Gutter Garbs has just unveiled a new line of merchandise inspired by the 1985 slasher Friday the 13th: A New Beginning (watch it Here) – and this line, which consists of a T-shirt, a poster, and an enamel pin, will only be available for order this weekend! If you don’t get your order in by 11:59pm Eastern time this Sunday, July 30th, you’ll have missed your chance to own these items. So go grab them at This Link!
Images of the shirt, poster, and pin can be seen at the bottom of this article.
Directed by Danny Steinmann, who also crafted the screenplay with Martin Kitrosser and David Cohen, Friday the 13th: A New Beginning has the following synopsis: Years after Tommy Jarvis murdered hockey-masked serial killer Jason Voorhees, he resides in a mental hospital and struggles with the trauma of the experience. When Tommy moves to an isolated halfway house,...
Images of the shirt, poster, and pin can be seen at the bottom of this article.
Directed by Danny Steinmann, who also crafted the screenplay with Martin Kitrosser and David Cohen, Friday the 13th: A New Beginning has the following synopsis: Years after Tommy Jarvis murdered hockey-masked serial killer Jason Voorhees, he resides in a mental hospital and struggles with the trauma of the experience. When Tommy moves to an isolated halfway house,...
- 7/28/2023
- by Cody Hamman
- JoBlo.com
Making for quite the glamorous evening in the Big Apple, the stars gathered together at Radio City Music Hall for the 2010 Tony Awards on Sunday night (June 13).
With Sean Hayes acting as the evening's host, big names such as Katie Holmes, Daniel Radcliffe, Beyonce and Jay-z, and Lea Michele all turned up for the annual Broadway event.
During the course of the evening, big winners included the lovely Scarlett Johansson as Best Performance by a Featured Actress in a Play for her work in "A View From a Bridge," as well as Denzel Washington as Best Performance by a Leading Actor in a Play for his stage duties in "Fences".
Also taking home trophies were Catherine Zeta Jones as Best Performance by a Leading Actress in a Musical for "A Little Night Music," along with "Red," which received the best play prize and five other trophies.
The complete list of...
With Sean Hayes acting as the evening's host, big names such as Katie Holmes, Daniel Radcliffe, Beyonce and Jay-z, and Lea Michele all turned up for the annual Broadway event.
During the course of the evening, big winners included the lovely Scarlett Johansson as Best Performance by a Featured Actress in a Play for her work in "A View From a Bridge," as well as Denzel Washington as Best Performance by a Leading Actor in a Play for his stage duties in "Fences".
Also taking home trophies were Catherine Zeta Jones as Best Performance by a Leading Actress in a Musical for "A Little Night Music," along with "Red," which received the best play prize and five other trophies.
The complete list of...
- 6/14/2010
- GossipCenter
One has to hand it to the Tony nominators: They didn't follow conventional wisdom nor did they particularly pay heed to commercial considerations.
Indeed, some of the biggest noms went to shows that are either long gone ("Ragtime," "Finian's Rainbow," "In the Next Room, or the Vibrator Play," "Time Stands Still") or lagging at the boxoffice ("Fela!" "Memphis," "Next Fall," "Million Dollar Quartet").
The biggest surprises Tuesday were the omissions.
"The Addams Family," the most successful new musical of the season, was thoroughly dissed, failing to get noms for best musical, for its stars Nathan Lane or Bebe Neuwirth, or even for its production design. And though it did get one for original score, that's not exactly a coup in a season in which only one other musical, "Memphis," even had one. The category had to be embarrassingly filled out with the forgettable music from "Enron" and Branford Marsalis' incidental music for "Fences.
Indeed, some of the biggest noms went to shows that are either long gone ("Ragtime," "Finian's Rainbow," "In the Next Room, or the Vibrator Play," "Time Stands Still") or lagging at the boxoffice ("Fela!" "Memphis," "Next Fall," "Million Dollar Quartet").
The biggest surprises Tuesday were the omissions.
"The Addams Family," the most successful new musical of the season, was thoroughly dissed, failing to get noms for best musical, for its stars Nathan Lane or Bebe Neuwirth, or even for its production design. And though it did get one for original score, that's not exactly a coup in a season in which only one other musical, "Memphis," even had one. The category had to be embarrassingly filled out with the forgettable music from "Enron" and Branford Marsalis' incidental music for "Fences.
- 5/4/2010
- by By Frank Scheck
- The Hollywood Reporter - Movie News
New York – Star wattage will burn bright at the 2010 Tony Awards with Denzel Washington, Jude Law, Catherine Zeta-Jones and Kelsey Grammer among those receiving nominations Tuesday.Washington and Law were each cited for best actor performances in "Fences" and "Hamlet," respectively. Zeta-Jones was nominated for best performance by a leading actress in a musical, "A Little Night Music," and Grammer was nominated for lead actor in a musical, "La Cage aux Folles.""Fela!" — nominated for best musical — and "La Cage aux Folles," nominated for the best musical revival, each received 11 nominations, followed by "Fences" with 10 nods.Nominated for best play were "In the Next Room (or the vibrator play)" by Sarah Ruhl; "Next Fall," by Geoffrey Nauffts; "Red," by John Logan, and "Time Stands Still," by Donald Margulies.Best musical nominations went to Green Day's "American Idiot"; "Memphis"; "Million Dollar Quartet," and "Fela!"The Eugene O'Neill Theater Center in Waterford,...
- 5/4/2010
- backstage.com
An affable comedy of manners about a Bronx pizza-maker who follows his thespian dreams to the West Village, "Kiss Me, Guido" serves as a light but promising mainstream entry for first-time writer-director Tony Vitale.
Screened this year at Sundance in the out-of-competition American Spectrum program, the picture serves up a good-natured skewering of gay and straight cultural stereotypes that makes up in warmth what it may lack in subtlety.
While definitely not your average Paramount fare, careful handling and enthusiastic word-of-mouth should take "Guido" beyond its specialized audience base.
Nick Scotti provides the right blend of Tony Manero machismo and gentle naivete as Italian-American Frankie Zito, a DeNiro/Pacino/Pesci-quoting wannabe who answers a Village Voice ad for a "GWM" roommate, believing the abbreviation to stand for "guy with money."
The GWM in question turns out to be Warren (Anthony Barrile), a Soho actor-choreographer recently dumped by his boyfriend who is having a little trouble making the rent. The mistaken-identity situation leads to the inevitable cultural clash, but ultimately, Frankie and Warren form a growing bond, cemented by the mutually respected power of disco music and the fact that Warren starred in one of Frankie's favorite martial arts movies.
Scotti, a former model making his feature film debut following a recurring role in a daytime soap, brings a light comic likability to the part. There's a sweetness to his swagger. Barrile, meanwhile, comes across as a low-key Nathan Lane in his portrayal of Scotti's perpetually sad-sack gay foil.
Also effective are Molly Price as Barrile's unlucky-in-love landlord, Meryl; Christopher Lawford as Warren's weasely ex-boyfriend, Dakota; and Domenick Lombardozzi as Scotti's faithful Bronx buddy, Joey Chips, who brings over the rest of Scotti's stuff, carefully folded in pizza boxes.
Writer-director Vitale, a New York Film Production veteran, admittedly employs a broad stroke here -- the "La Cage Aux Folles" influence is unmistakable -- and his across-the-board style of cultural parody will undoubtedly raise the ire of PC police, but he fills the story with enough clever bits to freshen up the farce.
Production values on this low-budgeter are solid, making good use of the Little Italy/Soho backdrops.
Music supervisor Randall Poster, meanwhile, plays deejay, helping to keep things moving with a nonstop disco mix.
KISS ME, GUIDO
Paramount
Director-screenwriter Tony Vitale
Producers Ira Deutchman, Christine Vachon
Executive producers Jane Barclay,
Tom Carouso, Sharon Harel,
Christopher Lawford
Director of photography Claudia Raschke
Production designer Jeffrey Rathaus
Editor Alexander Hall
Costume designer Victoria Farrell
Music supervisor Randall Poster
Casting Hopkins, Smith and Barden
Color/stereo
Cast:
Frankie Nick Scotti
Warren Anthony Barrile
Pino Anthony DeSando
Terry Craig Chester
Joey Chips Domenick Lombardozzi
Dakota Christopher Lawford
Meryl Molly Price
Running time -- 91 minutes
MPAA rating: R...
Screened this year at Sundance in the out-of-competition American Spectrum program, the picture serves up a good-natured skewering of gay and straight cultural stereotypes that makes up in warmth what it may lack in subtlety.
While definitely not your average Paramount fare, careful handling and enthusiastic word-of-mouth should take "Guido" beyond its specialized audience base.
Nick Scotti provides the right blend of Tony Manero machismo and gentle naivete as Italian-American Frankie Zito, a DeNiro/Pacino/Pesci-quoting wannabe who answers a Village Voice ad for a "GWM" roommate, believing the abbreviation to stand for "guy with money."
The GWM in question turns out to be Warren (Anthony Barrile), a Soho actor-choreographer recently dumped by his boyfriend who is having a little trouble making the rent. The mistaken-identity situation leads to the inevitable cultural clash, but ultimately, Frankie and Warren form a growing bond, cemented by the mutually respected power of disco music and the fact that Warren starred in one of Frankie's favorite martial arts movies.
Scotti, a former model making his feature film debut following a recurring role in a daytime soap, brings a light comic likability to the part. There's a sweetness to his swagger. Barrile, meanwhile, comes across as a low-key Nathan Lane in his portrayal of Scotti's perpetually sad-sack gay foil.
Also effective are Molly Price as Barrile's unlucky-in-love landlord, Meryl; Christopher Lawford as Warren's weasely ex-boyfriend, Dakota; and Domenick Lombardozzi as Scotti's faithful Bronx buddy, Joey Chips, who brings over the rest of Scotti's stuff, carefully folded in pizza boxes.
Writer-director Vitale, a New York Film Production veteran, admittedly employs a broad stroke here -- the "La Cage Aux Folles" influence is unmistakable -- and his across-the-board style of cultural parody will undoubtedly raise the ire of PC police, but he fills the story with enough clever bits to freshen up the farce.
Production values on this low-budgeter are solid, making good use of the Little Italy/Soho backdrops.
Music supervisor Randall Poster, meanwhile, plays deejay, helping to keep things moving with a nonstop disco mix.
KISS ME, GUIDO
Paramount
Director-screenwriter Tony Vitale
Producers Ira Deutchman, Christine Vachon
Executive producers Jane Barclay,
Tom Carouso, Sharon Harel,
Christopher Lawford
Director of photography Claudia Raschke
Production designer Jeffrey Rathaus
Editor Alexander Hall
Costume designer Victoria Farrell
Music supervisor Randall Poster
Casting Hopkins, Smith and Barden
Color/stereo
Cast:
Frankie Nick Scotti
Warren Anthony Barrile
Pino Anthony DeSando
Terry Craig Chester
Joey Chips Domenick Lombardozzi
Dakota Christopher Lawford
Meryl Molly Price
Running time -- 91 minutes
MPAA rating: R...
- 7/18/1997
- The Hollywood Reporter - Movie News
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