How terrible to be the solitary vampire; cursed to walk the earth alone, sleepless nights interrupted by an insatiable blood lust, no one to go shopping with. It just doesn’t seem like the most sociable of lifestyle choices. This would be the case for most of horror’s filmdom until Thirst (1979), a quirky Australian blend of political satire and nightmarish imagery that presents a society of bloodsuckers intent on branding long before it entered the consciousness.
Released by New Line Cinema in late September, Thirst traipsed its way through the market place of grindhouse and drive-ins before popping up on VHS, where a young horror fiend (me) eagerly lapped up everything coming out by the nascent home video realm. What did the ten year old think? Well, not much at the time; he found it well made but slow. The man-child before you has the same thoughts, except time has brought me patience,...
Released by New Line Cinema in late September, Thirst traipsed its way through the market place of grindhouse and drive-ins before popping up on VHS, where a young horror fiend (me) eagerly lapped up everything coming out by the nascent home video realm. What did the ten year old think? Well, not much at the time; he found it well made but slow. The man-child before you has the same thoughts, except time has brought me patience,...
- 3/23/2019
- by Scott Drebit
- DailyDead
By Todd Garbarini
Rarely has distributor exploitation been as blatant as in the case of Simon Wincer’s The Day After Halloween (1980), a ludicrously-named Australian outing originally optioned under the name of Centerfold, then changed to Snapshot after the producers were unable to secure that title, and was eventually released as One More Minute. It appeared on video shelves here in the U.S. on VHS both in 1983 from Catalina Home Video under the title of The Day After Halloween and in 1985 as The Night After Halloween on Magnum Home Entertainment. The film came on the heels of the John Carpenter-scripted Eyes of Laura Mars (1978) which was set against the milieu of the fashion industry. Filmed in 1978 and released in Australia the following year, The Day After Halloween has absolutely nothing to do with John Carpenter’s seminal holiday suspense yarn, and isn’t even a slasher film. It isn’t even a thriller.
Rarely has distributor exploitation been as blatant as in the case of Simon Wincer’s The Day After Halloween (1980), a ludicrously-named Australian outing originally optioned under the name of Centerfold, then changed to Snapshot after the producers were unable to secure that title, and was eventually released as One More Minute. It appeared on video shelves here in the U.S. on VHS both in 1983 from Catalina Home Video under the title of The Day After Halloween and in 1985 as The Night After Halloween on Magnum Home Entertainment. The film came on the heels of the John Carpenter-scripted Eyes of Laura Mars (1978) which was set against the milieu of the fashion industry. Filmed in 1978 and released in Australia the following year, The Day After Halloween has absolutely nothing to do with John Carpenter’s seminal holiday suspense yarn, and isn’t even a slasher film. It isn’t even a thriller.
- 5/5/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
It’s the month of October. It’s Halloween. No, not the day itself, but tis the season. That means we need to focus on some truly excellent 80’s horror surrounding our beloved holiday. Sure we could give the rehash job to Halloween and its subsequent sequels, but that’s not entirely in spirit of the game although I can assure you that I’m working on something that focuses on the Carpenter magnum opus. Today we’re going to focus on some horror flicks that are about Halloween, but aren’t John Carpenter’s Halloween. Let’s talk about The Day After Halloween, Trick or Treats, Lady in White in our first It Came From 1980X triple feature offering. Each of these movies incorporates something of the Halloween spirit and only one of them actually gets any street cred for being an honest to goodness creep out. There’s...
- 10/15/2012
- by Jimmy Terror
- The Liberal Dead
Birthday Trailer. James Harkness‘ Birthday (2011) movie trailer stars Natalie Eleftheriadis, Kestie Morassi, Richard Wilson, Travis McMahon, and Ra Chapman. Birthday‘s plot synopsis: “M (Natalie Eleftheriadis) is the highest paid professional of the many girls at Scarlet’s, but, even on her 25th birthday, it’s business as usual. M’s trade is sex, but sex doesn’t sell the way it used to; what client’s are searching for, paying for… is love. Instead of celebrating, her day is spent answering the silent prayers of Father Phillip (Travis McMahon), who has lost his faith and providing counsel to her colleagues, the vivacious Lily (Kestie Morassi) and troubled Cindy (Ra Chapman).
Amidst the many dramas that unfold and the demands of the ‘no- nonsense’ Scarlet (Chantal Contouri), M’s secret birthday wish goes unanswered. That is, until Joey (Richard Wilson) knocks on her door; a young man, forgotten by the world,...
Amidst the many dramas that unfold and the demands of the ‘no- nonsense’ Scarlet (Chantal Contouri), M’s secret birthday wish goes unanswered. That is, until Joey (Richard Wilson) knocks on her door; a young man, forgotten by the world,...
- 8/22/2011
- by filmbook
- Film-Book
An enthusiastic buzz is expected to rampage the streets of Sydney's south-eastern suburbs, Randwick, Coogee and Clovelly Beach between 24 February and 7 March, when the Australian Film Festival hits off for the first time. With 11 days of indoor and outdoor screenings of pure Australian content - including the screening of J Harkness' psychological thriller, Birthday starring Kestie Morassi (pictured), Richard Wilson, Richard Wilson, Travis McMahon, Chantal Contouri and Natalie Eleftheriadis - plus, marquee events and Popcorn Taxi Q&As, the festival is being touted as the country's most comprehensive presentation of Australian film content. Emerging from the 2009 Australian Film Week, the Australian Film Festival "is a new concept for film festivals, which will be taking a modern and global view of what film is," says festival director Barry Watterson.
- 1/14/2010
- FilmInk.com.au
While some don't believe wishes come true, they certainly are for writer and director J. Harkness (Shot Of Love) as his latest film, Birthday, has been Officially Selected In Competition for the Anchorage International Film Festival, and will be releasing in Australia in 2010. J. Harkness' first wish was to adapt his stage play, Birthday, into an independent feature film. This wish came true when he found financial backing, a passionate and impressive cast, and the support of the sex industry, in which the film is set. All were inspired by Birthday's story of human intimacy and love within the conflicting and compelling world of sex workers, and the film was filmed in Harkness' home town of Adelaide in 2008, with a cast that includes Kestie Morassi (Wolf Creek), Richard Wilson (Clubland), Travis McMahon (Kokoda), Chantal Contouri and newcomer and co-producer Natalie Eleftheriadis in the lead role.
- 12/1/2009
- FilmInk.com.au
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