Jake Jackson(I)
- Music Department
- Sound Department
- Soundtrack
Clients & Collaborators: Nick Cave & Warren Ellis, Gareth Coker, Murray Gold, Daniel Hart, Natalie Holt, Tom Howe, Mark Korven, Mica Levi, Joseph Trapanese, Benjamin Wallfisch, Austin Wintory.
MPG Breakthrough Engineer of the Year 2011, Jake Jackson has since built an extensive body of collaborations in Film, TV, and Games, highlighting his creative and technical expertise. These include BAFTA Nominated score for Under The Skin composed by Mica Levi, two-time BAFTA Best Original Television Music nominee Murray Gold's Doctor Who, and the critically acclaimed A24 film The Green Knight. Additionally, Jake has worked on the Marvel megahits WandaVision and Prime Time Emmy and BAFTA Award nominee Loki. His Gaming portfolio boasts engineering and mixing the BAFTA Game awarding winning score Gone to Rapture, engineering Gareth Coker's BAFTA nominated Ori and the Will of the Wisps, and engineering and mixing British Academy Games Award nominee Ghost of Tsushima.
Before joining the Management roster on a freelance basis in 2008, Jake spent over a decade assisting in-house and honing his craft at AIR Studios. Dubbed one of the most 'inventive, nuanced, and intuitive artists and technicians' by Nick Cave and Warren Ellis, his work ethos remains rooted in diligence, transparency, and outstanding working relationships.
Jake has recorded, mixed, and produced critically acclaimed sample libraries for Spitfire Audio, including the Chamber Strings series, skillfully recorded in AIR's world-famous Hall, and the modern cinematic collection Albion.
He is also a semi-professional whistler on many projects including Bridget Jones, Wonka, The Great Escaper and Doctor Who.
MPG Breakthrough Engineer of the Year 2011, Jake Jackson has since built an extensive body of collaborations in Film, TV, and Games, highlighting his creative and technical expertise. These include BAFTA Nominated score for Under The Skin composed by Mica Levi, two-time BAFTA Best Original Television Music nominee Murray Gold's Doctor Who, and the critically acclaimed A24 film The Green Knight. Additionally, Jake has worked on the Marvel megahits WandaVision and Prime Time Emmy and BAFTA Award nominee Loki. His Gaming portfolio boasts engineering and mixing the BAFTA Game awarding winning score Gone to Rapture, engineering Gareth Coker's BAFTA nominated Ori and the Will of the Wisps, and engineering and mixing British Academy Games Award nominee Ghost of Tsushima.
Before joining the Management roster on a freelance basis in 2008, Jake spent over a decade assisting in-house and honing his craft at AIR Studios. Dubbed one of the most 'inventive, nuanced, and intuitive artists and technicians' by Nick Cave and Warren Ellis, his work ethos remains rooted in diligence, transparency, and outstanding working relationships.
Jake has recorded, mixed, and produced critically acclaimed sample libraries for Spitfire Audio, including the Chamber Strings series, skillfully recorded in AIR's world-famous Hall, and the modern cinematic collection Albion.
He is also a semi-professional whistler on many projects including Bridget Jones, Wonka, The Great Escaper and Doctor Who.
