I went into Olivier Nakache and Eric Toledano’s latest film C’est la vie! knowing nothing about it. My assumption from their two previous works, Intouchables and Samba, was that it would prove a charmingly funny dramedy tinged with relevant politics and racial complexity. Well, I was wrong. Whereas the latter film honed in on the former’s politics, this one strips them away completely to focus solely on the comedy. The result is an uproariously contemporary riff on Robert Altman’s underrated classic A Wedding. While it doesn’t spread out quite so large a net—focusing almost exclusively on wedding planner Max (Jean-Pierre Bacri) and his eccentric crew—it still wonderfully distills the fiscal and logistical absurdity of such formally traditional celebrations with biting satire, broad pratfalls, and expertly rendered caricature to its essence.
They don’t ease us in either as the tone immediately reveals itself.
They don’t ease us in either as the tone immediately reveals itself.
- 9/9/2017
- by Jared Mobarak
- The Film Stage
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