrop.com (Ryan Turek)
- shocktillyoudrop.com
31 – Rosemary’s Baby
Directed by Roman Polanski
USA, 1968
Roman Polanski’s brilliant horror-thriller was nominated for two Oscars, winning Best Supporting Actress for Ruth Gordon. The director’s first American film, adapted from Ira Levin’s horror bestseller, is a spellbinding and twisted tale of Satanism and pregnancy. Supremely mounted, the film benefits from it’s strong atmosphere, apartment setting, eerie childlike score and polished production values by cinematographer William Fraker. The cast is brilliant, with Mia Farrow and John Cassavetes as the young couple playing opposite Ruth Gordon and Sidney Blackmer, the elderly neighbors. There is ominous tension in the film from first frame to last – the climax makes for one of the greatest endings of all time. Rarely has a film displayed such an uncompromising portrait of betrayal as this one. Career or marriage – which would you choose?
30 – Eraserhead
Directed by David Lynch
USA, 1977
Filmed intermittently over the course of a five-year period,...
Directed by Roman Polanski
USA, 1968
Roman Polanski’s brilliant horror-thriller was nominated for two Oscars, winning Best Supporting Actress for Ruth Gordon. The director’s first American film, adapted from Ira Levin’s horror bestseller, is a spellbinding and twisted tale of Satanism and pregnancy. Supremely mounted, the film benefits from it’s strong atmosphere, apartment setting, eerie childlike score and polished production values by cinematographer William Fraker. The cast is brilliant, with Mia Farrow and John Cassavetes as the young couple playing opposite Ruth Gordon and Sidney Blackmer, the elderly neighbors. There is ominous tension in the film from first frame to last – the climax makes for one of the greatest endings of all time. Rarely has a film displayed such an uncompromising portrait of betrayal as this one. Career or marriage – which would you choose?
30 – Eraserhead
Directed by David Lynch
USA, 1977
Filmed intermittently over the course of a five-year period,...
- 10/29/2011
- by Ricky
- SoundOnSight
25 – Halloween
Directed by John Carpenter
1978 – Us
A historical milestone that single-handedly shaped and altered the future of the entire genre. This seminal horror flick actually gets better with age; it’s downright transcendent and holds up with determination as an effective thriller that will always stand head and shoulders above the hundreds of imitators to come. Halloween had one hell of an influence on the entire film industry. You have to admire how Carpenter avoids explicit onscreen violence, and achieves a considerable power almost entirely through visual means, using its widescreen frame, expert hand-held camerawork, and terrifying foreground and background imagery.
24 – Black Christmas
Directed by Bob Clark
1974 – Canada
We never did find out who Billy was. Maybe it’s for the best, since they never made any sequels to Bob Clark’s seminal slasher film, a film which predates Carpenter’s Halloween by four years. Whereas Texas Chainsaw Massacre, released the same year,...
Directed by John Carpenter
1978 – Us
A historical milestone that single-handedly shaped and altered the future of the entire genre. This seminal horror flick actually gets better with age; it’s downright transcendent and holds up with determination as an effective thriller that will always stand head and shoulders above the hundreds of imitators to come. Halloween had one hell of an influence on the entire film industry. You have to admire how Carpenter avoids explicit onscreen violence, and achieves a considerable power almost entirely through visual means, using its widescreen frame, expert hand-held camerawork, and terrifying foreground and background imagery.
24 – Black Christmas
Directed by Bob Clark
1974 – Canada
We never did find out who Billy was. Maybe it’s for the best, since they never made any sequels to Bob Clark’s seminal slasher film, a film which predates Carpenter’s Halloween by four years. Whereas Texas Chainsaw Massacre, released the same year,...
- 10/28/2011
- by Ricky
- SoundOnSight
For the horror buff, Fall is the best time of the year. The air is crisp, the leaves are falling and a feeling of death hangs on the air. Here at Sound on Sight we have some of the biggest horror fans you can find. We are continually showcasing the best of genre cinema, so we’ve decided to put our horror knowledge and passion to the test in a horror watching contest. Each week in October, Ricky D, James Merolla and Justine Smith will post a list of the horror films they have watched. By the end of the month, the person who has seen the most films wins. Prize Tbd.
Justine Smith (9 viewings) Total of 40 viewings
Purchase
The Texas Chainsaw Massacre (1974)
Directed by Tobe Hooper
The Texas Chainsaw Massacre is one of the best horror films ever made, in competition with Possession, The Exorcist, The Birds and Suspiria.
Justine Smith (9 viewings) Total of 40 viewings
Purchase
The Texas Chainsaw Massacre (1974)
Directed by Tobe Hooper
The Texas Chainsaw Massacre is one of the best horror films ever made, in competition with Possession, The Exorcist, The Birds and Suspiria.
- 10/26/2011
- by Ricky
- SoundOnSight
The term “giallo” initially referred to cheap yellow paperbacks (printed American mysteries from writers such as Agatha Christie), that were distributed in post-fascist Italy. Applied to cinema, the genre is comprised of equal parts early pulp thrillers, mystery novels, with a willingness to gleefully explore onscreen sex and violence in provocative, innovative ways. Giallos are strikingly different from American crime films: they value style and plot over characterization, and tend towards unapologetic displays of violence, sexual content, and taboo exploration. The genre is known for stylistic excess, characterized by unnatural yet intriguing lighting techniques, convoluted plots, red herrings, extended murder sequences, excessive bloodletting, stylish camerawork and unusual musical arrangements. Amidst the ‘creative kill’ set-pieces are thematic undercurrents along with a whodunit element, usually some sort of twist ending. Here is my list of the best giallo films – made strictly by Italian directors, so don’t expect Black Swan, Amer or...
- 10/26/2011
- by Ricky
- SoundOnSight
The International Rome Film Festival announces fifteen films playing in competition at the fest's 6th edition. From October 27-November 4, the Italian festival will open with Luc Besson's The Lady (out of competition), close with a digitally restored version of Breakfast at Tiffany's (marking its 50th anniversary), and in-between will showcase Leander Haubmann's Hotel Lux, Pål Sletaune's Babycall, Tanya Wexler's Hysteria, Juhn Jaihong's Poongsan, Fred Schepisi's The Eye of the Storm, Cédric Kahn's Une vie meilleure, Jaffe Zinn's Magic Valley, Sebastián Borensztein's Un Cuento Chino and Pawel Pawlikowski's La Femme du cinquièmen (The Woman in the Fifth), starring Kristin Scott Thomas (pictured). The four Italian films playing in competition are Ivan Cotroneo's La kryptonite nell borsa, Pupi Avati's Il cuore grande delle ragazze, Marina Spada's ...
- 10/13/2011
- Thompson on Hollywood
Updated through 6/27.
This year's Los Angeles Film Festival, running through June 26, opens tonight with the latest from Richard Linklater, and Steven Zeitchik talks with him for the Los Angeles Times: "'It was my most difficult one to get made,' he said flatly. 'It took 12 years to happen, and even then it was tough. People can say shooting in 22 days makes a movie better. It doesn't.' … Bernie is a shaggy, idiosyncratic work, possibly the strangest yet in a career full of strangeness. Set in the small town of Carthage, Texas, it tells of an effeminate, musical-loving mortician named Bernie Tiede [Jack Black] who befriends and then commits a horrible crime against a repressed wealthy matriarch [Shirley MacLaine], leaving him to face the wrath of a local prosecutor [Matthew McConaughey]. The movie is a dramatization of an actual case — the script was based on a 1998 Texas Monthly article about Tiede, and Linklater, who attended Tiede's trial,...
This year's Los Angeles Film Festival, running through June 26, opens tonight with the latest from Richard Linklater, and Steven Zeitchik talks with him for the Los Angeles Times: "'It was my most difficult one to get made,' he said flatly. 'It took 12 years to happen, and even then it was tough. People can say shooting in 22 days makes a movie better. It doesn't.' … Bernie is a shaggy, idiosyncratic work, possibly the strangest yet in a career full of strangeness. Set in the small town of Carthage, Texas, it tells of an effeminate, musical-loving mortician named Bernie Tiede [Jack Black] who befriends and then commits a horrible crime against a repressed wealthy matriarch [Shirley MacLaine], leaving him to face the wrath of a local prosecutor [Matthew McConaughey]. The movie is a dramatization of an actual case — the script was based on a 1998 Texas Monthly article about Tiede, and Linklater, who attended Tiede's trial,...
- 6/27/2011
- MUBI
Presented By Los Angeles Times
Stéphane Lafleur.s Familiar Ground and Beverly Kopf & Bobbie Birleffi.s Wish Me Away Win Jury Awards Joe Cornish.s Attack the Block, Michael Rapaport.s Beats, Rhymes & Life: The Travels of a Tribe Called Quest and Asif Kapadia.s Senna Win Audience Awards
Best Performance, Short Film and Music Video Award Winners Also Announced
Los Angeles (June 26, 2011) . Today the Los Angeles Film Festival, presented by the Los Angeles Times and supported by L.A. Live, announced the jury and audience award winners for the 2011 Festival at the Awards Brunch, sponsored and hosted by Chaya Downtown for the second year, and sponsored by Dove® Hair Care. Allison Janney and John C. Reilly were on hand to present the awards. The Los Angeles Film Festival ran from Thursday, June 16 to Sunday, June 26 in downtown Los Angeles. (See list Here).
.David, Doug and the team continue to...
Stéphane Lafleur.s Familiar Ground and Beverly Kopf & Bobbie Birleffi.s Wish Me Away Win Jury Awards Joe Cornish.s Attack the Block, Michael Rapaport.s Beats, Rhymes & Life: The Travels of a Tribe Called Quest and Asif Kapadia.s Senna Win Audience Awards
Best Performance, Short Film and Music Video Award Winners Also Announced
Los Angeles (June 26, 2011) . Today the Los Angeles Film Festival, presented by the Los Angeles Times and supported by L.A. Live, announced the jury and audience award winners for the 2011 Festival at the Awards Brunch, sponsored and hosted by Chaya Downtown for the second year, and sponsored by Dove® Hair Care. Allison Janney and John C. Reilly were on hand to present the awards. The Los Angeles Film Festival ran from Thursday, June 16 to Sunday, June 26 in downtown Los Angeles. (See list Here).
.David, Doug and the team continue to...
- 6/26/2011
- by Michelle McCue
- WeAreMovieGeeks.com
The Los Angeles Film Festival has announced the world premiere of Richard Linklater's Bernie as the opening night film for the 2011 festival.
The film will kick off the festival on June 16 at Regal Cinemas Stadium 14 at L.A. Live. It is written by Skip Hollandsworth and director Linklater and stars Jack Black, Shirley MacLaine, and Matthew McConaughey.
The film follows a beloved mortician (Black) from a small Texas town, even winning over the town's richest, meanest widow (MacLaine). Even after Bernie commits a horrible crime, people still will not utter a bad word against him.
"We're thrilled to be opening the Festival with the world premiere of this delicious black comedy - a treat from one of the most original and exciting voices in independent film, Richard Linklater," said Festival director Rebecca Yeldham. "With its fabulous all-star cast, Bernie is a perfect stage setter for the incredible line-up of...
The film will kick off the festival on June 16 at Regal Cinemas Stadium 14 at L.A. Live. It is written by Skip Hollandsworth and director Linklater and stars Jack Black, Shirley MacLaine, and Matthew McConaughey.
The film follows a beloved mortician (Black) from a small Texas town, even winning over the town's richest, meanest widow (MacLaine). Even after Bernie commits a horrible crime, people still will not utter a bad word against him.
"We're thrilled to be opening the Festival with the world premiere of this delicious black comedy - a treat from one of the most original and exciting voices in independent film, Richard Linklater," said Festival director Rebecca Yeldham. "With its fabulous all-star cast, Bernie is a perfect stage setter for the incredible line-up of...
- 5/30/2011
- by alyssa@mediavine.com (Alyssa Caverley)
- Reel Movie News
You know you're mere hours away from the launch of the Cannes Film Festival when the breeze on the Croisette is redolent of musty old critical gripes. Take the Guardian's Peter Bradshaw, still fuming over Lars Von Trier's 2000 Palme d'Or winner Dancer in the Dark: "I think it is still one of the most exasperatingly awful films I have seen in Cannes, up there, or rather down there with Vincent Gallo's legendary The Brown Bunny and Pupi Avati's syrupy Il Cuore Altrove from the same annus horribilis of 2003." Damn. Pupi and syrupy? Where do I sign up? [Guardian]...
- 5/10/2011
- Movieline
Righting the wrongs of festivals past, I would never have awarded the Palme d'Or to the awful Dancer in the Dark. But the jury got it spot on with Nanni Moretti's deeply-moving The Son's Room
The Cannes film festival is about to start, and today is the day for savouring the eve-of-battle atmosphere … as ever, a luxurious time of leisure before critics and journalists are all plunged into a frantic rush.
For me, the proceedings will be that little bit more hectic, as I am a member of this year's Un Certain Regard jury, chaired by double-Palme d'Or winner Emir Kusturica. My gibbering excitement about this has, so far, been unremittingly uncool. Last year, at this time, I blogged about an imaginary "No Cannes Do" festival, taking place in my imagination, consisting of 10 well-received or at any rate much talked-about Cannes films which for some reason never made it to the UK.
The Cannes film festival is about to start, and today is the day for savouring the eve-of-battle atmosphere … as ever, a luxurious time of leisure before critics and journalists are all plunged into a frantic rush.
For me, the proceedings will be that little bit more hectic, as I am a member of this year's Un Certain Regard jury, chaired by double-Palme d'Or winner Emir Kusturica. My gibbering excitement about this has, so far, been unremittingly uncool. Last year, at this time, I blogged about an imaginary "No Cannes Do" festival, taking place in my imagination, consisting of 10 well-received or at any rate much talked-about Cannes films which for some reason never made it to the UK.
- 5/10/2011
- by Peter Bradshaw
- The Guardian - Film News
For those of you as yet unfamiliar with the genre the “giallo” (plural “gialli”) is a 20th Century Italian genre of literature and film that gets it name from its literal meaning (“yellow”) in reference to its origin as a series of cheap paperback novels with trademark yellow covers. From its birth back in 1963 with Mario Bava’s “The Girl Who Knew Too Much” (“La Ragazza Che Sapeva Troppo”) the genre has given birth to such colourfully monikered fare as Luciano Ercoli’s “The Forbidden Photos of a Lady Above Suspicion” (1970), Mario Bava’s “Twitch of the Death Nerve” (1971), Sergio Martino’s “Your Vice is a Locked Room and Only I Have The Key” (1972) and Pupi Avati’ s “The House With Laughing Windows” (1976). Such masters of the genre as Mario Bava (and his son Lamberto), Lucio Fulci, Umberto Lenzi and Sergio Martino have delighted fans since back in the 1970′s...
- 2/3/2011
- by Nick Turk
- HeyUGuys.co.uk
• Marco Bellocchio hits out at withdrawal of producers
• 'New air of censorship' blamed for lack of cash
One of Italy's most successful and critically acclaimed film directors has hit out at a creeping climate of censorship in the country after he was refused funding for a dark satire about Silvio Berlusconi.
Marco Bellocchio, whose recent film Vincere has received rave reviews in the Us, said that he was abandoning his next project, Italia Mia (My Italy), after 10 potential backers had run scared.
Describing the film as a study of power in today's Italy, Bellocchio told the daily Corriere della Sera his protagonist would be a young girl caught up in "well-known circumstances that have ended up in all the newspapers", climaxing at a "huge party at a luxurious island villa, maybe in Sardinia or Sicily, where shocking things happen".
In a week in which Silvio Berlusconi – famous for throwing wild...
• 'New air of censorship' blamed for lack of cash
One of Italy's most successful and critically acclaimed film directors has hit out at a creeping climate of censorship in the country after he was refused funding for a dark satire about Silvio Berlusconi.
Marco Bellocchio, whose recent film Vincere has received rave reviews in the Us, said that he was abandoning his next project, Italia Mia (My Italy), after 10 potential backers had run scared.
Describing the film as a study of power in today's Italy, Bellocchio told the daily Corriere della Sera his protagonist would be a young girl caught up in "well-known circumstances that have ended up in all the newspapers", climaxing at a "huge party at a luxurious island villa, maybe in Sardinia or Sicily, where shocking things happen".
In a week in which Silvio Berlusconi – famous for throwing wild...
- 1/17/2011
- by Tom Kington
- The Guardian - Film News
Above: Antony Cordier’s Happy Few.
David has been doing an excellent job rounding up information on the films that will premiere at the 67th Venice Film Festival (see here,here, here, and here). Here is a more personal preview of some of the titles that will be showcased during the festival that’ll open September 1 with Darren Aronofsky’s Black Swan.
The fine line between the Competition and Out of Competition selections seems especially blurred this year, with a host of U.S. and Italian titles making a strong showing in both sections, and with more than a few titles considered possibilities for either before the line-up was announced.
In one instance, however, the line between Competition and Out of Competition became painfully clear. A lot was made in the Italian press of the surprise inclusion, in competition, of Ascanio Celestini's La pecora nera (“Black Sheep”), a fiction-documentary...
David has been doing an excellent job rounding up information on the films that will premiere at the 67th Venice Film Festival (see here,here, here, and here). Here is a more personal preview of some of the titles that will be showcased during the festival that’ll open September 1 with Darren Aronofsky’s Black Swan.
The fine line between the Competition and Out of Competition selections seems especially blurred this year, with a host of U.S. and Italian titles making a strong showing in both sections, and with more than a few titles considered possibilities for either before the line-up was announced.
In one instance, however, the line between Competition and Out of Competition became painfully clear. A lot was made in the Italian press of the surprise inclusion, in competition, of Ascanio Celestini's La pecora nera (“Black Sheep”), a fiction-documentary...
- 8/18/2010
- MUBI
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