Dockyard worker Sun Zhi Qiang (Ling Yun) and songwriter Sun Yi Qiang (Yang Fang) are brothers of opposite ends. He is a rough diamond who likes to get into fights but a natural when it comes to playing drums. His younger brother Yi Qiang is a gentle soul who writes songs for a TV show and dreams of becoming a successful composer. Their mother though, totally hates the idea of them getting involved in the music scene. Huang Li Chen (Lily Ho) manages a popular TV music show with her band The Sparks and the star of the show is band drummer “Golden Arm” Charlie (Chen Hung Lieh). Apparently the groupies are more into drummers than lead singers or the lead guitarists during that time. Her guitarist brother David Huang (Chang Pei Shan) also plays for The Sparks and Julie (Angela Yu Chieh) is their resident dancer.
One day,...
One day,...
- 12/17/2020
- by David Chew
- AsianMoviePulse
Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This July will feature an exciting assortment of films, as noted below.
To sign up for a free two-week trial here.
Saturday, July 1 Changing Faces
What does a face tell us even when it’s disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju’s Eyes Without a Face (1960) and Hiroshi Teshigahara’s The Face of Another (1966).
Tuesday, July 4 Tuesday’s Short + Feature: Premature* and Ten*
Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master...
To sign up for a free two-week trial here.
Saturday, July 1 Changing Faces
What does a face tell us even when it’s disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju’s Eyes Without a Face (1960) and Hiroshi Teshigahara’s The Face of Another (1966).
Tuesday, July 4 Tuesday’s Short + Feature: Premature* and Ten*
Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master...
- 6/26/2017
- by Ryan Gallagher
- CriterionCast
Confessions, Villain, 13 Assassins, and the other winners of the 2011 Japan Academy Prize have been announced. The 34th Annual Japan Academy Prize, “often called the Japan Academy Awards or the Japanese Academy Awards, is a series of awards given annually since 1978 by the Nippon Academy-sho Association for Excellence in Japanese Film. Award categories are similar to the Academy Awards.” The award ceremony was held on February 18, 2011 at the New Takanawa Prince Hotel in Tokyo. The full listing of the 2011 Japan Academy Prize winners is below.
Picture of the Year
Kokuhaku (Confessions)
Animation of the Year
Kari-gurashi no Arietti (The Borrowers)
Director of the Year
Tetsuya Nakashima, Kokuhaku (Confessions)
Screenplay of the Year
Tetsuya Nakashima, Kokuhaku (Confessions)
Outstanding Performance by an Actor in a Leading Role
Satoshi Tsumabuki, Akunin (Villain)
Outstanding Performance by an Actress in a Leading Role
Eri Fukatsu, Akunin (Villain)
Outstanding Performance by an Actor in a Supporting Role
Akira Emoto,...
Picture of the Year
Kokuhaku (Confessions)
Animation of the Year
Kari-gurashi no Arietti (The Borrowers)
Director of the Year
Tetsuya Nakashima, Kokuhaku (Confessions)
Screenplay of the Year
Tetsuya Nakashima, Kokuhaku (Confessions)
Outstanding Performance by an Actor in a Leading Role
Satoshi Tsumabuki, Akunin (Villain)
Outstanding Performance by an Actress in a Leading Role
Eri Fukatsu, Akunin (Villain)
Outstanding Performance by an Actor in a Supporting Role
Akira Emoto,...
- 2/19/2011
- by filmbook
- Film-Book
Ignatiy Vishnevetsky talks about his new show, his movie appetite and his pop quiz with “The Daily Beast”
Ignatiy Vishnevetsky is a movie man of unlimited dialogue. When the new co-host of “Ebert Presents At the Movies” called me the day of his TV debut to discuss the new show and his background, an interview that I thought would be twenty minutes (usually the norm with everyone else) expanded into over an hour-long discussion of film with Vishnevetsky seemingly running racetracks around whatever grasp and knowledge of film I have. A cinephile from Mubi.com handpicked by Roger Ebert from Chicago’s underground film society, (which includes a job at Bucktown’s Odd Obsession) Vishnevetsky had so much to say about every aspect of film, with his words chosen carefully and without even a single dash of the pretension that even cinema’s most celebrated essayists may exhibit. It’s...
Ignatiy Vishnevetsky is a movie man of unlimited dialogue. When the new co-host of “Ebert Presents At the Movies” called me the day of his TV debut to discuss the new show and his background, an interview that I thought would be twenty minutes (usually the norm with everyone else) expanded into over an hour-long discussion of film with Vishnevetsky seemingly running racetracks around whatever grasp and knowledge of film I have. A cinephile from Mubi.com handpicked by Roger Ebert from Chicago’s underground film society, (which includes a job at Bucktown’s Odd Obsession) Vishnevetsky had so much to say about every aspect of film, with his words chosen carefully and without even a single dash of the pretension that even cinema’s most celebrated essayists may exhibit. It’s...
- 1/22/2011
- by Nick Allen
- The Scorecard Review
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