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IMDbPro

Erle C. Kenton(1896-1980)

  • Director
  • Actor
  • Writer
IMDbProStarmeter
See rank
Erle C. Kenton
Erle C. Kenton entered films as an actor with the Mack Sennett troupe (he was one of the original Keystone Kops). In addition to acting, he performed pretty much any kind of behind-the-scenes job he could get, and by 1919 Sennett gave him a job directing two-reel comedies. The next year he graduated to features. While specializing in comedies (he directed two of Bud Abbott and Lou Costello's best films, Pardon My Sarong (1942) and Who Done It? (1942)), Kenton also branched out into the horror field, turning out a few somewhat interesting efforts (House of Dracula (1945), House of Frankenstein (1944)) and one genuine classic: Island of Lost Souls (1932). In the 1950s, like many of his B-picture colleagues, he turned to television and finished his career there.
BornAugust 1, 1896
DiedJanuary 28, 1980(83)
BornAugust 1, 1896
DiedJanuary 28, 1980(83)
IMDbProStarmeter
See rank
  • Awards

Known for

Lon Chaney Jr. and Evelyn Ankers in The Ghost of Frankenstein (1942)
The Ghost of Frankenstein
6.1
  • Director
  • 1942
House of Dracula (1945)
House of Dracula
5.7
  • Director
  • 1945
Boris Karloff, John Carradine, Lon Chaney Jr., J. Carrol Naish, and Glenn Strange in House of Frankenstein (1944)
House of Frankenstein
6.2
  • Director
  • 1944
Louise Henry, Jack Holt, and Guinn 'Big Boy' Williams in End of the Trail (1936)
End of the Trail
7.6
  • Director
  • 1936

Credits

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IMDbPro

Director

  • Rory Calhoun in The Texan (1958)
    The Texan
  • Greer Garson and Florenz Ames in Telephone Time (1956)
    Telephone Time
  • Crossroads (1955)
    Crossroads
  • Fight for the Title (1957)
    Fight for the Title
  • Sneak Preview
  • Cesar Romero in Passport to Danger (1954)
    Passport to Danger
  • Public Defender (1954)
    Public Defender
  • The Joe Palooka Story (1954)
    The Joe Palooka Story
  • Mark Stevens in Big Town (1950)
    Big Town
  • Racket Squad (1950)
    Racket Squad
  • Flight to the Future ...to the World of Plastics (1952)
    Flight to the Future ...to the World of Plastics
    • (as Erl Kenton)
  • Julie Bishop and Richard Denning in Secrets of Beauty (1951)
    Secrets of Beauty
  • One Too Many (1950)
    One Too Many
  • Bob and Sally (1948)
    Bob and Sally
    • (as Earle C. Kenton)
  • Frederick Brady, Fay Holden, Frank McHugh, and Beverly Simmons in Little Miss Big (1946)
    Little Miss Big

Actor

  • The Gay Nineties
  • Louise Henry, Jack Holt, and Guinn 'Big Boy' Williams in End of the Trail (1936)
    End of the Trail
  • You Wouldn't Believe It
    • (uncredited)
  • Phyllis Haver in Hearts and Flowers (1919)
    Hearts and Flowers
    • (uncredited)
  • Heinie Conklin, Phyllis Haver, and Ben Turpin in When Love Is Blind (1919)
    When Love Is Blind
    • (as Earl Kenton)
  • Louise Fazenda, Vera Steadman, and Ford Sterling in The Summer Girls (1918)
    The Summer Girls
  • Her Blighted Love (1918)
    Her Blighted Love
  • Chester Conklin, Harry Gribbon, and Marie Prevost in His Smothered Love (1918)
    His Smothered Love
  • Erle C. Kenton, Charles Murray, Mary Thurman, and Wayland Trask in Friend Husband (1918)
    Friend Husband
  • Chester Conklin and Ethel Teare in An International Sneak (1917)
    An International Sneak
  • Louise Fazenda and Ben Turpin in Are Waitresses Safe? (1917)
    Are Waitresses Safe?
  • Two Crooks
  • His Speedy Finish
  • When Hearts Collide (1917)
    When Hearts Collide
  • Glass Slide, app 3" x 4"
    Black Eyes and Blue

Writer

  • Rory Calhoun in The Texan (1958)
    The Texan
  • Gaston Glass and Anita Stewart in Name the Woman (1928)
    Name the Woman
  • Bring Him In
  • Among Those Present (1919)
    Among Those Present

Personal details

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    • August 1, 1896
    • Norboro, Montana, USA
    • January 28, 1980
    • Glendale, California, USA(Parkinson's disease)
  • Publicity listings
    • 4 Articles

Did you know

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  • Trivia
    Started out as an actor at Mack Sennett Studios (as one of the Keystone Kops), worked as a gagman and assistant director and was eventually promoted by Sennett to the director's chair.
    • Island of Lost Souls
      (1932)
      $750 per week

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