Cinematographer | Camera Department | Miscellaneous Crew
A collaborator of notable loyalty, his gaffer/lighting technician Bill O'Leary has been with him since their first joint venture on Sid and Nancy (1986).
[referring to In Cold Blood (1967)] Most English films back then were shot with very traditional, direct light. It gave everything a stagey look, since there was a key light, back light, and fill light. But Conrad L. Hall broke the mold, and Fat City...
Only shoots films using spherical lenses
Torquay, Devon, England, UK
Dive deep into everything about horror films, superhero movies and TV series, IMDb Picks, and more.