Although analog technology has gone all but extinct in the 40 years since Videodrome first permeated viewers’ psyches, there’s no denying the prescience of its themes. Writer-director David Cronenberg, circa 1983, portended the exploitation of the internet age, virtual reality, and media manipulation. At its core, Videodrome confronts the viewer to examine their own relationship with entertainment.
As the head of Civic TV, Max Renn caters to the subterranean market, transmitting sex and violence into Toronto homes over Uhf airwaves. His appetite for depravity no longer fulfilled by the likes of softcore pornography, Max’s interest is piqued by a mysterious pirated broadcast called Videodrome. As he describes it, “It’s just torture and murder. No plot, no characters. Very, very realistic. I think it’s what’s next.”
Max’s perception of reality is altered from the moment he’s first exposed to Videodrome, as devious hallucinations — from a cancerous...
As the head of Civic TV, Max Renn caters to the subterranean market, transmitting sex and violence into Toronto homes over Uhf airwaves. His appetite for depravity no longer fulfilled by the likes of softcore pornography, Max’s interest is piqued by a mysterious pirated broadcast called Videodrome. As he describes it, “It’s just torture and murder. No plot, no characters. Very, very realistic. I think it’s what’s next.”
Max’s perception of reality is altered from the moment he’s first exposed to Videodrome, as devious hallucinations — from a cancerous...
- 10/17/2023
- by Alex DiVincenzo
- bloody-disgusting.com
The enemy, as it seems it always has been, is within in David Cronenberg’s Videodrome, but its violence, gore, and torrential mayhem is hard to miss. Influenced by the writings of Marshall McLuhan, this 1983 vision of the intermingling ideas and functions of technology, the mind, and “the flesh” is, like a great deal of Cronenberg’s work, endlessly fascinated with decay, bodily fluids, wounds, and growths. All of which come to bear in one form or another on Max Renn (James Woods), a forager of outré entertainments at Civic-tv, a sleazy Uhf television station in Toronto that he helped to found, and whose motto, “The One You Take to Bed with You,” is more ominous than goofy.
But where softcore pornography would effectively crawl up the ass of any major network executive and start biting as if it were its last meal, Renn is bored by shots of Asian...
But where softcore pornography would effectively crawl up the ass of any major network executive and start biting as if it were its last meal, Renn is bored by shots of Asian...
- 10/9/2023
- by Chris Cabin
- Slant Magazine
For many, Videodrome (1983) remains David Cronenberg’s signature film. It is not his most successful or necessarily even his best, but it does most thoroughly define the descriptor “Cronenbergian.” It is a distillation of many of the themes and motifs he would explore throughout his filmography. Along with The Fly (1986), it is perhaps his greatest depiction of the subgenre that he is most often associated with—body horror, but it also explores a number of philosophical ideas that thread their way through much of his body of work. Above all, Videodrome is an often uncomfortable interrogation of humanity’s relationship with violence, entertainment, and media, and forty years after its release, that interrogation has only become more disturbing and prescient.
Videodrome is an idea movie wrapped up in a mystery/conspiracy plot. That the plot makes any sense at all is rather remarkable considering, due to Canadian tax shelter policies,...
Videodrome is an idea movie wrapped up in a mystery/conspiracy plot. That the plot makes any sense at all is rather remarkable considering, due to Canadian tax shelter policies,...
- 2/9/2023
- by Brian Keiper
- bloody-disgusting.com
Long Live The New Flesh, Bitch!
And just like that, we’re into February. After starting the new year with a redo of our episode on The Perfection, followed by AIDS metaphor Safe, del Toro’s Gothic Romance Crimson Peak and slasher remake House of Wax, Trace and I are settling into our birthday month with four weeks of ‘Weird Sex’ films.
First on the docket: David Cronenberg‘s iconic body horror film Videodrome, which just celebrated its fortieth anniversary last week. In the film, Max Renn (James Woods) works at a Toronto TV station that programs sexy, violent content and he’s always on the hunt for new fare. Enter Videodrome: a pirated signal originally thought to originate from Malaysia (but is actually from Pittsburgh) that is basically snuff.
The trouble is that Videodrome is also a weapon, causing physical changes in the body of viewers (tumors), as well as vivid hallucinations.
And just like that, we’re into February. After starting the new year with a redo of our episode on The Perfection, followed by AIDS metaphor Safe, del Toro’s Gothic Romance Crimson Peak and slasher remake House of Wax, Trace and I are settling into our birthday month with four weeks of ‘Weird Sex’ films.
First on the docket: David Cronenberg‘s iconic body horror film Videodrome, which just celebrated its fortieth anniversary last week. In the film, Max Renn (James Woods) works at a Toronto TV station that programs sexy, violent content and he’s always on the hunt for new fare. Enter Videodrome: a pirated signal originally thought to originate from Malaysia (but is actually from Pittsburgh) that is basically snuff.
The trouble is that Videodrome is also a weapon, causing physical changes in the body of viewers (tumors), as well as vivid hallucinations.
- 2/6/2023
- by Joe Lipsett
- bloody-disgusting.com
In 1983, Canadian director David Cronenberg made a science fiction thriller called "Videodrome." Although only employing the technology available at the time — Betamax cassettes, terrestrial TV signals, and the like — "Videodrome" remains a salient and timely essay on the effects of media and technology on the human consciousness. In "Videodrome," James Woods plays a character named Max, who's made a living picking up stray, often pornographic TV signals from around the globe — signals that were completely unregulated — and broadcasting the pirated signals on his late-night TV station.
Although dubiously legal, Max goes on daytime TV talk shows to defend his business, and to have McLuhan-inflected conversations about the grasp modern media technology has on the mind. He talks with a curious intellectual named Brian O'Blivion (Jack Creley), who only appears on TV sets. He also begins having an intellectually inspired, rough-sex-infused affair with media star Nicki Brand (Debbie Harry).
Max finds...
Although dubiously legal, Max goes on daytime TV talk shows to defend his business, and to have McLuhan-inflected conversations about the grasp modern media technology has on the mind. He talks with a curious intellectual named Brian O'Blivion (Jack Creley), who only appears on TV sets. He also begins having an intellectually inspired, rough-sex-infused affair with media star Nicki Brand (Debbie Harry).
Max finds...
- 2/5/2023
- by Witney Seibold
- Slash Film
Stars: James Woods, Deborah Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley, Lynne Gorman, Julie Khaner, Reiner Schwarz, David Bolt, Lally Cadeau | Written and Directed by David Cronenberg
Out of all the David Cronenberg films I’ve seen, Videodrome always sticks with me as my favourite and some of his best work, if not The best. Having not seen it in a few years, Arrow Video’s new Blu-ray release was the perfect chance to catch up with the movie and see if my memories of it were purely nostalgia. Thankfully, they were not.
Max Renn (James Woods) is a sleazy cable-tv programmer looking for more extreme ways to entertain his viewers. When he discovers “Videodrome” it appears to be exactly what he was looking for. When he starts hallucinating though, he suddenly finds reality becoming warped to the point where he is not sure what is real, or what is Videodrome.
Out of all the David Cronenberg films I’ve seen, Videodrome always sticks with me as my favourite and some of his best work, if not The best. Having not seen it in a few years, Arrow Video’s new Blu-ray release was the perfect chance to catch up with the movie and see if my memories of it were purely nostalgia. Thankfully, they were not.
Max Renn (James Woods) is a sleazy cable-tv programmer looking for more extreme ways to entertain his viewers. When he discovers “Videodrome” it appears to be exactly what he was looking for. When he starts hallucinating though, he suddenly finds reality becoming warped to the point where he is not sure what is real, or what is Videodrome.
- 8/17/2015
- by Paul Metcalf
- Nerdly
It’s not uncommon for a science fiction film to prophesy the future, in terms of technology, the social state of humanity, or even certain global scenarios. It is, however, relatively rare for a film to have as its basic premise particular subject matter that, while relevant in its year of production, grows increasingly pertinent and frighteningly accurate as years go on. This is the case with Videodrome, David Cronenberg’s extraordinary 1983 film starring James Woods as Max Renn, a sleazy television programmer who has grown sensorially flaccid by the stale material he peddles on air.
The shows that run on his Civic TV Channel 83 just aren’t cutting it. Max is not content with straight porn, not even niche markets that cater to particular fetishes. Samurai Dreams, which we see a few seconds of, is just too soft. Yes, as Max puts it, “Oriental sex is a natural,” but is it tacky enough?...
The shows that run on his Civic TV Channel 83 just aren’t cutting it. Max is not content with straight porn, not even niche markets that cater to particular fetishes. Samurai Dreams, which we see a few seconds of, is just too soft. Yes, as Max puts it, “Oriental sex is a natural,” but is it tacky enough?...
- 4/12/2015
- by Jeremy Carr
- SoundOnSight
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