Marrakech International Film Festival
MARRAKECH, Morocco -- "Funuke Show Some Love, You Losers" (Funuke Domo, Kanashimi No Ai Wo Misero), black comedies about dysfunctional families based on a novel by Yukiko Motoya, has a talented cast yet looks like a television soap. Maybe that is what director Daihachi Yoshida wanted to attract younger audiences, women in particular. The movie has a good boxoffice potential, though it appears out of place in a festival competition.
Yoshida packs dark humor in his narrative, much of it comes from Sumika (Eriko Sato), a failed actress who returns from Tokyo to her rural home when her parents die in a accident trying to save a Black Cat sitting in the middle of a road. Her hardworking woodcutter stepbrother, Shinji (Masatochi Nagase), and his new wife, Machiko (Hiromi Nagasaku), are not happy when Sumika asks for an allowance to live in Tokyo.
Four years before, Sumika quarreled and almost killed her father for refusing her money to pursue stardom. But Sumika was not one to be stopped: She prostituted, made money and left home, although not before getting into an incestuous relationship with Shinji, a relationship she resumes after her return to get favors out of him. Their little sister, Kiyomi (Aimi Satsukawa), is inspired by her family mess to draw manga comic strips, winning huge prize money and ruining Sumika's reputation. Naturally, Sumika holds Kiyomi responsible for her failure as an actress.
The film can be seen as a commentary on Japanese society, where schoolgirl prostitution, uneasy father-daughter relationships, domestic violence and suicides are not uncommon. Machiko bears the brunt of her husband's ill temper, yet she keeps smiling and laughing. Kiyomi stoically bears Sumika's bullying, but continues to draw and ridicule her family. Sumika overcomes obstacles with her cunning ways. But Shinji crumbles.
A couple of decades ago, another generation of Japanese helmers would have made a serious study of a dysfunctional family from such material. Not Yoshida, who uses comedy to make his points, even if the film comes off a bit like a trashy television serial.
FUNUKE SHOW SOME LOVE, YOU LOSERS!
Phantom Film
Credits:
Writer/director: Daihachi Yoshida
Based on a novel by: Yukiko Motoya
Producers: Shuji Kakimoto, Keisuke Konishi, Yutaka Suzuki
Directors of photography: Shoichi Ato, Atsushi Ozawa
Production designer: Yasuaki Harada
Music: Soichiro Suzuki, Yoshiaki Kusaka
Editor: Kumi Okada
Cast:
Sumika: Eriko Sato
Kiyomi: Aimi Satsukawa
Shinji: Masatochi Nagase
Machiko: Hiromi Nagasaku
Running time -- 111 minutes
No MPAA rating...
MARRAKECH, Morocco -- "Funuke Show Some Love, You Losers" (Funuke Domo, Kanashimi No Ai Wo Misero), black comedies about dysfunctional families based on a novel by Yukiko Motoya, has a talented cast yet looks like a television soap. Maybe that is what director Daihachi Yoshida wanted to attract younger audiences, women in particular. The movie has a good boxoffice potential, though it appears out of place in a festival competition.
Yoshida packs dark humor in his narrative, much of it comes from Sumika (Eriko Sato), a failed actress who returns from Tokyo to her rural home when her parents die in a accident trying to save a Black Cat sitting in the middle of a road. Her hardworking woodcutter stepbrother, Shinji (Masatochi Nagase), and his new wife, Machiko (Hiromi Nagasaku), are not happy when Sumika asks for an allowance to live in Tokyo.
Four years before, Sumika quarreled and almost killed her father for refusing her money to pursue stardom. But Sumika was not one to be stopped: She prostituted, made money and left home, although not before getting into an incestuous relationship with Shinji, a relationship she resumes after her return to get favors out of him. Their little sister, Kiyomi (Aimi Satsukawa), is inspired by her family mess to draw manga comic strips, winning huge prize money and ruining Sumika's reputation. Naturally, Sumika holds Kiyomi responsible for her failure as an actress.
The film can be seen as a commentary on Japanese society, where schoolgirl prostitution, uneasy father-daughter relationships, domestic violence and suicides are not uncommon. Machiko bears the brunt of her husband's ill temper, yet she keeps smiling and laughing. Kiyomi stoically bears Sumika's bullying, but continues to draw and ridicule her family. Sumika overcomes obstacles with her cunning ways. But Shinji crumbles.
A couple of decades ago, another generation of Japanese helmers would have made a serious study of a dysfunctional family from such material. Not Yoshida, who uses comedy to make his points, even if the film comes off a bit like a trashy television serial.
FUNUKE SHOW SOME LOVE, YOU LOSERS!
Phantom Film
Credits:
Writer/director: Daihachi Yoshida
Based on a novel by: Yukiko Motoya
Producers: Shuji Kakimoto, Keisuke Konishi, Yutaka Suzuki
Directors of photography: Shoichi Ato, Atsushi Ozawa
Production designer: Yasuaki Harada
Music: Soichiro Suzuki, Yoshiaki Kusaka
Editor: Kumi Okada
Cast:
Sumika: Eriko Sato
Kiyomi: Aimi Satsukawa
Shinji: Masatochi Nagase
Machiko: Hiromi Nagasaku
Running time -- 111 minutes
No MPAA rating...
- 1/29/2008
- The Hollywood Reporter - Movie News
NEW YORK --If an American moviemaker made a film filled to the brim with toothless Gypsies, nearly all of whom are depicted as scheming criminals with a love of music and dance who dress like '70s-era disco refugees, cries of stereotyping would be heard worldwide. If director Emir Kusturica does it, he's applauded for his colorful sense of style.
"Black Cat, White Cat", his newest effort, is an exhausting, Fellini-esque farce that should do well with art house audiences who wouldn't be caught dead at similarly sophomoric American comedies. The film, which premiered at Venice, was recently showcased at the New York Film Festival and will be released commercially by October Films.
Kusturica's previous effort was the controversial "Underground", which never received a full domestic theatrical release despite winning the Palme d'Or at Cannes. Although he threatened to abandon filmmaking after the highly mixed reactions to that work, he has returned with this overstuffed, overlong nonpolitical fable involving a group of wacky Balkan Gypsies.
The convoluted plot defies summarization; suffice it to say it includes Gypsy gangsters working on a black market deal involving a trainload of fuel; a forced marriage involving a woman short enough to hide herself in a hollow tree trunk; the corpse of an elderly gentleman that must be kept on ice because of the aforementioned marriage; and various secret romances and nefarious schemes. It is all set to a nonstop cacophony of Gypsy music, apparently the original inspiration for the project.
The huge cast, nearly all of whom are nonprofessional actors with distinctively outlandish appearances, go through their manic paces with eye-popping gusto. One thing you can say about Kusturica: He knows how to fill the screen.
Black Cat, WHITE CAT
October Films
Credits: Director: Emir Kusturica; Screenplay: Gordan Mihic, Emir Kusturica; Executive producer: Maksa Catovic; Associate producers: Marina Girard, Karl Baumgartner; Photography: Theirry Arbogast, Michel Amathieu; Editor: Svetolik Mica Zajc; Music: Dr. Nelle Karajlic, Voja Aralica, Dejo Sparavalo, Emir Kusturica. Cast: Matko Destanov: Bajram Severdzan; Zare Destanov: Florijan Ajdini; Grga Veliki: Jasuar Destani; Grga Mali: Adnan Bekir; Zarije Destanov: Zabit Memedov; Grga Pitic: Sabri Sulejmani; Dadan: Srdan Todorovic. No MPAA rating. Color/stereo. Running time -- 135 minutes.
"Black Cat, White Cat", his newest effort, is an exhausting, Fellini-esque farce that should do well with art house audiences who wouldn't be caught dead at similarly sophomoric American comedies. The film, which premiered at Venice, was recently showcased at the New York Film Festival and will be released commercially by October Films.
Kusturica's previous effort was the controversial "Underground", which never received a full domestic theatrical release despite winning the Palme d'Or at Cannes. Although he threatened to abandon filmmaking after the highly mixed reactions to that work, he has returned with this overstuffed, overlong nonpolitical fable involving a group of wacky Balkan Gypsies.
The convoluted plot defies summarization; suffice it to say it includes Gypsy gangsters working on a black market deal involving a trainload of fuel; a forced marriage involving a woman short enough to hide herself in a hollow tree trunk; the corpse of an elderly gentleman that must be kept on ice because of the aforementioned marriage; and various secret romances and nefarious schemes. It is all set to a nonstop cacophony of Gypsy music, apparently the original inspiration for the project.
The huge cast, nearly all of whom are nonprofessional actors with distinctively outlandish appearances, go through their manic paces with eye-popping gusto. One thing you can say about Kusturica: He knows how to fill the screen.
Black Cat, WHITE CAT
October Films
Credits: Director: Emir Kusturica; Screenplay: Gordan Mihic, Emir Kusturica; Executive producer: Maksa Catovic; Associate producers: Marina Girard, Karl Baumgartner; Photography: Theirry Arbogast, Michel Amathieu; Editor: Svetolik Mica Zajc; Music: Dr. Nelle Karajlic, Voja Aralica, Dejo Sparavalo, Emir Kusturica. Cast: Matko Destanov: Bajram Severdzan; Zare Destanov: Florijan Ajdini; Grga Veliki: Jasuar Destani; Grga Mali: Adnan Bekir; Zarije Destanov: Zabit Memedov; Grga Pitic: Sabri Sulejmani; Dadan: Srdan Todorovic. No MPAA rating. Color/stereo. Running time -- 135 minutes.
- 10/13/1998
- The Hollywood Reporter - Movie News
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