Please don’t stop the music: Anne Fontaine isn’t done with it just yet.
Following “Boléro” — world premiering at International Film Festival Rotterdam — the noted director is developing another melodic project.
“It’s about a character who was a star at 10 years old. He had a ‘magic’ voice, but then he suddenly lost it. Years later, he is ready to come back. It’s a comedy, based on something real,” she says. Admitting that this time, she will swap classical compositions for popular tunes.
“I like songs: they are in our blood. We hear them and remember we lost a lover when they were playing. They mark our lives. There will be so much music [in this film]. And all these amazing voices, including a real-life singer making her film debut.”
New project will combine “cruelty and humor.”
“Our destiny might be cruel, but we are still able to laugh about it.
Following “Boléro” — world premiering at International Film Festival Rotterdam — the noted director is developing another melodic project.
“It’s about a character who was a star at 10 years old. He had a ‘magic’ voice, but then he suddenly lost it. Years later, he is ready to come back. It’s a comedy, based on something real,” she says. Admitting that this time, she will swap classical compositions for popular tunes.
“I like songs: they are in our blood. We hear them and remember we lost a lover when they were playing. They mark our lives. There will be so much music [in this film]. And all these amazing voices, including a real-life singer making her film debut.”
New project will combine “cruelty and humor.”
“Our destiny might be cruel, but we are still able to laugh about it.
- 1/29/2024
- by Marta Balaga
- Variety Film + TV
It is one of Beckett's most famous – and most startling – images. But what inspired the half-buried woman in Happy Days? His friend and biographer James Knowlson tracks down the first Winnies
Samuel Beckett was a passionate lover of art and a friend of many painters and sculptors. He loved Dutch and Flemish painting in particular – and art almost certainly inspired some of his most memorable theatrical images. Even his earliest plays, such as Waiting for Godot or Endgame, recall the old masters: the character Lucky in Godot may well remind you of a Brueghel grotesque; Estragon and Vladimir's physical antics echo scenes in Adriaen Brouwer's paintings ("Dear, dear Brouwer", Beckett called him); Hamm in Endgame appears to share genes with some portraits by Rembrandt, staring out at the viewer – Jacob Trip in his armchair, perhaps.
As for Beckett's late miniature works – recently revived by the Royal Court with a tour...
Samuel Beckett was a passionate lover of art and a friend of many painters and sculptors. He loved Dutch and Flemish painting in particular – and art almost certainly inspired some of his most memorable theatrical images. Even his earliest plays, such as Waiting for Godot or Endgame, recall the old masters: the character Lucky in Godot may well remind you of a Brueghel grotesque; Estragon and Vladimir's physical antics echo scenes in Adriaen Brouwer's paintings ("Dear, dear Brouwer", Beckett called him); Hamm in Endgame appears to share genes with some portraits by Rembrandt, staring out at the viewer – Jacob Trip in his armchair, perhaps.
As for Beckett's late miniature works – recently revived by the Royal Court with a tour...
- 1/22/2014
- The Guardian - Film News
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