While we expect to soon hear some casting news on Quentin Tarantino’s final feature The Movie Critic ahead of a shoot later this year, the small details being doled-out will have to suffice. In the meantime, he joined the latest episode of the Pure Cinema Podcast to promote a forthcoming all-film Ib Technicolor Fest taking place at his newly acquired Vista Theatre in LA. As part of this discussion, he shared the notable update that he plans to write Cinema Speculation Vol. Two, a sequel to his 2022 book of film analysis. He confirmed the book will feature his insights on Peter Bogdanovich’s 1972 comedy classic What’s Up, Doc?, and shared a tease. The director also shared quite an interesting take on Robert Altman’s McCabe & Mrs. Miller.
Speaking about Bogdanovich’s hilarious comedy, which he says “was made for I.B. Technicolor” and is “as close to [Frank] Tashlin as you are going to get,...
Speaking about Bogdanovich’s hilarious comedy, which he says “was made for I.B. Technicolor” and is “as close to [Frank] Tashlin as you are going to get,...
- 1/30/2024
- by Jordan Raup
- The Film Stage
Twice-Told Tales
Blu-ray
Kino Lorber
1963 / 1.66: 1 / 120 Min.
Starring Vincent Price, Sebastian Cabot, Joyce Taylor
Written by Robert E. Kent
Directed by Sidney Salkow
Released in October of 1963, the first review of Sidney Salkow’s Twice-Told Tales appeared in 1623: “Life is as tedious as a twice-told tale.” That line from Shakespeare’s King John is a nice summation of Salkow’s horror anthology, an undernourished melodrama that finds its salvation in, no surprise, the reliably entertaining Vincent Price.
Nathaniel Hawthorne used that Shakespearean quip as the title of his own collection of reprinted material, published in March of 1837. The book had a cover price of one dollar, which might have been close to the budget for Salkow’s movie—a remarkably cheap-looking production, even for Admiral Pictures. The company, headed by Grant Whytock with funding from Edward Small, specialized in cutting corners—they even worked their chintzy magic on Roger Corman’s Tower of London,...
Blu-ray
Kino Lorber
1963 / 1.66: 1 / 120 Min.
Starring Vincent Price, Sebastian Cabot, Joyce Taylor
Written by Robert E. Kent
Directed by Sidney Salkow
Released in October of 1963, the first review of Sidney Salkow’s Twice-Told Tales appeared in 1623: “Life is as tedious as a twice-told tale.” That line from Shakespeare’s King John is a nice summation of Salkow’s horror anthology, an undernourished melodrama that finds its salvation in, no surprise, the reliably entertaining Vincent Price.
Nathaniel Hawthorne used that Shakespearean quip as the title of his own collection of reprinted material, published in March of 1837. The book had a cover price of one dollar, which might have been close to the budget for Salkow’s movie—a remarkably cheap-looking production, even for Admiral Pictures. The company, headed by Grant Whytock with funding from Edward Small, specialized in cutting corners—they even worked their chintzy magic on Roger Corman’s Tower of London,...
- 9/24/2022
- by Charlie Largent
- Trailers from Hell
Normal 0 false false false En-us X-none X-none
“Another Classic Hollywood Problem Film?”
By Raymond Benson
Recently there was hue and cry about the new streaming service HBO Max and their decision to remove the 1939 Oscar-winning classic Gone with the Wind from their lineup because of its no-question-about-it racial stereotypes. While the intention might be admirable, there is also the danger of destroying a part of cultural history that should be studied and learned from, rather than rendering it invisible. Besides, viewers have a choice to watch a movie, unlike, say, gazing at a statue on public display that is there for all to see no matter what.
Another Hollywood classic from the same era that certainly falls into identical “problem” areas is William Wyler’s Jezebel, which earned Bette Davis her second Oscar, awarded supporting actress Fay Bainter a trophy, and was nominated for Best Picture of 1938. It, too, is...
“Another Classic Hollywood Problem Film?”
By Raymond Benson
Recently there was hue and cry about the new streaming service HBO Max and their decision to remove the 1939 Oscar-winning classic Gone with the Wind from their lineup because of its no-question-about-it racial stereotypes. While the intention might be admirable, there is also the danger of destroying a part of cultural history that should be studied and learned from, rather than rendering it invisible. Besides, viewers have a choice to watch a movie, unlike, say, gazing at a statue on public display that is there for all to see no matter what.
Another Hollywood classic from the same era that certainly falls into identical “problem” areas is William Wyler’s Jezebel, which earned Bette Davis her second Oscar, awarded supporting actress Fay Bainter a trophy, and was nominated for Best Picture of 1938. It, too, is...
- 7/8/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Which Bette Davis movies qualify for greatness? Her flawed character in this costume picture doesn’t conquer all, and it’s historically more sensitive than Gone With the Wind. It’s also William Wyler at the top of his form, creating in just 104 minutes a rich image of a long-gone world. Southern Belle Julie Marsden is a contrary troublemaker, a flip coquette who shoots her whole life to hell with just a couple of social gaffes. The story is ‘bigger than Bette’ – the apocalyptic finale is just a side event in a fable about the nature of chivalry and honor in a flawed social structure.
Jezebel
Blu-ray
Warner Archive Collection
1938 / B&w / 1:37 flat Academy / 104 min. / Street Date August 27, 2019 / available through the WBshop / 21.99
Starring: Bette Davis, Henry Fonda, George Brent, Margaret Lindsay, Donald Crisp, Fay Bainter, Richard Cromwell, Henry O’Neill, Spring Byington, John Litel, Theresa Harris, Irving Pichel, Eddie Anderson,...
Jezebel
Blu-ray
Warner Archive Collection
1938 / B&w / 1:37 flat Academy / 104 min. / Street Date August 27, 2019 / available through the WBshop / 21.99
Starring: Bette Davis, Henry Fonda, George Brent, Margaret Lindsay, Donald Crisp, Fay Bainter, Richard Cromwell, Henry O’Neill, Spring Byington, John Litel, Theresa Harris, Irving Pichel, Eddie Anderson,...
- 9/21/2019
- by Glenn Erickson
- Trailers from Hell
The House of the Seven Gables
Blu ray
Kino Lorber
1940 / 1:33:1 / 89 Min.
Starring Margaret Lindsay, Vincent Price, George Sanders
Written by Lester Cole
Cinematography by Milton R. Krasner
Directed by Joe May
In 1940’s The House of the Seven Gables, Margaret Lindsay transforms from sunny romantic to stone-faced recluse in the blink of an eye – her startling performance gives a 20th century hot foot to Universal’s 19th century melodrama.
Published in 1851, Nathaniel Hawthorne’s novel is set during the new era of enlightenment – a superstitious few may resist but the wheels of change are turning – just not fast enough for the Pyncheon family, a seemingly cursed dynasty plagued by corruption and cruelty.
Lindsay plays Hepzibah Pyncheon whose lover Clifford has been framed by his brother Jaffrey for the death of their father. A cold-blooded fop maintaining the family’s avaricious tradition, Jaffrey covets the distinctly gabled ancestral home and its hidden treasures.
Blu ray
Kino Lorber
1940 / 1:33:1 / 89 Min.
Starring Margaret Lindsay, Vincent Price, George Sanders
Written by Lester Cole
Cinematography by Milton R. Krasner
Directed by Joe May
In 1940’s The House of the Seven Gables, Margaret Lindsay transforms from sunny romantic to stone-faced recluse in the blink of an eye – her startling performance gives a 20th century hot foot to Universal’s 19th century melodrama.
Published in 1851, Nathaniel Hawthorne’s novel is set during the new era of enlightenment – a superstitious few may resist but the wheels of change are turning – just not fast enough for the Pyncheon family, a seemingly cursed dynasty plagued by corruption and cruelty.
Lindsay plays Hepzibah Pyncheon whose lover Clifford has been framed by his brother Jaffrey for the death of their father. A cold-blooded fop maintaining the family’s avaricious tradition, Jaffrey covets the distinctly gabled ancestral home and its hidden treasures.
- 5/11/2019
- by Charlie Largent
- Trailers from Hell
Edgar G. Ulmer movies on TCM: 'The Black Cat' & 'Detour' Turner Classic Movies' June 2017 Star of the Month is Audrey Hepburn, but Edgar G. Ulmer is its film personality of the evening on June 6. TCM will be presenting seven Ulmer movies from the mid-1930s to the mid-1960s, including his two best-known efforts: The Black Cat (1934) and Detour (1945). The Black Cat was released shortly before the officialization of the Christian-inspired Production Code, which would castrate American filmmaking – with a few clever exceptions – for the next quarter of a century. Hence, audiences in spring 1934 were able to witness satanism in action, in addition to other bizarre happenings in an art deco mansion located in an isolated area of Hungary. Sporting a David Bowie hairdo, Boris Karloff is at his sinister best in The Black Cat (“Do you hear that, Vitus? The phone is dead. Even the phone is dead”), ailurophobic (a.
- 6/7/2017
- by Andre Soares
- Alt Film Guide
Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...
- 7/2/2015
- by Andre Soares
- Alt Film Guide
Teresa Wright: Later years (See preceding post: "Teresa Wright: From Marlon Brando to Matt Damon.") Teresa Wright and Robert Anderson were divorced in 1978. They would remain friends in the ensuing years.[1] Wright spent most of the last decade of her life in Connecticut, making only sporadic public appearances. In 1998, she could be seen with her grandson, film producer Jonah Smith, at New York's Yankee Stadium, where she threw the ceremonial first pitch.[2] Wright also became involved in the Greater New York chapter of the Als Association. (The Pride of the Yankees subject, Lou Gehrig, died of Amyotrophic Lateral Sclerosis in 1941.) The week she turned 82 in October 2000, Wright attended the 20th anniversary celebration of Somewhere in Time, where she posed for pictures with Christopher Reeve and Jane Seymour. In March 2003, she was a guest at the 75th Academy Awards, in the segment showcasing Oscar-winning actors of the past. Two years later,...
- 3/15/2015
- by Andre Soares
- Alt Film Guide
First Best Actor Oscar winner Emil Jannings and first Best Actress Oscar winner Janet Gaynor on TCM (photo: Emil Jannings in 'The Last Command') First Best Actor Academy Award winner Emil Jannings in The Last Command, first Best Actress Academy Award winner Janet Gaynor in Sunrise, and sisters Norma Talmadge and Constance Talmadge are a few of the silent era performers featured this evening on Turner Classic Movies, as TCM continues with its Silent Monday presentations. Starting at 5 p.m. Pt / 8 p.m. Et on November 17, 2014, get ready to check out several of the biggest movie stars of the 1920s. Following the Jean Negulesco-directed 1943 musical short Hit Parade of the Gay Nineties -- believe me, even the most rabid anti-gay bigot will be able to enjoy this one -- TCM will be showing Josef von Sternberg's The Last Command (1928) one of the two movies that earned...
- 11/18/2014
- by Andre Soares
- Alt Film Guide
Bette Davis movies: TCM schedule on August 14 (photo: Bette Davis in ‘Dangerous,’ with Franchot Tone) See previous post: “Bette Davis Eyes: They’re Watching You Tonight.” 3:00 Am Parachute Jumper (1933). Director: Alfred E. Green. Cast: Douglas Fairbanks Jr., Bette Davis, Frank McHugh, Claire Dodd, Harold Huber, Leo Carrillo, Thomas E. Jackson, Lyle Talbot, Leon Ames, Stanley Blystone, Reginald Barlow, George Chandler, Walter Brennan, Pat O’Malley, Paul Panzer, Nat Pendleton, Dewey Robinson, Tom Wilson, Sheila Terry. Bw-72 mins. 4:30 Am The Girl From 10th Avenue (1935). Director: Alfred E. Green. Cast: Bette Davis, Ian Hunter, Colin Clive, Alison Skipworth, John Eldredge, Phillip Reed, Katharine Alexander, Helen Jerome Eddy, Bill Elliott, Edward McWade, André Cheron, Wedgwood Nowell, John Quillan, Mary Treen. Bw-69 mins. 6:00 Am Dangerous (1935). Director: Alfred E. Green. Cast: Bette Davis, Franchot Tone, Margaret Lindsay, Alison Skipworth, John Eldredge, Dick Foran, Walter Walker, Richard Carle, George Irving, Pierre Watkin, Douglas Wood,...
- 8/15/2013
- by Andre Soares
- Alt Film Guide
Warner Archive Collection 4th anniversary DVD / Blu-ray releases The Warner Archive Collection (aka Wac), which currently has a DVD / Blu-ray library consisting of approximately 1,500 titles, has just turned four. In celebration of its fourth anniversary, Wac is releasing with movies featuring the likes of Jane Powell, Eleanor Parker, and many more stars and filmmakers of yesteryear. (Pictured above: Greer Garson, Debbie Reynolds, Ricardo Montalban in the sentimental 1966 comedy / drama with music The Singing Nun.) For starters, Jane Powell and Debbie Reynolds play siblings in Richard Thorpe's Athena (1954), whose supporting cast includes Edmund Purdom, Vic Damone, frequent Jerry Lewis foil Kathleen Freeman, Citizen Kane's Ray Collins, Tyrone Power's then-wife Linda Christian, former Mr. Universe and future Hercules Steve Reeves, veteran Louis Calhern, not to mention numerology, astrology, and vegetarianism. As per Wac's newsletter, the score by Hugh Martin and Martin Blane "gets a first ever Stereophonic Sound remix for this disc,...
- 3/27/2013
- by Andre Soares
- Alt Film Guide
Janet Gaynor and Charles Farrell: Studio manufactured romance [See previous post: "Kristen Stewart and Robert Pattinson Rumors and Gossip = Hard Cash."] In the late ’20s and early ’30s, Fox (not yet 20th Century Fox) used on-screen lovebirds Charles Farrell and (first Best Actress Academy Award winner) Janet Gaynor in a series of romantic melodramas and light comedies. As a box-office incentive of sorts, studio publicists and the fan magazines came up with a Farrell-Gaynor off-screen love affair as well. Never mind the fact that the two were not lovers: Farrell eventually married silent-film actress Virginia Valli; Gaynor, who at one point was attached to Warner Bros. contract player Margaret Lindsay and later became an intimate companion of Broadway star Mary Martin, retired from films after marrying costume designer Adrian. [Photo: Janet Gaynor and Charles Farrell in Frank Borzage's 7th Heaven.) In the early '30s, in order to both lift the sagging popularity of former superstar Ramon Novarro and boost the rising popularity of new contract player Myrna Loy, MGM manufactured a romance for the couple, then starring in Sam Wood's The Barbarian. Neither Novarro, who was gay and determined to keep his love/sex life under wraps, nor Loy, who was having an affair with (married) producer Arthur Hornblow Jr., was pleased. When it comes to those sorts of rumors, nothing has changed in the last eight or nine decades. Gee, could two performers play love scenes in a movie without actually falling in love with one another? Not according to the tabloids and their "news feeders." Will it help the box-office of their movies? Well, let's say it definitely won't hurt it. (See also: "Hollywood Scandals: Errol Flynn / Roman Polanski / Charles Chaplin.") Recently, Oscar contender Bradley Cooper dismissed rumors that he was dating his Golden Globe-winning and fellow Oscar contender Silver Linings Playbook co-star Jennifer Lawrence. Not that long ago, it was the turn of Justin Timberlake and Mila Kunis, whose alleged affair was buzzed about right at the time their 2011 romantic comedy Friends with Benefits came out. (The following year, Timberlake married Jessica Biel.) And so on. Privacy concerns: It's all about one's public image Now, one key difference between what we see today and what was published during the Studio Era is that the movie fan magazines weren't tabloids. They generally plugged the studios' products -- i.e., the movies, the stars -- according to the dictates of the studios' own p.r. machines and/or the stars' own publicists. Some stars of yore, much like Jodie Foster at this year's Golden Globes, might claim in interviews that they prized their privacy, but most of those same people gladly discarded that fiercely protected possession when aspects of their personal lives could be used as self-promoting tools. At other times, they quite willingly gave it up when the "private" issue was deemed professionally unthreatening. Examples of the private and public spheres becoming one range from Vilma Banky and Rod La Rocque's Marriage of the Decade in the late '20s to Joan Crawford's various child adoptions. Late in life, the ever-so-private Katharine Hepburn wrote a bestselling book of (conveniently selective) memoirs, while just a few years ago Jodie Foster herself openly talked with More magazine about her role as a mother. In other words: if private matters were/are detrimental to a person's public image, they should remain private. If not, everyone should know about them. In that regard, public figures are truly no different than private ones. Back when the studios controlled access to their players (and had the all-too-willing support of the local police and government officials), it was easy to maintain that sort of balance. ["Studio-Manufactured Love Affairs: Janet Gaynor and Charles Farrell" continues on the next page. See link below.] Janet Gaynor and Charles Farrell in Frank Borzage’s 7th Heaven photo: Fox publicity image. This post was originally published at Alt Film Guide (http://www.altfg.com/). Not to be republished without permission.
- 1/18/2013
- by Andre Soares
- Alt Film Guide
Errol Flynn Movies: The Charge Of The Light Brigade Errol Flynn Movie line-up on Turner Classic Movies 3:30 Am Green Light (1937) An idealistic doctor sacrifices his career to protect an elderly surgeon. Dir: Frank Borzage Cast: Errol Flynn, Anita Louise, Margaret Lindsay. Bw-85 mins. 5:00 Am Northern Pursuit (1943) A Mountie tracks a downed Nazi flyer through the Canadian wilderness. Dir: Raoul Walsh Cast: Errol Flynn, Julie Bishop, Helmut Dantine. Bw-93 mins. 6:45 Am The Dawn Patrol (1938) A flight commander in France almost cracks under the pressure of sending men to their deaths. Dir: Edmund Goulding Cast: Errol Flynn, Basil Rathbone, David Niven, [...]...
- 6/20/2012
- by Andre Soares
- Alt Film Guide
Errol Flynn Movies TCM: The Charge Of The Light Brigade 3:30 Am Green Light (1937) An idealistic doctor sacrifices his career to protect an elderly surgeon. Dir: Frank Borzage Cast: Errol Flynn, Anita Louise, Margaret Lindsay. Bw-85 mins. 5:00 Am Northern Pursuit (1943) A Mountie tracks a downed Nazi flyer through the Canadian wilderness. Dir: Raoul Walsh Cast: Errol Flynn, Julie Bishop, Helmut Dantine. Bw-93 mins. 6:45 Am The Dawn Patrol (1938) A flight commander in France almost cracks under the pressure of sending men to their deaths. Dir: Edmund Goulding Cast: Errol Flynn, Basil Rathbone, David Niven. Bw-103 mins. [...]...
- 6/20/2012
- by Andre Soares
- Alt Film Guide
Bette Davis, Joan Blondell, Ann Dvorak, Three on a Match Ann Dvorak on TCM Part I: Scarface, I Was An American Spy Another cool Ann Dvorak performance is her drug addict in Mervyn LeRoy's Three on a Match (1932), which features a great cast that includes Warren William, Joan Blondell, and a pre-stardom Bette Davis. Never, ever light three cigarettes using the same match, or you'll end up like Ann Dvorak, delivering a harrowing performance without getting an Academy Award nomination for your efforts. As Three on a Match's young Ann Dvorak, future Oscar nominee Anne Shirley is billed as Dawn O'Day. (And for those who believe that remakes is something new: Three on a Mach was remade a mere six years later as Broadway Musketeers: John Farrow directed; Ann Sheridan, Marie Wilson, and Margaret Lindsay starred.) I've never watched David Miller's family drama Our Very Own...
- 8/8/2011
- by Andre Soares
- Alt Film Guide
Bette Davis on TCM: The Old Maid, Now, Voyager, The Working Man Bette Davis has a cameo in John Paul Jones (1959), which happens to be an insufferable bore despite the presence of Robert Stack in the title role, and she plays second banana to Spencer Tracy in the run-of-the-Warners-mill prison drama 20,000 Years in Sing Sing (1932), but she is at the center of The Corn Is Green (1945) as Miss Lily Moffat, a teacher in a poor Welsh mining town. Now, Voyager's Irving Rapper directed this film adaptation of Emlyn Williams' semi-autobiographical play — and it shows. Davis is a little too stiff in Ethel Barrymore's Broadway role, John Dall fails to convey his character's emotional turmoil, the dialogue has a theatrical lilt to it, and for the most part the potentially compelling drama feels stilted. Had William Wyler directed The Corn Is Green, it would have been a fantastic movie.
- 8/3/2011
- by Andre Soares
- Alt Film Guide
Cavalcade (1933) Direction: Frank Lloyd Cast: Clive Brook, Diana Wynyard, Herbert Mundin, Una O'Connor, Beryl Mercer, Irene Browne, Merle Tottenham, Frank Lawton, Ursula Jeans, Margaret Lindsay Screenplay: Reginald Berkeley, Sonya Levien; from Noel Coward's 1931 play Oscar Movies, Pre-Code Movies Herbert Mundin, Diana Wynyard, Clive Brook, Una O'Connor, Cavalcade Synopsis: Upstairs, Robert and Jane Marryot (Clive Brook, Diana Wynyard), and downstairs, Alfred and Ellen Bridges (Herbert Mundin, Una O'Connor), in a British household, from 1900 to 1933. The Pros: Cavalcade won Best Picture and Best Director Oscars for the period 1932-33 (basically from Aug. '32-Dec. '33) and was reportedly the biggest box-office hit of 1933, grossing more than $3.5m (approx. $121m today*). That makes it a historical curiosity. Best Actress Oscar nominee Diana Wynyard has one remarkable moment, walking among armistice revelers but not feeling at all like celebrating after having lost a son to the Great War. Noel Coward, for his [...]...
- 2/11/2011
- by Andre Soares
- Alt Film Guide
With the road to the Academy Awards well and truly underway, the next few weeks of Top 10 Tuesdays will have a suitable Oscar theme, kicking off this week with the 10 Greatest Oscar winning Performances!
The past 83 years have unquestionably provided some exceptional performances – as well as some that have definitely been overlooked by the Academy – and below are the five best Oscar winning performances by an actor and the five best from an actress…in my opinion!
10. Susan Hayward – I Want To Live! (1958)
Barbara Graham (Susan Hayward) is a woman with a questionable moral fibre. Often found in seedy bars soliciting, she has previously been sentenced for a number of small, petty crimes. When two of Barbara’s sleazy male acquaintances murder an older woman it isn’t long before the police catch them. Falsely believing that Barbara has assisted the police in arresting them they claim that is in...
The past 83 years have unquestionably provided some exceptional performances – as well as some that have definitely been overlooked by the Academy – and below are the five best Oscar winning performances by an actor and the five best from an actress…in my opinion!
10. Susan Hayward – I Want To Live! (1958)
Barbara Graham (Susan Hayward) is a woman with a questionable moral fibre. Often found in seedy bars soliciting, she has previously been sentenced for a number of small, petty crimes. When two of Barbara’s sleazy male acquaintances murder an older woman it isn’t long before the police catch them. Falsely believing that Barbara has assisted the police in arresting them they claim that is in...
- 2/9/2011
- by Stuart Cummins
- Obsessed with Film
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